Reno, a female ex-con, finds work at a wild nightclub in San Francisco's North Beach section, where she meets a diverse cast of characters and engages in the general mayhem that pervades the establishment. Original.
Low Bite: Sin Soracco’s prison novel about survival, dignity, friendship, and insubordination. The view from inside a women’s prison isn’t a pretty one, and Morgan, the narrator, knows that as well as anyone. White, female, 26, convicted of nighttime breaking and entering with force, she works in the prison law library, giving legal counsel of more-or-mostly-less usefulness to other convicts. More useful is the hooch stash she keeps behind the law books. And she has plenty of enemies—like Johnson, the lesbian-hating warden, and Alex, the “pretty little dude” lawyer who doesn’t like her free legal advice. Then there’s Rosalie and Birdeye—serious rustlers whose loyalty lasts about as long as their cigarettes hold out. And then there’s China: Latina, female, 22, holding U.S. citizenship through marriage, convicted of conspiracy to commit murder—a dangerous woman who is safer in prison than she is on the streets. They’re all trying to get through without getting caught or going straight, but there’s just one catch—a bloodstained bank account that everybody wants, including some players on the outside. Low Bite: an underground classic reprinted at last and the first title in the new imprint from The Green Arcade.
This anthology of “genuinely haunting noir fiction” set in the Golden City features new stories by Jim Nisbet, Alejandro Murguía, Michelle Tea and others (Publishers Weekly). Oscar Wilde once quipped that anyone who disappears is said to be seen in in San Francisco. With its famous fog, winding streets, and hazardously steep hills, it is certainly an ideal place for getting lost. It’s also an ideal setting for noir fiction. From Fisherman’s Warf and The Golden Gate Bridge to The Haight-Ashbury, Chinatown, and Russian Hill, fifteen authors explore the sordid side of the City by the Bay in this sterling collection. San Francisco Noir features brand-new stories by Barry Gifford, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, Domenic Stansberry, David Corbett, Eddie Muller, Alejandro Murguía, Sin Soracco, Alvin Lu, John Longhi, Will Christopher Baer, Jim Nisbet, and David Henry Sterry.
Low Bite: Sin Soracco’s prison novel about survival, dignity, friendship, and insubordination. The view from inside a women’s prison isn’t a pretty one, and Morgan, the narrator, knows that as well as anyone. White, female, 26, convicted of nighttime breaking and entering with force, she works in the prison law library, giving legal counsel of more-or-mostly-less usefulness to other convicts. More useful is the hooch stash she keeps behind the law books. And she has plenty of enemies—like Johnson, the lesbian-hating warden, and Alex, the “pretty little dude” lawyer who doesn’t like her free legal advice. Then there’s Rosalie and Birdeye—serious rustlers whose loyalty lasts about as long as their cigarettes hold out. And then there’s China: Latina, female, 22, holding U.S. citizenship through marriage, convicted of conspiracy to commit murder—a dangerous woman who is safer in prison than she is on the streets. They’re all trying to get through without getting caught or going straight, but there’s just one catch—a bloodstained bank account that everybody wants, including some players on the outside. Low Bite: an underground classic reprinted at last and the first title in the new imprint from The Green Arcade.
This anthology of “genuinely haunting noir fiction” set in the Golden City features new stories by Jim Nisbet, Alejandro Murguía, Michelle Tea and others (Publishers Weekly). Oscar Wilde once quipped that anyone who disappears is said to be seen in in San Francisco. With its famous fog, winding streets, and hazardously steep hills, it is certainly an ideal place for getting lost. It’s also an ideal setting for noir fiction. From Fisherman’s Warf and The Golden Gate Bridge to The Haight-Ashbury, Chinatown, and Russian Hill, fifteen authors explore the sordid side of the City by the Bay in this sterling collection. San Francisco Noir features brand-new stories by Barry Gifford, Robert Mailer Anderson, Michelle Tea, Peter Plate, Kate Braverman, Domenic Stansberry, David Corbett, Eddie Muller, Alejandro Murguía, Sin Soracco, Alvin Lu, John Longhi, Will Christopher Baer, Jim Nisbet, and David Henry Sterry.
Edge City, from the author of Low Bite, takes place in an every-noir-city (a thinly veiled portrait of San Francisco’s North Beach), and its newest resident is Reno, an angry fledgling just hatched out of prison. Getting out is like a weird dream, and the streets of the City are a muddle of sensations pooling around her. First there’s the bustle—everybody busy with mysterious businesses—an amplifying racket of choices. Staggering out onto the late night streets of the City, Reno ends up at the infamous Istanbul Club: dim lights, Arabic music and the sensual Su’ad dancing. Music, booze, babes and drugs: what more could a felonious girl want? She encounters Huntington, the poisonous charmer who lives above the Club—perverse and powerful in the way only the wealthy can be. Eddie, the underage bartender, is happy to chemically enhance every waking moment. Slowmotion, the sound light technician, huge and darkly mysterious, has connections to people and places that Reno didn’t even know existed. Slowmotion’s elegant friend, Poppy, offers mental transport to realms beyond Xanadu; in her little valise there’s everything necessary for any trip, including the hallucinogenic “Teeth of Idi Amin.” The owner of the club, handsome gambler Sinclair, hires Reno to waitress. Grumbling, drinking, snarling, and swearing, Reno bangs her way through everyone else’s complicated plans, entangling herself in a byzantine labyrinth of betrayal, revenge, general mayhem, and yes, good times.
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