To celebrate the centenary of the first garden city at Letchworth, the Town and Country Planning Association has performed a service to planners everywhere by initiating the republication in facsimile form of the very scarce original first edition of To-Morrow. Accompanied by a running scholarly commentary on the text, and by a newly-written editorial introduction and postscript, jointly written by three leading commentators on Howard's life and work To-Morrow will immediately become a compulsory purchase for every serious student and practitioner of planning and for teachers and students of modern social, economic and political history.
In these four lectures Peter Hall reveals a lifetime of discoveries about classical theatre, Shakespeare, opera and modern drama. The central argument is that form and structured language paradoxically give freedom to power of thought and feeling, much as the masks of early Greek drama enabled actors to express extreme emotion. The mask may take many forms – the precise language of Beckett and Pinter, the classical form of Mozart’s operas, or Shakespeare’s verse. Reprinted to form part of the Oberon Masters series, a brand new collection of attractive hardbacks on key themes within the arts written by leading lights in each subject.
A new 21st century urban phenomenon is emerging: the networked polycentric mega-city region. Developed around one or more cities of global status, it is characterized by a cluster of cities and towns, physically separate but intensively networked in a complex spatial division of labour. This book describes and analyses eight such regions in North West Europe. For the first time, this work shows how businesses interrelate and communicate in geographical space - within each region, between them, and with the wider world. It goes on to demonstrate the profound consequences for spatial planning and regional development in Europe - and, by implication, other similar urban regions of the world. The Polycentric Metropolis introduces the concept of a mega-city region, analyses its characteristics, examines the issues surrounding regional identities, and discusses policy ramifications and outcomes for infrastructure, transport systems and regulation. Packed with high quality maps, case study data and written in a clear style by highly experienced authors, this will be an insightful and significant analysis suitable for professionals in urban planning and policy, environmental consultancies, business and investment communities, technical libraries, and students in urban studies, geography, economics and town/spatial planning.
To celebrate the centenary of the first garden city at Letchworth, the Town and Country Planning Association has performed a service to planners everywhere by initiating the republication in facsimile form of the very scarce original first edition of To-Morrow. Accompanied by a running scholarly commentary on the text, and by a newly-written editorial introduction and postscript, jointly written by three leading commentators on Howard's life and work To-Morrow will immediately become a compulsory purchase for every serious student and practitioner of planning and for teachers and students of modern social, economic and political history.
The best-selling guide to acting Shakespeare in a new smaller and lighter handbook size. Shakespeare tells the actor when to go fast and when to go slow; when to pause, when to come in on cue and when to accent a word. His text is full of such clues. He tells the actor when but never tells him why or how. That is up to the actor. Much like bringing a musical score to life, Peter Hall guides us to 'speak the speech'. An essential text for classical training at drama school and an invaluable reference book for actors and directors working on Shakespeare productions. Peter Hall makes watching or reading Shakespeare a richer experience, for audiences as well as actors.
Anyone with the smallest interest in composition - not just concertos but novels, buildings, lives, you name it, should read this absorbing, spiky, dazzling book.' Adam Thirwell, TLS Books of the Year Harrison Birtwistle is recognised worldwide as one of the greatest of living composers, behind such works of trail-blazingly modern classical music as The Shadow of Night and The Mask of Orpheus, famously staged at the English National Opera in 1986, and winner of the Grawemeyer Award. His music is both deeply original and highly personal, yet he has always been notoriously reticent about explaining either his music or himself. In this 'conversation diary', spanning six months, he talks openly to the distinguished writer and critic Fiona Maddocks (author of the acclaimed Hildegard of Bingen: The Woman of her Age), offering rare insights into the challenges, uncertainties and rewards which have shaped his life and work since childhood, and which remain with him today as he enters his ninth decade. We see the composer in the privacy of his Wiltshire studio and garden, and in the public glare of the elite Salzburg and Aldeburgh Festivals. But mostly he is at his kitchen table, talking about the essential aspects of his life - family, cooking, cricket, landscape, pruning trees - and reflecting on the never easy-process of composition. What distinguishes him and his remarkable music is an ability to see the extraordinary in the everyday, giving rise to work that is both elemental and profound. For anyone concerned with the future of music this book is essential reading.
Packed full of incident and insight, No Cunning Plan is a funny, self-deprecating and always entertaining memoir by Sir Tony Robinson. Sir Tony Robinson is a much-loved actor, presenter and author with a stellar career lasting over fifty years. In this autobiography he reveals how the boy from South Woodford went from child stardom in the first stage production of Oliver!, a pint-sized pickpocket desperately bleaching his incipient moustache, to comedy icon Baldrick, the loyal servant and turnip aficionado in Blackadder. It wasn't all plain sailing though. Along the way he was bullied by Steve Marriott, failed to impress Liza Minnelli and was pushed into a stinking London dock by John Wayne. He also entertained us with Maid Marion and Her Merry Men (which he wrote and starred in) and coped manfully when locked naked outside a theatre in Lincoln during the live tour of comedy series Who Dares Wins. He presented Time Team for twenty years, watching countless gardens ruthlessly dug up in the name of archaeology, and risked life and limb filming The Worst Jobs in History.
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