Arthur led the Britons to the brink of victory but was cut down by treachery and betrayal. Arthurian legends have since been corrupted, leading to popular but false assumptions about the king and the belief that his grave could never be found. Drawing on a vast range of sources and new translations of early British and Gaelic poetry, Arthur explodes these myths and exposes the shocking truth. In this, the first full biography of Arthur, Simon Andrew Stirling provides a range of proofs that Artuir mac Aedain was the original King Arthur; he identifies the original Camelot, the site of Arthur's last battle and his precise burial location. For the first time ever, the role played by the early Church in Arthur's downfall and the fall of North Britain is also revealed. This includes the Church's contribution to fabricated Arthurian history, the unusual circumstances of his burial and the extraordinary history of the sacred isle on which he was buried.
William Shakespeare lived in violent times; his death passed without comment. By the time he was adopted as the national poet of England the details of his life had been concealed. He had become an invisible man, the humble Warwickshire lad who entertained royalty and then faded into obscurity. But his story has been carefully manipulated. In reality, he was a dissident whose works were highly critical of the regimes of Elizabeth I and James I. Who Killed William Shakespeare? examines the means, motive and the opportunity that led to his murder, and explains why Will Shakespeare had to be ‘stopped’. From forensic analysis of his death mask to the hunt for his missing skull, the circumstances of Shakespeare’s death are reconstructed and his life reconsidered in the light of fresh discoveries. What emerges is a portrait of a genius who spoke his mind and was silenced by his greatest literary rival.
Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced ‘opera’, actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell’s nose. Nobody, perhaps, did more to secure Shakespeare’s reputation or to preserve the memory of the Bard.Davenant was known to boast over a glass of wine that he wrote ‘with the very spirit’ of Shakespeare and was happy to be thought of as Shakespeare’s son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant’s paternity. Was Sir William’s mother the voluptuous and maddening ‘Dark Lady’ of Shakespeare’s Sonnets, and was he Shakespeare’s ‘lovely boy’?
A detailed and extensive search through the history of Arthurian literature and the Island of Britain to discover the true form, nature and purpose of the "Holy Grail".
A definitive list of nearly 7,000 claims submitted by Luftwaffe night fighter pilots for Allied aircraft shot down in WW2. These claims are listed with the following details; Date, Time, Location, Type of aircraft shot down, Claiming Pilot and his Unit. Entries feature claims against Russian, American as well as Bomber Command aircraft.
Noah and Harry are now officially boyfriends, but is Noah ready to go all the way? It's no help that a group of cosmopolitan French exchange students have descended on Little Fobbing - including sexy Pierre Victoire, who seems to have his eye on Harry! Will Noah ever catch a break?
This textbook is aimed at transitioning high-school students who have already developed proficiency in mathematical problem solving from numerical-answer problems to proof-based mathematics. It serves to guide students on how to write and understand mathematical proofs. It covers proof techniques that are commonly used in several areas of mathematics, especially number theory, combinatorics, and analysis. In addition to just teaching the mechanics of proofs, this book showcases key materials in these areas, thus introducing readers to interesting mathematics along with proof techniques.
Spirits in the Bush surveys the art of Gippsland, from the colonial to the contemporary. This expansive, original and illuminating compendium leads readers on a journey through artistic and provincial history, interweaving the lives of residents and visitors. Collectively, it presents a vivid account of the influence of place on the cultural imagination. A fascinating cast of characters includes some of Australia’s best-known and most-loved artists, including Eugène von Guérard, Jessie Traill, Arthur Streeton, Clarice Beckett, Sidney Nolan, Arthur Boyd, Fred Williams, and Jeffrey Smart. Readers will discover also a host of new names destined for recognition. Spirits in the Bush reveals how artists have grappled with a region that is in equal measures beautiful and brutal, and which has provided the stage for many of the key battles in Australian art history. Bound by geographical camaraderie, and with the spectre of Gippsland’s past as an unwavering presence, the stories of their art unfold in a unique dialogue. This publication was made possible through the generous support of the Gordon Darling Foundation.
On 7th March 2004, former SAS soldier and mercenary Simon Mann prepared to take off from Harare International Airport with an aeroplane full of heavy weaponry and guns for hire. Their destination: the former Spanish colony of Equatorial Guinea. Their mission: to remove one of the most brutal dictators in Africa in a privately organised coup d'etat. The plot had the tacit approval of Western intelligence agencies and, according to Mann, the backing of a European government. Simon Mann had personally planned, overseen and won two wars in Angola and Sierra Leone. Everything should have gone right. Why, then, did it go so wrong? When Simon was released from five years' incarceration in two of Africa's toughest prisons, he made worldwide headlines. Since then, he has spoken to nobody about his experiences. Now, he is telling everything, including: * His belief that the CIA deliberately compromised the coup to court favour with Equatorial Guinea's President Obiang, in return for access to the country's vast oil resources. * How the British government approached Simon in the months preceeding the Iraq war, asking him to suggest ways in which a justified invasion of Iraq could be engineered. * The real story behind the involvement of Mark Thatcher in the coup plot * Simon will also tell of his pain when he had to tell his wife, Amanda, who gave birth to their fourth child while he was incarcerated, that he believed he would never be freed.This is Simon's remarkable first-hand account of his life: an account that will read like a thriller as it takes us into the world of mercenaries and spooks: of murky imternational politics, big oil and big bucks; of action, danger, love, despair and betrayal.
Syllabus: CfE (Curriculum for Excellence, from Education Scotland) and SQA Level: BGE S1-3: Second, Third and Fourth Levels Subject: History Discover, debate and work like historians in S1 to S3. From Iron Age Scotland, through the Atlantic slave trade, women's suffrage and the World Wars to 1960s America, this source-rich, research-based narrative explores diverse and dynamic historical contexts. Covering CfE Second, Third and Fourth Level Benchmarks for Social Studies: People, Past Events and Societies, this ready-made and differentiated course puts progression for every pupil at the heart of your curriculum. b” Improve historical thinking skills: b” Follow a consistent, classroom-tested lesson structure: b” Meet the needs of each pupil in your class: /bThe content and activities are designed to ensure accessibility for those with low prior attainment, while extension tasks will stretch high achieving pupilsbrbrb” Effectively check and assess progress:b” Lay firm foundations for National qualifications: b” Deliver the 'responsibility for all' Es and Os:
This book describes an action research approach to engaging respectfully with First Nations communities in a diverse range of contexts, disciplines and projects. It offers a valuable guide for professionals, students and teaching staff that recognises all participants as equal partners while acknowledging the diversity of First Peoples and culture, and prioritising local knowledge. While the book is adaptable to a diverse range of cultures and disciplines, it is specifically focused on cross-cultural collaborative case studies in Noongar Country, which is located in the southwest of Western Australia. The case studies demonstrate how action research can be applied not only in the traditional areas of education and social justice, but also in a diverse range of disciplines, communities and circumstances, including media, education, environmental management and health. The book’s aim is to highlight successful cross-cultural First Nations community projects and to discuss each one in terms of its action research philosophy and process. In this regard, the voices of the participants are prioritised, especially those of First Nations communities. While this book is specifically pitched at Australian readers, the action research approach described may be adapted and applied to many cross-cultural collaborative relationships, making it of interest and value to international students and researchers.
More than 150 people were hanged in Western Australia between 1840 and 1964. Some had committed heinous crimes for profit or vengeance; some had killed out of jealousy, misunderstanding or madness. Others were hanged simply because they were victims of their times - prejudices and ill-fated circumstances leading them inexorably towards the gallows." "Focussing on the period from first settlement to the eve of World War I, historian Simon Adams skillfully places the circumstances of victims and perpetrators against the backdrop of their era, revealing the stories behind the hangings. We hear last words, feel the heartbreaking fear of the walk to the gallows and watch as bodies dangle at the end of a noose. This is a social history of the dark side of Western Australia's past." --Book Jacket.
There is a genuine resurgence of interest in this period of architecture. Brutalism is a highly debated topic in the architectural press and amongst architectural critics and institutions who promote the preservation of these buildings. This book is unique in combining beautiful, highly illustrated design with description of both British and International brutalist buildings and architects, alongside analysis of the present and future of brutalism. Not just be a historical tome, this book discusses brutalism as a living and evolving entity.
Although Britain’s formal imperial role in the smaller, oil-rich sheikdoms of the Arab Gulf – Kuwait, Bahrain, Qatar and the United Arab Emirates – ended in 1971, Britain continued to have a strong interest and continuing presence in the region. This book explores the nature of Britain’s role after the formal end of empire. It traces the historical events of the post-imperial years, including the 1973 oil shock, the fall of the Shah in Iran and the beginnings of the Iran-Iraq War, considers the changing positions towards the region of other major world powers, including the United States, and engages with debates on the nature of empire and the end of empire. The book is a sequel to the authors’ highly acclaimed previous books Britain's Revival and Fall in the Gulf: Kuwait, Bahrain, Qatar, and the Trucial States, 1950-71 (Routledge 2004) and Ending Empire in the Middle East: Britain, the United States and Post-war Decolonization, 1945-1973 (Routledge 2012).
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