I kept telling myself I wanted something more out of my life, something brighter. I had all these ideas in my head. Thing is, I had to go down so low just to try to lift my life up a little bit higher. Simon Stephens's exciting new adaptation of the twentieth-century classic Kasimir and Karoline is a dark, political and hilarious play that sets two young lovers in the throes of a break-up against the hypnotic whirl and bright lights of a funfair. The Funfair takes us on a ride through the loops, dips and highs of one night at a fairground, exploring a crisis of capitalism set to the soundtrack of a rock and roll love song. The play received its world premiere at Manchester's Home Theatre on 14 May 2015 and was the theatre's first-ever production.
I want, one more time, to be absolutely in the moment . . . I am going to try as hard as I can to not be a human being. A series of suggestions on desire, death and time. Nuclear War is the searing result of a groundbreaking and form-defying collaboration between Simon Stephens and the choreographer and movement director Imogen Knight, developed by Actors Touring Company. Introduced by the author, this edition also features a suite of lyrics written by Simon Stephens for a musical collaboration with Dutch singer-songwriter Wende Snijders, performed at Schouwburg Het Park in Westerdijk, The Netherlands, in March 2017. Nuclear War was published to coincide with the world premiere of the play at the Royal Court Theatre, Upstairs, London, in April 2017.
2014 was a spectacular year for playwright Simon Stephens, who has been described by the Independent as 'a brilliant writer of immense imagination' and by the Financial Times as having 'emerged in this millennium as an outstanding playwright'. 2014 was a year for Simon Stephens which featured a high number of world premiere plays including one for the theatre of his birthplace, Manchester's Royal Exchange, a major new play for the Downstairs space at London's Royal Court, and a Chekhov translation for London's Young Vic; a transfer of his West End hit The Curious Incident of the Dog in the Night-Time to Broadway; and projects in Germany, a country which has seen Stephens lauded, in which he has worked extensively, and which has shaped much of his dramaturgy. In addition to these major projects, Stephens continued his role as a mentor of young writers, actors and directors, and continued to be one of the most frequent, outspoken and fiercely intelligent voices of the playwriting scene. In an exceptionally honest account, Simon Stephens opens up to us, through daily diary entries, his working practices, his inner-most thoughts, his philosophy on theatre, the arts and politics, and his feelings and reactions to specific projects he has worked on. Through this, we are given unprecedented access to the mind of one of the most important playwrights of the twenty-first century.
“Land beneath our feet. Got all our blood inside it hasn't it? All that time. Belongs to us.” On a farm in the middle of nowhere, sisters Becky and Anna try to hold their family together after the death of their mother. Time is always moving somewhere – but here it's very quiet. When they discover a stranger wandering aimlessly across the land, the three establish an unlikely partnership in their determination to survive. Simon Longman's Royal Court debut premiered at the Jerwood Theatre Upstairs in February 2018.
Fatherland is a bold, ambitious show about contemporary fatherhood in all its complexities and contradictions. Created by Frantic Assembly's Scott Graham, Karl Hyde from Underworld and playwright Simon Stephens (Punk Rock, The Curious Incident of the Dog in the Night-Time), this daring collage of words, music and movement confronts the complexities and contradictions of contemporary fatherhood. A vivid, urgent and deeply personal portrait of 21st-century England at the crossroads of past, present and future, the play is inspired by conversations with fathers and sons from the writers' home towns in the heart of the country. Tender and tough, honest and true, Fatherland is a vital and necessary show about what we were, who we are and what we'd like to become. The world premiere of Fatherland took place at the Royal Exchange Theatre, Manchester on 5 July 2017 as part of Manchester International Festival. This is a revised version of the original text which coincides with performances in London at the Lyric Hammersmith as part of LIFT 2018.
I have kind of become invisible. Nobody looks at me. Not like they used to. You reach an age. Like my age and people stop looking at you. They stop checking you out. In Greenwich Village a generation or so ago, the city is alive. Joni Mitchell sings, friends and lovers come and go, and the regulars change at the White Horse Tavern. As 50 years pass, one woman's life is revealed in all its complexity, mystery and possibility in this enthralling world premiere about mothers and daughters, beginnings and endings in New York City. Simon Stephens's new play, commissioned by MTC, premiered off-Broadway in November 2021 starring Blair Brown, Edie Falco and Marin Ireland.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book is about science in theatre and performance. It explores how theatre and performance engage with emerging scientific themes from artificial intelligence to genetics and climate change. The book covers a wide range of performance forms from Broadway musicals to educational theatre, from Somali drama to grime videos. It features work by pioneering companies including Gob Squad, Headlong Theatre and Theatre of Debate as well as offering fresh analysis of global blockbusters such as Wicked and Urinetown. The book offers detailed description and analysis of theatre and performance practices as well as broader commentary on the politics of theatre as public engagement with science. Science in performance is essential reading for researchers, students and practitioners working between science and the arts within fields such as theatre and performance studies, science communication, interdisciplinary arts and health humanities.
A WATERSTONES BEST HISTORY BOOK OF 2022 'Simon Jenkins, as ever, writes with clarity and insight' Times 'One of the liveliest commentators in Britain, always worth reading and pleasingly contrarian' Jeremy Paxman, Guardian Who were the Celts? Were they a people, a civilisation, an empire, or a fiction of historical imagination? They flit as ghosts through Europe's ancient past, purported ancestors of the Irish, Welsh, Scottish, Cornish and Bretons. Yet they have never been identified with any one land, or with any one history or language. Simon Jenkins argues compellingly that the 'Celts' is a misleading concept, bundling together quite distinct peoples. The word keltoi first appears in Greek, applied generally to aliens or 'barbarians' - and theories of Celticism continue to fuel many of the prejudices and misconceptions that divide the British Isles to this day. Fascinating and increasingly relevant, who the Celts were - or weren't - goes to the heart of the ongoing argument over the future of a dis-United Kingdom.
Producers' Choice: Six Plays for Young Performers showcases some of the best plays for young people produced by the UK's leading theatre companies. The plays are ideal for young performers aged 13-25 and offer a diverse range of challenges, styles and subjects. The volume will prove essential for teachers and students of Drama and for youth drama groups. The plays include modern reworkings of classics, such as Simon Reade's witty and brilliantly inventive adaptation of Lewis Carroll's much-loved fantasy, and DJ Britton's version of Sophocles' Theban plays, the tragic Oedipus/Antigone. Contemporary teenage issues are dealt with in Megan Barker's beautiful and uplifting Promise and Sarah May's The Butterfly Club. Simon Stephens' hit-play Punk Rock set in a grammar school explores dislocation and aggression among sixth form pupils; James Graham's Tory Boyz is a fast-paced, political comedy about prejudice and ambition in Westminster. Each play features production notes and the volume is introduced by Paul Roseby, Artistic Director of the National Youth Theatre. For schools, youth theatre groups and drama colleges this anthology of thematically and stylistically diverse plays will prove an invaluable resource.
Inspire! showcases 100 of the most brilliant speeches ever delivered from the worlds of film and theatre. From the plays of Shakespeare to contemporary cinema hits, people over the years have been inspired and moved by superb actors delivering powerful lines. Yet only a select few can be called truly "essential" to the betterment of the human spirit and condition, and these are the speeches which form this book. Some speeches have stood the test of time. Others are classics and are known by everyone. Why do we quote from them for pleasure and politics? Why have some been used for propaganda? Why do they make us cry and laugh? Are there insights that can benefit anyone who needs to deliver a rousing, powerful speech or presentation? Simon Maier selects the 100 from stage and screen and offers insights and analyses as to why they have inspired so many.
Compelling, authoritative and as readable as the best airport thriller. It fizzes with crime, fame, power and illicit sex.' Jeremy Vine 'A timely and important book. It's quite remarkable how one building has played host to such debauchery. If only the walls could talk...' Iain Dale Designed as a city dwelling for the modern age, Dolphin Square opened in London's Pimlico in 1936. Boasting 1,250 hi-tech flats, a swimming pool, restaurant, gardens and shopping arcade, the complex quickly attracted a long list of the affluent and influential. But behind its veneer of respectability, the Square has become one of the country's most notorious addresses; a place where the private lives of those from the highest of high society and the lowest depths of the underworld have collided and played out over the best part of a century. This is the story of the Square and its people, an ever-evolving cast of larger-than- life characters who have borne witness to, and played pivotal roles in, some of the most scandalous episodes of the twentieth and twenty-first centuries. From Oswald Mosley and the Carry On gang to allegations of systematic sexual abuse, it is a saga replete with mysterious deaths, exploitation, espionage, illicit love affairs and glamour, shining a light on the changing nature of British politics and society in the modern age.
Chekhov's celebrated masterpiece is given vibrant new life in this dynamic new version by Olivier Award-winning playwright Simon Stephens. Switching effortlessly between the ridiculous and the profound, The Seagull forensically examines the transcendence and destructiveness of love. The burning need to create art and how harshly that need can be crushed permeates the play. Simon Stephens' new adaption of The Seagull received its premiere at the Lyric Hammersmith, London on 3 October 2017.
Arthur led the Britons to the brink of victory but was cut down by treachery and betrayal. Arthurian legends have since been corrupted, leading to popular but false assumptions about the king and the belief that his grave could never be found.Drawing on a vast range of sources and new translations of early British and Gaelic poetry, Arthur explodes these myths and exposes the shocking truth. In this, the first full biography of Arthur, Simon Andrew Stirling provides a range of proofs that Artuir mac Aedain was the original King Arthur; he identifies the original Camelot, the site of Arthur’s last battle and his precise burial location. For the first time ever, the role played by the early Church in Arthur’s downfall and the fall of North Britain is also revealed. This includes the Church’s contribution to fabricated Arthurian history, the unusual circumstances of his burial and the extraordinary history of the sacred isle on which he was buried.
Francis Gurry's renowned work, Breach of Confidence, published in 1984, was groundbreaking and invaluable in the field of intellectual property as the first text to synthesise the then burgeoning case law on breach of confidence into a systematic form. A highly regarded book, it was the first point of resort for practitioners and a key source for judges. Aplin, Bently, Johnson and Malynicz bring us a new edition of this important work, which remains faithful to the original in its approach, but is fully updated in light of the developments since the first edition. The authors expand upon the original work, in particular adding new material on the history and current relevance of the action for breach of confidence, . The authors stress both the advantages and disadvantages of the action for breach of confidence and, like Gurry, they constantly distinguish the action from associated legislative regimes which regulate the access to, acquisition, use and disclosure of information. The book extensively references the many analyses of the data protection regime and considers also issues of jurisdiction and choice of applicable law. Bringing together their particular skills and interests, the three authors produce a fresh re-writing of a highly significant text which retains the academic quality and precision of the original and stakes its claim once more as the leading authority in the field.
From the Large Hadron Collider rap to the sins of Isaac Newton, The Science Magpie is a compelling collection of scientific curiosities. Expand your knowledge as you view the history of the Earth on the face of a clock, tremble at the power of the Richter scale and learn how to measure the speed of light in your kitchen. Skip through time with Darwin’s note on the pros and cons of marriage, take part in an 1858 Cambridge exam, meet the African schoolboy with a scientific puzzle named after him and much more.
Kate, Sam and Pete are stuck. The town they live in doesn't have much going on. But they don't really care about that when they've got cheap cider and their whole lives ahead of them. And they're going to break away anyway. Someone's about to get a car. And all roads go somewhere else. Right? Island Town is bittersweet story about friendship, hope and dreams of an escape. Written by Simon Longman, recipient of the 2018 George Devine Award for Most Promising Playwright (Gundog; Royal Court).
This biography of a pioneering geologist represents a major contribution to the history of science in New Zealand. Best known for his discovery of the Alpine Fault on the South Island, Harold Wellman began his career in the 1930s with no formal academic training and based his work on observations of gold and coal mining, oil drilling, geophysics, and neotectonics. The first section of the book is an edited version of a memoir Wellmen wrote in his 80s, after which the biography proper takes up the saga of this iconoclast turned icon whose curiosity and aversion to preconceived ideas made him a revered mentor to many young scientists.
This book brings together for the first time a synthesis of philosophical and psychological material to examine the basis for the professional identity that teachers might believe in, and the effects of misunderstanding and mistreating these beliefs. By critically synthesising findings from a range of sources, the book provides a rationale that argues an essential ingredient of good education is the quality of teachers who have a reaffirmed sense of creativity, autonomy and agency. The book presents a role for educational psychology in informing educational and inclusive processes, filling a longstanding need for a text that delineates the way psychological phenomena underpin education. Beginning by considering notions of ‘self’ and ‘identity’, the book explores the relationship between our identity as defined by ourselves, but also as defined by others in the social and professional groups we may or may not be considered as being part of. It looks critically at how the erosion of the professional identity of teachers has affected education, and considers the morality of ‘othering’ ‘others’ and its damaging effect on teachers and young people. Gibbs reflects on the organisational structure and leadership of schools, the psychology of these institutions, and the barriers that need to be overcome in order to promote greater inclusivity within them. Offering a careful and insightful look at the psychology behind education and teaching, this is an essential read for teacher educators, researchers and academics in the field of education and will appeal to policy makers, teachers and educational psychologists.
The Science Magpie is Simon Flynn's bestselling collection of enthralling facts, stories, poems and more from science's history, from the Large Hadron Collider rap to the sins of Isaac Newton. With Antiques Roadshow regular Marc Allum as your guide, go in search of stolen masterpieces, explore the first museums, learn the secrets of the forgers and brush up on your auction technique with The Antiques Magpie . And with acclaimed nature writer Daniel Allen, join naturalists, novelists and poets as they explore the most isolated parts of the planet and discover which plants can be used to predict the weather in The Nature Magpie .
You make one decision. It stays with you. It's like the consequences of it get into your bones." Set on the edges of Heathrow airport, Wastwater is an elliptical triptych - a snapshot of three different couples who make a choice that will define the fallout of their future. Harry is on the point of leaving England and Frieda knows she will never see him again. Lisa and Mark are on the point of a sexual betrayal that takes them into a place darker than they ever thought possible. Sian has a terrifying deal for Jonathan and she isn't going to take no for an answer. A reflective piece by a playwright at the height of his powers and career, Wastwater mimics the flexible and innovative form of Stephens's hit play Pornography with three overlapping, but detachable, parts which can be split and played in differing orders. The play contains Stephens's trademark combination of sensitive character depiction and tough confrontation with political choices. Wastwater is a meditative morality tale and a portrayal of modern-day relationships, formed and deformed by fatal decisions, inevitable consequences and fragile connections. This volume also contains the monologue T5, which portrays a road trip below the heart of London and follows a darkly magical flight out of the edges of the 21st century.
Redefining Trial by Media: Towards a critical-forensic linguistic interface applies a range of linguistic models to recast trial by media not as a sensationalist and infrequent phenomenon, but as a systematic and routine process. Using critical discourse analysis and cognitive linguistic models, this book builds a Spectrum of Trial by Media which views juries in criminal trials as moulded by ideological media-made constructions of crime. The role of these media constructions is enhanced by the isolation levied on jurors by the linguistic composition of trial language, and reinforced by the language strategies of legal professionals in court. Critically deconstructing media portrayals of crime and forensically examining the language of criminal proceedings, this book offers a redefinition of trial by media which casts the role of the press as much more prevalent in the courtroom trial than is presently appreciated.
The Celtic peoples of the British Isles hold a fundamental place in our national consciousness. In this book Simon James surveys ancient and modern ideas of the Celts and challenges them in the light of revolutionary new thinking on the Iron Age peoples of Britain. Examining how ethnic and national identities are constructed, he presents an alternative history of the British Isles, proposing that the idea of insular Celtic identity is really a product of the rise of nationalism in the eighteenth century. He considers whether the 'Celticness' of the British Isles is a romantic fantasy, even a politically dangerous falsification of history which has implications in the current debate on devolution and self-government for the Celtic regions.
Taxation affects all of us, directly or indirectly, on a daily basis in numerous ways. For those involved in studying and researching taxation, matters of definition and understanding of taxation terms frequently arise. Simon James' 1998 first edition has been where I first turn to as a reference source to provide insightful, concise and readily understandable explanations. Specifically A Dictionary of Taxation is an essential source whether the occasion is teaching, responding to student queries, or supporting one's own research. I congratulate Simon in preparing this second edition and would encourage a future edition to emerge significantly sooner than the gap between the first two editions. Every researcher and teacher of taxation should have a copy of this second edition on their desk.' Adrian Sawyer, University of Canterbury, New Zealand 'A Dictionary of Taxation, Second Edition is comprehensive and more substantive than a simple listing of definitions and will prove to be an enormously valuable reference. Professor James provides just the right amount of detail and insight for each entry, frequently commenting on the historical evolution of a term, and for many entries, providing a list of the original sources upon which the entry is based. I highly recommend this directory to academic researchers, makers of public policy, and private sector professionals.' Carl P. Kaiser, Washington and Lee University, US 'Simon James' second edition of A Dictionary of Taxation has arrived at last! Tax is one of those things that is universal and unavoidable, and at the same time, dynamic and intriguing. James does a sterling job at capturing so many terms herein, not just technical explanations, but also their history and significance. There are also helpful suggestions for further reading. Both experts and novices alike will find this an interesting and very useful text to have close at hand.' Margaret McKerchar, Australian School of Taxation and Business Law (Atax) 'I have known Simon for many years, through working in our respective roles as committee members for the Chartered Institute of Taxation. Simon has an extremely wide knowledge of taxation matters, which is ably demonstrated in this dictionary of tax terms and phrases. It is an essential guide in unraveling the mysteries of professional "tax talk" for the non practitioner. For those interested in obtaining further information or guidance there are many useful references to other works.' Dale Simpson, Chairman, South West England Region of the Chartered Institute of Taxation and Partner, Thomas Westcott, UK This second edition of the Dictionary of Taxation contains over 200 new or substantially revised entries to enhance the existing wide range of accessible definitions and terms used to describe various aspects of tax and tax systems around the world. The entries relate to the analysis of taxation, key concepts, major developments and controversies in taxation. The Dictionary draws on economic, accounting and legal aspects of taxation as well as the contributions of other social sciences to the understanding of taxation and its effects. Sorted alphabetically, with cross referencing, each entry presents the essential points of a particular law, accountancy practice or economic concept. Additionally this revised and updated Dictionary offers a guide to readers of other literature on certain concepts or practices. Written in an accessible style, it will be indispensable to all those who need to know more about the concepts of taxation including practitioners, academics and students.
Like a star chart this volume orientates the reader to the key issues and debates in Pacific and Australasian biogeography, palaeoecology and human ecology. A feature of this collection is the diversity of approaches ranging from interpretation of the biogeographic significance of plant and animal distributional patterns, pollen analysis from peats and lake sediments to discern Quaternary climate change, explanation of the patterns of faunal extinction events, the interplay of fire on landscape evolution, and models of the environmental consequences of human settlement patterns. The diversity of approaches, geographic scope and academic rigor are a fitting tribute to the enormous contributions of Geoff Hope. As made apparent in this volume, Hope pioneered multidisciplinary understanding of the history and impacts of human cultures in the Australia- Pacific region, arguably the globe's premier model systems for understanding the consequences of humans colonization on ecological systems. The distinguished scholars who have contributed to this volume also demonstrate Hope's enduring contribution as an inspirational research leader, collaborator and mentor. Terra Australis leave no doubt that history matters, not only for land management, but more importantly, in alerting settler and indigenous societies alike to their past ecological impacts and future environmental trajectories.
Unravelling the latest amazing breakthroughs in theoretical physics, Stephen Hawking guides the reader through the evolution of Einsteinian physics to a universe of ten dimensions and a so-called theory of everything.
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