This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The legends of King Arthur and his knights of the Round Table have inspired some of the greatest works of literature--from Cervantes's Don Quixote to Tennyson's Idylls of the King . Although many versions exist, Malory's stands as the classic rendition. Malory wrote the book while in Newgate Prison during the last three years of his life; it was published some fourteen years later, in 1485, by William Caxton. The tales, steeped in the magic of Merlin, the powerful cords of the chivalric code, and the age-old dramas of love and death, resound across the centuries. The stories of King Arthur, Lancelot, Queen Guenever, and Tristram and Isolde seem astonishingly moving and modern. Malory's Le Morte d'Arthur endures and inspires because it embodies mankind's deepest yearnings for brotherhood and community, a love worth dying for, and valor, honor, and chivalry.
This book endures and inspires because it embodies mankind's deepest yearnings: the power of brotherhood and community, the romance of a love worth dying for, and the moral rightness of valor, honor, and chivalry.
Dorsey Armstrong provides a new, Modern English translation of the MORTE DARTHUR that portrays the holistic and comprehensive unity of the text as a whole, as suggested by the structure of Caxton’s print, but that is based primarily on the Winchester Manuscript, which offers the most complete and accurate version of Malory’s narrative. This translation makes one of the most compelling and important texts in the Arthurian tradition easily accessible to everyone—from high school students to Arthurian scholars. In addition to the complete text, Armstrong includes an introduction that discusses Malory’s sources and the long-running debate surrounding the manuscript and print versions of the narrative. For ease of use, the text is keyed to both William Caxton’s print version and the manuscript version edited by Eugène Vinaver. A detailed index is also included.
This English version of the stories of King Arthur, "Le Morte D'Arthur" was completed in 1469-70 by Sir Thomas Malory. Malory charts the tragic disintegration of the fellowship of the Round Table, destroyed from within by warring factions.
Le Morte d'Arthur (originally spelled Le Morte Darthur, Middle French for “the death of Arthur”) is a compilation by Sir Thomas Malory of traditional tales about the legendary King Arthur.
The next elegant edition in the Knickerbocker Classic series, Le Morte d'Arthur is unabridged and complete. Originally published in 1485 by William Caxton, Sir Thomas Malory's Le Morte d'Arthur remains the most exciting and magical interpretation of the legend of King Arthur and the Knights of the Round Table. For Arthurian fans worldwide, this stunning gift edition has a cloth binding, ribbon marker, and is packaged neatly in an elegant slipcase. Featuring a new introduction and the elegant illustrations by Aubrey Beardsley (1872-1898), this volume of Le Morte d'Arthur is an indispensible classic for every home library.
The wizard Merlin foretells that King Arthur's bastard son Mordred will one day bring about the ruin of Camelot. At Merlin's urging, Arthur tries to have the boy killed. Arthur then marries the fair Gwenyvere, who brings the Round Table with her as part of her dowry. But Gwenyvere falls in love with Arthur's favorite knight, Launcelot . Meanwhile, Mordred—who survived the attempt on his life—plots to bring down his father's kingdom. When Mordred exposes Launcelot and Gwenyvere's affair, it threatens to divide Arthur's knights and shatter the fellowship of the Round Table. First published in England in 1485, this epic is credited with combining the disparate Arthurian legends into a cohesive, definitive canon. This is an unabridged version of Sir Thomas Malory's tale of swords, quests, honor, and betrayal.
Le Morte D'Arthur is Sir Thomas Malory's richly evocative and enthralling version of the Arthurian legend. Recounting Arthur's birth, his ascendancy to the throne after claiming Excalibur, his ill-fated marriage to Guenever, the treachery of Morgan le Fay and the exploits of the Knights of the Round Table, it magically weaves together adventure, battle, love and enchantment. Le Morte D'Arthur looks back to an idealized Medieval world and is full of wistful, elegiac regret for a vanished age of chivalry. Edited and published by William Caxton in 1485, Malory's prose romance drew on French and English verse sources to give an epic unity to the Arthur myth, and remains the most magnificent re-telling of the story in English.
Le Morte d'Arthur is Sir Thomas Malory's compilation of some French and English Arthurian romances. The book contains some of Malory's own original material (the Gareth story) and retells the older stories in light of Malory's own views and interpretations. First published in 1485 by William Caxton, Le Morte d'Arthur is perhaps the best-known work of English-language Arthurian literature today.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sir Thomas Malory, a knight of the fifteenth century, collected and compiled all the legends and songs surrounding the pre-Christian Welsh chieftain Arthur into a fascinating, rambling prose narrative, Le Morte Darthur (The Death of Arthur). Since then, it has inspired numerous authors and artists while becoming the principal source for today's notions of chivalry and the Knights of the Round Table. This book is a must-read for anyone with even a remote interest in Arthurian lore. This publication from Boomer Books is specially designed and typeset for comfortable reading.
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