A hunted girl. A marked soul. Will he choose redemption or damnation? Daniel can barely control his aching bloodlust. The newly-made vampire’s diminishing humanity compels him to fight off the cravings and let sunlight incinerate his abominable flesh. But when the soft light of dawn takes his darkness instead, Daniel is left with incredible powers and no memory of who he used to be... After helping a family fight off bandits, he discovers a girl with dark abilities of her own. In a world where magic is a death sentence, Daniel must help them ward off witchhunters while convincing his allies that he’s regained his soul. But with their persecutors closing in, can the reformed vampire protect the magical girl or will his darker nature destroy them all? Dark Soul Silenced is an epic fantasy crafted in a medieval world. If you like vampires with teeth, complicated characters, and evil with a twist, then you’ll love Simon Goodson’s imaginative saga. Buy Dark Soul Silenced to tempt the darkness today!
The updated account of the Jesus Fellowship / Jesus Army, by Simon Cooper and Mike Farrant. 384 action-packed pages of trials, tears and joy in the Jesus Army. Originally published by Kingsway.
Welcome to Fethering! Carole has a bad hair day when a haircut leads to murder in this quirky, cozy, British village mystery. The last thing Carole expects when she goes to Connie's Clip Joint for a trim is to find the body of Kyra, Connie's assistant, in the back room. Kyra's boyfriend, Nathan, has vanished, but his family, an eccentric, controlling bunch, don't seem overly concerned. Instead, they are bizarrely obsessed with a family board game which seems to provide a host of clues as to Nathan's whereabouts. Carole and her neighbour Jude are determined to unravel the clues, but can they discover the truth before either someone is falsely accused or the killer makes a second move? And how many haircuts can a pair of middle-aged sleuths have before people start to become suspicious?
The final volume of the trilogy that began with The Smoking Diaries finds Simon Gray determined to give up smoking. Really. At last. Can he kick the habit of sixty years? Will he, sometime soon, be able to leave his house without nervously feeling for his two packets of twenty and his two lighters? As this wonderful, wayward record of Gray's life progresses, these questions are overtaken by much larger ones. What was sex like before 1963? Will his name be in lights on Broadway? Why leave the bedside of his dying mother? With their combination of comedy and serious reflection, of sharp observation and painful self-disclosure, Simon Gray's diaries reinvented the memoir form and are destined to become classics of autobiography.
Dark, dangerous and transgressive, Bram Stoker's Dracula is often read as Victorian society's absolute Other--an outsider who troubles and distracts those around him, one who represents the fears and anxieties of the age. This book is a study of Dracula's role of absolute Other as it appears on screen, and an investigation of popular culture's continued fascination with vampires. Drawing on vampire films spanning from the early 20th century to 2017, the author examines how different generations construct Otherness and how this is reflected in vampire media.
This great new science title contains 12 stories, 2 for each of the six units of study from the Science Scheme of Work. The book also contains background information for the teacher, lesson plans and resources sheets. Planning tools and ideas for differentiation are included. A brilliant way to motivate science investigations!
Released in cinemas in 1982, Creepshow is typically regarded as a minor entry in both the film output of George A. Romero and the history of adaptations of the works of Stephen King. Yet this lack of critical attention hides the fact that Creepshow is the only full collaboration between America’s bestselling author of horror tales and one of the masters of modern American horror cinema. Long considered too mainstream for the director of Dawn of the Dead (1978), too comic for the author that gave audiences the film versions of Carrie (1976) and The Shining (1980), and too violent for a cinemagoing public turning away from gore cinema in the autumn of 1982, Creepshow is here reassessed by Simon Brown, who examines the making and release of the film and its legacy through a comic book adaptation and two sequels. His analysis focuses on the key influences on the film, not just Romero and King, but also the anthology horrors of Amicus Productions, body horror cinema, and the special make up effects of Tom Savini, the relationship between horror and humor, and most notably the tradition of EC horror comics of the 1950s, from which the film draws both its thematic preoccupations and its visual style. Ultimately the book argues that not only is Creepshow a major work in the canons of Romero and King, but also that it represents a significant example of the portmanteau horror film, of the blending of horror and comedy, and finally, decades before the career of Zack Snyder (Watchmen, Man of Steel), of attempting to recreate a comic book aesthetic on the big screen.
A resource for use wherever weekday celebrations of the Eucharist take place. It includes scripture readings from the NRSV and psalms from the Common Worship Psalter, and provides all the readings for the two year cycle of the weekday lectionary in one place.
Philian Gregory is a struggling City trader. Nathan Carrington, an alcoholic beggar. When a random act of kindness draws them into an unlikely friendship, they embark on a journey that will change their lives forever. Threatened by forces that seek to conceal an unimaginable past, they escape to the solitude of the English canals, until one death too many turns the pursued into the pursuers. They work off the radar, but even they can’t avoid what is happening around them in a nation where the moral are few, the immoral are in the ascendant, but the power is held by the amoral. As millions of innocents die, they begin to understand that the past is merely a clue to the future and only they can stop what is happening. In doing so, only one of them will survive. This latest work of fiction from canal-based author Simon J. Stephens is an action-packed, contemporary thriller in which unthinkable solutions become more than just a fantasy nightmare: they could just happen. They might even be happening.
In 1997, a BAFTA award-winning British film about six out of work Sheffield steelworkers with nothing to lose took the world by storm. And now they’re back, live on stage, only for them, it really has to be The Full Monty. Simon Beaufoy, the Oscar-winning writer of the film, has now gone back to Sheffield where it all started to rediscover the men, the women, the heartache and the hilarity of a city on the dole. The Full Monty was the winner of the UK Theatre Best Touring Production award 2013.
“The only history of pop music you’ll ever have to read.”— Huffington Post Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music – not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 – the year parliament granted writers ownership over what they wrote – to today, when a global, 100 billion pound industry is controlled by just three major players: Sony, Universal and Warner. Inside you will uncover some little-known facts about the industry, including: how a formula for writing hit songs in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and black jazz musicians dancing cheek-to-cheek created a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the music industry has ever seen. Through it all, Napier-Bell balances seductive anecdotes – pulling back the curtain on the gritty and absurd side of the industry – with an insightful exploration of the relationship between creativity and money.
The Word Biblical Commentary delivers the best in biblical scholarship, from the leading scholars of our day who share a commitment to Scripture as divine revelation. This series emphasizes a thorough analysis of textual, linguistic, structural, and theological evidence. The result is judicious and balanced insight into the meanings of the text in the framework of biblical theology. These widely acclaimed commentaries serve as exceptional resources for the professional theologian and instructor, the seminary or university student, the working minister, and everyone concerned with building theological understanding from a solid base of biblical scholarship. Overview of Commentary Organization Introduction—covers issues pertaining to the whole book, including context, date, authorship, composition, interpretive issues, purpose, and theology. Each section of the commentary includes: Pericope Bibliography—a helpful resource containing the most important works that pertain to each particular pericope. Translation—the author’s own translation of the biblical text, reflecting the end result of exegesis and attending to Hebrew and Greek idiomatic usage of words, phrases, and tenses, yet in reasonably good English. Notes—the author’s notes to the translation that address any textual variants, grammatical forms, syntactical constructions, basic meanings of words, and problems of translation. Form/Structure/Setting—a discussion of redaction, genre, sources, and tradition as they concern the origin of the pericope, its canonical form, and its relation to the biblical and extra-biblical contexts in order to illuminate the structure and character of the pericope. Rhetorical or compositional features important to understanding the passage are also introduced here. Comment—verse-by-verse interpretation of the text and dialogue with other interpreters, engaging with current opinion and scholarly research. Explanation—brings together all the results of the discussion in previous sections to expose the meaning and intention of the text at several levels: (1) within the context of the book itself; (2) its meaning in the OT or NT; (3) its place in the entire canon; (4) theological relevance to broader OT or NT issues. General Bibliography—occurring at the end of each volume, this extensive bibliography contains all sources used anywhere in the commentary.
The complete ball by ball reference guide to Australia's phenomenally successful Twenty20 cricket league, the Big Bash. This is a complete record of the 5th Big Bash League and includes full scorecards, details of every ball bowled in all 35 matches, with over summaries, dot ball analysis and graphical comparisons of run rates as the matches progressed. The book is also packed with batting, bowling, fielding and extras statistics and profiles of each squad.
A true crime account of the historic 1920s case from the killers’ point of view, detailing their explosive relationship that culminated in murder. It was a crime that shocked the nation: the brutal murder in Chicago in 1924 of a child by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb were intellectuals—too smart, they believed, for the police to catch them. When they were apprehended, state’s attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most sensational criminal trials in the history of American justice. Set against the backdrop of the 1920s—a time of prosperity, self-indulgence, and hedonistic excess in a lawless city on the brink of anarchy—For the Thrill of It draws the reader into a world of speakeasies and flappers, of gangsters and gin parties, with a spellbinding narrative of Jazz Age murder and mystery. Praise for For the Thrill of It “Baatz’s comprehensive account of the case succeeds in identifying their peculiar personality traits as well as what it was in the nature of their relationship that made them believe in their infallibility in performing the ultimate crime. . . . [An] exhaustively researched and rivetingly presented account. . . . One of the best true-crime books of this or any other season.” —Booklist (starred review)
A killer monkey. Suburban witchcraft. Motorcycle jousting. A cockroach invasion. Despite this enticing list of other subjects, George A. Romero is best known for the genre-defining 1968 film Night of the Living Dead and subsequent zombie films. The non-zombie films in his decades-long career have gotten varied degrees of critical examination but they remain underexamined compared to the Dead flicks. This book focuses on Romero's "other" work, highlighting lesser-known films such as There's Always Vanilla (1971) and Bruiser (2000), as well as more popular films such as Martin (1977) and The Crazies (1973). It examines how his body of work participates in social critique by delving into issues such as capitalism's pitfalls and excesses, domestic and racial power imbalances, and our patriarchal culture's expectations of masculinity, femininity, and sexuality.
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