This volume fills a gap in the study of an important, yet neglected case of state formation, by taking a landscape perspective to Etruria. Simon Stoddart examines the infrastructure, hierarchy/heterarchy and spatial patterns of the Etruscans over time to investigate their political development from a new perspective. The analysis both crosses the divide from prehistory to history and applies a scaled analysis to the whole region between the Tyrrhenian Sea and the Arno and Tiber rivers, with special focus on the neglected region between Populonia on the coast and Perugia and the north Umbrian region adjoining the Apennines. Stoddart uncovers the powerful places that were in dynamic tension not only between themselves, but also with the internal structure constituted by the descent groups that peopled them. He unravels the dynamically changing landscape of changing boundaries and buffer zones which contained robust urbanism, as well as less centralized, polyfocal nucleations.
Archaeology has long dealt with issues of identity, and especially with ethnicity, with modern approaches emphasising dynamic and fluid social construction. The archaeology of the Iron Age in particular has engendered much debate on the topic of ethnicity, fuelled by the first availability of written sources alongside the archaeological evidence which has led many researchers to associate the features they excavate with populations named by Greek or Latin writers. Some archaeological traditions have had their entire structure built around notions of ethnicity, around the relationships existing between large groups of people conceived together as forming unitary ethnic units. On the other hand, partly influenced by anthropological studies, other scholars have written forcefully against Iron Age ethnic constructions, such as the Celts. The 24 contributions to this volume focus on the south east Europe, where the Iron Age has, until recently, been populated with numerous ethnic groups with which specific material culture forms have been associated. The first section is devoted to the core geographical area of south east Europe: Bulgaria, Croatia, Romania, Serbia and Slovenia, as well as Albania and the Former Yugoslav Republic of Macedonia. The following three sections allow comparison with regions further to the west and the south west with contributions on central and western Europe, the British Isles and the Italian peninsula. The volume concludes with four papers which provide more synthetic statements that cut across geographical boundaries, the final contributions bringing together some of the key themes of the volume. The wide array of approaches to identity presented here reflects the continuing debate on how to integrate material culture, protohistoric evidence (largely classical authors looking in on first millennium BC societies) and the impact of recent nationalistic agendas.
This volume fills a gap in the study of an important, yet neglected case of state formation, by taking a landscape perspective to Etruria. Simon Stoddart examines the infrastructure, hierarchy/heterarchy and spatial patterns of the Etruscans over time to investigate their political development from a new perspective. The analysis both crosses the divide from prehistory to history and applies a scaled analysis to the whole region between the Tyrrhenian Sea and the Arno and Tiber rivers, with special focus on the neglected region between Populonia on the coast and Perugia and the north Umbrian region adjoining the Apennines. Stoddart uncovers the powerful places that were in dynamic tension not only between themselves, but also with the internal structure constituted by the descent groups that peopled them. He unravels the dynamically changing landscape of changing boundaries and buffer zones which contained robust urbanism, as well as less centralized, polyfocal nucleations.
The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind. The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.
This book examines the relationship between Romantic-period writing and the activity that Samuel Taylor Coleridge christened 'mountaineering' in 1802. It argues that mountaineering developed as a pursuit in Britain during the Romantic era, earlier than is generally recognised, and shows how writers including William and Dorothy Wordsworth, Ann Radcliffe, Samuel Taylor Coleridge, John Keats, and Walter Scott were central to the activity's evolution. It explores how the desire for physical ascent shaped Romantic-period literary culture and investigates how the figure of the mountaineer became crucial to creative identities and literary outputs. Illustrated with 25 images from the period, the book shows how mountaineering in Britain had its origins in scientific research, antiquarian travel, and the search for the picturesque and the sublime. It considers how writers engaged with mountaineering's power dynamics and investigates issues including the politics of the summit view (what Wordsworth terms 'visual sovereignty'), the relationships between different types of 'mountaineers', and the role of women in the developing cultures of ascent. Placing the work of canonical writers alongside a wide range of other types of mountaineering literature, this book reassesses key Romantic-period terms and ideas, such as vision, insight, elevation, revelation, transcendence, and the sublime. It opens up new ways of understanding the relationship between Romantic-period writers and the world that they experienced through their feet and hands, as well as their eyes, as they moved through the challenging landscapes of the British mountains.
A richly detailed history of Britain at its imperial zenith, revealing the simmering tensions and explosive rivalries beneath the opulent surface of the late Victorian and Edwardian eras. The popular memory of Britain in the years before the Great War is of a powerful, contented, orderly, and thriving country. Britain commanded a vast empire: she bestrode international commerce. Her citizens were living longer, profiting from civil liberties their grandparents only dreamed of and enjoying an expanding range of comforts and pastimes. The mood of pride and self-confidence can be seen in Edward Elgar’s Pomp and Circumstance marches, newsreels of George V’s coronation, and London’s great Edwardian palaces. Yet beneath the surface things were very different In The Age of Decadence, Simon Heffer exposes the contradictions of late-Victorian and Edwardian Britain. He explains how, despite the nation’s massive power, a mismanaged war against the Boers in South Africa created profound doubts about her imperial destiny. He shows how attempts to secure vital social reforms prompted the twentieth century’s gravest constitutional crisis—and coincided with the worst industrial unrest in British history. He describes how politicians who conceded the vote to millions more men disregarded women so utterly that female suffragists’ public protest bordered on terrorism. He depicts a ruling class that fell prey to degeneracy and scandal. He analyses a national psyche that embraced the motor-car, the sensationalist press, and the science fiction of H. G. Wells, but also the nostalgia of A. E. Housman.
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