Since its inception, Artificial Intelligence (AI) has been nurtured by the dream - cherished by some scientists while dismissed as unrealistic by others - that it will lead to forms of intelligence similar or alternative to human life. However, AI might be more accurately described as a range of technologies providing a convincing illusion of intelligence - in other words, not much the creation of intelligent beings, but rather of technologies that are perceived by humans as such. Deceitful Media argues that AI resides also and especially in the perception of human users. Exploring the history of AI from its origins in the Turing Test to contemporary AI voice assistants such as Alexa and Siri, Simone Natale demonstrates that our tendency to project humanity into things shapes the very functioning and implications of AI. He argues for a recalibration of the relationship between deception and AI that helps recognize and critically question how computing technologies mobilize specific aspects of users' perception and psychology in order to create what we call "AI." Introducing the concept of "banal deception," which describes deceptive mechanisms and practices that are embedded in AI, the book shows that deception is as central to AI's functioning as the circuits, software, and data that make it run. Delving into the relationship between AI and deception, Deceitful Media thus reformulates the debate on AI on the basis of a new assumption: that what machines are changing is primarily us, humans. If 'intelligent' machines might one day revolutionize life, the book provocatively suggests, they are already transforming how we understand and carry out social interactions"--
In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.
Since its inception, Artificial Intelligence (AI) has been nurtured by the dream - cherished by some scientists while dismissed as unrealistic by others - that it will lead to forms of intelligence similar or alternative to human life. However, AI might be more accurately described as a range of technologies providing a convincing illusion of intelligence - in other words, not much the creation of intelligent beings, but rather of technologies that are perceived by humans as such. Deceitful Media argues that AI resides also and especially in the perception of human users. Exploring the history of AI from its origins in the Turing Test to contemporary AI voice assistants such as Alexa and Siri, Simone Natale demonstrates that our tendency to project humanity into things shapes the very functioning and implications of AI. He argues for a recalibration of the relationship between deception and AI that helps recognize and critically question how computing technologies mobilize specific aspects of users' perception and psychology in order to create what we call "AI." Introducing the concept of "banal deception," which describes deceptive mechanisms and practices that are embedded in AI, the book shows that deception is as central to AI's functioning as the circuits, software, and data that make it run. Delving into the relationship between AI and deception, Deceitful Media thus reformulates the debate on AI on the basis of a new assumption: that what machines are changing is primarily us, humans. If 'intelligent' machines might one day revolutionize life, the book provocatively suggests, they are already transforming how we understand and carry out social interactions"--
Donato De Simone WORLD WAR II EVENTS NARRATED FROM THE PERSPECTIVE OF THE CHILDREN CAUGHT IN THE WEB OF ADULT INSANITY A young boy . . . a beautiful town . . . stalked by the Nazis bombed by the Allies . . . hiding Jewish refugees Abruzzos mini-holocaust . . . meeting Padre Pio escape to a new life in America Growing up in the tranquility of the Abruzzo region of Italy, Donato De Simone, Danny to his friends, was abruptly plunged into the violence of war as the Germans and Allies contested for the Sangro River in a major World War II battle. Now, after decades of pondering the meaning of these events, Danny recalls the drama of his times. Mixing humorous touches with his graphic descriptions, he creates for his readers a vivid picture of life in wartime: the nomadic journeys trying to escape the Nazis; the drama of a downed British airman sheltered by his grandfather in a barn; the little-known story of Jewish refugees hidden from the exterminators by sympathetic Italians; watching Allied bombers shot down by German antiaircraft batteries and sent crashing into the Adriatic Sea; finally finding his home destroyed. These are the circumstances under which Danny grew up. His shrewd mothers planning enabling her family to escape German terror, the familys hardships as they slept in a hastily-constructed air raid shelter, titanic efforts to avoid stepping on personnel or anti-car mines, praying that bombs from both sides would miss themall are created anew by this masterful story-teller. The normal educational patterns having been disrupted by war, Danny struggled to learn in makeshift classrooms. After finally succeeding in rejoining his father to America, Danny faced further challenges trying to adjust to a new life, a new culture and a new language. Finally returning to Italy, he married Anna Maria, his childhood sweetheart and fellow war survivor. Returning to America at the urging of Anna Marias father, former U.S. Army private Ernesto Fantini, Danny sailed the Andrea Doriathe trip before she sank! Danny and Anna Maria raised their family in Norristown, Pa., and on June 2, 2006, they celebrated their fiftieth wedding anniversary. We must have done something wrong, Danny quips. In fifty years we never even had a serious argument! Danny met Padre Pio da Pietrelcina, now Saint Pio, twice as a teenager before coming to America, and once in 1956 together with Anna Maria on their honeymoon. It was an unforgettable experience for both to go to confession and receive Holy Communion from the sainted man who bore on his body the signs of the crucifixion. De Simone does a superb job personalizing the historical record, for his account teaches us what it means to suffer the concrete effects of the abstract decisions made by the generals and dictators and kings - what it means to be the family member whose home is bombed, to be the farmer whose field is mined, to be the child who has seen too much death. Prof. Millicent Marcus Yale University His narrative is most interesting and disturbing at the same time as we realize that so many innocent people, especially the children, were caught in the middle of such insane violence. This is a book for all to read, especially the young. Most Rev. Louis A. De Simone, D. D. Auxiliary Bishop Emeritus Archdiocese of Philadelphia . . . fascinatingly human, fast-reading, well-written. Prof. James T. McDonough St. Josephs University Philadelphia
Un po' guida, un po' diario, questo libro vuole offrire un servizio che possa dare spunti per scegliere mete interessanti da visitare e che dia un piccolo supporto a chi voglia intraprendere un viaggio. Cucina tradizionale, ricette locali, monumenti importanti e cose da non perdere, aneddoti e qualche fotografia: informazioni utili raccolte in semplici schede, facili e pronte da consultare.
I centinaia di viaggi per via aerea o per fuoristrada di Rumi continuano sulle orme di decine di tracciati di vecchie poste secolari di carovanieri alla ricerca di pozzi d’acqua e di pozzi produttivi di petrolio di rifornieredi carburanti una miriade di campi petroliferi e per rilanciare l’agricoltura nel deserto in stato di abbandono da settemila anni. Col contributo di un gruppo di collaboratori locali elabora e sperimenta serre bio-climatiche a scopo agricolo e abitativo in una miriade di luoghi dove ha individuato risorse acquifere da immagazzinare e utilizzare in villaggi agricoli, zootecnici e abitativi con l’intento di ridurre la siccità e la desertificazione e la clandestinità a ridurre la fame nel mondo a creare una interminabile posti di lavoro in ambiente confortevole.
In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.
The Santa Rosa Valley, once carpeted in wild oats and littered with acorns from ancient oaks, was home to Pomo and Miwok Indians for thousands of years. The cattle ranches and farms that displaced them in the mid-1800s had already spawned a thriving commercial town named Santa Rosa, the county seat, when the railroad arrived in 1870. That railroad, and the commerce it brought, secured the city's role as the legal and financial nexus of Sonoma County and its most populous city. When many of the downtown buildings collapsed in the famous 1906 earthquake, the community built itself back into a picture-perfect all-American city, the setting for such films as Hitchcock's Shadow of Doubt and Disney's Pollyanna. Another devastating quake in 1969 damaged many structures, but once again that destruction prompted redevelopment and renewed growth for Santa Rosa in the 21st century.
The Mediterranean, both a sea and a theatre, has served throughout history as a fundamental crossroads for the political-religious dynamics and international tensions that characterize the various worlds, east and west, south and north, that meet in this basin. Starting from these premises, the present work examines - within a chronological span that goes from the conclusion of the Second World War to the end of Pius XII’s pontificate - the contribution offered by the Holy See and by Catholics from different national contexts in deciphering the role of the Mediterranean Sea within the wider global context. As such, it constitutes a reflection on this geographical space with its peculiar cultural, economic, political, and religious realities by highlighting the role played by the Mediterranean in the elaboration of visions and projects of civilization. This work is the fruit of a wider research programme called Occidentes - Horizons and projects of civilization in the Church of Pius XII. It brings together the work of seven historians from different European Universities.
Italian Academies have typically been studied individually or in the context of specific cities, leaving an important lacuna in the scholarship on Italian culture and early modernity. Cutting across various disciplines, this volume traces the relationships of these Academies and explains how they prefigured networks like the République des letters.
The commentary draws on recent interpretations of the Iliad and examines the parallels between Weil's version of Homer's warriors and the experiences of modern soldiers."--Jacket.
How do immigrants and their children forge their identities in a new land—and how does the ethnic culture they create thrive in the larger society? Making Italian America brings together new scholarship on the cultural history of consumption, immigration, and ethnic marketing to explore these questions by focusing on the case of an ethnic group whose material culture and lifestyles have been central to American life: Italian Americans. As embodied in fashion, film, food, popular music, sports, and many other representations and commodities, Italian American identities have profoundly fascinated, disturbed, and influenced American and global culture. Discussing in fresh ways topics as diverse as immigrant women’s fashion, critiques of consumerism in Italian immigrant radicalism, the Italian American influence in early rock ’n’ roll, ethnic tourism in Little Italy, and Guido subculture, Making Italian America recasts Italian immigrants and their children as active consumers who, since the turn of the twentieth century, have creatively managed to articulate relations of race, gender, and class and create distinctive lifestyles out of materials the marketplace offered to them. The success of these mostly working-class people in making their everyday culture meaningful to them as well as in shaping an ethnic identity that appealed to a wider public of shoppers and spectators looms large in the political history of consumption. Making Italian America appraises how immigrants and their children redesigned the market to suit their tastes and in the process made Italian American identities a lure for millions of consumers. Fourteen essays explore Italian American history in the light of consumer culture, across more than a century-long intense movement of people, goods, money, ideas, and images between Italy and the United States—a diasporic exchange that has transformed both nations. Simone Cinotto builds an imaginative analytical framework for understanding the ways in which ethnic and racial groups have shaped their collective identities and negotiated their place in the consumers’ emporium and marketplace. Grounded in the new scholarship in transnational U.S. history and the transfer of cultural patterns, Making Italian America illuminates the crucial role that consumption has had in shaping the ethnic culture and diasporic identities of Italians in America. It also illustrates vividly why and how those same identities—incorporated in commodities, commercial leisure, and popular representations—have become the object of desire for millions of American and global consumers.
Un altro anno è passato. La Revolución complicata della stagione firmata Luis Enrique è ormai solo un ricordo. Dopo un’annata esaltante al Pescara, alla Roma arriva Zeman, garanzia di bel calcio e tanti gol. I tifosi tornano allo stadio con rinnovato entusiasmo, e insieme a loro torna Kansas City 1927, il fenomeno calcistico del web italiano, a raccontarci le avventure della squadra della Capitale. Diego Bianchi e Simone Conte descrivono nel loro inimitabile romanesco i volti nuovi schierati dal tecnico boemo, il gioco offensivo, le prime vittorie, la difesa ballerina, e poi le tremende sconfitte e l’inevitabile esonero, con annessa disgregazione del sogno zemaniano. Ma questi cupi risvolti non deprimono gli autori, che continuano «l’autoterapia di gruppo» anche durante la gestione del traghettatore Andreazzoli. Il risultato è un secondo volume più irresistibile del primo, impreziosito dalle tavole inedite di Zerocalcare, ricco di citazioni colte e forte di una lingua variopinta e poetica, che mescola una prosa gaddiana con una comicità alla Alberto Sordi. E anche se la Roma rimane invischiata in una transizione senza fine, Kansas City 1927 non si sottrae dal raccontare un campionato più difficile del previsto, in attesa di tempi migliori.
Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
Introduction to Contemporary Print Culture examines the role of the book in the modern world. It considers the book’s deeply intertwined relationships with other media through ownership structures, copyright and adaptation, the constantly shifting roles of authors, publishers and readers in the digital ecosystem and the merging of print and digital technologies in contemporary understandings of the book object. Divided into three parts, the book first introduces students to various theories and methods for understanding print culture, demonstrating how the study of the book has grown out of longstanding academic disciplines. The second part surveys key sectors of the contemporary book world – from independent and alternative publishers to editors, booksellers, readers and libraries – focusing on topical debates. In the final part, digital technologies take centre stage as eBook regimes and mass-digitisation projects are examined for what they reveal about information power and access in the twenty-first century. This book provides a fascinating and informative introduction for students of all levels in publishing studies, book history, literature and English, media, communication and cultural studies, cultural sociology, librarianship and archival studies and digital humanities.
Food stood at the centre of Mussolini's attempt to occupy Ethiopia and build an Italian Empire in East Africa. Seeking to redirect the surplus of Italian rural labor from migration overseas to its own Empire, the fascist regime envisioned transforming Ethiopia into Italy's granary to establish self-sufficiency, demographic expansion and strengthen Italy's international political position. While these plans failed, the extensive food exchanges and culinary hybridizations between Ethiopian and Italian food cultures thrived, and resulted in the creation of an Ethiopian-Italian cuisine, a taste of Empire at the margins. In studying food in short-lived Italian East Africa, Gastrofascism and Empire breaks significant new ground in our understanding of the workings of empire in the circulation of bodies, foodways, and global practices of dependence and colonialism, as well as the decolonizing practices of indigenous food and African anticolonial resistance. In East Africa, Fascist Italy brought older imperial models of global food to a hypermodern level in all its political, technoscientific, environmental, and nutritional aspects. This larger story of food sovereignty-entered in racist, mass settler colonialism-is dramatically different from the plantation and trade colonialisms of other empires and has never been comprehensively told. Using an original decolonizing food studies approach and an unprecedented variety of unexplored Ethiopian and Italian sources, Cinotto describes the different meanings of different foods for different people at different points of the imperial food chain. Exploring the subjectivities, agencies and emotions of Ethiopian and Italian men and women, it goes beyond simple colonizer/colonized binaries and offers a nuanced picture of lived, multisensorial experiences with food and empire.
This book focuses on the transmission of ethnic identity across three generations of Italian-Australians, specifically Italian-Australians of Calabrian descent in the Adelaide region of Australia. Simone Marino analyzes ethnographic data collected over a three-year period to consider individual, familial and community cultural practices, as well as societal influences on ethnic identity transmission, in order to present generational differences in the understandings of Italian-Australian identity. Among other factors, the role of community events, community networks, and cultural practices associated with being Italian-Australian are examined. The transmission of ethnic identity is analysed through the lens of sociological theories, including Sayad's concept of double absence and Bourdieu's ideas of habitus and cultural capital, and is considered at the macro, meso, and micro spheres of social life. Ultimately, Marino’s study reveals clear generational differences amongst Italian-Australians: the first generation, those who arrived from Italy, manifest a condition of feeling absent, the second generation present a condition of ‘in-between-ness’, between the world of their immigrant parents and that of Australians, and the third generation experience a sense of ethnic revival.
This book is a sociological description and analysis of urban collective actions, protests, resistance, and riots that started in the 1990s and continue in different forms to this date in Rome, Italy. Through participant observation, ethnographic study, and in-depth qualitative interviews—often occurring during times of protest or even violent action—this book studies a variety of urban realities: grassroots movements, anti-migrant district riots, and the daily lives of the fluid and fluctuating multi-ethnic groups in the city. Ultimately, this book gives voice to some of the protagonists involved, proposing interpretations to each reality described, but also making cross-connections with politics and migration when pertinent. It offers a new understanding of urban collective actions cognizant of the 'common goods', but also of the emergence of new right-wing populism.
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