Catalogue accompanying 'Hold', an exhibition held at Screen Space (Melbourne, Australia) and curated by Simone Hine. 'Hold' brings together five contemporary artists whose works draw upon the interrelated histories of art and cinema and in doing so generate a tension between stillness and motion.
Catalogue accompanying 'Render', an exhibition held at Screen Space (Melbourne, Australia).Current visual culture is predominately produced and circulated through digital forms, as such, digital artefacts are ubiquitous components of the material form of contemporary images. This exhibition presents the work of four artists who knowingly incorporate a digital aesthetic into the tradition of painting.
Catalogue accompanying 'Going Nowhere', an exhibition held at Boxcopy (Brisbane, Australia). This Exhibition was made possible with the help of Screen Space Gallery (Melbourne, Australia).
Catalogue accompanying 'Stages', an exhibition held at Screen Space (Melbourne, Australia). Originally exhibited at Boxcopy (Brisbane, Australia) Simone Hine and Clare Rae both explored their practices in the same location.
Catalogue accompanying 'Hold', an exhibition held at Screen Space (Melbourne, Australia) and curated by Simone Hine. 'Hold' brings together five contemporary artists whose works draw upon the interrelated histories of art and cinema and in doing so generate a tension between stillness and motion.
A Very Easy Death has long been considered one of Simone de Beauvoir’s masterpieces. The profoundly moving, day-by-day recounting of her mother’s death “shows the power of compassion when it is allied with acute intelligence” (The Sunday Telegraph). Powerful, touching, and sometimes shocking, this is an end-of-life account that no reader is likely to forget. Translated by Patrick O'Brian
Best Food Book of 2014 by The Atlantic Looking at the historic Italian American community of East Harlem in the 1920s and 30s, Simone Cinotto recreates the bustling world of Italian life in New York City and demonstrates how food was at the center of the lives of immigrants and their children. From generational conflicts resolved around the family table to a vibrant food-based economy of ethnic producers, importers, and restaurateurs, food was essential to the creation of an Italian American identity. Italian American foods offered not only sustenance but also powerful narratives of community and difference, tradition and innovation as immigrants made their way through a city divided by class conflict, ethnic hostility, and racialized inequalities. Drawing on a vast array of resources including fascinating, rarely explored primary documents and fresh approaches in the study of consumer culture, Cinotto argues that Italian immigrants created a distinctive culture of food as a symbolic response to the needs of immigrant life, from the struggle for personal and group identity to the pursuit of social and economic power. Adding a transnational dimension to the study of Italian American foodways, Cinotto recasts Italian American food culture as an American "invention" resonant with traces of tradition.
Written from September 1939 to January 1941, Simone de Beauvoir’s Wartime Diary gives English readers unabridged access to one of the scandalous texts that threaten to overturn traditional views of Beauvoir’s life and work. Beauvoir’s account of her clandestine affair with Jacques Bost and sexual relationships with various young women challenges the conventional picture of Beauvoir as the devoted companion of Jean-Paul Sartre, just as her account of completing her novel She Came to Stay at a time when Sartre’s philosophy in Being and Nothingness was barely begun calls into question the traditional view of Beauvoir’s novel as merely illustrating Sartre’s philosophy. Most important, the Wartime Diary provides an exciting account of Beauvoir’s philosophical transformation from the prewar solipsism of She Came to Stay to the postwar political engagement of The Second Sex. This edition also features previously unpublished material, including her musings about consciousness and order, recommended reading lists, and notes on labor unions. In providing new insights into Beauvoir’s philosophical development, the Wartime Diary promises to rewrite a crucial chapter of Western philosophy and intellectual history.
Political Writings offers an abundance of newly translated essays by Simone de Beauvoir that demonstrate a heretofore unknown side of her political philosophy. The writings in this volume range from Beauvoir's surprising 1952 defense of the misogynistic eighteenth-century pornographer, the Marquis de Sade, to a co-written 1974 documentary film, transcribed here for the first time, which draws on Beauvoir's analysis of how socioeconomic privilege shapes the biological reality of aging. The volume traces nearly three decades of Beauvoir's leftist political engagement, from exposés of conditions in fascist Spain and Portugal in 1945 and hard-hitting attacks on right-wing French intellectuals in the 1950s, to the 1962 defense of an Algerian freedom fighter, Djamila Boupacha, and a 1975 article arguing for what is now called the "two-state solution" in Israel. Together these texts prefigure Beauvoir's later feminist activism and provide a new interpretive context for reading her multi-volume autobiography, while also shedding new light on French intellectual history during the turbulent era of decolonization.
De briljante zangeres Nina Simone werd ondanks haar grote talent gedwarsboomd door haar eigen innerlijke tegenstellingen. Op het podium voelde en gedroeg Simone zich vrij en ongeremd. Tegelijkertijd had ze veel moeite haar artistieke ambitie te verenigen met haar toewijding aan de politieke burgerrechtenstrijd. In combinatie met haar grillige temperament leidde dit tot destructieve relaties, niet alleen met haar fans, maar ook met haar geliefde en dochter. Alan Light schreef op basis van jarenlange diepgaande research deze definitieve biografie. Hij gebruikte onder meer niet eerder gepubliceerde opnames van interviews. En zo ontstaat het beeld van de soms verdrietige en vaak verbijsterende wirwar van Nina Simones ware leven, een beeld dat Simone zelfs in haar eigen autobiografie nooit heeft willen tonen. Het resultaat is een aangrijpend, eerlijk en fascinerend portret.
Simone de Beauvoir, still a teen, began a diary while a philosophy student at the Sorbonne. Written in 1926-27—before Beauvoir met Jean-Paul Sartre—the diaries reveal previously unknown details about her life and times and offer critical insights into her early intellectual interests, philosophy, and literary works. Presented for the first time in translation, this fully annotated first volume of the Diary includes essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. It remains an invaluable resource for tracing the development of Beauvoir’s independent thinking and her influence on philosophy, feminism, and the world.
From the novels of Toni Morrison to the music of Beyoncé Knowles, the cultural prevalence of a transnational black identity, as created by African American women, is more than a product of geographic mobility. Rather, as author Simone C. Drake shows, these constructions illuminate our understanding of a chronically marginalized demographic. In Critical Appropriations, Drake contends that these fluid and hetero-geneous characterizations of black females arise from multiple creative outlets -- literature, film, and music videos -- and reflect African Ameri-can women's evolving concept of home, community, gender, and family. Through a close examination of Toni Morrison's Paradise, Danzy Senna's Caucasia, Gayl Jones's Corregidora, Erna Brodber's Louisiana, and Kasi Lemmons's film Eve's Bayou, as well as Beyoncé Knowles's B-Day album and music-video collaboration with Shakira, "Beautiful Liar," Drake reveals how concepts of hybridity -- whether positioned as créolité, Candomblé, négritude, Latinidad, or Brasilidade -- are appropriated in each work of art as a way of challenging the homogeneous paradigm of black cultural studies. This redefined notion of identity enables African American women to embrace a more complex, transnational blackness that is not only more liberating but also more pertinent to their experiences. Drawing from this borderless exchange of ideas and a richer concept of self, Critical Appropriations offers a rewarding reconsideration of the creative implications for African American women, mapping new directions in black women's studies.
How do immigrants and their children forge their identities in a new land—and how does the ethnic culture they create thrive in the larger society? Making Italian America brings together new scholarship on the cultural history of consumption, immigration, and ethnic marketing to explore these questions by focusing on the case of an ethnic group whose material culture and lifestyles have been central to American life: Italian Americans. As embodied in fashion, film, food, popular music, sports, and many other representations and commodities, Italian American identities have profoundly fascinated, disturbed, and influenced American and global culture. Discussing in fresh ways topics as diverse as immigrant women’s fashion, critiques of consumerism in Italian immigrant radicalism, the Italian American influence in early rock ’n’ roll, ethnic tourism in Little Italy, and Guido subculture, Making Italian America recasts Italian immigrants and their children as active consumers who, since the turn of the twentieth century, have creatively managed to articulate relations of race, gender, and class and create distinctive lifestyles out of materials the marketplace offered to them. The success of these mostly working-class people in making their everyday culture meaningful to them as well as in shaping an ethnic identity that appealed to a wider public of shoppers and spectators looms large in the political history of consumption. Making Italian America appraises how immigrants and their children redesigned the market to suit their tastes and in the process made Italian American identities a lure for millions of consumers. Fourteen essays explore Italian American history in the light of consumer culture, across more than a century-long intense movement of people, goods, money, ideas, and images between Italy and the United States—a diasporic exchange that has transformed both nations. Simone Cinotto builds an imaginative analytical framework for understanding the ways in which ethnic and racial groups have shaped their collective identities and negotiated their place in the consumers’ emporium and marketplace. Grounded in the new scholarship in transnational U.S. history and the transfer of cultural patterns, Making Italian America illuminates the crucial role that consumption has had in shaping the ethnic culture and diasporic identities of Italians in America. It also illustrates vividly why and how those same identities—incorporated in commodities, commercial leisure, and popular representations—have become the object of desire for millions of American and global consumers.
Black Networked Resistance explores the creative range of Black digital users and their responses to varying forms of oppression, utilizing cultural, communicative, political, and technological threads both on and offline. Raven Maragh-Lloyd demonstrates how Black users strategically rearticulate their responses to oppression in ways that highlight Black publics’ historically rich traditions and reveal the shifting nature of both dominance and resistance, particularly in the digital age. Through case studies and interviews, Maragh-Lloyd reveals the malleable ways resistance can take shape and the ways Black users artfully demonstrate such modifications of resistance through strategies of survival, reprieve, and community online. Each chapter grounds itself in a resistance strategy, such as Black humor, care, or archiving, to show the ways that Black publics reshape strategies of resistance over time and across media platforms. Linking singular digital resistance movements while arguing for Black publics as strategic content creators who connect resistance strategies from our past to suit our present needs, Black Networked Resistance encourages readers to create and cultivate lasting communities necessary for social and political change by imagining a future of joy, community, and agency through their digital media practices.
Research into creative and cultural organisations has proliferated, benefitting from insights from a range of disciplinary perspectives. Starting a research journey can be daunting in such a diverse field. This book provides expert insights into research process and practice, with a qualitative focus. The book helps readers to plan, execute, and analyse research, turning their work into data, results, and new knowledge. Taking an individual perspective, the author addresses a trio of paradigms, methodologies, and methods, and applies them to the whole research process, from start to finish. The book seamlessly links theoretical and conceptual aspects with best research practice along the way. A book for researchers at all stages of their work, the resources are also valuable for students and reflective cultural practitioners who want to know how to plan, implement, and evaluate their research project.
Plutarch, the famed Greek biographer, wrote The Lives of the Roman Emperors early in his career. Simone Drake could have called her book The Lives of Black Men. She contrasts the portrayal of black men in mainstream media with the way she insists black men must imagine their lives, ambitions, and desires in both the civic arena and the domestic arena. The narrow popular representation of black men as being in perennial crisis is one she rejects, opting instead to see them as active agents of their own destinies. Her book uncovers the ways in which black men in history, literature, film, political arenas, and popular culture have either challenged or been challenged by pathological constructions of black masculinity. Imagining Grace refers to Toni Morrison s Beloved, a black feminist framework Drake uses to see power in vulnerability and emotivenessfrom Tom Joyner s radio show to Richard Pryor s comedy to some of President Obama s social policy. Drake is synthesizing black feminist and black masculinity studies. Her black lives feature the African American cowboy, Nat Love, also Drake s own grandfather, who imagined grace through military service in the first colored military unit to fight in World War II (what emerges is a narrative of black pride and shame), and thence to movies, where Drake explores the theme of black fathers and daughters (framed by a court case involving The Cosby Show as intellectual property). The chapter that follows, on twisted criminalities, contrasts the valorization of black criminals (thugs) as heroes with the denigration of gay black men, where we encounter the limits of grace in American Gangster, Cornelius Edy s poetry, and the viral video of Antoine Dodson (discussing the attempted rape of his sister). In concluding with Berry Gordy and hi-hop (Jay-Z), Drake meditates on black entrepreneurship as a nationalist site of redemption. We are given in this book a way of seeing and knowing black malenesssophisticated in concept but bracingly vivid in the telling.
Revelatory insights into the early life and thought of the preeminent French feminist philosopher Dating from her years as a philosophy student at the Sorbonne, this is the 1926-27 diary of the teenager who would become the famous French philosopher, author, and feminist, Simone de Beauvoir. Written years before her first meeting with Jean-Paul Sartre, these diaries reveal previously unknown details about her life and offer critical insights into her early philosophy and literary works. Presented here for the first time in translation and fully annotated, the diary is completed by essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical and literary significance. The volume represents an invaluable resource for tracing the development of Beauvoir's independent thinking and influence on the world.
Dating from her years as a philosophy student at the Sorbonne, this is the 1926-27 diary of the teenager who would become the famous French philosopher, author, and feminist, Simone de Beauvoir. Written years before her first meeting with Jean-Paul Sartre, these diaries reveal previously unknown details about her life and offer critical insights into her early philosophy and literary works. Presented here for the first time in translation and fully annotated, the diary is completed by essays from Barbara Klaw and Margaret A. Simons that address its philosophical, historical, and literary significance. The volume represents an invaluable resource for tracing the development of Beauvoir's independent thinking and influence on the world.
Some of the best of Simone de Brauvoir has been collected and compiled in this master book of her work. Included in this book is: Includes: The Ethics of Ambiguity, The Second Sex, On the publication of The Second Sex, interview Biography
“A book that will leave no one indifferent, and no one affected in quite the same way.” —New York Times A superb autobiography by one of the great literary figures of the twentieth century Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s. Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the most important relationship of her life, with fellow student Jean-Paul Sartre, against the backdrop of a turbulent political time.
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