A devilishly fascinating tour of the Faustian bargain through the ages, from brimstone to blues and beyond ... From ancient times to the modern world, the idea of the Faustian bargain—the exchange of one's soul in return for untold riches and power—has exerted a magnetic pull upon our collective imaginations. Scholar Ed Simon takes us on a historical tour of the Faustian bargain, from the Bible to blues, and illustrates how the impulse fto sacrifice our principles in exchange for power is present in all kinds of social ills, from colonialism to nuclear warfare, from social media to climate change to AI, and beyond. In doing so, Simon conveys just how much the Faustian bargain shows us about power and evil ... and ourselves.
Teeth are among the best sources of evidence for both identification purposes and studies of demography, biological relationships, and health in ancient human communities. The anthropologist's specimen may be a cast that a dentist has taken from a living mouth, or actual teeth from an archaeological site or forensic case. This text introduces the complex biology of teeth and provides a practical guide to all essential aspects of dental anthropology, including excavation, identification, microscopic study, and tooth age determination. Dental Anthropology is a concise yet comprehensive resource designed for students and researchers in anthropology and archaeology.
Symington Smythe, a would-be thespian, and William Shakespeare meet in a tavern on the road to London and become traveling companions. Once in London, they debut as amateur detectives on a case of matrimony, mayhem, and possible murder.
Described by one contemporary as the 'sweet singer of The Temple', George Herbert has long been recognised as a lover of music. Nevertheless, Herbert's own participation in seventeenth-century musical culture has yet to be examined in detail. This is the first extended critical study to situate Herbert's roles as priest, poet and musician in the context of the musico-poetic activities of members of his extended family, from the song culture surrounding William Herbert and Mary Sidney to the philosophy of his eldest brother Edward Herbert of Cherbury. It examines the secular visual music of the Stuart court masque as well as the sacred songs of the church. Arguing that Herbert's reading of Augustine helped to shape his musical thought, it explores the tension between the abstract ideal of music and its practical performance to articulate the distinctive theological insights Herbert derived from the musical culture of his time.
William Shakespeare lived in violent times; his death passed without comment. By the time he was adopted as the national poet of England the details of his life had been concealed. He had become an invisible man, the humble Warwickshire lad who entertained royalty and then faded into obscurity. But his story has been carefully manipulated. In reality, he was a dissident whose works were highly critical of the regimes of Elizabeth I and James I. Who Killed William Shakespeare? examines the means, motive and the opportunity that led to his murder, and explains why Will Shakespeare had to be 'stopped'. From forensic analysis of his death mask to the hunt for his missing skull, the circumstances of Shakespeare's death are reconstructed and his life reconsidered in the light of fresh discoveries. What emerges is a portrait of a genius who spoke his mind and was silenced by his greatest literary rival.
Four bestselling fantasy authors present a collection of novellas about dark nights, cruel cities, and paranormal P.I.s—featuring Harry Dresden, John Taylor, Harper Blaine, and Remy Chandler. #1 New York Times bestselling author Jim Butcher delivers a story in which Harry Dresden—Chicago's only professional wizard—tries to protect a friend from danger and ends up becoming a target himself... John Taylor is the best PI in the secret heart of London known as The Nightside. He can find anything. But locating the lost memory of a desperate woman may be his undoing in a thrilling noir tale from New York Times bestselling author Simon R. Green... National bestselling author Kat Richardson’s Greywalker finds herself in too deep when a job in Mexico goes awry, and Harper Blaine is enmeshed in a tangle of dark family secrets and revenge from beyond the grave... An ancient being that lived among humanity for centuries is dead, and fallen angel-turned-Boston detective Remy Chandler has been hired to find out who—or what—murdered him in a whodunit by national bestselling author Thomas E. Sniegoski...
New York Times bestselling author Simon R. Green’s Deathstalker series continues in this “incredible romp through a wonderful universe of space opera, filled with outrageous and incredibly powerful heroes and villains, swords and disruptors and more lethal creatures than you can imagine” (SF Site). Owen Deathstalker’s greatest love—Hazel d’Ark—has been abducted by the Blood Runners, a culture dedicated to the extremes of genetic scientific experimentation. Stranded in a mission on Lachrymae Christi, Owen busies himself with the task of ensuring the survival of the leper colony living there, awaiting an opportunity to rescue Hazel...or avenge her death. Meanwhile, the Empire remains in the chaos of a continuing war. Threatened by various enemies, Humanity once again turns to Owen to lead them, unaware that he has lost the powerful abilities granted to him in the Madness Maze. Even if he hadn’t, Owen can no longer sacrifice his life for the Empire. And with Hazel’s life in the balance, the choice is an easy one...or is it?
Will Shakespeare, Symington "Tuck" Smythe, and their band of thespian associates are contracted to provide entertainment at a rural estate as part of a large wedding pageant. When the headstrong bride turns up dead, and overheard conversations contain conspiratorial plots against the families involved, Will and Tuck must once again pull double duty as thespians and sleuths to solve the case of The Slaying of the Shrew.
There's trouble brewing in the woods of Beauville, and the only witness isn't talking. When Pru Marlowe is called to a forest clearing to help with an illegally trapped bear, she finds a colleague passed out drunk, his pet ferret locked in his truck. When one of her old running buddies turns up dead as well and then the town's pampered pets begin to disappear, Pru can't tell if her heavy-drinking colleague is involved—or how much the ferret, a wise little creature called Frank, knows. Frank's not communicating—even to her—and for once the bad-girl animal psychic is at a loss. The offer of a job—and maybe something more—from a hunky warden only complicates Pru's life as she goes on her rounds between her small Berkshires hometown and the woods that lie beyond. And although her crotchety tabby, Wallis, would have her make some changes in what has become a familiar routine, Pru knows her special skills set her apart as the only one who can shed light on these crimes—and save the animals at risk. But as the mysteries pile up, Pru is forced to admit that even a city-hardened animal communicator can't understand everything that's going on, and that a small town may be as dangerous as the darkest woods when a predator is on the prowl. Pru Marlowe Pet Noir: Dogs Don't Lie (Book 1) Cats Can't Shoot (Book 2) Parrots Prove Deadly (Book 3) Panthers Play for Keeps (Book 4) Kittens Can Kill (Book 5) When Bunnies Go Bad (Book 6) Fear on Four Paws (Book 7) Praise for Pru Marlowe Pet Noir: "Watch this series closely. It could well sprint to the top of the animal-cozy genre." —Booklist STARRED review for Dogs Don't Lie "Clever, original and completely captivating!" —Hank Phillippi Ryan, award-winning author for Parrots Prove Deadly "Clea Simon does an excellent job of mixing humor, romance, and mystery into one coherent and exciting tale." —San Francisco Review of Books for When Bunnies Go Bad
Get the lowdown on the best fiction ever written. Over 230 of the world's greatest novels are covered, from Quixote (1614) to Orhan Pamuk's Snow (2002), with fascinating information about their plots and their authors - and suggestions for what to read next. The guide comes complete with recommendations of the best editions and translations for every genre from the most enticing crime and punishment to love, sex, heroes and anti-heroes, not to mention all the classics of comedy and satire, horror and mystery and many other literary genres. With feature boxes on experimental novels, female novelists, short reviews of interesting film and TV adaptations, and information on how the novel began, this guide will point you to all the classic literature you'll ever need.
This book is a sociological study of a societal grouping that has the popular title ’middle class’. It argues that it is more precise to describe the middle classes as dominant groupings, and the book draws upon a wide range of characters from such groupings. In a detailed analysis of cultural practices, those making an appearance include omnivores, carnivores, herbivores, the middle-brow, traditional culture vultures, middle class plunderers, the urban arts eclectic and the English gentleman. There is a particular focus on those expressing the ’silver disposition’; predominantly affluent, middle-aged and white, with a taste for conspicuous consumption and established cultural forms. The book brings together a range of disparate sources on the middle classes and offers a sustained engagement with the concept of ’culture’. It illustrates the extent to which social groups utilize the various assets at their disposal and seek to maintain the legitimacy of their cultural practices. The findings emphasise the continuing link between class and taste. Culture and the Middle Classes will be of interest to those working in the fields of class and culture across a range of disciplines, including sociology, cultural studies, social theory, media studies and cultural anthropology.
Printed in Utopia examines the bloody era of the Renaissance in all of its contradictions and moments of utopian possibility. From the dissenting religious anarchists of the 17th century, to the feminist verse of Amelia Lanyer and Richard Barnfield's poetics of gay rights. From an analysis of the rhetoric of feces in Martin Luther, to the spiritual liberation of Anna Trapnell. What is presented is the radical Renaissance too often hidden away, an age which birthed our modern world in all of its ugliness, but which still holds the latent seeds for a new and better future world.
A compendium celebrating the art of hell and its minions Pandemonium: The Illustrated History of Demonology presents—for the first time—Satan’s family tree, providing a history and analysis of his fellow fallen angels from Asmodeus to Ziminiar. Throughout the book, there are short entries on individual demons, but Pandemonium is more than just a visual encyclopedia. It also focuses on the influence of figures like Beelzebub, Azazel, Lilith, and Moloch on Western religion, literature, and art. Ranging from the earliest scriptural references to demons through the contemporary era, when the devils took on a subtler form, Pandemonium functions as a compendium of Lucifer’s subjects, from Dante’s The Divine Comedy to John Milton’s Paradise Lost, and all the points in between. Containing rarely seen illustrations of very old treatises on demonology, as well as more well-known works by the great masters of Western painting, this book celebrates the art of hell like never before.
Designed for both the photography enthusiast and weekend warrior, this daily reader offers a broad look at life through the camera lens. From brief biographies of world-renowned photographers to techniques in fashion photography and trends, there is something for every reader inside. Packed full of inspiring images and stimulating information, this book is a staple for everyone who loves to point and click. Ten categories of discussion rotate throughout the year: History of Photography, Famous Photographers, Photography 101, Fashion & Beauty, Photojournalism, Nature, Portraits, Social Commentary, Innovations, and Photographic Oddities.
Parody is part of all our lives. It occurs not only in literature, but also in everyday speech, in theatre and television, architecture and films. Drawing on examples from Aristophanes to The Simpsons, Simon Dentith explores: * the place of parody in the history of literature * parody as a subversive or conservative mode of writing * parody's pivotal role in debates about postmodernism * parody in the culture wars from ancient times to the present This lively introduction situates parody at the heart of literary and cultural studies and offers a remarkably clear guide to this sometimes complex topic. Parody will serve as an essential resource, to be read and re-read by students of all levels.
It has been decades since Michel Foucault urged us to rethink "the repressive hypothesis" and see new forms of sexual discourse as coming into being in the nineteenth century, yet the term "Victorian" still has largely negative connotations. LGBT Victorians argues for re-visiting the period's thinking about gender and sexual identity at a time when our queer alliances are fraying. We think of those whose primary self-definition is in terms of sexuality (lesbians, gay men, bisexuals) and those for whom it is gender identity (intersex and transgender people, genderqueers) as simultaneously in coalition and distinct from each other, on the assumption that gender and sexuality are independent aspects of self-identification. Re-examining how the Victorians considered such identity categories to have produced and shaped each other can ground a more durable basis for strengthening our present LGBTQ+ coalition. LGBT Victorians draws on scholarship reconsidering the significance of sexology and efforts to retrospectively discover transgender people in historical archives, particularly in the gap between what the nineteenth century termed the sodomite and the hermaphrodite. It highlights a broad range of individuals (including Anne Lister, and the defendants in the "Fanny and Stella" trial of the 1870s), key thinkers and activists (including Karl-Heinrich Ulrichs and Edward Carpenter), and writers such as Walt Whitman and John Addington Symonds to map the complicated landscape of gender and sexuality in the Victorian period. In the process, it decenters Oscar Wilde and his imprisonment from our historical understanding of sexual and gender nonconformity.
Crime fiction is a popular target for literary pastiche in France. From the nouveau roman and the Oulipo group to the current avant-garde, writers have seized on the genre to exploit it for their own ends, toying with its traditional plots and characters, and exploring its preoccupations with perception, reason and truth. In the first full-length study of the phenomenon, Simon Kemp's investigation centres on four major writers of the twentieth century, Alain Robbe-Grillet (b. 1922), Michel Butor (b. 1926), Georges Perec (193682) and Jean Echenoz (b. 1947). Out of their varied encounters with the genre, from deconstruction of the classic detective story to homage to the roman noir, Kemp elucidates the complex relationship between the pasticheur and his target, which demands an entirely new assessment of pastiche as a literary form.
This book is a sociological study of a societal grouping that has the popular title ‘middle class’. It argues that it is more precise to describe the middle classes as dominant groupings, and the book draws upon a wide range of characters from such groupings. In a detailed analysis of cultural practices, those making an appearance include omnivores, carnivores, herbivores, the middle-brow, traditional culture vultures, middle class plunderers, the urban arts eclectic and the English gentleman. There is a particular focus on those expressing the ‘silver disposition’; predominantly affluent, middle-aged and white, with a taste for conspicuous consumption and established cultural forms. The book brings together a range of disparate sources on the middle classes and offers a sustained engagement with the concept of ‘culture’. It illustrates the extent to which social groups utilize the various assets at their disposal and seek to maintain the legitimacy of their cultural practices. The findings emphasise the continuing link between class and taste. Culture and the Middle Classes will be of interest to those working in the fields of class and culture across a range of disciplines, including sociology, cultural studies, social theory, media studies and cultural anthropology.
Simon Russell Beale is one of Britain's most recognisable and well-loved actors. He has played many roles on stage, film, television and radio - ranging from Winston Churchill to Stalin, George Smiley to King Arthur. But ever since his appearance at school as a glamorous Desdemona, complete with false eyelashes that rendered him half-blind, he has been captivated by Shakespeare. In A Piece of Work, Russell Beale tries to get under the skin of the playwright and find out what interested him. Was Shakespeare an instinctive 'conservative' or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet in order to accommodate his ageing and increasingly chubby principal actor, Richard Burbage? Did he suffer from insomnia and experience sexual jealousy? Russell Beale describes what it is to approach and live with some of Shakespeare's most famous characters. Some of the actor's inspiration comes from surprising sources. Watching Coronation Street gave him an idea for how Richard III might react on hearing of the death of the two Princes in the Tower; a visit to elderly patients in a local hospital gave him insights into King Lear's descent into madness; and the memory of childhood family holidays led him to a spectacular plunge into an ornamental pool in Much Ado About Nothing. Funny and touching about his family, Russell Beale also writes fascinatingly about some of the supremely creative people he counts as his friends - including Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall. A Piece of Work is a brilliant account of an actor's life and work - and his relationship with our foremost dramatist.
This original study explores a vital aspect of early modern cultural history: the way that warfare is represented in the theatre of Shakespeare and his contemporaries. The book contrasts the Tudor and Stuart prose that called for the establishment of a standing army in the name of nation, discipline and subjectivity, and the drama of the period that invited critique of this imperative. Barker examines contemporary dramatic texts both for their radical position on war and, in the case of the later drama, for their subversive commentary on an emerging idealisation of Shakespeare and his work.The book argues that the early modern period saw the establishment of political, social and theological attitudes to war that were to become accepted as natural in succeeding centuries. Barker's reading of the drama of the period reveals the discontinuities in this project as a way of commenting on the use of the past within modern warfare. The book is also a survey and analysis of literary theory over the last tw
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
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