This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a tripartite form rather than the more common bipartite form. Taking the Psalms of Ascents as a sample corpus of poetic texts, it identifies tricola on an explicit and consistent basis. It draws on the rhythmical-accentual approach of Eduard Sievers, and in so doing highlights an important but neglected aspect of his method. The concept of a "para-tricolon" is developed, designating a line that is tripartite, yet rhythmically equivalent to a conventional bicolon. Analyses of psalm structures and of the syntactic and semantic structures of each tripartite line facilitate an assessment of the function of, and characterization of, tripartite lines. The significance of enjambment is explored as a distinguishing factor between different line-forms and as a means of uniting non-parallel cola. The study demonstrates clear differences between the form and function of para-tricola and those of tricola, and so will facilitate a more nuanced and realistic appraisal of the functional significance of Hebrew poetic line-forms.
This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a tripartite form rather than the more common bipartite form. Taking the Psalms of Ascents as a sample corpus of poetic texts, it identifies tricola on an explicit and consistent basis. It draws on the rhythmical-accentual approach of Eduard Sievers, and in so doing highlights an important but neglected aspect of his method. The concept of a "para-tricolon" is developed, designating a line that is tripartite, yet rhythmically equivalent to a conventional bicolon. Analyses of psalm structures and of the syntactic and semantic structures of each tripartite line facilitate an assessment of the function of, and characterization of, tripartite lines. The significance of enjambment is explored as a distinguishing factor between different line-forms and as a means of uniting non-parallel cola. The study demonstrates clear differences between the form and function of para-tricola and those of tricola, and so will facilitate a more nuanced and realistic appraisal of the functional significance of Hebrew poetic line-forms.
It is not uncommon to hear of people who have lost their faith as a result of suffering. At some point in our lives, we all walk through some measure of suffering-perhaps you're walking through a painful time right now. You may be wondering "Where is God in all of this?" or "Why does he feel so far away?" Or maybe there are no words at all. With sensitivity and compassion, Simon Stocks' Songs for Suffering leads readers through the Psalms in times of difficulty and despair. The Psalms are the ideal resource to keep someone in contact with God through such times of difficulty. They take pain and trouble seriously, and afford dignity to the sufferer by expressing what we feel in these times. The Psalms even allow negative responses toward God to be voiced in a safe context and take seriously God's capacity for redemption. In the Psalms, evil and its agents are real, and this allows a measured and God-centered response to those who cause suffering. By following this model and pattern of prayer-which has been the bedrock of Christian prayer for over two thousand years—you will be able to pray during all seasons of suffering and address difficult issues of faith such as despair, failure, tragedy, and fear.
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