Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. Publishing for the first time previously unavailable archival material, this book demonstrates how the work of these expatriate artists constructed a distinct vision of Australian identity for a foreign market.
Simon Kelly's involvement in property development began when, as a computer-mad child in the 1980s, he started making spreadsheets for his father, the developer Paddy Kelly. By 2008, when the Irish property market crashed, Simon and Paddy owed their creditors nearly a billion euro. In 2009, they were the first big developers to admit they were bust - and they encouraged their fellow developers to face reality in the same way. In 2010, in the pages of a national newspaper, Simon Kelly apologized for his part in the long-term damage created by the property bubble. Until now, the story of Ireland's property boom and bust has been told only by people on the outside. The bankers and the developers have kept quiet. Now, Simon Kelly breaks the silence with this vivid and unsparing account of how it all worked and why it went sour. He brings us to the muddy fields, humble cafés and grand dining rooms where the deals were made; he explains how it was that debt always begat more debt; and he takes us through the hitherto opaque portals of Anglo Irish Bank, the Kellys' main lender. In an account packed with telling and indiscreet detail, Simon Kelly makes no excuses for ending up bust. He simply shows how it happened - to him, to other developers, to the banks, and to the country. In doing so, he courageously breaks ranks with the insiders who created this disaster, and who would prefer to blame 'international forces', bad luck, or one another. Breakfast with Anglo is a landmark in our national accounting of the present crisis, an essential read for anyone who wants to know how we got into this mess and how we might begin to think about getting out of it.
In this well-established textbook, Simon Baughen expertly covers the whole spectrum of English shipping law, placing the highly specialised rules of shipping in a commercial context and relating them to the general principles of contract and tort law. The book’s accessible narrative and useful glossary of key terms will particularly benefit students new to Shipping Law or from non-law backgrounds. In-depth commentary on judicial decisions and well-balanced coverage and analysis of recent and key cases, such as The New Flamenco, The Ocean Victory, and The Kos, provide an up-to-date reference for all students on Shipping Law courses. The comprehensive overview of topics also ensures that the book is ably suited to course use, including discussion of such areas as: Bills of lading Charterparties Salvage Marine Pollution Arbitration Accidents and collisions Fully updated throughout, this sixth edition provides an invaluable source of reference and will be of use to both students and to those in practice.
Ophthalmologists in the early years of training are faced with the task of becoming familiar with a host of procedures, instruments, investigations and examination skills which are sometimes never formally taught. There are many textbooks on ophthalmic diseases, but few accessible handbooks on clinical skills. This book cuts through the bewilderment felt by the new trainee and presents the practical, clinical skills and techniques of ophthalmology in a clear and accessible manner."--BOOK JACKET.
Hughes takes us on a breathless tour through cricket history, the great players, personalities, matches and events. He never slackens pace or dwells on the dry details of the scoreboard.' - The Times From the William Hill Award-Winning author of A Lot of Hard Yakka comes Cricket's Greatest Rivalry: A History of the Ashes in 10 Matches, a fast-paced, distinctive history of the iconic, 135-year-old cricketing rivalry between England and Australia. The new paperback edition is completely revised and updated to include the tumultuous two series of 2013-2014, which saw more more twists and turns in this enthralling contest. No other sport has a fixture like the Ashes. From the early 1880s the rivalry between these two great sporting nations has captured the public imagination and made sporting legends of its stars. Commentator, analyst and award-winning cricket historian Simon Hughes tells the story of the ten seminal series that have become the stuff of sporting folklore. Cricket's Greatest Rivalry places you right at the heart of the action of each pivotal match, explaining the social context of the time, the atmosphere of the crowd and the background and temperaments of the players that battled in both baggy green and blue caps. Simon starts his story at the very birth of the Ashes and tells the tale of the band of Australians that took on the best gentleman and players in the Empire's HQ and beat them on their home turf. That momentous occasion set the tone for some epic contests including: The thrilling 1902 Test at Old Trafford, which was one by a mere three runs. The incredible innings of Hobbs and Sutcliffe in front of a tense and packed Oval in 1926. The legendary 'bodyline' series of Jardine, Larwood, Bradman et al in 1933. The incredible run chase in 1948 that also saw Bradman's last test. England's reprise in the fifth test of 1953 when Lock, Trueman, Bailey and Hutton steered the hosts to a whirlwind victory. The fearsome pace attack from the likes of Lillie and Thompson that transformed the contest in the first Test of 1974 and shaped the Ashes as a tournament for decades to come. Botham's Ashes in 1981 that restored pride in a sports-mad nation. The match up at old Trafford where the magic of one Shane Warne sent shockwaves through the game. And finally the breaking of the Aussie stranglehold in 2005, when Flintoff, Pietersen and Vaughan did the seemingly impossible and re-established the greatest of rivalries. The book also includes complete statistics and records of all the Ashes fixtures and results and much, much more!
The must-have companion to the greatest event in world rugby, the Rugby World Cup France 2023. Containing everything rugby fans will need to enjoy the World Cup, this official guide is packed with images, profiles, previews and charts, making it essential reading for any fan and the perfect companion to all of the tournament action. Contents include: • Team-by-team profiles • Star player profiles • A guide to every venue • Fill-in tournament progress chart • History of the Rugby World Cup • Rugby World Cup records • Qualification round-up And much, much more besides.
Jacaranda Humanities Alive 7 (for Australian Curriculum v9.0) Australia's most supportive Humanities resource Developed by expert teachers, every lesson is carefully designed to support learning online, offline, in class, and at home. Supporting students Whether students need a challenge or a helping hand, they have the tools to help them take the next step, in class and at home: concepts brought to life with rich multi-media easy navigation differentiated pathways immediate corrective feedback sample responses for every question personalised pathways that also allow for social learning opportunities for remediation, extension, acceleration tracking progress and growth Supporting teachers Teachers are empowered to teach their class, their way with flexible resources perfect for teaching and learning: 100's of ready-made and customisable lessons comprehensive Syllabus coverage and planning documentation a variety of learning activities assessment for, as and of learning marking, tracking, monitoring and reporting capabilities ability to add own materials Supporting schools Schools are set up for success with our unmatched customer service, training and solutions tailored to you: Learning Management System (LMS) integration online class set up dedicated customer specialists tools to manage classes bookseller app integration complimentary resources for teachers training and professional learning curriculum planning data insights flexible subscription services at unbeatable prices
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
Subtle and wide-ranging in its account, this study explores the impact of Australian art in Britain in the two decades following the end of World War II and preceding the 'Swinging Sixties'. In a transitional period of decolonization in Britain, Australian painting was briefly seized upon as a dynamic and reinvigorating force in contemporary art, and a group of Australian artists settled in London where they held centre stage with group and solo exhibitions in the capital's most prestigious galleries. The book traces the key influences of Sir Kenneth Clark, Bernard Smith and Bryan Robertson in their various (and varying) roles as patrons, ideologues, and entrepreneurs for Australian art, as well as the self-definition and interaction of the artists themselves. Simon Pierse interweaves multiple issues of the period into a cohesive historical narrative, including the mechanics of the British art world, the limited and frustrating cultural scene of 1950s Australia, and the conservative influence of Australian government bodies. Publishing for the first time archival material, letters, and photographs previously unavailable to scholars either in Britain or Australia, this book demonstrates how the work of expatriate Australian artists living in London constructed a distinct vision of Australian identity for a foreign market.
An anthology of word and image coinciding with the 50th anniversary of the first ascent of Kangchenjunga, in the Himalayan mountain range. This book also includes a collection of images and literature describing the history of this mountain.
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