The relationship between medieval animal symbolism and the iconography of animals in the Renaissance has scarcely been studied. Filling a gap in this significant field of Renaissance culture, in general, and its art, in particular, this book demonstrates the continuity and tenacity of medieval animal interpretations and symbolism, disguised under the veil of genre, religious or mythological narrative and scientific naturalism. An extensive introduction, dealing with relevant medieval and early Renaissance sources, is followed by a series of case studies that illustrate ways in which Renaissance artists revived conventional animal imagery in unprecedented contexts, investing them with new meanings, on a social, political, ethical, religious or psychological level, often by applying exegetical methodology in creating multiple semantic and iconographic levels. Brill's Studies on Art, Art History, and Intellectual History, vol. 2
The expression of uncertainty in measurement poses a challenge since it involves physical, mathematical, and philosophical issues. This problem is intensified by the limitations of the probabilistic approach used by the current standard (the GUM Instrumentation Standard). This text presents an alternative approach. It makes full use of the mathematical theory of evidence to express the uncertainty in measurements. Coverage provides an overview of the current standard, then pinpoints and constructively resolves its limitations. Numerous examples throughout help explain the book’s unique approach.
L’intreccio tra la migrazione in Italia e la pratica della scrittura letteraria in lingua italiana accomuna le donne le cui storie, raccolte in lunghe interviste biografiche, sono presentate e analizzate in questo volume. La migrazione può configurarsi come esperienza di sradicamento e di solitudine, anche in ragione delle forme di esclusione attive nella società d’approdo. Ma la pratica della scrittura, nella nuova lingua, può essere strumento attraverso il quale costruire nuove appartenenze e sentire di poter avere, ancora, «un posto nel mondo», come afferma una delle donne intervistate. Le biografie raccolte mettono in crisi l’immaginario egemonico sulle “donne migranti”, popolato da stereotipi in cui si intersecano assunti razzisti, sessisti ed eurocentrici. L’esperienza della scrittura in migrazione viene interpretata e discussa come una pratica di soggettivazione, una pratica cioè attraverso la quale le donne migranti cessano di essere soggetti narrati e si rendono soggetti narranti, potendo così contribuire a ri-nominare e ri-significare i processi di costruzione e reificazione dell’alterità. «Questo è un libro in cui la sociologia è vivente. Promuove e articola la percezione di uno scarto fra le esperienze di chi questo mondo lo abita e i modi in cui le narrazioni più correnti le deformano. Promuove e articola curiosità e critica. È un libro molto bello. Io spero che lo leggano in tanti». Dalla Prefazione di Paolo Jedlowski
This book challenges the Western contemporary “praise for Nature”. From food to body practices, from ecological discourses to the Covid-19 pandemic, contemporary imaginaries abound with representations of an ideal “pure Nature”, essentially defined according to a logic of denial of any artificial, modified, manipulated — in short, cultural — aspect. How should we contextualise and understand such an opposition, especially in light of the rich semantic scope of the term “nature” and its variability over time? And how can we — if we actually can — envisage alternative models and approaches capable of better accounting for such richness and variability? The author addresses these fundamental issues, combining an initial theoretical problematisation of the concept of nature and its evolution — from classical philosophy to the crucial changes occurred through the Middle Ages, the Renaissance, Romanticism and the modern era, finally considering recent insights in philosophy, sociology, cultural anthropology and semiotics — with the analysis of its discursivisation — from the iconography of Mother Nature between the past and the present to the representation of catastrophic events in fictional and non-fictional texts, from clean eating and other popular food trends to the ambivalence of the naked body between its supposed natural ascription and its multiple cultural characterisations. Thus she introduces a critique of pure Nature, providing a systematic study of the way nature is attributed meaning and value in some of today’s most relevant discourses and practices, and finally tracing a possible path towards an “internatural turn”.
This book overcomes the separation existing in literature between the static and the dynamic bifurcation worlds. It brings together buckling and post-buckling problems with nonlinear dynamics, the bridge being represented by the perturbation method, i.e., a mathematical tool that allows for solving static and dynamic problems virtually in the same way. The book is organized as follows: Chapter one gives an overview; Chapter two illustrates phenomenological aspect of static and dynamic bifurcations; Chapter three deals with linear stability analysis of dynamical systems; Chapter four and five discuss the general theory and present examples of buckling and post-buckling of elastic structures; Chapter six describes a linearized approach to buckling, usually adopted in the technical literature, in which pre-critical deformations are neglected; Chapters seven to ten, analyze elastic and elasto-plastic buckling of planar systems of beams, thin-walled beams and plate assemblies, respectively; Chapters eleven to thirteen, illustrate dynamic instability phenomena, such as flutter induced by follower forces, aeroelastic bifurcations caused by wind flow, and parametric excitation triggered by pulsating loads. Finally, Chapter fourteen discusses a large gallery of solved problems, concerning topics covered in the book. An Appendix presents the Vlasov theory of open thin-walled beams. The book is devoted to advanced undergraduate and graduate students, as well as engineers and practitioners. The methods illustrated here are immediately applicable to model real problems. The Book Introduces, in a simple way, complex concepts of bifurcation theory, by making use of elementary mathematics Gives a comprehensive overview of bifurcation of linear and nonlinear structures, in static and dynamic fields Contains a chapter in which many problems are solved, either analytically or numerically, and results commented
These stories are linked by common themes of belonging, dislocation and identity, and together they take the pulse of a country in turmoil. In 'The Opposite of Death' Roberto Saviano writes about a town in southern Italy haunted by the war in Afghanistan, where one by one its sons are dying. Carlo Lucarelli ('Ferengi') explores the colonial war in Eritrea through the eyes of a maid working for a sick man who begs her to end his suffering. Piero Colaprico's 'Grade C' is a breathless Milanese crime thriller in miniature, while Valeria Parrella's 'The Prize', set during World War II, reminds us that revenge is a dish best served cold. Contains stories by Roberto Saviano, Carlo Lucarelli, Valeria Parrella, Piero Colaprico, Wu Ming, and Simona Vinci.
In una nuova e originale formula, tutto Leonardo: il pittore della Gioconda e lo studioso di anatomia, lo sperimentatore del volo umano e l'inventore di macchine da guerra. Un libro magnificamente illustrato per il pubblico degli appassionati, con testi aggiornatissimi. ENGLISH TEXT. Italian edition available.
Book Description: This captivating book provides the reader with a unique insight into the life and work of one of history's most intriguing figures. All of Leonardo Da Vinci's work is presented in this compact volume - from his paintings and frescos, to detailed reproductions of his remarkable encrypted notebooks. As well as featuring each individual artwork, sections of each are shown in isolation to reveal incredible details - for example, the different levels of perspective between the background sections of the "Mona Lisa", and the disembodied hand in "The Last Supper". 640 pages of colour artworks and photographs of Da Vinci's original notebooks, accompanied by fascinating biographical and historical details are here.
Leonardo di ser Piero da Vinci (1452-1519) epitomised the Renaissance humanist ideal. He is widely considered to be one of the most diversely talented people ever to have lived. The scope of his interests - which was without precedent - is captured in this new biography.
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