Paul Simon’s groovy anthem to New York City provides a joyful basis for this live-for-the-day picture book. “Slow down, you move too fast You got to make the mornin’ last Just kicking down the cobblestones Lookin’ for fun and feelin’ groovy . . .” The 59th Street Bridge Song is a lively picture book based on legendary songwriter Paul Simon’s classic hit, created when he was one half of the folk rock duo Simon & Garfunkel. The song first appeared on their 1966 album Parsley, Sage, Rosemary and Thyme. In the US, the album peaked at #4 on Billboard’s weekly Top 200 albums chart, and eventually went on to sell over three million copies in the US. With song lyrics by Simon and illustrations by Keith Henry Brown, this picture book follows a rabbit cycling through town, going about his day, and pausing to admire the “groovy” and lovable aspects of his surroundings. The 59th Street Bridge Song provides parents a perfect vehicle to teach kids an appreciation of life’s little gifts.
Comprehensive resource describing both fundamentals and practical industry applications of antennas and radio propagation employed in modern wireless communication systems The newly revised and thoroughly updated Third Edition of this classic and popular text, Antennas and Propagation for Wireless Communication Systems addresses fundamentals and practical applications of antennas and radio propagation commonly used in modern wireless communication systems, from the basic electromagnetic principles to the characteristics of the technology employed in the most recent systems deployed, with an outlook of forthcoming developments in the field. Core topics include fundamental electromagnetic principles underlying propagation and antennas, basic concepts of antennas and their application to specific wireless systems, propagation measurement, modelling, and prediction for fixed links, macrocells, microcells, femtocells, picocells, megacells, and narrowband and wideband channel modelling with the effect of the channel on communication system performance. Worked examples and specific assignments for students are presented throughout the text (with a solutions manual available for course tutors), with a dedicated website containing online calculators and additional resources, plus details of simple measurements that students can perform with off-the-shelf equipment, such as their laptops and a Wi-Fi card. This Third Edition of Antennas and Propagation for Wireless Communication Systems has been thoroughly revised and updated, expanding on and adding brand new coverage of sample topics such as: Maxwell’s equations and EM theory, multiple reflections as propagation mechanisms, and waveguiding HAPS (High Altitude Platforms) propagation, design and noise considerations of earth stations, macrocell models, and cellular base station site engineering FSS (frequency selective surfaces), adaptive antenna theory developments (massive and distributed MIMO in particular), and how to process raw data related to channel measurements for mobile radio systems The techniques used in mobile systems spanning the latest 4G, 5G and 6G technology generations A wider range of frequencies, extending from HF, VHF and UHF up to the latest millimetre wave and sub terahertz bands With comprehensive coverage of foundational subject matter as well as major recent advancements in the field, Antennas and Propagation for Wireless Communication Systems is an essential resource for undergraduate and postgraduate students, researchers, and industry engineers in related disciplines.
“A veteran manager of groups like the Yardbirds, Napier-Bell was just about ready to retire when Wham! fell into his lap...those interested in what goes on backstage and behind the scenes will find Napier-Bell's stories worthwhile and entertaining.” —Publishers Weekly A gossipy, rollicking music memoir about bringing Wham! to communist China in the ‘80’s—now, in paperback London, 1983. Pop impresario Simon Napier-Bell has had enough. Tired of managing groups, and sick of the constant grief at home, with his two ex-boyfriends bickering and bleeding him dry, he’s ready to give up the music business for good. But before he gets the chance, he falls in love with a new passion: a dynamic young duo, George and Andrew, jointly called Wham!. Soon, he finds himself offering to arrange for Wham! to be the first-ever Western pop group to play in communist China – a masterstroke of publicity which, in one swift move, would make them one of the biggest groups on the planet. What follows is an exciting and unpredictable globe-trotting adventure in the company of a cast of petulant pop stars, shady businessmen and a confusion of spies, students and officials, as Napier-Bell edges closer to inadvertently becoming one of the first Westerners to break down the walls of communist China. As one reviewer put it, “some of it reads like a big, gay Bond thriller.”
He came from Outer Space... It was the greatest invention in the history of pop music – the rock god who came from the stars – which struck a young David Bowie like a lightning bolt from the heavens. When Ziggy the glam alien messiah fell to Earth, he transformed Bowie from a prodigy to a superstar who changed the face of music forever. But who was Ziggy Stardust? And where did he really come from? In a work of supreme pop archaeology, Simon Goddard unearths every influence that brought Ziggy to life – from HG Wells to Holst, Kabuki to Kubrick, and Elvis to Iggy. Ziggyology documents the epic drama of the Starman’s short but eventful time on Planet Earth... and why Bowie eventually had to kill him.
Before The Beatles landed on American shores in February 1964 only two British acts had topped the Billboard singles chart. In the first quarter of 1964, however, the Beatles alone accounted for sixty percent of all recorded music sold in the United States; in 1964 and 1965 British acts occupied the number one position for 52 of the 104 weeks; and from 1964 through to 1970, the Rolling Stones, Herman’s Hermits, the Dave Clark Five, the Animals, the Kinks, the Hollies, the Yardbirds and the Who placed more than one hundred and thirty songs on the American Top Forty. In The British Invasion: The Crosscurrents of Musical Influence, Simon Philo illustrates how this remarkable event in cultural history disrupted and even reversed pop culture’s flow of influence, goods, and ideas—orchestrating a dramatic turn-around in the commercial fortunes of British pop in North America that turned the 1960s into “The Sixties.” Focusing on key works and performers, The British Invasion tracks the journey of this musical phenomenon from peripheral irrelevance through exotic novelty into the heart of mainstream rock. Throughout, Philo explores how and why British music from the period came to achieve such unprecedented heights of commercial, artistic, and cultural dominance. The British Invasion: The Crosscurrents of Musical Influence will appeal to fans, students and scholars of popular music history—indeed anyone interested in understanding the fascinating relationship between popular music and culture.
Framed within basic marketing principles, Marketing for Tourism, Hospitality & Events highlights the global shift in tourism demographics today, placing a particular emphasis on the role of digital technology and its impact on travel products and services. Covering developments across a broad range of topics such as contemporary tourism marketing, understanding today′s consumer, and the importance of public relations and personal selling, key industry changes are captured throughout the text. ′Lessons from a Marketing Guru′ feature personal insights from real world practitioners, and ′Digital Spotlights′ highlight the ways in which social media and the Internet have transformed tourism, hospitality and events the world over. These features are further enhanced by ′Marketing in Action′ case-studies in each chapter that highlight the international realities of tourism, hospitality and events marketing in practice. These include: Spiritual Tourism in Tamil Nadu, India Social media listening at Marriott’s headquarters in Hong Kong The Deer Hunt Festival in Winneba, Ghana Music-themed hotels in Prague, Amsterdam, Berlin and Mexico The promotion of Hawaii through film and television Dark Tourism in Vietnam The book is complemented by a companion website featuring a range of tools and resources for lecturers and students, including PowerPoint slides, an instructor manual, a test bank of multiple choice questions and author-curated video links to make the examples in each chapter come to life. Ideal for undergraduate and postgraduate students looking for an introductory text to marketing for tourism, hospitality and events.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
This book covers every aspect of the informant and cooperating witness dynamic a controversial technique shrouded in secrecy and widely misunderstood. Quoted routinely in countless newspaper and magazine articles, the first edition was the go-to guide for practical, effective guidance on this tricky yet powerful tactic. Extensively updated, topics in this second edition include changes in the FBI's informant program, changes brought on by immigration reforms, recent high-profile cases, and the changing nature of compensation and cooperation fees. It also examines the management of informant-driven search warrants and challenges posed by fabricated information.
Sustainable participatory watershed management is an approach promoted by the Ethiopian government to restore natural resources and agricultural productivity across the country. This comparative study between six watershed programs shows that this approach increases farmers’ food security and incomes (around 50% on average), as well as their resilience to drought and other climate shocks. However, the study also confirms that the nature and scale of impact can vary significantly between watershed programs. The success of watershed management depends on multiple factors from the hydrological profile of the watershed to the local social and economic environment. Tailoring watershed interventions to the local context, associating conservation and livelihoods activities, and providing further financial and technical support to watershed committees are among the recommendations of this paper.
Binding the Ghost is both manifesto and example of a new variety of reading that centers a theological perspective in considering what literature actually does. Neither dogmatic nor apologetic, sectarian or denominational, this mode of reading acknowledges the inherently charged strangeness of writing and fiction, whereby authors have the ability to seemingly create entire universes from words alone. Ed Simon considers the theological depth, resonance, and mystery of the acts of reading and writing. His lyrical, incisive essays cover subjects such as the incarnational poetics of reading a physical book as opposed to reading online, the historical relationship between monotheism and the development of the alphabet, how the novel and Protestantism developed interiority within people, the occult significance of punctuation, and the functional similarities between poetry and prayer. Binding the Ghost presents a humane sacralization of reading and writing that takes into account the wonder, enchantment, and mystery of the very idea of poetry and fiction.
Black Vinyl White Powder is the definitive story of the British music industry’s first five decades, as told by its ultimate insider. A key player since the 1960s – whether penning hits for Dusty Springfield, discovering Marc Bolan or managing a series of stellar acts ranging from the Yardbirds to Wham! – Simon Napier-Bell draws on his wealth of contacts and unparalleled personal experience to give an enthralling account of a business that became like no other. From the crazed debauchery of rock megastars like the Rolling Stones and Led Zeppelin to the ecstasy culture that shaped dance music in the 1980s, Napier-Bell charts the growth of a world in which bad behaviour is not only tolerated but encouraged; where drugs are as important as talent; and where artists are pushed to their mental and physical limits in the name of profit and ego. Filled with the voices of artists, producers, managers and record company execs, Black Vinyl White Powder is the most raucous, entertaining and revealing history of British pop ever written.
He was the leading light of the Beat Generation writers and the most dynamic author of his time, but Jack Kerouac also had a lifelong passion for music, particularly the mid-century jazz of New York City, the development of which he witnessed first-hand during the 1940s with Charlie Parker, Dizzy Gillespie and Thelonious Monk to the fore. The novelist, most famous for his 1957 book On the Road, admired the sounds of bebop and attempted to bring something of their original energy to his own writing, a torrent of semi-autobiographical stories he published between 1950 and his early death in 1969. Yet he was also drawn to American popular music of all kinds � from the blues to Broadway ballads � and when he came to record albums under his own name, he married his unique spoken word style with some of the most talented musicians on the scene. Kerouac's musical legacy goes well beyond the studio recordings he made himself: his influence infused generations of music makers who followed in his work � from singer-songwriters to rock bands. Some of the greatest transatlantic names � Bob Dylan and the Grateful Dead, Van Morrison and David Bowie, Janis Joplin and Tom Waits, Sonic Youth and Death Cab for Cutie, and many more � credited Kerouac's impact on their output. In Kerouac on Record, we consider how the writer brought his passion for jazz to his prose and poetry, his own record releases, the ways his legacy has been sustained by numerous more recent talents, those rock tributes that have kept his memory alive and some of the scores that have featured in Hollywood adaptations of the adventures he brought to the printed page.
The application of psychiatry to war and terrorism is highly topical and a source of intense media interest. Shell Shock to PTSD explores the central issues involved in maintaining the mental health of the armed forces and treating those who succumb to the intense stress of combat. Drawing on historical records, recent findings and interviews with veterans and psychiatrists, Edgar Jones and Simon Wessely present a comprehensive analysis of the evolution of military psychiatry. The psychological disorders suffered by servicemen and women from 1900 to the present are discussed and related to contemporary medical priorities and health concerns. This book provides a thought-provoking evaluation of the history and practice of military psychiatry, and places its findings in the context of advancing medical knowledge and the developing technology of warfare. It will be of interest to practicing military psychiatrists and those studying psychiatry, military history, war studies or medical history.
A hugely entertaining and revealing guide to the history of type that asks, What does your favorite font say about you? Fonts surround us every day, on street signs and buildings, on movie posters and books, and on just about every product we buy. But where do fonts come from, and why do we need so many? Who is responsible for the staid practicality of Times New Roman, the cool anonymity of Arial, or the irritating levity of Comic Sans (and the movement to ban it)? Typefaces are now 560 years old, but we barely knew their names until about twenty years ago when the pull-down font menus on our first computers made us all the gods of type. Beginning in the early days of Gutenberg and ending with the most adventurous digital fonts, Simon Garfield explores the rich history and subtle powers of type. He goes on to investigate a range of modern mysteries, including how Helvetica took over the world, what inspires the seeming ubiquitous use of Trajan on bad movie posters, and exactly why the all-type cover of Men are from Mars, Women are from Venus was so effective. It also examines why the "T" in the Beatles logo is longer than the other letters and how Gotham helped Barack Obama into the White House. A must-have book for the design conscious, Just My Type's cheeky irreverence will also charm everyone who loved Eats, Shoots & Leaves and Schott's Original Miscellany.
David Grange has no reason to live. His life's a mess and Elizabeth doesn't love him. But a long time ago, he made her a promise, and he can't keep it if he's dead. Fate has given David a fresh start, and a chance to help the girl he loves. But when does 'help' become harassment? When does love become obsession? Is David even capable of telling the difference? And what do you do for a living if you don't exist? Elizabeth couldn't be happier that her stalker has plunged to a bloody death. But if David's really dead, who's been performing nocturnal car repairs and filming her undress? And how could it be possible that her problems are about to get even worse?
A polish bear in World War II rose to the rank of colonel. Penguins can't taste fish. The ashes of the man who invented the Pringles container are buried in one one. On Neptune it rains diamonds. 'Hippopotomonstrosesquippedaliophobia' is the fear of long words. These are just 0.1% of all the facts in this incredible tome! Written by seven authors and covering subjects as diverse as The Universe, Art and Literature, The Natural World and Movies, The Colossal Book of Incredible Facts for Curious Minds is the ultimate trivia book! Why not amaze family and friends with the reasons pandas do handstands, the sinister source of the term 'rule of thumb', or that the patent for the fire hydrant was destroyed... in a fire. Every entry is weird, wonderful, inspiring and quite brilliantly, true!
SQL: 1999 is the best way to make the leap from SQL-92 to SQL:1999, but it is much more than just a simple bridge between the two. The latest from celebrated SQL experts Jim Melton and Alan Simon, SQL:1999 is a comprehensive, eminently practical account of SQL's latest incarnation and a potent distillation of the details required to put it to work. Written to accommodate both novice and experienced SQL users, SQL:1999 focuses on the language's capabilities, from the basic to the advanced, and the ways that real applications take advantage of them. Throughout, the authors illustrate features and techniques with clear and often entertaining references to their own custom database. Gives authoritative coverage from an expert team that includes the editor of the SQL-92 and SQL:1999 standards. Provides a general introduction to SQL that helps you understand its constituent parts, history, and place in the realm of computer languages. Explains SQL:1999's more sophisticated features, including advanced value expressions, predicates, advanced SQL query expressions, and support for active databases. Explores key issues for programmers linking applications to SQL databases. Provides guidance on troubleshooting, internationalization, and changes anticipated in the next version of SQL. Contains appendices devoted to database design, a complete SQL:1999 example, the standardization process, and more.
The Stone Roses captures the magic—and chaos—behind the UK band's rise, fall, and recent resurrection. The iconic Brit pop band The Stone Roses became an overnight sensation when their 1989 eponymous album went double platinum. It was a recording that is still often listed as one of the best albums ever made. Its chiming guitar riffs, anthemic melodies, and Smiths-like pop sensibility elevated The Stone Roses to a cult-like status in the UK and put them on the map in the U.S. But theirs is a story of unfulfilled success: their star imploded as their sophomore effort took years to complete and the band broke up acrimoniously in 1996. Sixteen years later, they reunited and have been playing sold out gigs, thrilling fans around the globe, and working on new material. In 2013, they nabbed the coveted headline spot at the Coachella Festival. With one hundred interviews of key figures, forty rare photographs, and exclusive insider material including how they created their music, The Stone Roses charts the band's rise from the backwaters of Manchester to becoming the stars of the "Madchester" scene to their successful comeback years later. Going beyond the myths to depict a band that defined Brit pop, Simon Spence illustrates their incandescent talent and jaw-dropping success while contextualizing them in the 90s music scene. This is the definitive story of The Stone Roses.
“The only history of pop music you’ll ever have to read.”— Huffington Post Let legendary rock manager Simon Napier-Bell take you inside the (dodgy) world of popular music – not just a creative industry, but a business that has made people rich beyond their wildest dreams. This book describes the evolution of the music industry from 1713 – the year parliament granted writers ownership over what they wrote – to today, when a global, 100 billion pound industry is controlled by just three major players: Sony, Universal and Warner. Inside you will uncover some little-known facts about the industry, including: how a formula for writing hit songs in the 1900s helped create 50,000 of the best-known songs of all time; how Jewish immigrants and black jazz musicians dancing cheek-to-cheek created a template for all popular music that followed; and how rock tours became the biggest, quickest, sleaziest and most profitable ventures the music industry has ever seen. Through it all, Napier-Bell balances seductive anecdotes – pulling back the curtain on the gritty and absurd side of the industry – with an insightful exploration of the relationship between creativity and money.
Author of a number of celebrated works, including the bestselling The Story of the Jews and Citizens: A Chronicle of the French Revolution, Simon Schama's latest book fuses history and art to create a tour de force of narrative sweep and illuminating insight. Using images from works-paintings, photographs, lithographs, etchings, sketches-found in London's National Portrait Gallery, The Face of Britain weaves together an account of their composition, framed by their particular moment of creation, and in the process unveils a collective portrait of nation and its history. "Portraits," Schama writes, "have always been made with an eye to posterity." Commissioned to paint Winston Churchill in 1954 Graham Sutherland struggled with how to capture the "savior" of Great Britain honestly and humanely. Schama calls the portrait, initially damned, the "most powerful image of a Great Briton ever executed." Annie Leibovitz's photograph of a nude John Lennon kissing Yoko Ono, taken five hours before his murder, bears "a weight of poignancy she could not possibly have anticipated." Hans Holbein's preparatory sketch for a portrait of Henry VIII depicts "an unstoppable engine of dynastic generation." Here are expressions from across the centuries of normalcy and heroism, beauty and disfigurement, aristocracy and deprivation, the familiar and the obscure-the faces of courtesans, warriors, workers, activists, playwrights, the high and mighty as well as pub-crawlers. Linking them is Schama's vibrant exploration of how their connective power emerges from the dynamic between subject and artist, work and viewer, time and place. Schama's compelling analysis and impassioned evocation of these works create an unforgettable verbal mosaic that at once reveals and transforms the images he places before us. Lavishly illustrated and written with the storytelling brio that is Schama's trademark, The Face of Britain invites us to look at a nation's visual legacies and find its reflection.
Bullying is common in all walks of life – not least at work. It’s nasty and the results are long-lasting. But sometimes there’s something more than bullying, where executives in organizations are malicious, violent and abusive. These people make their co-workers’ and subordinates’ lives an utter misery, and they can bring organizations down through their machinations. This is not bullying, this is evil. This book offers shocking examples from organizations around the world of the toxic nature of evil executives and the damage they do. It gives advice on how to recognize these predators, manipulators, sadists and frauds, how to manage in their presence, and how to reduce their crippling effect on you or anyone who might be a target. ffering solace and pointers in equal measure, The Evil Executive will provoke you to serious thought and timely action against the myriad manifestations of evil in the workplace.
Everything you wanted to ask a fishmonger but were too afraid to ask! Over the years, Simon Bennett has built a busy fish business down in Dorset. Set against the idyllic backdrop of Lyme Regis, Simon takes you on a tour of south coast seafood. With extensive 'how to' guides, and exclusive and some unusual fish recipes, you'll learn lots. Draw on Simon Bennett's 25 years' experience in the fish game. Learn how to source and prepare really fresh seafood. Enjoy exclusive fish recipes from Simon's celebrity chef friends and customers.
Intertwining the details of Abbie Hoffman's intense personal life with the movement politics of the sixties, seventies, and eighties, Dan Simon writes Abbie's story from the point of view of his younger brother Jack, creating a full and poignant portrait of one of the geniuses of the 1960s counterculture. From the creation of the Yippies! in 1967 and the tumult of the 1968 Democratic National Convention protests, to the humor and agony of the Chicago conspiracy trial, the scandal of Abbie's 1973 cocaine bust, and his six and a half years as a fugitive, to his reemergence as environmentalist "Barrie Freed' and his final struggle with manic-depressive illness, this biography offers a compelling examination of the contradictions that make Abbie Hoffman such a compelling figure. With the information and affection only a brother could bring to the complexities of Abbie's life, Hoffman and Simon portray Abbie's public persona alongside his private aspirations and fears, romances, and enduring family relationships.
This book works with two contrasting imaginings of 1960s London: the one of the excess and comic vacuousness of Swinging London, the other of the radical and experimental cultural politics generated by the city's counterculture. The connections between these two scenes are mapped looking firstly at the spectacular events that shaped post-war London, then at the modernist physical and social reconstruction of the city alongside artistic experiments such as Pop and Op Art. Making extensive use of London's underground press the book then explores the replacement of this seemingly materialistic image with the counterculture of underground London from the mid-1960s. Swinging City develops the argument that these disparate threads cohere around a shared cosmology associated with a new understanding of nature which differently positioned humanity and technology. The book tracks a moment in the historical geography of London during which the city asserts itself as a post-imperial global city. Swinging London it argues, emerged as the product of this recapitalisation, by absorbing avant-garde developments from the provinces and a range of transnational, mainly transatlantic, influences.
Who's better? Billie Holiday or P. J. Harvey? Blur or Oasis? Dylan or Keats? And how many friendships have ridden on the answer? Such questions aren't merely the stuff of fanzines and idle talk; they inform our most passionate arguments, distill our most deeply held values, make meaning of our ever-changing culture. In Performing Rites, one of the most influential writers on popular music asks what we talk about when we talk about music. What's good, what's bad? What's high, what's low? Why do such distinctions matter? Instead of dismissing emotional response and personal taste as inaccessible to the academic critic, Simon Frith takes these forms of engagement as his subject--and discloses their place at the very center of the aesthetics that structure our culture and color our lives. Taking up hundreds of songs and writers, Frith insists on acts of evaluation of popular music as music. Ranging through and beyond the twentieth century, Performing Rites puts the Pet Shop Boys and Puccini, rhythm and lyric, voice and technology, into a dialogue about the undeniable impact of popular aesthetics on our lives. How we nod our heads or tap our feet, grin or grimace or flip the dial; how we determine what's sublime and what's "for real"--these are part of the way we construct our social identities, and an essential response to the performance of all music. Frith argues that listening itself is a performance, both social gesture and bodily response. From how they are made to how they are received, popular songs appear here as not only meriting aesthetic judgments but also demanding them, and shaping our understanding of what all music means.
Updates to this edition: * Clinical and legal issues in the use of clozapine in treatment of schizophrenia* Clinical information and new cases involving tardive dyskinesia* Changes in civil and criminal law regarding right to refuse treatment* An update of clinical guidelines and legal regulations of ECT* An update on suicide risk assessment and new legal cases involving suicide* An update on violence risk assessment and new legal cases involving the duty to protect endangered third parties* New statutes and criminal sanctions regarding sexual misconduct * New statutes limiting the liability of therapists toward third parties who are injured or killed by patients* Changes in the relationship between psychiatrists and nonmedical therapists* Regulatory developments regarding physician impairment* Numerous tables and an updated glossary of legal terms* New section on common terms and abbreviations in legal citations
The experience of 'hearing voices', once associated with lofty prophetic communications, has fallen low. Today, the experience is typically portrayed as an unambiguous harbinger of madness caused by a broken brain, an unbalanced mind, biology gone wild. Yet an alternative account, forged predominantly by people who hear voices themselves, argues that hearing voices is an understandable response to traumatic life-events. There is an urgent need to overcome the tensions between these two ways of understanding 'voice hearing'. Simon McCarthy-Jones considers neuroscience, genetics, religion, history, politics and not least the experiences of many voice hearers themselves. This enables him to challenge established and seemingly contradictory understandings and to create a joined-up explanation of voice hearing that is based on evidence rather than ideology.
We live in a pop age gone loco for retro and crazy for commemoration. But what happens when we run out of past? Are we heading toward a sort of cultural-ecological catastrophe, where the archival stream of pop history has been exhausted? Simon Reynolds argues that we have indeed reached a tipping point.
Hilarious, heart-wrenching and packed with British music history.' - COLDPLAY A Virgin Radio Book of the Year It's a life-and-near-death story. But whose life? And whose near-death? As a one-time NME journalist, former Xfm radio presenter, toilet-circuit promoter and the founder of enduring homespun British record label Fierce Panda, Simon Williams has been at the cutting, cutting, cutting edge of all things 'indie' for over thirty years. During his tenure as managing director of Fierce Panda (a role he holds to this day), Simon was responsible for tripping over bands such as Coldplay, Keane, Placebo and countless other acts of independent hue - some of whom have gone on to achieve earth-shattering musical superstardom, while others have merely baffled the crowd at the Bull & Gate in north London on a wet Wednesday evening. Unfiltered and unflinching, Pandamonium! is the story of Simon's time at the indie coalface, filled with insider anecdotes to entertain music enthusiasts everywhere - from the origins of a bootlegged Oasis release to Chris Martin's delight at reaching number ninety-two in the charts. But it is also the story of how Simon tried to bring a premature end to proceedings, documenting in blunt, matter-of-fact detail his longstanding mental-health struggles. Yet, despite his raw and often poignant honesty, Simon writes with the warmth, wit, self-deprecation and wide-eyed good fortune of someone who has stared into the abyss and survived, bounding down a few indie rabbit holes along the way.
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