Un altro anno è passato. La Revolución complicata della stagione firmata Luis Enrique è ormai solo un ricordo. Dopo un’annata esaltante al Pescara, alla Roma arriva Zeman, garanzia di bel calcio e tanti gol. I tifosi tornano allo stadio con rinnovato entusiasmo, e insieme a loro torna Kansas City 1927, il fenomeno calcistico del web italiano, a raccontarci le avventure della squadra della Capitale. Diego Bianchi e Simone Conte descrivono nel loro inimitabile romanesco i volti nuovi schierati dal tecnico boemo, il gioco offensivo, le prime vittorie, la difesa ballerina, e poi le tremende sconfitte e l’inevitabile esonero, con annessa disgregazione del sogno zemaniano. Ma questi cupi risvolti non deprimono gli autori, che continuano «l’autoterapia di gruppo» anche durante la gestione del traghettatore Andreazzoli. Il risultato è un secondo volume più irresistibile del primo, impreziosito dalle tavole inedite di Zerocalcare, ricco di citazioni colte e forte di una lingua variopinta e poetica, che mescola una prosa gaddiana con una comicità alla Alberto Sordi. E anche se la Roma rimane invischiata in una transizione senza fine, Kansas City 1927 non si sottrae dal raccontare un campionato più difficile del previsto, in attesa di tempi migliori.
How do immigrants and their children forge their identities in a new land—and how does the ethnic culture they create thrive in the larger society? Making Italian America brings together new scholarship on the cultural history of consumption, immigration, and ethnic marketing to explore these questions by focusing on the case of an ethnic group whose material culture and lifestyles have been central to American life: Italian Americans. As embodied in fashion, film, food, popular music, sports, and many other representations and commodities, Italian American identities have profoundly fascinated, disturbed, and influenced American and global culture. Discussing in fresh ways topics as diverse as immigrant women’s fashion, critiques of consumerism in Italian immigrant radicalism, the Italian American influence in early rock ’n’ roll, ethnic tourism in Little Italy, and Guido subculture, Making Italian America recasts Italian immigrants and their children as active consumers who, since the turn of the twentieth century, have creatively managed to articulate relations of race, gender, and class and create distinctive lifestyles out of materials the marketplace offered to them. The success of these mostly working-class people in making their everyday culture meaningful to them as well as in shaping an ethnic identity that appealed to a wider public of shoppers and spectators looms large in the political history of consumption. Making Italian America appraises how immigrants and their children redesigned the market to suit their tastes and in the process made Italian American identities a lure for millions of consumers. Fourteen essays explore Italian American history in the light of consumer culture, across more than a century-long intense movement of people, goods, money, ideas, and images between Italy and the United States—a diasporic exchange that has transformed both nations. Simone Cinotto builds an imaginative analytical framework for understanding the ways in which ethnic and racial groups have shaped their collective identities and negotiated their place in the consumers’ emporium and marketplace. Grounded in the new scholarship in transnational U.S. history and the transfer of cultural patterns, Making Italian America illuminates the crucial role that consumption has had in shaping the ethnic culture and diasporic identities of Italians in America. It also illustrates vividly why and how those same identities—incorporated in commodities, commercial leisure, and popular representations—have become the object of desire for millions of American and global consumers.
This book focuses on the transmission of ethnic identity across three generations of Italian-Australians, specifically Italian-Australians of Calabrian descent in the Adelaide region of Australia. Simone Marino analyzes ethnographic data collected over a three-year period to consider individual, familial and community cultural practices, as well as societal influences on ethnic identity transmission, in order to present generational differences in the understandings of Italian-Australian identity. Among other factors, the role of community events, community networks, and cultural practices associated with being Italian-Australian are examined. The transmission of ethnic identity is analysed through the lens of sociological theories, including Sayad's concept of double absence and Bourdieu's ideas of habitus and cultural capital, and is considered at the macro, meso, and micro spheres of social life. Ultimately, Marino’s study reveals clear generational differences amongst Italian-Australians: the first generation, those who arrived from Italy, manifest a condition of feeling absent, the second generation present a condition of ‘in-between-ness’, between the world of their immigrant parents and that of Australians, and the third generation experience a sense of ethnic revival.
Even though in most nations women are at least almost half of the population, in very few countries do they occupy a similar space in the formal institutions of political power. They are said to lack a key element for a successful career in public life: time. From this perspective, no one is worse off than women who are mothers. From another perspective, however, motherhood is thought to help politicize women, as this life-changing experience makes them aware of the limitations of some specific public policies (such as child-care, parental leave, gendered labor practices etc.) as well as more conscious of the centrality of more encompassing public policies, such as education, health care, and social assistance. This book explores the challenges, obstacles, opportunities and experiences of mothers who take part in political and/or public life.
The recent histories of Italy and Somalia are closely linked. Italy colonized Somalia from the end of the 19th century to 1941, and held the territory by UN mandate from 1950 to 1960. Italy is also among the destination countries of the Somali diaspora, which increased in 1991 after civil war. Nonetheless, this colonial and postcolonial cultural encounter has often been neglected. Critically evaluating Gilles Deleuze and F?x Guattari?s concept of ?minor literature?, as well as drawing on postcolonial literary studies, The Somali Within analyses the processes of linguistic and cultural translation and self-translation, the political engagement with race, gender, class and religious discrimination, and the complex strategies of belonging and unbelonging at work in the literary works in Italian by authors of Somali origins. Brioni proposes that the ?minor? Somali Italian connection might offer a major insight into the transnational dimension of contemporary ?Italian? literature and ?Somali? culture.
In Supernatural Entertainments, Simone Natale vividly depicts spiritualism’s rise as a religious and cultural phenomenon and explores its strong connection to the growth of the media entertainment industry in the nineteenth century. He frames the spiritualist movement as part of a new commodity culture that changed how public entertainments were produced and consumed. Starting with the story of the Fox sisters, considered the first spiritualist mediums in history, Natale follows the trajectory of spiritualism in Great Britain and the United States from its foundation in 1848 to the beginning of the twentieth century. He demonstrates that spiritualist mediums and leaders adopted many of the promotional strategies and spectacular techniques that were being developed for the broader entertainment industry. Spiritualist mediums were indistinguishable from other professional performers, as they had managers and agents, advertised in the press, and used spectacularism to draw audiences. Addressing the overlap between spiritualism’s explosion and nineteenth-century show business, Natale provides an archaeology of how the supernatural became a powerful force in the media and popular culture of today.
Donato De Simone WORLD WAR II EVENTS NARRATED FROM THE PERSPECTIVE OF THE CHILDREN CAUGHT IN THE WEB OF ADULT INSANITY A young boy . . . a beautiful town . . . stalked by the Nazis bombed by the Allies . . . hiding Jewish refugees Abruzzos mini-holocaust . . . meeting Padre Pio escape to a new life in America Growing up in the tranquility of the Abruzzo region of Italy, Donato De Simone, Danny to his friends, was abruptly plunged into the violence of war as the Germans and Allies contested for the Sangro River in a major World War II battle. Now, after decades of pondering the meaning of these events, Danny recalls the drama of his times. Mixing humorous touches with his graphic descriptions, he creates for his readers a vivid picture of life in wartime: the nomadic journeys trying to escape the Nazis; the drama of a downed British airman sheltered by his grandfather in a barn; the little-known story of Jewish refugees hidden from the exterminators by sympathetic Italians; watching Allied bombers shot down by German antiaircraft batteries and sent crashing into the Adriatic Sea; finally finding his home destroyed. These are the circumstances under which Danny grew up. His shrewd mothers planning enabling her family to escape German terror, the familys hardships as they slept in a hastily-constructed air raid shelter, titanic efforts to avoid stepping on personnel or anti-car mines, praying that bombs from both sides would miss themall are created anew by this masterful story-teller. The normal educational patterns having been disrupted by war, Danny struggled to learn in makeshift classrooms. After finally succeeding in rejoining his father to America, Danny faced further challenges trying to adjust to a new life, a new culture and a new language. Finally returning to Italy, he married Anna Maria, his childhood sweetheart and fellow war survivor. Returning to America at the urging of Anna Marias father, former U.S. Army private Ernesto Fantini, Danny sailed the Andrea Doriathe trip before she sank! Danny and Anna Maria raised their family in Norristown, Pa., and on June 2, 2006, they celebrated their fiftieth wedding anniversary. We must have done something wrong, Danny quips. In fifty years we never even had a serious argument! Danny met Padre Pio da Pietrelcina, now Saint Pio, twice as a teenager before coming to America, and once in 1956 together with Anna Maria on their honeymoon. It was an unforgettable experience for both to go to confession and receive Holy Communion from the sainted man who bore on his body the signs of the crucifixion. De Simone does a superb job personalizing the historical record, for his account teaches us what it means to suffer the concrete effects of the abstract decisions made by the generals and dictators and kings - what it means to be the family member whose home is bombed, to be the farmer whose field is mined, to be the child who has seen too much death. Prof. Millicent Marcus Yale University His narrative is most interesting and disturbing at the same time as we realize that so many innocent people, especially the children, were caught in the middle of such insane violence. This is a book for all to read, especially the young. Most Rev. Louis A. De Simone, D. D. Auxiliary Bishop Emeritus Archdiocese of Philadelphia . . . fascinatingly human, fast-reading, well-written. Prof. James T. McDonough St. Josephs University Philadelphia
Winner of the 2013 New York Book Show Award in Scholarly/Professional Book Design From Ernest and Julio Gallo to Francis Ford Coppola, Italians have shaped the history of California wine. More than any other group, Italian immigrants and their families have made California viticulture one of America’s most distinctive and vibrant achievements, from boutique vineyards in the Sonoma hills to the massive industrial wineries of the Central Valley. But how did a small group of nineteenth-century immigrants plant the roots that flourished into a world-class industry? Was there something particularly “Italian” in their success? In this fresh, fascinating account of the ethnic origins of California wine, Simone Cinotto rewrites a century-old triumphalist story. He demonstrates that these Italian visionaries were not skilled winemakers transplanting an immemorial agricultural tradition, even if California did resemble the rolling Italian countryside of their native Piedmont. Instead, Cinotto argues that it was the wine-makers’ access to “social capital,” or the ethnic and familial ties that bound them to their rich wine-growing heritage, and not financial leverage or direct enological experience, that enabled them to develop such a successful and influential wine business. Focusing on some of the most important names in wine history—particularly Pietro Carlo Rossi, Secondo Guasti, and the Gallos—he chronicles a story driven by ambition and creativity but realized in a complicated tangle of immigrant entrepreneurship, class struggle, racial inequality, and a new world of consumer culture. Skillfully blending regional, social, and immigration history, Soft Soil, Black Grapes takes us on an original journey into the cultural construction of ethnic economies and markets, the social dynamics of American race, and the fully transnational history of American wine.
In 1638, a small book of no more than 92 pages in octavo was published “appresso Gioanne Calleoni” under the title “Discourse on the State of the Jews and in particular those dwelling in the illustrious city of Venice.” It was dedicated to the Doge of Venice and his counsellors, who are labelled “lovers of Truth.” The author of the book was a certain Simone (Simḥa) Luzzatto, a native of Venice, where he lived and died, serving as rabbi for over fifty years during the course of the seventeenth century. Luzzatto’s political thesis is simple and, at the same time, temerarious, if not revolutionary: Venice can put an end to its political decline, he argues, by offering the Jews a monopoly on overseas commercial activity. This plan is highly recommendable because the Jews are “wellsuited for trade,” much more so than others (such as “foreigners,” for example). The rabbi opens his argument by recalling that trade and usury are the only occupations permitted to Jews. Within the confines of their historical situation, the Venetian Jews became particularly skilled at trade with partners from the Eastern Mediterranean countries. Luzzatto’s argument is that this talent could be put at the service of the Venetian government in order to maintain – or, more accurately, recover – its political importance as an intermediary between East and West. He was the first to define the role of the Jews on the basis of their economic and social functions, disregarding the classic categorisation of Judaism’s alleged privileged religious status in world history. Nonetheless, going beyond the socio-economic arguments of the book, it is essential to point out Luzzatto’s resort to sceptical strategies in order to plead in defence of the Venetian Jews. It is precisely his philosophical and political scepticism that makes Luzzatto’s texts so unique. This edition aims to grant access to his works and thought to English-speaking readers and scholars. By approaching his texts from this point of view, the editors hope to open a new path in research into Jewish culture and philosophy that will enable other scholars to develop new directions and new perspectives, stressing the interpenetration between Jews and the surrounding Christian and secular cultures.
Food stood at the centre of Mussolini's attempt to occupy Ethiopia and build an Italian Empire in East Africa. Seeking to redirect the surplus of Italian rural labor from migration overseas to its own Empire, the fascist regime envisioned transforming Ethiopia into Italy's granary to establish self-sufficiency, demographic expansion and strengthen Italy's international political position. While these plans failed, the extensive food exchanges and culinary hybridizations between Ethiopian and Italian food cultures thrived, and resulted in the creation of an Ethiopian-Italian cuisine, a taste of Empire at the margins. In studying food in short-lived Italian East Africa, Gastrofascism and Empire breaks significant new ground in our understanding of the workings of empire in the circulation of bodies, foodways, and global practices of dependence and colonialism, as well as the decolonizing practices of indigenous food and African anticolonial resistance. In East Africa, Fascist Italy brought older imperial models of global food to a hypermodern level in all its political, technoscientific, environmental, and nutritional aspects. This larger story of food sovereignty-entered in racist, mass settler colonialism-is dramatically different from the plantation and trade colonialisms of other empires and has never been comprehensively told. Using an original decolonizing food studies approach and an unprecedented variety of unexplored Ethiopian and Italian sources, Cinotto describes the different meanings of different foods for different people at different points of the imperial food chain. Exploring the subjectivities, agencies and emotions of Ethiopian and Italian men and women, it goes beyond simple colonizer/colonized binaries and offers a nuanced picture of lived, multisensorial experiences with food and empire.
Socrates, Or On Human Knowledge, published in Venice in 1651, is the only work written by a Jew that contains so far the promise of a genuinely sceptical investigation into the validity of human certainties. Simone Luzzatto masterly developed this book as a pièce of theatre where Socrates, as main actor, has the task to demonstrate the limits and weaknesses of the human capacity to acquire knowledge without being guided by revelation. He achieved this goal by offering an overview of the various and contradictory gnosiological opinions disseminated since ancient times: the divergence of views, to which he addressed the most attention, prevented him from giving a fixed definition of the nature of the cognitive process. This obliged him to come to the audacious conclusion of neither affirming nor denying anything concerning human knowledge, and finally of suspending his judgement altogether. This work unfortunately had little success in Luzzatto’s lifetime, and was subsequently almost forgotten. The absence of substantial evidence from his contemporaries and that of his epistolary have thus increased the difficulty of tracing not only its legacy in the history of philosophical though, but also of understanding the circumstances surrounding the writing of his Socrates. The present edition will be a preliminary study aiming to shed some light on the philosophical and historical value of this work’s translation, indeed it will provide a broader readership with the opportunity to access this immensely complicated work and also to grasp some aspects of the composite intellectual framework and admirable modernity of Venetian Jewish culture in the ghetto.
This book provides a Europe-wide comparative analysis of the role of civil society organizations active in the field of unemployment and precarity. It illustrates how crucial civil society organizations are for the inclusion of the young unemployed, mainly in two ways: by delivering services and by advocating policy.
This book is a sociological description and analysis of urban collective actions, protests, resistance, and riots that started in the 1990s and continue in different forms to this date in Rome, Italy. Through participant observation, ethnographic study, and in-depth qualitative interviews—often occurring during times of protest or even violent action—this book studies a variety of urban realities: grassroots movements, anti-migrant district riots, and the daily lives of the fluid and fluctuating multi-ethnic groups in the city. Ultimately, this book gives voice to some of the protagonists involved, proposing interpretations to each reality described, but also making cross-connections with politics and migration when pertinent. It offers a new understanding of urban collective actions cognizant of the 'common goods', but also of the emergence of new right-wing populism.
This book rethinks meritocracy as a form of coloniality, namely, a social imaginary that reproduces narratives of ethnic and racial difference between European centres and peripheries, and between Europe and its others. Drawing on interviews with working and middle class, white and Black Italians who moved to Britain after the 2008 economic crisis, the book explores the narratives of Northern meritocracy and Southern backwardness that inform migrants' motivations for moving abroad, and how these narratives are experienced within classed, racialised and gendered migrations. Connecting decolonial theory with the sociology of Pierre Bourdieu, this book provides innovative insights into the relationships between meritocracy, coloniality and European whiteness, and into the social stratification of EU migrations.
This book constitutes a holistic study of how and why late starters surpass early starters in comparable instructional settings. Combining advanced quantitative methods with individual-level qualitative data, it examines the role of age of onset in the context of the Swiss multilingual educational system and focuses on performance at the beginning and end of secondary school, thereby offering a long-term view of the teenage experience of foreign language learning. The study scrutinised factors that seem to prevent young starters from profiting from their extended learning period and investigated the mechanisms that enable late beginners to catch up with early beginners relatively quickly. Taking account of contextual factors, individual socio-affective factors and instructional factors within a single longitudinal study, the book makes a convincing case that age of onset is not only of minimal relevance for many aspects of instructed language acquisition, but that in this context, for a number of reasons, a later onset can be beneficial.
I centinaia di viaggi per via aerea o per fuoristrada di Rumi continuano sulle orme di decine di tracciati di vecchie poste secolari di carovanieri alla ricerca di pozzi d’acqua e di pozzi produttivi di petrolio di rifornieredi carburanti una miriade di campi petroliferi e per rilanciare l’agricoltura nel deserto in stato di abbandono da settemila anni. Col contributo di un gruppo di collaboratori locali elabora e sperimenta serre bio-climatiche a scopo agricolo e abitativo in una miriade di luoghi dove ha individuato risorse acquifere da immagazzinare e utilizzare in villaggi agricoli, zootecnici e abitativi con l’intento di ridurre la siccità e la desertificazione e la clandestinità a ridurre la fame nel mondo a creare una interminabile posti di lavoro in ambiente confortevole.
A fascinating guide to building with transparent plastics. Prominent international avant-garde architects such as Shigeru Ban and Herzog & de Meuron frequently use transparent plastic for their structures. Transparent plastic seems ephemeral and thus captures the spirit of the times.
This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society.
Un po' guida, un po' diario, questo libro vuole offrire un servizio che possa dare spunti per scegliere mete interessanti da visitare e che dia un piccolo supporto a chi voglia intraprendere un viaggio. Cucina tradizionale, ricette locali, monumenti importanti e cose da non perdere, aneddoti e qualche fotografia: informazioni utili raccolte in semplici schede, facili e pronte da consultare.
Teaching about the Holocaust is necessarily an act of shaping memory, of forging the consciousness students have. Teaching the Holocaust is written to help teachers help their students to define their understandings of this difficult period in our history.
This book is the first in-depth investigation of the Goth subculture in Italy, focusing in particular on the city of Milan. It grows out of a three year research project - the first in Italy of this scope on the topic - based on the life histories of two dozen participants. In light of this, Simone Tosoni and Emanuela Zuccalà propose an innovative approach to the study of spectacular subcultures: contrarily to the most common accounts of the spectacular subcultures of the 80s, this book describes the experience of subcultural belonging as plural and internally diversified. In particular, three different variations - or 'enactments' - of goth are described in-depth: the politically engaged one; the one typical of the scene of the alternative music clubs spread all over northern Italy; and the one, common in the little towns surrounding Milan (but not limited to it), where participants used to 'enact' the dark subculture alone or in small groups. Their book argues that while these three different variations of goth shared the same canon of subcultural resources (music, style, patterns of cultural consumptions), they differed under relevant points of view, like forms of socialization, stance toward political activism, identity construction processes, and even their relationship with urban space. Yet, contrarily to the stress on individual differences in 'subcultural' belonging typical of post-subcultural theorists, the Milanese variations of goth appear to have been socially shared, as socially shared were the different 'practices of enactment' of the subculture that characterized each of them.
The Underwasteland is the hell at the edge of the universe. In the house in the middle of an ash desert, N inherits the title of [Empress] of the Underwasteland. Her tasks are as important as they are monotonous: judging the deceased and taking care of the immense dungeon in which they rest. N's life is boring and lonely until a [hero] offers her an umbrella. "When the time comes, avenge me" is what he asks in return. Between colorful encounters and difficult moments, N must complete at least a thousand years of mandate as [Empress]. A difficult task since some sleepers are more dangerous dead than alive.
O presente volume publica as Atas do Iº Encontro Internacional “Pensar o Barroco em Portugal” (26-28 de Junho de 2017), que se ocupou do pensamento metafísico, ético e político de Francisco Suárez. Contando com a colaboração de alguns dos maiores especialistas internacionais na obra e no pensamento deste famoso professor da Universidade de Coimbra no século XVII, este volume celebra os 400 anos da sua morte e assinala a produtividade do seu legado filosófico-teológico.
N's adventures continue in this second volume. After defeating the Devil, the Empress of the Underwasteland finds herself facing a group of elves in search of a new homeland. Unlive or undead? Don't mind, the catastrophic awakening of an ancient undead brings an end to the eons of the dungeon as we know it.
This book is the first comprehensive account of how Anglo-American popular music transformed Italian cultural life. Drawing on neglected archival materials, the author explores the rise of new musical tastes and social divisions in late twentieth century Italy. The book reconstructs the emergence of pop music magazines in Italy and offers the first in-depth investigation of the role of critics in global music cultures. It explores how class, gender, race and geographical location shaped the production and consumption of music magazines, as well as critics’ struggle over notions of expertise, cultural value and cosmopolitanism. Globalization, Music and Cultures of Distinction provides an innovative framework for studying how globalization transforms cultural institutions and aesthetic hierarchies, thus breaking new ground for sociological and historical research. It will be essential reading for scholars and students interested in cultural sociology, popular music, globalization, media and cultural studies, social theory and contemporary Italy.
This book offers a concise and coherent introduction to accelerator physics and technology at the fundamental level but still in connection to advanced applications ranging from high-energy colliders to most advanced light sources, i.e., Compton sources, storage rings and free-electron lasers. The book is targeted at accelerator physics students at both undergraduate and graduate levels, but also of interest also to Ph.D. students and senior scientists not specialized in beam physics and accelerator design, or at the beginning of their career in particle accelerators. The book introduces readers to particle accelerators in a logical and sequential manner, with paragraphs devoted to highlight the physical meaning of the presented topics, providing a solid link to experimental results, with a simple but rigorous mathematical approach. In particular, the book will turn out to be self-consistent, including for example basics of Special Relativity and Statistical Mechanics for accelerators. Mathematical derivations of the most important expressions and theorems are given in a rigorous manner, but with simple and immediate demonstration where possible. The understanding gained by a systematic study of the book will offer students the possibility to further specialize their knowledge through the wide and up-to-date bibliography reported. Both theoretical and experimental items are presented with reference to the most recent achievements in colliders and light sources. The author draws on his almost 20-years long experience in the design, commissioning and operation of accelerator facilities as well as on his 10-years long teaching experience about particle accelerators at the University of Trieste, Department of Engineering and of Physics, as well as at international schools on accelerator physics.
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