From the slums of London to the riches of an Edwardian country house; from the hot, dark seams of a Yorkshire coalmine to the exposed terrors of the trenches, Adam Raine’s journey from boy to man is set against the backdrop of a society violently entering the modern world.
Inspired by the real-life experiences of his grandfather, J. R. R. Tolkien, during World War I, Simon Tolkien delivers a perfectly rendered novel rife with class tension, period detail, and stirring action, ranging from the sharply divided society of northern England to the trenches of the Somme. Adam Raine is a boy cursed by misfortune. His impoverished childhood in turn-of-the-century London comes to a sudden and tragic end when his mother is killed in a workers' protest march. His father, Daniel, is barely able to cope with the loss. But a job offer in the coal mining town of Scarsdale presents one last chance, so father and son head north. The relocation is hard on Adam: the local boys prove difficult to befriend, and he never quite fits in. Meanwhile tensions between the miners and their employer, Sir John Scarsdale, escalate, and finally explode with terrible consequences. In the aftermath, Adam's fate shifts once again, and he finds himself drawn into the opulent Scarsdale family home where he makes an enemy of Sir John's son, Brice, who subjects Adam to a succession of petty cruelties for daring to step above his station. However, Adam finds consolation in the company of Miriam, the local parson's beautiful daughter with whom he falls in love. When they become engaged and Adam wins a scholarship to Oxford, he starts to feel that his life is finally coming together—until the outbreak of war threatens to tear everything apart. From the slums of London to the riches of an Edwardian country house; from the hot, dark seams of a Yorkshire coal mine to the exposed terrors of the trenches in France; Adam's journey from boy to man is set against the backdrop of a society violently entering the modern world.
Simon Tolkien’s gripping Oxford-based thriller trilogy which sees Inspector Trave in a race for justice against deception, conspiracy and the long shadow of the past.
The murder of Lady Anne Robinson by two intruders causes a schism in the victim's family when her son convinces police that his father's beautiful personal assistant hired the killers, while his father, the British minister of defense, refuses to believe his son and marries the accused. A first novel. Reprint.
A tale set in 1940 London marks the beginning of Detective Bill Trave's career and follows his investigation into an MI6 former chief's murder, which is linked to an assassination plot against Churchill.
In this expertly crafted follow-up to his acclaimed novel The Inheritance, Simon Tolkien has once again written a gripping and nuanced thriller laced with historical detail, treachery, and his signature writing style—a uniquely suspenseful blend that the Los Angeles Times called "half Christie and half Grisham." It's 1960, and David Swain is two years into his life sentence for murdering the lover of his ex-girlfriend, Katya Osman. In the dead of night, David escapes from prison, and that same night Katya is found murdered in her uncle's home, Blackwater Hall. Inspector Trave of the Oxford Police, last seen in The Inheritance, heads the manhunt for David, whom he first brought to justice two years earlier. But Trave's suspicions lead him to Katya's uncle Titus Osman, a rich diamond dealer, and his sinister brother-in-law, Franz Claes, who has gone to great lengths to hide his former ties with the Nazis. However, Trave's motives are suspect - Osman is having an affair with Trave's estranged wife, Vanessa, and a newcomer to the Oxford Police, Inspector Macrae, is eager to exploit Trave's weaknesses to further his own ambition. Caught up in his superiors' rivalry, Trave's young assistant, Adam Clayton, finds himself uncertain who is right and which side to choose. Once David is captured and put on trial for his life, Trave is willing to risk everything that is dear to him—professionally and personally—to pursue his obsessive belief in Osman's guilt. The King of Diamonds is a Kirkus Reviews Best of 2011 Mysteries title.
When an eminent art historian is found dead in his study, all the evidence points to his estranged son, Stephen. With his fingerprints on the murder weapon, Stephen’s guilt seems undeniable.
Eleven essays on the works of J. R. R. Tolkien, written from the perspective of the working fantasy writer. How did Tolkien produce his effects, and what can we learn from his methods? In this collection, Tom Simon investigates topics from the uses of archaic language to the moral philosophy of Orcs.
This novel follows the course of the criminal trial of the beautiful and ambitious Greta Grahame, the stepmother of dreamy, bookish, 16-year-old Thomas. She stands accused of conspiring to murder Thomas's mother. The prosecution case depends heavily on the evidence given by Thomas.
London, 1910: young Adam Raine’s impoverished childhood becomes even darker when his mother is killed in a workers’ protest march. His grieving father, Daniel, seeks a second chance for them in a coal mining town, where he begins working for the miners’ union. But tensions escalate between the miners and their employer, Sir John Scarsdale, and finally explode with tragic consequences. In the aftermath, Adam is brought into the opulent Scarsdale family home where Sir John’s son subjects Adam to a succession of petty cruelties for daring to step above his station. When, despite everything, Adam finds love with the beautiful parson’s daughter and wins a scholarship to Oxford, he starts to feel that his life is finally coming together—until the outbreak of war threatens to tear everything apart. Inspired by the real-life war experiences of the author’s grandfather J.R.R. Tolkien, No Man’s Land delivers a Dickensian, page-turning novel of Edwardian England and World War I.
We visit the ugly corrugated iron structure that Murray grandly dubbed the Scriptorium -- the Scrippy or the Shed, as locals called it -- and meet some of the legion of volunteers, from Fitzedward Hall, a bitter hermit obsessively devoted to the OED, to W.C. Minor, whose story is one of dangerous madness, ineluctable sadness, and ultimate redemption. The Meaning of Everything is a scintillating account of the creation of the greatest monument ever erected to a living language. Simon Winchester's supple, vigorous prose illuminates this dauntingly ambitious project -- a seventy-year odyssey to create the grandfather of all word-books, the world's unrivaled uber-dictionary. Book jacket."--Jacket.
In this expertly crafted follow-up to his acclaimed novel The Inheritance, Simon Tolkien has once again written a gripping and nuanced thriller laced with historical detail, treachery, and his signature writing style—a uniquely suspenseful blend that the Los Angeles Times called "half Christie and half Grisham." It's 1960, and David Swain is two years into his life sentence for murdering the lover of his ex-girlfriend, Katya Osman. In the dead of night, David escapes from prison, and that same night Katya is found murdered in her uncle's home, Blackwater Hall. Inspector Trave of the Oxford Police, last seen in The Inheritance, heads the manhunt for David, whom he first brought to justice two years earlier. But Trave's suspicions lead him to Katya's uncle Titus Osman, a rich diamond dealer, and his sinister brother-in-law, Franz Claes, who has gone to great lengths to hide his former ties with the Nazis. However, Trave's motives are suspect - Osman is having an affair with Trave's estranged wife, Vanessa, and a newcomer to the Oxford Police, Inspector Macrae, is eager to exploit Trave's weaknesses to further his own ambition. Caught up in his superiors' rivalry, Trave's young assistant, Adam Clayton, finds himself uncertain who is right and which side to choose. Once David is captured and put on trial for his life, Trave is willing to risk everything that is dear to him—professionally and personally—to pursue his obsessive belief in Osman's guilt. The King of Diamonds is a Kirkus Reviews Best of 2011 Mysteries title.
G. K. Chesterton was a journalist and prolific author of poems, novels, short stories, travel books and social criticism. Prior to the twentieth century, Chesterton expressed sympathy for Jews and hostility towards antisemitism. He was agitated by Russian pogroms and felt sympathy for Captain Dreyfus. However, early into the twentieth century, he developed an irrational fear about the presence of Jews in Christian society. He started to argue that it was the Jews who oppressed the Russians rather than the Russians who oppressed the Jews, and he suggested that Dreyfus was not as innocent as the English newspapers claimed. His caricatures of Jews were often that of grotesque creatures masquerading as English people. His fictional and his journalistic works repeated anti-Jewish stereotypes of Jewish greed and usury, bolshevism, cowardice, disloyalty and secrecy. This concise book (125 pages) provides a focused yet easily-accessible examination of these stereotypes and caricatures in Chesterton’s discourse. It also examines Chesterton’s discussion of the so-called “Jewish Problem”, his belief that “every Jew” should be made to wear distinctive clothing, the claim that Chesterton could not have been antisemitic because Israel Zangwill was his friend, and the claim that the Wiener Library defended him from the charge of antisemitism.
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
This book narrates the history of English spelling from the Anglo-Saxons to the present-day, charting the various changes that have taken place and the impact these have had on the way we spell today. While good spelling is seen as socially and educationally desirable, many people struggle to spell common words like accommodate, occurrence, dependent. Is it our spelling system that is to blame, and should we therefore reform English spelling to make it easier to learn? Or are such calls for change further evidence of the dumbing-down of our educational standards, also witnessed by the tolerance of poor spelling in text-messaging and email? This book evaluates such views by considering previous attempts to reform the spelling of English and other languages, while also looking critically at claims that the electronic age heralds the demise of correct spelling.
A study of the language of Chaucerian manuscripts, printed editions and Chaucer's 15th century followers. Winner of the 2005 Beatrice White Prize for outstanding scholarly work in the field of English literature before 1590 The manuscript copies of Chaucer's works preserve valuable information concerning Chaucer's linguistic practices and the ways in which scribes responded to these. This book draws on recent developments in Middle English dialectology, textual criticism and the application of computers to manuscript studies to assess the evidence Chaucerian manuscripts provide for reconstructing Chaucer's own language and his linguistic environment. This book considershow scribes, editors and Chaucerian poets transmitted and updated Chaucer's language and the implications of this for our understanding of Chaucerian book production and reception, and the processes of linguistic change in the fifteenth century. Winner of the 2005 Beatrice White Prize for outstanding scholarly work in the field of English literature before 1590 SIMON HOROBIN lectures on English language at the University of Glasgow.
The greatest enterprise of its kind in history,' was the verdict of British prime minister Stanley Baldwin in June 1928 when The Oxford English Dictionary was finally published. With its 15,490 pages and nearly two million quotations, it was indeed a monumental achievement, gleaned from the efforts of hundreds of ordinary and extraordinary people who made it their mission to catalogue the English language in its entirety. In The Meaning of Everything, Simon Winchester celebrates this remarkable feat, and the fascinating characters who played such a vital part in its execution, from the colourful Frederick Furnivall, cheerful promoter of an all-female sculling crew, to James Murray, self-educated son of a draper, who spent half a century guiding the project towards fruition. Along the way we learn which dictionary editor became the inspiration for Kenneth Grahame's Ratty in The Wind in the Willows, and why Tolkien found it so hard to define 'walrus'. Written by the bestselling author of The Surgeon of Crowthorne and The Map That Changed the World, The Meaning of Everything is an enthralling account of the creation of the world's greatest dictionary.
An exhaustive comparison of two great leaders, using seven traits to judge their military successes with the Macedonian Army and the Republican Roman Army. In the annals of ancient history the lights of Alexander the Great and Gaius Julius Caesar shine brighter than any other, inspiring generations of dynasts and despots with their imperial exploits. Each has been termed the greatest military leader of the ancient world, but who actually was the best? In this book Dr Simon Elliott first establishes a set of criteria by which to judge the strategic and tactical genius of both. He then considers both in turn in brand-new, up-to-date military biographies, starting with Alexander, undefeated in battle and conqueror of the largest empire the world had seen by the age of 26. Next Caesar, the man who played the crucial role in expanding Roman territory to the size which would later emerge as the Empire under his great nephew, adopted son and heir Augustus. The book’s detailed conclusion sets each of their military careers against the criteria set out earlier to finally answer the question: who was the greatest military leader in the ancient world? “Takes the attributes of the lives of these two great individuals of history and compares each man against each other . . . beautifully written . . . an informed and comprehensive read.” —UK Historian “A truly fantastic book . . . makes the history that Elliott teaches us fun and engaging as we follow these great generals on their exploits . . . It is one of the best ancient history books I have read.” —History with Jackson
This book looks at how language has evolved around the globe from ancestral proto-languages to our recognisable modern tongues. It demonstrates how language has been shaped by social and cultural influences, and even explains how our anatomy affects the articulation, and therefore evolution, of words. Discover the surprising stories behind the origin of the written word, the difficulties of decipherment and the challenge of inventing from scratch languages such as Dothraki. Combining expert analysis with accessible narrative and fun illustrations, The Secret Life of Language makes even the complex topics of philology, morphology and phonology easy to understand.
The classic story that inspired the film starring Dev Patel and Alicia Vikander “A medieval romance…but also an outlandish ghost story, a gripping morality tale and a weird thriller.… I couldn’t put down Simon Armitage’s compulsively readable...energetic, free-flowing, high-spirited version.” — Edward Hirsch, New York Times Book Review One of the founding stories of English literature, Sir Gawain and the Green Knight narrates the strange tale of a green knight on a green horse who rudely interrupts Camelot’s Round Table festivities one Yuletide, casting a pall of unease over the company and challenging one of their number to a wager. The virtuous Gawain accepts and decapitates the intruder with his own axe. Gushing blood, the knight reclaims his head, orders Gawain to seek him out a year hence, and departs. The following Yuletide, Gawain dutifully sets forth. His quest for the Green Knight involves a winter journey, a seduction scene in a dreamlike castle, a dire challenge answered—and a drama of enigmatic reward disguised as psychic undoing. Preserved on a single surviving manuscript dating from around 1400, composed by an anonymous master, this Arthurian epic was rediscovered only two hundred years ago and published for the first time in 1839. Following in the tradition of Ted Hughes, Marie Borroff, and J.R.R. Tolkien, Simon Armitage—one of England’s leading poets—has produced an inventive translation that resounds with both clarity and spirit. His work, presented here with facing original text and a note by Harvard scholar James Simpson, is meticulously responsible to the sophistication of the original but succeeds equally in its ambition to be read as a totally new poem. It is as if two poets, six hundred years apart, set out on a journey through the same mesmerizing landscapes—acoustic, physical, and metaphorical—to share in and double the pleasure of this enchanting classic.
A vivid and gripping account of Roman Britain, written as a family history Brilliant young historian Simon Young has invented a multi-generational family, part Roman, part Celtic (invaders intermarrying with natives) to tell the dramatic story of 400 years of Roman rule in Britain. Vivid historical detail is balanced by a real feel for the psychological depth of the individual stories. The narrator is writing this 'family history' in 430 AD, realising the Romans will never return. He chooses 14 of the most interesting, but not always the most admirable, of his ancestors. The big events of Roman Britain are all here: scouting for Caesar's expedition in 55 BC; the Roman invasion in 43 AD; Boudicca's revolt and the massacre of 70,000 Romans; the Pict attacks on Hadrian's Wall; the great Barbarian Conspiracy of 367; and the sudden cataclysmic departure of the legions in 410. But there are plenty of non-military episodes: spying on the Druids; a centurion dreaming of retirement with a young slave he has bought; an ambitious wife on the northern frontier; a bad poet in Londinium; infanticide in Surrey; a young Christian girl facing martyrdom in a British amphitheatre.
Examines the pivotal relationship between mapping and civilization, demonstrating the unique ways that maps relate and realign history, and shares engaging cartography stories and map lore.
The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family. The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.
Simon J. James examines how Gissing's work reveals an unhappy accommodation with money's underwriting of human existence and culture, and how daily life in all its forms - moral, intellectual, familial and erotic - is transcended or made irrelevant by its commodification.
At its height, the Carolingian empire spanned a million square kilometres of western Europe - from the English Channel to central Italy and northern Spain, and from the Atlantic to the fringes of modern Hungary, Poland and the Czech Republic. As the largest political unit for centuries, the empire dominated the region and left an enduring legacy for European culture. This comprehensive survey traces this great empire's history, from its origins around 700, with the rise to dominance of the Carolingian dynasty, through its expansion by ruthless military conquest and political manoeuvring in the eighth century, to the struggle to hold the empire together in the ninth. It places the complex political narrative in context, giving equal consideration to vital themes such as beliefs, peasant society, aristocratic culture and the economy. Accessibly written and authoritative, this book offers distinctive perspectives on a formative period in European history.
The New York Times bestselling author of Just My Type and On the Map offers an ode to letter writing and its possible salvation in the digital age. Few things are as exciting—and potentially life-changing—as discovering an old letter. And while etiquette books still extol the practice, letter writing seems to be disappearing amid a flurry of e-mails, texting, and tweeting. The recent decline in letter writing marks a cultural shift so vast that in the future historians may divide time not between BC and AD but between the eras when people wrote letters and when they did not. So New York Times bestselling author Simon Garfield asks: Can anything be done to revive a practice that has dictated and tracked the progress of civilization for more than five hundred years? In To the Letter, Garfield traces the fascinating history of letter writing from the love letter and the business letter to the chain letter and the letter of recommendation. He provides a tender critique of early letter-writing manuals and analyzes celebrated correspondence from Erasmus to Princess Diana. He also considers the role that letters have played as a literary device from Shakespeare to the epistolary novel, all the rage in the eighteenth century and alive and well today with bestsellers like The Guernsey Literary and Potato Peel Pie Society. At a time when the decline of letter writing appears to be irreversible, Garfield is the perfect candidate to inspire bibliophiles to put pen to paper and create “a form of expression, emotion, and tactile delight we may clasp to our heart.”
From Pong to PlayStation 3 and beyond, Understanding Video Games is the first general introduction to the exciting new field of video game studies. This textbook traces the history of video games, introduces the major theories used to analyze games such as ludology and narratology, reviews the economics of the game industry, examines the aesthetics of game design, surveys the broad range of game genres, explores player culture, and addresses the major debates surrounding the medium, from educational benefits to the effects of violence. Throughout the book, the authors ask readers to consider larger questions about the medium: what defines a video game? who plays games? why do we play games? how do games affect the player? Extensively illustrated, Understanding Video Games is an indispensable and comprehensive resource for those interested in the ways video games are reshaping entertainment and society. A Companion Website (www.routledge.com/textbooks/9780415977210) features student resources including discussion questions for each chapter, a glossary of key terms, a video game timeline, and links to other video game studies resources for further study.
This book works with two contrasting imaginings of 1960s London: the one of the excess and comic vacuousness of Swinging London, the other of the radical and experimental cultural politics generated by the city's counterculture. The connections between these two scenes are mapped looking firstly at the spectacular events that shaped post-war London, then at the modernist physical and social reconstruction of the city alongside artistic experiments such as Pop and Op Art. Making extensive use of London's underground press the book then explores the replacement of this seemingly materialistic image with the counterculture of underground London from the mid-1960s. Swinging City develops the argument that these disparate threads cohere around a shared cosmology associated with a new understanding of nature which differently positioned humanity and technology. The book tracks a moment in the historical geography of London during which the city asserts itself as a post-imperial global city. Swinging London it argues, emerged as the product of this recapitalisation, by absorbing avant-garde developments from the provinces and a range of transnational, mainly transatlantic, influences.
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