Offering a new perspective on the British experience of the Second World War in Europe, this book provides a series of snapshots of the role which languages played in the key processes of British war-making, moving from frameworks of perception and intelligence gathering, through to liberation/occupation, and on to the aftermath of conflict.
Offering a new perspective on the British experience of the Second World War in Europe, this book provides a series of snapshots of the role which languages played in the key processes of British war-making, moving from frameworks of perception and intelligence gathering, through to liberation/occupation, and on to the aftermath of conflict.
This book reviews the period from the unification of Italy to the fascist era through significant Neapolitan performers such as Gilda Mignonette and Enrico Caruso. It traces the transformation of a popular tradition written in dialect into a popular tradition, written in Italian, that contributed to the production of "American" identity.
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