For over a century, drummers have been turning to a variety of percussive traditions as prompts for the creation of new expressive possibilities on the drumset. In this book, Simon Barker sets out in detail the developmental processes he has followed creating an improvisational language for the drumset utilizing Korean rhythm/sticking cells, aesthetic conceptions, improvisatory codes, and developmental procedures. Barker offers historical overviews of Korean traditional rhythmic forms, analysis of rhythmic structures appearing in a variety of styles, an analysis and chronological account of his development of a 'Koreanized' approach to the drumset, a methodology for performing p’ansori accompaniment on the drumset, an introduction to Korean extended techniques, and a large collection of drumset studies based on Korean traditional forms such as tasŭrŭm, ch’ilch’ae, and ritual music structures from Korea’s East Coast. Barker also explores physical practices employed by Korean musicians which aid in the development of a relaxed, dynamic approach to performance. He creates a framework for creating an alternative approach to drumset education and performance through an engagement with Korea’s extraordinary rhythmic and aesthetic traditions. The volume includes an accompanying CD featuring recordings of developmental exercises, solo drumset improvisations, and ensemble performances, each track representing a subject of discussion within the volume.
A first-ever book on the subject, New York City Blues: Postwar Portraits from Harlem to the Village and Beyond offers a deep dive into the blues venues and performers in the city from the 1940s through the 1990s. Interviews in this volume bring the reader behind the scenes of the daily and performing lives of working musicians, songwriters, and producers. The interviewers capture their voices — many sadly deceased — and reveal the changes in styles, the connections between performers, and the evolution of New York blues. New York City Blues is an oral history conveyed through the words of the performers themselves and through the photographs of Robert Schaffer, supplemented by the input of Val Wilmer, Paul Harris, and Richard Tapp. The book also features the work of award-winning author and blues scholar John Broven. Along with writing a history of New York blues for the introduction, Broven contributes interviews with Rose Marie McCoy, “Doc” Pomus, Billy Butler, and Billy Bland. Some of the artists interviewed by Larry Simon include Paul Oscher, John Hammond Jr., Rosco Gordon, Larry Dale, Bob Gaddy, “Wild” Jimmy Spruill, and Bobby Robinson. Also featured are over 160 photographs, including those by respected photographers Anton Mikofsky, Wilmer, and Harris, that provide a vivid visual history of the music and the times from Harlem to Greenwich Village and neighboring areas. New York City Blues delivers a strong sense of the major personalities and places such as Harlem’s Apollo Theatre, the history, and an in-depth introduction to the rich variety, sounds, and styles that made up the often-overlooked New York City blues scene.
This fun, absorbing book, packed with quirky bite-sized lists, quizzes and trivia, is an exploration of the Latin language, aiming to prove that it is as vibrant and relevant today as it was 2,500 years ago. It includes sections on Latin in the movies, US state mottoes and place names, and also some choice snippets from real Latin poetry from Catullus, Horace and Virgil, with evocative translations. It contains a fascinating section on the Roman emperors and what they got up to, and gives the basics of the language itself for anyone who would like to learn it. Quizzes allow the reader to guess the names of famous books, songs and James Bond films, cunningly translated into Latin. From the spells in Harry Potter to the use of Latin in Asterix, to the Latin terms that litter law and medicine to the meaning behind UK football club mottoes, this book is the perfect gift for anyone who wants to brush up their Latin, whether they studied it at school or not.
This book raises awareness of the wide range and varied character of the historic landscape and buildings which constitute Manningham, and the forces and trends which have contributed to its appearance over time. It tells the story, through its buildings and landscape, of Manningham's development from a thinly populated rural township to a fully developed, mostly middle-class, fashionable, 19th-century city suburb full of self-assurance, civic pride and high-quality architecture. It examines how successfully and in what ways the suburb and its buildings have subsequently continued to function, following the decline and disappearance of the traditional industries on which its success was originally based and a substantially changed cultural and demographic profile. The publication will appeal to all of those with an interest in Bradford and its buildings. In addition, by supplementing the research project and literary work with a major outreach and film project, the fruits of which help to inform the publication text and are incorporated into the book as a DVD insert, the publication will be extremely effective in engaging and developing new audiences amongst the people living and working in Manningham. It gives them a 'voice', allowing them to share their memories and put forward their own views and opinions on the district which has become increasingly known to outsiders only for its problems of economic out-migration, increasing levels of crime and headline-making outbreaks of civil unrest. The publication also serves as a response to recently growing nation-wide development pressure on historic suburbs and this will increase understanding of historical suburban development and modern adaptation, and appeal to those with an interest in social, urban and industrial history.
Bayesian methods are increasingly being used in the social sciences, as the problems encountered lend themselves so naturally to the subjective qualities of Bayesian methodology. This book provides an accessible introduction to Bayesian methods, tailored specifically for social science students. It contains lots of real examples from political science, psychology, sociology, and economics, exercises in all chapters, and detailed descriptions of all the key concepts, without assuming any background in statistics beyond a first course. It features examples of how to implement the methods using WinBUGS – the most-widely used Bayesian analysis software in the world – and R – an open-source statistical software. The book is supported by a Website featuring WinBUGS and R code, and data sets.
The acclaimed author of the intensely powerful novel Pretty Birds, Scott Simon now gives us a story that is both laugh-out-loud funny and heart-piercing–as sprawling and brawling as Chicago, where politics is a contact sport. The mayor of Chicago is found in his office late at night, sitting in his boxer shorts, facedown dead in a pizza. The mayor was a hero and a rascal: dynamic, charming, ingenious, corruptible, and a masterly manipulator. The city mourns. But it’s discovered that the mayor was murdered–shortly after he may have begun to squeal on some of his colleagues at City Hall. Over the next four days, police race to find the mayor’s killer, while the politicians who bemoan his passing scramble for his throne.
Lonnie Johnson is a blues legend. His virtuosity on the blues guitar is second to none, and his influence on artists from T-Bone Walker and B. B. King to Eric Clapton is well established. Yet Johnson mastered multiple instruments. He recorded with jazz icons such as Duke Ellington and Louis Armstrong, and he played vaudeville music, ballads, and popular songs. In this book, Julia Simon takes a closer look at Johnson’s musical legacy. Considering the full body of his work, Simon presents detailed analyses of Johnson’s music—his lyrics, technique, and styles—with particular attention to its sociohistorical context. Born in 1894 in New Orleans, Johnson's early experiences were shaped by French colonial understandings of race that challenge the Black-white binary. His performances call into question not only conventional understandings of race but also fixed notions of identity. Johnson was able to cross generic, stylistic, and other boundaries almost effortlessly, displaying astonishing adaptability across a corpus of music produced over six decades. Simon introduces us to a musical innovator and a performer keenly aware of his audience and the social categories of race, class, and gender that conditioned the music of his time. Lonnie Johnson’s music challenges us to think about not only what we recognize and value in “the blues” but also what we leave unexamined, cannot account for, or choose not to hear. The Inconvenient Lonnie Johnson provides a reassessment of Johnson’s musical legacy and complicates basic assumptions about the blues, its production, and its reception.
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
Two men retrace the notorious pair's footsteps, covering thousands of miles of hazardous country on horseback and discovering how little has changed from the saddle in the last 100 years Butch Cassidy and the Sundance Kid, the last of the legendary outlaws, were captured on daguerreotype, romanced in fiction, and immortalized on film by Paul Newman and Robert Redford. Simon Casson sets out on horseback to retrace the real-life footsteps of his boyhood heroes, covering 2,000 miles of the country's toughest and most treacherous terrain. Steeped in the lore of the Old West but lacking desert and mountain survival skills, Simon recruits ex-marine commando Richard Adamson. Together they grapple with hostile landscape, climatic extremes, vital supply shortages, and enormous personality clashes. Battling from one outlaw hideout to another and following trails sometimes only accessible by horseback, they are constantly taxed to the limit. In this dramatic account of their adventure, Simon and Richard also encapsulate the exciting and violent lives of the Wild Bunch 100 years ago, and providing an intimate and heartwarming picture of the rancher families who live and work this demanding land today.
This 2000 book analyses the revival of charismatic Protestant Christianity as an example of globalization. Simon Coleman shows that, along with many social movements, these religious conservatives are negotiating their own interpretations of global and postmodern processes. They are constructing an evangelical arena of action and meaning within the liminal, chaotic space of the global. The book examines globalization not only as a social process, but also as an embodied practice involving forms of language and ritualized movement. Charismatic Christianity is presented through its material culture - art, architecture and consumer products - as well as its rhetoric and theology. The book provides an account of the incorporation of electronic media such as television, videos and the Internet into Christian worship. Issues relating to the conduct of fieldwork in contexts of globalization are raised in an account which is also a major ethnography of a Faith ministry.
Written by one of the best-known interpreters of classical literature today, Sophocles and the Language of Tragedy presents a revolutionary take on the work of this great classical playwright and on how our understanding of tragedy has been shaped by our literary past. Simon Goldhill sheds new light on Sophocles' distinctive brilliance as a dramatist, illuminating such aspects of his work as his manipulation of irony, his construction of dialogue, and his deployment of the actors and the chorus. Goldhill also investigates how nineteenth-century critics like Hegel, Nietzsche, and Wagner developed a specific understanding of tragedy, one that has shaped our current approach to the genre. Finally, Goldhill addresses one of the foundational questions of literary criticism: how historically self-conscious should a reading of Greek tragedy be? The result is an invigorating and exciting new interpretation of the most canonical of Western authors.
Now in paperback, the second edition of the Oxford Textbook of Critical Care is a comprehensive multi-disciplinary text covering all aspects of adult intensive care management. Uniquely this text takes a problem-orientated approach providing a key resource for daily clinical issues in the intensive care unit. The text is organized into short topics allowing readers to rapidly access authoritative information on specific clinical problems. Each topic refers to basic physiological principles and provides up-to-date treatment advice supported by references to the most vital literature. Where international differences exist in clinical practice, authors cover alternative views. Key messages summarise each topic in order to aid quick review and decision making. Edited and written by an international group of recognized experts from many disciplines, the second edition of the Oxford Textbook of Critical Careprovides an up-to-date reference that is relevant for intensive care units and emergency departments globally. This volume is the definitive text for all health care providers, including physicians, nurses, respiratory therapists, and other allied health professionals who take care of critically ill patients.
From the moderator of The New York Times philosophy blog "The Stone," a book that argues that if we want to understand ourselves we have to go back to theater, to the stage of our lives Tragedy presents a world of conflict and troubling emotion, a world where private and public lives collide and collapse. A world where morality is ambiguous and the powerful humiliate and destroy the powerless. A world where justice always seems to be on both sides of a conflict and sugarcoated words serve as cover for clandestine operations of violence. A world rather like our own. The ancient Greeks hold a mirror up to us in which we see all the desolation and delusion of our lives but also the terrifying beauty and intensity of existence. This is not a time for consolation prizes and the fatuous banalities of the self-help industry and pop philosophy. Tragedy allows us to glimpse, in its harsh and unforgiving glare, the burning core of our aliveness. If we give ourselves the chance to look at tragedy, we might see further and more clearly.
In this era of evidence-based medicine, clinicians treat common conditions according to guidelines and protocols derived from the results of randomised clinical trials. This book will help vascular specialists when they have to treat a patient with an unusual condition where they may have no experience and there is little published scientific information. The Joint Vascular Research Group has collected rare vascular conditions in a register for over a decade, and this book reviews the experience, together with the best information from the surgical literature. The authors give a practical guide on the diagnosis and management of rare vascular disorders. This book should be read by everyone who manages patients with vascular disease.
Friedrich Hayek was a founding figure of the neo-liberalism that flourished in the 1980s. Yet, despite his antagonistic relationship with socialism, his work became a surprising source of inspiration for several influential thinkers on the left. This book explains the left’s unusual engagement with Hayek and reflects on its significance. Engaging Enemies uses the left’s late discovery of Hayek to examine the contemporary fate of socialism and social democracy. Did socialism survive the twentieth century? Did it collapse with the fall of the Berlin Wall as Hayek claimed? Or did it transform into something else, and if so what? In turn this allows an examination of ideological and historical continuity. Was the left’s engagement with Hayek part of a wider break with a period of ideological continuity that marked the twentieth century, but which did not survive its ending? As such, the book is also a study of how ideologies change with the times, incorporating new elements and jettisoning others. The left’s engagement with Hayek was also influential on party politics, particularly on the ‘modernization’ of the Labour Party and the development of New Labour. Engaging Enemies concludes with a discussion of the wider role of the market for the left today and the contemporary significance of the engagement with Hayek for Labour in the wake of the 2008 economic crisis.
This book contains every result at the Wimbledon Men's and Ladies' Singles Championships since the open era began in 1968. For the 2015 edition, there are full details of all 256 players taking part in the main draws, their rankings before and after the tournament and their 5-year performance at Wimbledon. Results from the Roehampton qualifying competition are also included. The statistics section contains a point-by-point record of the finals as well as statistics for the matches and set by set. This 329-page book is a complete record of the 2015 tournament, and a fully detailed reference of the open era at Wimbledon.
This book contains every result at the Wimbledon Gentlemen's and Ladies Singles Championships since the open era began in 1968. For the 2014 edition, there are full details of all 256 players taking part in the main draws, their rankings before and after the tournament and their 5-year performance at Wimbledon. Results from the Roehampton qualifying competition are also included. The statistics section contains a point-by-point record of the finals as well as statistics for the matches and set by set. This 323-page book is a complete record of the 2014 tournament, and a fully detailed reference of the open era at Wimbledon.
Helps the reader keep abreast with the developments in Personal Injury, covering the cases, statutes and regulations, with their implications for practitioners. Providing analysis and summaries of PI cases, this book also gives the reader expert guidance on personal injury law with articles written by both claimants and defendants
This book presents a comprehensive review of the interaction between cancer research and mathematical methods for both investigators in the field and newcomers just entering it. The book's primary focus is on the use of computer-assisted mathematical modeling in carcinogenesis and cancer prevention. The first two chapters include a general presentation of the carcinogenesis and anticarcinogenesis molecular mechanisms, followed by a discussion of mathematical models of triggers for gene regulation. A description of the prediction of both carcinogenicity and mutagenicity using quantum mechanical, topological or physico-chemical indices is presented, as well as a discussion of the QSAR analysis of carcinogenesis-inhibiting compounds (known as blocking or suppressive agents).
Markesinis and Deakin's Tort Law is an authoritative, analytical, and well-established textbook, now in its eighth edition. The authors provide a variety of comparative and economic perspectives on the law of tort and its likely development, placing the subject in its socio-economic context, giving students a deeper understanding of tort law.
Presented in the context of clinical cases, this unique resource steps medical students through the most common cardiology problems encountered on the ward and discusses the evidence-based treatments used in practice. This problem-based learning mirrors clinical practice, providing a useful clinical approach for students to carry throughout their careers. Written by Atifur Rahman and Simon O'Connor, Problem Based Cardiology Cases includes considered and wide-ranging coverage of everyday cardiology encounters – from basic bedside issues to controversial and advanced aspects of cardiology. The only local text of its kind is richly referenced with Australian guidelines, while at the same time incorporates a global element by summarising up-to-date literature and landmark clinical trials from around the world. - Cardiology cases, which include: treatment pathways and guidelines; summaries of symptoms, drugs and evidence; images taken from real patient cases - Concisely conveys up-to-date information and findings from key clinical trials to give a clear understanding of the evidence behind optimal treatment - Extensive coverage of everyday encounters – from basic bedside cardiology to controversial and advanced aspects of cardiology - Review and revision of clinical examination techniques and the importance of getting these right
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
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