Analyses how modern conceptions of politics, ethics, and critical thought may be re-evaluated through the question of pain.Through a series of rigorous encounters with key critical figures, this monograph argues that modern thought is, in a double sense, the thought of pain. The book investigates the idea that modern European philosophy after Kant offers less the conceptual equipment to tackle pain in explanatory terms, than an experience of thought that participates in the forms of pain and suffering about which it speaks. Perhaps surprisingly, the question of pain establishes a ground from which to examine key debates in twentieth-century European philosophy, most recently between forms of post-structuralist and ethical thinking imagined to be in crisis and the resurgence of discourses of political emancipation arising from traditions of thought associated with Marxism. Key features:nbsp;Offers a systematic account of the modern European tradition's relationship to the question of pain and sufferingnbsp;Suggests new readings of 'ethics' and 'evil'nbsp;Evaluates the politics of contemporary critical theorynbsp;Sets new agendas for reading post-Kantian philosophy
Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian émigré, a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derrida's work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstruction's critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derrida's work.
Analyses how modern conceptions of politics, ethics, and critical thought may be re-evaluated through the question of pain.Through a series of rigorous encounters with key critical figures, this monograph argues that modern thought is, in a double sense, the thought of pain. The book investigates the idea that modern European philosophy after Kant offers less the conceptual equipment to tackle pain in explanatory terms, than an experience of thought that participates in the forms of pain and suffering about which it speaks. Perhaps surprisingly, the question of pain establishes a ground from which to examine key debates in twentieth-century European philosophy, most recently between forms of post-structuralist and ethical thinking imagined to be in crisis and the resurgence of discourses of political emancipation arising from traditions of thought associated with Marxism. Key features:nbsp;Offers a systematic account of the modern European tradition's relationship to the question of pain and sufferingnbsp;Suggests new readings of 'ethics' and 'evil'nbsp;Evaluates the politics of contemporary critical theorynbsp;Sets new agendas for reading post-Kantian philosophy
Simon Morgan Wortham's Derrida Dictionary is a spectacular intellectual accomplishment. He has amazing mastery of all Derrida's multitudinous writings (about seventy books, an immense number of articles and interviews). Perhaps the highest praise I can make of this extraordinary and extraordinarily valuable book is that each entry, rather than closing the door on a given Derridean topic, makes you want to go back and read or reread for yourself Archive Fever of Paper Machine or Without Alibi, and all the rest of those seventy books.'-J. Hillis Miller, Distinguished Research Professor of Comparative Literature, University of California, Irvine, USA "This is no ordinary dictionary. Simon Morgan Wortham provides not only comprehensive, rigorously defined, and well contextualised terms that cross-reference other terms and books across the corpus of Derrida's work, but in the process offers a lucid exposition of Derrida's work itself.'-Nicole Anderson, Co-Editor/Founder Derrida Today journal, Macquarie University, Australia The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary includes entries on Derrida's major philosophical influences and those he engaged with, from Kant to Levinas. Offering clear and accessible explanations of often complex terminology, The Derrida Dictionary is the ideal resource for anyone reading Derrida, deconstruction or modern European philosophy.
Title first published in 2003. 'Weber is probably the only person in his generation who is equally at home in and directly informed about contemporary literary theory and its antecedents in Germany, France, and the US. His theoretical interest in psychoanalysis serves as a viewpoint from which a powerful combination of philosophical, linguistic, and political concerns are brought together in an uncommonly productive dialectical interplay' Paul de Man This book presents the first introductory text examining the work of the contemporary thinker, Samuel Weber. Accessible, compelling and challenging, Weber's writing offers a rewarding investigation into the connections between literary and cultural studies, media and technology, and philosophy and aesthetics, in the context of significant intellectual debates and developments linking Europe and North America. The critical practice of Weber's various texts is explored in detail, along with his studies in philosophy, aesthetics, deconstruction, media, technology, psychoanalysis and theatre.
To what extent does sleep constitute a limit for the philosophical imagination? Why does it recur throughout philosophy? What is at issue in the repeated relegation of sleep to the realm of physiological study (as in Kant, Freud and Bergson), in favour of promoting the critical investigation of dreams and dreaming as a key indicator of modernity? Does philosophy entail a certain repression of the poetics of sleep in all its conceptual impossibility? Through a series of engagements with key thinkers in modern European philosophy, this book rearticulates a poetics of sleep at the heart of some of its seminal texts. From the problematic yet instructive status of a Kantian discourse on sleep to the conceptual contradictions inherent in psychoanalytic thought and the rich possibilities of thinking 'sleep' in the writings of Bergson, Blanchot and Nancy, the book's aim is to dredge the remains of sleep - not to bring its secrets to the surface of waking life, but instead to draw closer to what falls under or away in thinking and writing 'sleep'.
Derrida wrote a vast number of texts for particular events across the world, as well as a series of works that portray him as a voyager. As an Algerian émigré, a postcolonial outsider, and an idiomatic writer who felt tied to a language that was not his own, and as a figure obsessed by the singularity of the literary or philosophical event, Derrida emerges as one whose thought always arrives on occasion. But how are we to understand the event in Derrida? Is there a risk that such stories of Derrida's work tend to misunderstand the essential unpredictability at work in the conditions of his thought? And how are we to reconcile the importance in Derrida of the unknowable event, the pull of the singular, with deconstruction's critical and philosophical rigour and its claims to rethink more systematically the ethico-political field. This book argues that this negotiation in fact allows deconstruction to reformulate the very questions that we associate with ethical and political responsibility and shows this to be the central interest in Derrida's work.
This is an account of Jacques Derrida's involvement in debates about the university. Derrida has long argued that philosophy simultaneously belongs and does not belong to the university. This book asks whether a broader tension between 'belonging' and 'not belonging' also forms the basis of Derrida's political thinking and activism.
Marx Through Post-Structuralism presents a thorough critical examination of the readings of Marx given by four post-structuralist thinkers, all key figures in Continental philosophy: Jean-François Lyotard, Jacques Derrida, Michel Foucault, and Gilles Deleuze. Arguing that both Marx and the post-structuralists seek to produce a genuinely materialist philosophy, the author aims to develop a better understanding of both Marx and post-structuralism and in so doing to reflect on the possibilities and problems for materialist philosophy more broadly. Against the common assumption that post-structuralism begins with a rejection of Marx, Choat argues that Marx has been a key influence on post-structuralist thought and that each of the four thinkers examined affirms Marx's contemporary significance. By looking at how these thinkers have read Marx - analysing their direct comments, unspoken uses, and implicit criticisms - the book demonstrates that there is a distinct and original post-structuralist approach to Marx that allows us to read him in a new light.
Alienation After Derrida rearticulates the Hegelian-Marxist theory of alienation in the light of Derrida's deconstruction of the metaphysics of presence. Simon Skempton aims to demonstrate in what way Derridian deconstruction can itself be said to be a critique of alienation. In so doing, he argues that the acceptance of Derrida's deconstructive concepts does not necessarily entail the acceptance of his interpretations of Hegel and Marx. In this way the book proposes radical reinterpretations, not only of Hegel and Marx, but of Derridian deconstruction itself. The critique of the notions of alienation and de-alienation is a key component of Derridian deconstruction that has been largely neglected by scholars to date. This important new study puts forward a unique and original argument that Derridian deconstruction can itself provide the basis for a rethinking of the concept of alienation, a concept that has received little serious philosophically engaged attention for several decades.
Gilles Deleuze's engagements with mathematics, replete in his work, rely upon the construction of alternative lineages in the history of mathematics, which challenge some of the self imposed limits that regulate the canonical concepts of the discipline. For Deleuze, these challenges provide an opportunity to reconfigure particular philosophical problems - for example, the problem of individuation - and to develop new concepts in response to them. The highly original research presented in this book explores the mathematical construction of Deleuze's philosophy, as well as addressing the undervalued and often neglected question of the mathematical thinkers who influenced his work. In the wake of Alain Badiou's recent and seemingly devastating attack on the way the relation between mathematics and philosophy is configured in Deleuze's work, Simon B.Duffy offers a robust defence of the structure of Deleuze's philosophy and, in particular, the adequacy of the mathematical problems used in its construction. By reconciling Badiou and Deleuze's seemingly incompatible engagements with mathematics, Duffy succeeds in presenting a solid foundation for Deleuze's philosophy, rebuffing the recent challenges against it.
This is an account of Jacques Derrida's involvement in debates about the university. Derrida has long argued that philosophy simultaneously belongs and does not belong to the university. This book asks whether a broader tension between 'belonging' and 'not belonging' also forms the basis of Derrida's political thinking and activism.
To what extent does sleep constitute a limit for the philosophical imagination? Why does it recur throughout philosophy? What is at issue in the repeated relegation of sleep to the realm of physiological study (as in Kant, Freud and Bergson), in favour of promoting the critical investigation of dreams and dreaming as a key indicator of modernity? Does philosophy entail a certain repression of the poetics of sleep in all its conceptual impossibility? Through a series of engagements with key thinkers in modern European philosophy, this book rearticulates a poetics of sleep at the heart of some of its seminal texts. From the problematic yet instructive status of a Kantian discourse on sleep to the conceptual contradictions inherent in psychoanalytic thought and the rich possibilities of thinking 'sleep' in the writings of Bergson, Blanchot and Nancy, the book's aim is to dredge the remains of sleep - not to bring its secrets to the surface of waking life, but instead to draw closer to what falls under or away in thinking and writing 'sleep'.
This is an account of Jacques Derrida's involvement in debates about the university. Derrida has long argued that philosophy simultaneously belongs and does not belong to the university. This book asks whether a broader tension between 'belonging' and 'not belonging' also forms the basis of Derrida's political thinking and activism.
Simon Morgan Wortham's Derrida Dictionary is a spectacular intellectual accomplishment. He has amazing mastery of all Derrida's multitudinous writings (about seventy books, an immense number of articles and interviews). Perhaps the highest praise I can make of this extraordinary and extraordinarily valuable book is that each entry, rather than closing the door on a given Derridean topic, makes you want to go back and read or reread for yourself Archive Fever of Paper Machine or Without Alibi, and all the rest of those seventy books.'-J. Hillis Miller, Distinguished Research Professor of Comparative Literature, University of California, Irvine, USA "This is no ordinary dictionary. Simon Morgan Wortham provides not only comprehensive, rigorously defined, and well contextualised terms that cross-reference other terms and books across the corpus of Derrida's work, but in the process offers a lucid exposition of Derrida's work itself.'-Nicole Anderson, Co-Editor/Founder Derrida Today journal, Macquarie University, Australia The Derrida Dictionary is a comprehensive and accessible guide to the world of Jacques Derrida, the founder of deconstruction and one of the most influential European thinkers of the twentieth century. Meticulously researched and extensively cross-referenced, this unique book covers all his major works, ideas and influences. A-Z entries include clear definitions of all the key terms used in Derrida's writings and detailed synopses of his key works. The Dictionary includes entries on Derrida's major philosophical influences and those he engaged with, from Kant to Levinas. Offering clear and accessible explanations of often complex terminology, The Derrida Dictionary is the ideal resource for anyone reading Derrida, deconstruction or modern European philosophy.
Title first published in 2003. 'Weber is probably the only person in his generation who is equally at home in and directly informed about contemporary literary theory and its antecedents in Germany, France, and the US. His theoretical interest in psychoanalysis serves as a viewpoint from which a powerful combination of philosophical, linguistic, and political concerns are brought together in an uncommonly productive dialectical interplay' Paul de Man This book presents the first introductory text examining the work of the contemporary thinker, Samuel Weber. Accessible, compelling and challenging, Weber's writing offers a rewarding investigation into the connections between literary and cultural studies, media and technology, and philosophy and aesthetics, in the context of significant intellectual debates and developments linking Europe and North America. The critical practice of Weber's various texts is explored in detail, along with his studies in philosophy, aesthetics, deconstruction, media, technology, psychoanalysis and theatre.
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