The story of a young American war veteran returned to his hometown after being blinded in Iraq by a homemade bomb and the unexpected love he finds with a mysterious dancer who is fleeing darkness and violence of a different kind. An astonishing debut novel from one of the music world's rising stars.
Shy, awkward Sophia Cruz has a hard time telling her vivacious identical twin “no.” But when her sister begs her to swap places for a modeling shoot, she caves ... again. Then Zephirin Black walks onto the set. The brooding, aloof, and gorgeous tight end for the Washington Warriors. But she can keep it professional... She has to. Because the adorkable Cruz twin has no luck with guys once they compare her to her sister. After a bad break-up, Zeph hasn’t been big on second chances—and even less with trust. But he finds himself giving please-call-me-by-my-middle-name-Sophia both. The woman he’d dismissed as a spoiled cover model is different from the first time he met her. Quirkier. Funnier. Definitely sexier. What started as one night turns into another...and another...and another... Still, Sophia can’t go on keeping her secret from him. But telling Zeph the truth will mean losing him for good. Each book in the WAGS series is STANDALONE: * Scoring with the Wrong Twin * Scoring Off the Field * Scoring the Player's Baby
In Language Creativity: A Semiotic Perspective, Simone Casini aims to frame the concept of creativity within a linguistic dimension by developing a theoretical reflection with constant references to contact languages and to the educational plan. Semiotic creativity abandons the condition of the linguistic property inter pares and rises to the rank of theoretical and first principle by which languages define themselves, function and interact in the negotiation of meaning in relation to the social uses. Casini considers creativity as a premise for the rule changing of boundaries of meaning and creation of language and meaning. The work progresses starting from the historical-critical concept of creativity, discussing the most philosophical and linguistic theories in the North American and European context.
Un altro anno è passato. La Revolución complicata della stagione firmata Luis Enrique è ormai solo un ricordo. Dopo un’annata esaltante al Pescara, alla Roma arriva Zeman, garanzia di bel calcio e tanti gol. I tifosi tornano allo stadio con rinnovato entusiasmo, e insieme a loro torna Kansas City 1927, il fenomeno calcistico del web italiano, a raccontarci le avventure della squadra della Capitale. Diego Bianchi e Simone Conte descrivono nel loro inimitabile romanesco i volti nuovi schierati dal tecnico boemo, il gioco offensivo, le prime vittorie, la difesa ballerina, e poi le tremende sconfitte e l’inevitabile esonero, con annessa disgregazione del sogno zemaniano. Ma questi cupi risvolti non deprimono gli autori, che continuano «l’autoterapia di gruppo» anche durante la gestione del traghettatore Andreazzoli. Il risultato è un secondo volume più irresistibile del primo, impreziosito dalle tavole inedite di Zerocalcare, ricco di citazioni colte e forte di una lingua variopinta e poetica, che mescola una prosa gaddiana con una comicità alla Alberto Sordi. E anche se la Roma rimane invischiata in una transizione senza fine, Kansas City 1927 non si sottrae dal raccontare un campionato più difficile del previsto, in attesa di tempi migliori.
Italian Academies have typically been studied individually or in the context of specific cities, leaving an important lacuna in the scholarship on Italian culture and early modernity. Cutting across various disciplines, this volume traces the relationships of these Academies and explains how they prefigured networks like the République des letters.
The story of a young American war veteran returned to his hometown after being blinded in Iraq by a homemade bomb and the unexpected love he finds with a mysterious dancer who is fleeing darkness and violence of a different kind. An astonishing debut novel from one of the music world's rising stars.
Best Food Book of 2014 by The Atlantic Looking at the historic Italian American community of East Harlem in the 1920s and 30s, Simone Cinotto recreates the bustling world of Italian life in New York City and demonstrates how food was at the center of the lives of immigrants and their children. From generational conflicts resolved around the family table to a vibrant food-based economy of ethnic producers, importers, and restaurateurs, food was essential to the creation of an Italian American identity. Italian American foods offered not only sustenance but also powerful narratives of community and difference, tradition and innovation as immigrants made their way through a city divided by class conflict, ethnic hostility, and racialized inequalities. Drawing on a vast array of resources including fascinating, rarely explored primary documents and fresh approaches in the study of consumer culture, Cinotto argues that Italian immigrants created a distinctive culture of food as a symbolic response to the needs of immigrant life, from the struggle for personal and group identity to the pursuit of social and economic power. Adding a transnational dimension to the study of Italian American foodways, Cinotto recasts Italian American food culture as an American "invention" resonant with traces of tradition.
Winner of the 2013 New York Book Show Award in Scholarly/Professional Book Design From Ernest and Julio Gallo to Francis Ford Coppola, Italians have shaped the history of California wine. More than any other group, Italian immigrants and their families have made California viticulture one of America’s most distinctive and vibrant achievements, from boutique vineyards in the Sonoma hills to the massive industrial wineries of the Central Valley. But how did a small group of nineteenth-century immigrants plant the roots that flourished into a world-class industry? Was there something particularly “Italian” in their success? In this fresh, fascinating account of the ethnic origins of California wine, Simone Cinotto rewrites a century-old triumphalist story. He demonstrates that these Italian visionaries were not skilled winemakers transplanting an immemorial agricultural tradition, even if California did resemble the rolling Italian countryside of their native Piedmont. Instead, Cinotto argues that it was the wine-makers’ access to “social capital,” or the ethnic and familial ties that bound them to their rich wine-growing heritage, and not financial leverage or direct enological experience, that enabled them to develop such a successful and influential wine business. Focusing on some of the most important names in wine history—particularly Pietro Carlo Rossi, Secondo Guasti, and the Gallos—he chronicles a story driven by ambition and creativity but realized in a complicated tangle of immigrant entrepreneurship, class struggle, racial inequality, and a new world of consumer culture. Skillfully blending regional, social, and immigration history, Soft Soil, Black Grapes takes us on an original journey into the cultural construction of ethnic economies and markets, the social dynamics of American race, and the fully transnational history of American wine.
Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
Food stood at the centre of Mussolini's attempt to occupy Ethiopia and build an Italian Empire in East Africa. Seeking to redirect the surplus of Italian rural labor from migration overseas to its own Empire, the fascist regime envisioned transforming Ethiopia into Italy's granary to establish self-sufficiency, demographic expansion and strengthen Italy's international political position. While these plans failed, the extensive food exchanges and culinary hybridizations between Ethiopian and Italian food cultures thrived, and resulted in the creation of an Ethiopian-Italian cuisine, a taste of Empire at the margins. In studying food in short-lived Italian East Africa, Gastrofascism and Empire breaks significant new ground in our understanding of the workings of empire in the circulation of bodies, foodways, and global practices of dependence and colonialism, as well as the decolonizing practices of indigenous food and African anticolonial resistance. In East Africa, Fascist Italy brought older imperial models of global food to a hypermodern level in all its political, technoscientific, environmental, and nutritional aspects. This larger story of food sovereignty-entered in racist, mass settler colonialism-is dramatically different from the plantation and trade colonialisms of other empires and has never been comprehensively told. Using an original decolonizing food studies approach and an unprecedented variety of unexplored Ethiopian and Italian sources, Cinotto describes the different meanings of different foods for different people at different points of the imperial food chain. Exploring the subjectivities, agencies and emotions of Ethiopian and Italian men and women, it goes beyond simple colonizer/colonized binaries and offers a nuanced picture of lived, multisensorial experiences with food and empire.
This book investigates one of the most polysemic Latin words, humanitas. While the first chapter briefly retraces the history of humanitas from its origins, the book as a whole focuses on its uses in the pagan literary texts from the Trajanic (late first century CE) to the Theodosian age (late fourth century CE). The aim of this study is to explore the extent to which the different meanings usually attributed to humanitas by dictionaries (roughly 'human nature', 'education and culture', 'philanthropy') are much more nuanced and in continuous relation with one another, and how the use of humanitas by some authors often performs clear rhetorical and/or ideological strategies. This book is therefore not only a lexicographical study, but pays careful attention to the wider historical and cultural contexts in which humanitas was employed. More specifically, the use of humanitas reveals the ways in which Roman authors considered themes that were at the core of their conception of culture and civilisation, such as the relationship between being learned and behaving morally, the ideas of moral nobility and clemency, the notion that a value concept can distinguish one category of men from another, or even one historical period from another.
Business Games are a specific typology of serious games which combine business simulations and games to support management and entrepreneurial training. This volume presents the theory and teaching methodology of business games. Active learning is the foundation of business game-based learning which places learners at the centre of the educational process: the interactive nature of games stimulates learning, and learning by doing through simulations prepares students to face and understand the ambiguities and uncertainties of the real working environment. With its balance of theoretical and practical content this book aims to meet the needs of lecturers and other education professionals interested in the use and development of business games. High school teachers and other education providers can learn how to correctly design a management course enriched by the use of a business game. The book also deals with the design and development of models that can be used in the creation of new software.
This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society.
This book provides a critical and innovative reassessment of contemporary debate on the human-animal relationship. Starting with a critique of the “official philosophical narration” of animal studies, and then a reassessment of Descartes' animal-machine paradigm, Simone Ghelli tracks down the conceptual coordinates of what he calls “the paradigm of the suffering animal.” The suffering animal is a materialist thesis on the condition of the living, which, while contesting the metaphysical and anthropocentric structure of western axiology, eventually redefines and re-establishes ethics on the experience of suffering, that is on the mutual compassion sentient beings feel before the unjust sight of their finitude. The suffering animal paradigm shows how, within our philosophical tradition, the animal question has been always intertwined with the questions of atheism and of materialism. The ultimate aim of this research is to define the “ethical equilibrium” between aspects of the living, such as weakness and power, joy and suffering, life and death, which our philosophical tradition largely tends to consider as mutually excluding. To overcome such oppositions means avoiding opposing, in our ethical and political discourse, the defense of the vulnerability of the weak and the freedom of the powerful.
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.
The recent histories of Italy and Somalia are closely linked. Italy colonized Somalia from the end of the 19th century to 1941, and held the territory by UN mandate from 1950 to 1960. Italy is also among the destination countries of the Somali diaspora, which increased in 1991 after civil war. Nonetheless, this colonial and postcolonial cultural encounter has often been neglected. Critically evaluating Gilles Deleuze and F?x Guattari?s concept of ?minor literature?, as well as drawing on postcolonial literary studies, The Somali Within analyses the processes of linguistic and cultural translation and self-translation, the political engagement with race, gender, class and religious discrimination, and the complex strategies of belonging and unbelonging at work in the literary works in Italian by authors of Somali origins. Brioni proposes that the ?minor? Somali Italian connection might offer a major insight into the transnational dimension of contemporary ?Italian? literature and ?Somali? culture.
I centinaia di viaggi per via aerea o per fuoristrada di Rumi continuano sulle orme di decine di tracciati di vecchie poste secolari di carovanieri alla ricerca di pozzi d’acqua e di pozzi produttivi di petrolio di rifornieredi carburanti una miriade di campi petroliferi e per rilanciare l’agricoltura nel deserto in stato di abbandono da settemila anni. Col contributo di un gruppo di collaboratori locali elabora e sperimenta serre bio-climatiche a scopo agricolo e abitativo in una miriade di luoghi dove ha individuato risorse acquifere da immagazzinare e utilizzare in villaggi agricoli, zootecnici e abitativi con l’intento di ridurre la siccità e la desertificazione e la clandestinità a ridurre la fame nel mondo a creare una interminabile posti di lavoro in ambiente confortevole.
This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccalà propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.
The pursuit of the vain hopes of success and the total invisibility of entire segments of the population are the two complementary visions that characterize the protagonists of this novel. Seven stories, separated in places and environments, meet only on a chronological level, leaving each immersed in anonymity, the only possible solution between an unattainable affirmation and a tragedy not consonant with the characteristics of contemporary society.
This volume brings together the results of fresh research into the formative years of the International Telegraph Union (TU), in the period 1849–1875. Its internationalist approach is based on the careful scrutiny of a wealth of primary sources – conference minutes, correspondence, and parliamentary bills, among others – and calls for a fresh appraisal of the mechanics of the TU itself, as well as the moves and manoeuvres caused by constant diplomatic pressure. The methodology used here is multidisciplinary, representative of the contributors, who come from various scientific approaches and possess different skills and competences. The result of over three years’ detailed research, the book is simultaneously a history of media studies, international relations and business.
Exploring an overlooked era of Italian history roiled by domestic terrorism, political assassination, and student protests, Drawn and Dangerous: Italian Comics of the 1970s and 1980s shines a new light on what was a dark decade, but an unexpectedly prolific and innovative period among artists of comics intended for adults. Blurring the lines between high art and popular consumption, artists of the Italian comics scene went beyond passively documenting history and began actively shaping it through the creation of fictional worlds where history, cultural data, and pop-realism interacted freely. Featuring brutal Stalinist supermen, gay space travelers, suburban juvenile delinquents, and student activists turned tech-savvy saboteurs, these comics ultimately revealed a volatile era more precisely than any mainstream press. Italian comics developed a journalistic, ideology-free, and sardonic approach in representing the key events of their times. Drawn and Dangerous makes a case for the importance of the adult comics of the '70s and '80s. During those years, comic production reached its peak in maturity, complexity, and wealth of cultural references. The comic artists' analyses of the political and religious landscape reveal fresh perspectives on a transformative period in Italian history.
Victims and Executioners" sketches the tale of two generations that witnessed the inexorable change of Italy and the World. Starting from the end of World War II and the Resistance movement, the Borgonovo family participates in the post-war reconstruction, the economic boom, and the turbulent and wonderful events of the 1960s, until their conclusion in the following decade, increasingly sharpening the clash between the different generations and the different social parties. An unspeakable secret will mark the development of their affairs, going on to profoundly alter their existences. It will be up to the next generation to take provisional stock, having brought to the surface a part of the past truths.
At several junctures in his career, Dante paused to consider what it meant to be a writer. The questions he posed were both simple and wide-ranging: How does language, in particular 'poetic language,' work? Can poetry be translated? What is the relationship between a text and its commentary? Who controls the meaning of a literary work? In Dante and Augustine, Simone Marchesi re-examines these questions in light of the influence that Augustine's reflections on similar issues exerted on Dante's sense of his task as a poet. Examining Dante's life-long dialogue with Augustine from a new point of view, Marchesi goes beyond traditional inquiries to engage more technical questions relating to Dante's evolving ideas on how language, poetry, and interpretation should work. In this engaging literary analysis, Dante emerges as a versatile thinker, committed to a radical defence of poetry and yet always ready to rethink, revise, and rewrite his own positions on matters of linguistics, poetics, and hermeneutics.
The Mediterranean, both a sea and a theatre, has served throughout history as a fundamental crossroads for the political-religious dynamics and international tensions that characterize the various worlds, east and west, south and north, that meet in this basin. Starting from these premises, the present work examines - within a chronological span that goes from the conclusion of the Second World War to the end of Pius XII’s pontificate - the contribution offered by the Holy See and by Catholics from different national contexts in deciphering the role of the Mediterranean Sea within the wider global context. As such, it constitutes a reflection on this geographical space with its peculiar cultural, economic, political, and religious realities by highlighting the role played by the Mediterranean in the elaboration of visions and projects of civilization. This work is the fruit of a wider research programme called Occidentes - Horizons and projects of civilization in the Church of Pius XII. It brings together the work of seven historians from different European Universities.
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