This book presents and describes an innovative method to simulate the growth of natural fractural networks in different geological environments, based on their geological history and fundamental geomechanical principles. The book develops techniques to simulate the growth and interaction of large populations of layer-bound fracture directly, based on linear elastic fracture mechanics and subcritical propagation theory. It demonstrates how to use these techniques to model the nucleation, propagation and interaction of layer-bound fractures in different orientations around large scale geological structures, based on the geological history of the structures. It also explains how to use these techniques to build more accurate discrete fracture network (DFN) models at a reasonable computational cost. These models can explain many of the properties of natural fracture networks observed in outcrops, using actual outcrop examples. Finally, the book demonstrates how it can be incorporated into flow modelling workflows using subsurface examples from the hydrocarbon and geothermal industries. Modelling the Evolution of Natural Fracture Networks will be of interest to anyone curious about understanding and predicting the evolution of complex natural fracture networks across large geological structures. It will be helpful to those modelling fluid flow through fractures, or the geomechanical impact of fracture networks, in the hydrocarbon, geothermal, CO2 sequestration, groundwater and engineering industries.
Celebrities, heroes and champions explores the role of the popular politician in British and Irish society from the Napoleonic Wars to the Second Reform Act of 1867. Covering movements for parliamentary reform up to and including Chartism, Catholic Emancipation, transatlantic Anti-Slavery and the Anti-Corn Law League, as well as the receptions of international celebrities such as Lajos Kossuth and Giuseppe Garibaldi, it offers a unique perspective on the connections between politics and historical cultures of fame and celebrity. This book will interest students and scholars of Britain, Ireland, continental Europe and North America in the nineteenth century, as well as general readers with an interest in the history of popular politics. Its exploration of the relationship between politics and celebrity, and the methods through which public reputations have been promoted and manipulated for political ends, have clear contemporary relevance.
Combining historical study, theorization, and experimental fiction, this book takes commodity culture and book retail around 1900 as the prime example of a market of symbolic goods. With the port of Southampton, England, as his case study, Simon R. Frost reveals how the city's bookshops, with their combinations of libraries, haberdashery, stationery, and books, sustained and were sustained by the dreams of ordinary readers, and how together they created the values powering this market. The goods in this market were symbolic and were not "consumed" but read. Their readings were created between other readers and texts, in happy disobedience to the neoliberal laws of the free market. Today such reader-created social markets comprise much of the world's branded economies, which is why Frost calls for a new understanding of both literary and market values.
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
Tombs are sealed shut for a reason. Opening them can have terrifying consequences . . . John Tolworth is delighted when he is hired to help investigate a collection of mummified bodies found in the notorious Gold Tomb in Egypt. Not only is he intrigued by the work, but the collection is stored in an ancient castle in Devon, where John spent his childhood. He looks forward to revisiting the area, and to showing his family the place he grew up. But when John and his family arrive at Baverstock Castle, John starts to remember things. Things he had forgotten. What happened the last time he was there? And why is Philip Kemmis, the former owner of the castle, and John’s childhood companion, now a raving madman? As the mummified bodies begin to reveal their ancient secrets, John begins to think the unthinkable . . .
Peppered with bouncers, expletives, and even the odd diplomatic incident, this is a rip-roaring journey through over a century of Ashes history. For a list of every Ashes century and five-wicket haul, try Wisden, but if you want to know which England batsman was a martyr to syphilis and which Australian fast bowler reckoned the Queen had 'nice legs for an old Sheila', then read on... Stiff Upper Lips and Baggy Green Caps exposes the seamy side of Ashes cricket. It gives the inside story behind controversies from the Bodyline series of 1932-33 and the Lillee and Thomson blitzkrieg of 1974-75, right up to the unseemly modern spats that ensure that this biannual frenzy of backbiting, finger-pointing and dubious facial hair remains one of the great events of the sporting calendar.
An anthology of writings spanning Simon Reynolds's extraordinary career as a music writer, Bring the Noise weaves together interviews, reviews, essays, and features to create a critical history of the last twenty years of pop culture. Bring the Noise juxtaposes the voices of many of rock and rap's most provocative artists - Morrissey, Public Enemy, Beastie Boys, The Stone Roses, PJ Harvey, Radiohead, The Streets - with Reynolds's own passionate analysis. With all the energy and insight you would expect from the author of Rip It Up And Start Again, Bring the Noise tracks the alternately fraught and fertile relationship between white bohemia and black street music. The selections transmit the immediacy of their moment while offering a running commentary on the broader enduring questions of race and resistance, multiculturalism and division. From grunge to grime, from Madchester to the Dirty South, Bring the Noise chronicles hip hop and alternative rock's competing claims to be the cutting edge of innovation and the voice of opposition in an era of conservative backlash. Alert to both the vivid detail and the big picture, Simon Reynolds has shaped a compelling narrative that cuts across a thrillingly turbulent two-decade period of pop music.
The New York Times bestselling author of Just My Type and On the Map offers an ode to letter writing and its possible salvation in the digital age. Few things are as exciting—and potentially life-changing—as discovering an old letter. And while etiquette books still extol the practice, letter writing seems to be disappearing amid a flurry of e-mails, texting, and tweeting. The recent decline in letter writing marks a cultural shift so vast that in the future historians may divide time not between BC and AD but between the eras when people wrote letters and when they did not. So New York Times bestselling author Simon Garfield asks: Can anything be done to revive a practice that has dictated and tracked the progress of civilization for more than five hundred years? In To the Letter, Garfield traces the fascinating history of letter writing from the love letter and the business letter to the chain letter and the letter of recommendation. He provides a tender critique of early letter-writing manuals and analyzes celebrated correspondence from Erasmus to Princess Diana. He also considers the role that letters have played as a literary device from Shakespeare to the epistolary novel, all the rage in the eighteenth century and alive and well today with bestsellers like The Guernsey Literary and Potato Peel Pie Society. At a time when the decline of letter writing appears to be irreversible, Garfield is the perfect candidate to inspire bibliophiles to put pen to paper and create “a form of expression, emotion, and tactile delight we may clasp to our heart.”
Why has the integration of women into Congress been so slow? Is there a "political glass ceiling" for women? Although women use the same strategic calculations as men to decide when to run, the decision regarding where to run is something else. While redistricting has increasingly protected incumbents, it also has the unintended consequence of shaping the opportunities for female candidates. The political geography and socio-economic profile of districts that elect women differ substantially from districts that elect men. With data on over 10,000 elections and 30,000 candidates from 1916 to the present, Palmer and Simon explore how strategy and the power of incumbency affect women’s decisions to run for office. Breaking the Political Glass Ceiling is the most comprehensive analysis of women in congressional elections available. The Second Edition is fully updated to reflect the pivotal 2006 mid-term elections, including Nancy Pelosi’s rise to Speaker of the House, Hillary Clinton’s bid for the presidency, and a record number of women serving as committee chairs. Additionally, the authors have created a website, found at politicsandwomen.com, to highlight key features of the book and provide updates throughout the election cycle.
This groundbreaking survey explains why war remains predominant in today's world by showing how the spread of nationalism and capitalism has brought about modern warfare. It argues that the key explanation for modern conflict, which is characterized by violent conflicts between nation-states, civil war, and wars over resources, rests in the dialectical relationship between nation-states and capitalist modes of production, where nations have finite boundaries that capitalism seek to transcend in search of increased profits. Discussing issues such as globalization, global capitalism, North and Latin American continental policies, the nature of democracy, decolonization, and technology and military industrial complexes, this unique work challenges common approaches to international relations and peace studies. This innovative, accessible work provides new insights into the causes and nature of modern war that will appeal to any student concerned with peace and violent conflict within the various fields of international relations, political economy, peace studies, and more.
BRUTAL NORTH is the first photographic exploration of modernist and Brutalist architecture across the North of England. During the post-war years the North of England saw the building of some of the most aspirational, enlightened and successful modernist architecture in the world. For the first time, a single photographic book captures those buildings, in all their power and progressive ambition. Over the last few years acclaimed photographer Simon Phipps has travelled and sought out the publicly commissioned architecture of the post-war North. From Newcastle's Byker Wall Estate, voted the best neighbourhood in the UK, to the extraordinary Park Hill Estate in Sheffield, from Preston's sweeping bus station and Liverpool's Royal Insurance Building, these structures have seen off threats to their survival and are rightly celebrated for the imprint they leave upon the skyline and the cultural life of their cities. This inspiring invitation to explore northern modernism includes maps and detailed information about all the architecture photographed. 'Captures the most aspirational and enlightened architecture of the north's postwar years.' Guardian Please note this is a fixed-format ebook with some colour pages and may not be well-suited for older e-readers.
To date, there has been a significant gap in work on the social history of music in Britain from 1950 to the present day. The three volumes of Live Music in Britain address this gap and do so through a unique prism—that of live music. The key theme of the books is the changing nature of the live music industry in the UK, focused upon popular music but including all musical genres. Via this focus, the books offer new insights into a number of other areas, including the relationship between commercial and public funding of music, changing musical fashions and tastes, the impact of changing technologies, the changing balance of power within the music industries, the role of the state in regulating and promoting various musical activities within an increasingly globalised music economy, and the effects of demographic and other social changes on music culture. Drawing on new archival research, a wide range of academic and non-academic secondary sources, participant observation and a series of interviews with key personnel, the books have the potential to become landmark works within Popular Music Studies and broader cultural history. The second volume covers the period from Hyde Park to the Hacienda (1968–84).
The late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and an influential contributor to such world music magazines as fRoots and Songlines. This book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. Fairley’s work was focused on the problems and possibilities of cross-cultural musical influences, fantasies and flows and on the importance of performing circuits and networks. Her interest in the details of music-making and in the lives of music-makers means that this collection is also an original and illuminating study of music and politics. In drawing on Jan Fairley’s journalism, this volume also offers students a guide to various genres of world music, from Cuban son to flamenco, as well as an insight into the lives of such world music stars as Mercedes Sosa and Silvio Rodríguez. This is inspiring as well as essential reading.
The Royal Entomological Society was founded in 1833 and is one of the oldest such societies in the world. Its records are an invaluable source for historians of entomology and the natural sciences both in Great Britain and overseas. This guide is principally a catalogue of the records of the society from the time of its foundation, but also covers the records of some earlier societies and collections of papers by individual entomologists. The book is introduced with essays by Brian Gardiner on the history of the Royal Entomological Society and on the development of British entomology, and by Simon Fenwick on the archives and their potential for historians.
Richard Cobden (1804-65) rose from humble beginnings to become the leading advocate of nineteenth-century free-trade and liberalism. As a fierce opponent of the Corn Laws and promoter of international trade he rapidly became an influential figure on the national stage, whose name became a byword for political and economic reform. Yet despite the familiarity with which contemporaries and historians refer to 'Cobdenism' his ideals and beliefs are not always easy to identify and classify in a coherent way. Indeed, as this volume makes clear, the variety, diversity and malleability of the 'Cobdenite project' attest to the lack of a strict dogma and highlight Cobden's underlying pragmatism. Divided into five sections, this collection of essays offers a timely reassessment of Cobden's career, its impact and legacy in the two hundred years since his birth. Beginning with an investigation into the intellectual and cultural background to his emergence as a national political figure, the volume then looks at Cobden's impact on the making of Victorian liberal politics. The third section examines Cobden's wider influence in Europe, particularly the impact of his tour of 1846-47 which was in many ways a defining moment not only in the making of Cobden's liberalism but in the making of liberal Europe. Section four broadens the theme of Cobden's contemporary impact, including his contribution to the debate on peace, internationalism and the American Civil War; whilst the final section opens up the theme of Cobden's contested legacy, the variety of interpretations of Cobden's ideas and their influence on late nineteenth- and twentieth-century politics. Offering a broad yet coherent investigation of the 'Cobdenite project' by leading international scholars, this volume provides a fascinating insight into one of the nineteenth century's most important figures whose ideas still resonate today.
In the Nightside—that hidden area in the middle of London where time stands still at three A.M. and the sun won’t rise to refute it—nightmares go walking in borrowed flesh, and not everything that looks back at you with human eyes is really human. I’m John Taylor, a PI with a knack for finding things, helping those the Nightside has chewed up and is about to spit out. All things considered, my life lately had been bright, even in this shadowy place. So it was only a matter of time before everything hit the fan. Walker—the powerful, ever-present, never-to-be-trusted agent who runs the Nightside on behalf of the Authorities—paid me a visit. He told me he is dying and that he, too, has a job for me. An important job. His.
Ecstasy did for house music what LSD did for psychedelic rock. Now, in Energy Flash, journalist Simon Reynolds offers a revved-up and passionate inside chronicle of how MDMA (“ecstasy”) and MIDI (the basis for electronica) together spawned the unique rave culture of the 1990s. England, Germany, and Holland began tinkering with imported Detroit techno and Chicago house music in the late 1980s, and when ecstasy was added to the mix in British clubs, a new music subculture was born. A longtime writer on the music beat, Reynolds started watching—and partaking in—the rave scene early on, observing firsthand ecstasy’s sense-heightening and serotonin-surging effects on the music and the scene. In telling the story, Reynolds goes way beyond straight music history, mixing social history, interviews with participants and scene-makers, and his own analysis of the sounds with the names of key places, tracks, groups, scenes, and artists. He delves deep into the panoply of rave-worthy drugs and proper rave attitude and etiquette, exposing a nuanced musical phenomenon. Read on, and learn why is nitrous oxide is called “hippy crack.”
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