Presents inspirational and modern French cuisine for the home, in a way that is easy to cook but doesn't compromise on flavour. Shannon Bennett is the proprietor of the multiple award-winning Vue de Monde restaurant in Melbourne, Victoria.
The greatest enterprise of its kind in history,' was the verdict of British prime minister Stanley Baldwin in June 1928 when The Oxford English Dictionary was finally published. With its 15,490 pages and nearly two million quotations, it was indeed a monumental achievement, gleaned from the efforts of hundreds of ordinary and extraordinary people who made it their mission to catalogue the English language in its entirety. In The Meaning of Everything, Simon Winchester celebrates this remarkable feat, and the fascinating characters who played such a vital part in its execution, from the colourful Frederick Furnivall, cheerful promoter of an all-female sculling crew, to James Murray, self-educated son of a draper, who spent half a century guiding the project towards fruition. Along the way we learn which dictionary editor became the inspiration for Kenneth Grahame's Ratty in The Wind in the Willows, and why Tolkien found it so hard to define 'walrus'. Written by the bestselling author of The Surgeon of Crowthorne and The Map That Changed the World, The Meaning of Everything is an enthralling account of the creation of the world's greatest dictionary.
The stories of those who lived in the shadow of the workhouse'??During the nineteenth century the workhouse cast a shadow over the lives of the poor. The destitute and the desperate sought refuge within its forbidding walls. And it was an ever-present threat if poor families failed to look after themselves properly. As a result a grim mythology has grown up about the horrors of the 'house' and the mistreatment meted out to the innocent pauper. ??In this fully-updated and revised edition of his bestselling book, Simon Fowler takes a fresh look at the workhouse and the people who sought help from it. He looks at how the system of the Poor Law _ of which the workhouse was a key part _ was organised and the men and women who ran the workhouses or were employed to care for the inmates.??But above all this is the moving story of the tens of thousands of children, men, women and the elderly who were forced to endure grim conditions to survive in an unfeeling world.??'A poignant account ... draws powerfully on letters from The National Archives ... [Simon Fowler] brings out the horror, but it is fair-minded to those struggling to be humane within an inhumane system,' The Independent??'A good introduction,' The Guardian.??The history of workhouses and poverty ('misery history') has recently been prominently covered on TV shows like WDYTYA? and ITV's Secrets from the Workhouse, and referenced in historical dramas like The Village and Ripper Street.
Within the Latin American context, legal pluralism is often depicted as a dichotomy between customary law and national law. In addition, the use of customary law alongside national law is frequently portrayed as a vehicle of resistance. This book argues that, because ordinary Indians are not positively biased in favor of customary law per se, a heterogeneity of legal practices can be observed on a daily basis, which consequently undermines the commonly held view of customary law as a "counter-hegemonic strategy", even if, on other socio-geographical levels, this thinking in terms of resistance holds true. Based on qualitative research, the work analyzes how internal conflicts among indigenous inhabitants of the Ecuadorian highlands are being settled in a situation of formal legal pluralism, and what can be learned from this in terms of Indian-state relationships. It is shown that, on a local level, the phenomenological dimension of legal pluralism can be termed "interlegality." On a macro level, ontological assumptions underscore that legal pluralism is still seen as a dichotomy between customary and national law. Multidisciplinary in nature, the book will be of interest to academics and researchers working in the areas of Legal Pluralism, Cultural Anthropology and Latin American Studies.
First Published in 1996. William and Philip Hayes, father and son, between them occupied the Heather Chair of Music at the University of Oxford for over half a century (1741-97). Although they lived and worked largely outside the mainstream of London's cosmopolitan musical life, their outlook was surprisingly broad. The present study reveals them to have been two of the most important provincial musicians of their age, who as composers contributed to all the main genres of the time except opera.
Command, Control, Communications and Intelligence form the backbone of the Army's operating system. But while much attention has been given in the literature to the other three elements, Communications in the British Army during World War II have been widely ignored. This book rectifies the omission. It shows that failures in front line communications contributed to several of the set backs suffered by the Army but also that ultimate victory was only achieved after a successful communications system was in place. It explains how the outcome of the main campaigns in Europe and North Africa depended on communications, how the system operated and how it evolved from a relatively primitive and inadequately supplied state at Dunkirk to a generally effective system at the time of the Rhine crossings. Problems still occurred however, for example at infantry platoon level and famously with paratrooper communications at Arnhem, often simply due to the shortcomings of existing technology. The book concludes that it is only very recently that advances in technology have allowed those problems to be solved.
The creation of the first Oxford English Dictionary was an extraordinary endeavour, lasting over 70 years. In The Professor and the Madman, Simon Winchester recounted one fascinating episode; in The Meaning of Everything, he tells the whole story of the host of characters who carried out 'the greatest enterprise of its kind in history'.
Simon Joness graphic history of underground warfare during the Great War uses personal reminiscences to convey the danger and suspense of this unconventional form of conflict. He describes how the underground soldiers of the opposing armies engaged in a ruthless fight for supremacy, covers the tunneling methods they employed, and shows the increasingly lethal tactics they developed during the war in which military mining reached its apotheosis. He concentrates on the struggle for ascendancy by the British tunneling companies on the Western Front.But his wide-ranging study also tells the story of the little known but fascinating subterranean battles fought in the French sectors of the Western Front and between the Austrians and the Italians in the Alps which have never been described before in English. Vivid personal testimony is combined with a lucid account of the technical challenges and ever-present perils of tunneling in order to give an all-round insight into the extraordinary experience of this underground war.
This absorbing illustrated study reveals the evolving tactics and techniques used by all sides in the underground war during 1914–18. Covering the Western Front but also the Gallipoli and Italian theatres, this study explores three aspects of World War I below ground: military mining, attack tunnels and dugouts. In 1914–17, the underground war was a product of static trench warfare, essential to survive it and part of both sides' attempts to overcome it. In 1917–18 it was rendered largely obsolete by the development of the all-arms battle as mobility was restored to the battlefield. In the stagnant, troglodyte existence of trench warfare, military mining was a hidden world of heroism and terror in which hours of suspenseful listening were spent monitoring the steady picking of unseen opponents, edging quietly towards the enemy, and judging when to fire a charge. Break-ins to enemy mine galleries resulted in hand-to-hand fighting in the darkness. The ingenuity, claustrophobia and tactical importance of the underground war are discussed and depicted in this fully illustrated study from an acknowledged expert. The artwork plates include depictions of the specialized uniforms, weapons and equipment used underground, as well as vignettes that vividly convey the many aspects of subterranean warfare during World War I.
From the award-winning author and illustrator Simon Barnard comes an embellished version of Australia’s first ever dictionary, published on its 200-year anniversary
This fascinating selection of photographs traces some of the many ways in which Neyland & Llanstadwell District has changed and developed over the last century.
[This book]: provides a concise and accessible history of English; engages with key debates concerning issues of correctness, standards, and dialects; investigates the uses of English worldwide; reflects on the future of the English language..."--Publisher description.
Chekhov's celebrated masterpiece is given vibrant new life in this dynamic new version by Olivier Award-winning playwright Simon Stephens. Switching effortlessly between the ridiculous and the profound, The Seagull forensically examines the transcendence and destructiveness of love. The burning need to create art and how harshly that need can be crushed permeates the play. Simon Stephens' new adaption of The Seagull received its premiere at the Lyric Hammersmith, London on 3 October 2017.
Following the career of one relatively unknown First World War general, Lord Horne, this book adds to the growing literature that challenges long-held assumptions that the First World War was a senseless bloodbath conducted by unimaginative and incompetent generals. Instead it demonstrates that men like Horne developed new tactics and techniques to deal with the novel problems of trench warfare and in so doing seeks to re-establish the image of the British generals and explain the reasons for the failures of 1915-16 and the successes of 1917-18 and how this remarkable change in performance was achieved by a much maligned group of senior officers. Horne's important career and remarkable character sheds light not only on the major battles in which he was involved; the progress of the war; his relationships with his staff and other senior officers; the novel problems of trench warfare; the assimilation of new weapons, tactics and training methods; and the difficulties posed by the German defences, but also on the attitudes and professionalism of a senior British commander serving on the Western Front. Horne's career thus provides a vehicle for studying the performance of the British Army in the first quarter of the Twentieth Century. It also gives an important insight into the attitudes, ethos and professionalism of the officer corps which led that army to victory on the Western Front, exposing not only its flaws but also its many strengths. This study consequently provides a judgment not only on Horne as a personality, innovator and general of great importance but also on his contemporaries who served with the British Armies in South Africa and France during an era which saw a revolution in military affairs giving birth to a Modern Style of Warfare which still prevails to this day.
Simon Glendinning explores both the difficulty and significance of the work of Derrida, arguing that his challenging ideas make a significant contribution to philosophy."--P. [2] of cover.
Until now, research has given us only a limited understanding of how managers actually make sense of and apply management knowledge; how networks of interaction amongst managers help or hinder processes of knowledge diffusion and the sharing of best practice; and how these processes are all influenced both by the organisations in which managers act and by the professional communities of practice they belong to. Managing Modern Healthcare fills these important gaps in our understanding by drawing upon an in-depth study of management networks and practice in three healthcare organisations in the UK. It draws from the primary research a number of important and grounded lessons about how management networks develop and influence the spread of management knowledge and practice; how management training and development relates to the needs of managers facing challenging conditions; and how those conditions are themselves shaping the nature of management in healthcare. This book reveals how managers in practice are responding to the many contemporary challenges facing healthcare (and the NHS in particular) and how they are able or not to effectively exploit sources of knowledge, learning and best practice through the networks of practice they engage in to improve healthcare delivery and healthcare organisational performance. Managing Modern Healthcare makes a number of important theoretical contributions as well as practical recommendations. The theoretical and empirical contributions the book makes relate to wider work on networks and networking, management knowledge, situated learning/communities of practice, professionalization/professional identity and healthcare management more generally. The practical contribution comes in the form of recommendations for healthcare management practitioners and policy makers that are intended to impact upon and help enhance healthcare management delivery and performance.
This book investigates what it is that makes John Clare’s poetic vision so unique, and asks how we use Clare for contemporary ends. It explores much of the criticism that has appeared in response to his life and work, and asks hard questions about the modes and motivations of critics and editors. Clare is increasingly regarded as having been an environmentalist long before the word appeared; this book investigates whether this ‘green’ rush to place him as a radical proto-ecologist does any disservice to his complex positions in relation to social class, work, agriculture, poverty and women. This book attempts to unlock Clare’s own theorisations and practices of what we might now call an ‘ecological consciousness’, and works out how his ‘ecocentric’ mode might relate to that of other Romantic poets. Finally, this book asks how we might treat Clare as our contemporary while still being attentive to the peculiarities of his unique historical circumstances.
Ranging from stark psychological suspense to frothy frolic, this stunning collection of twelve short stories demonstrates Simon Brett's astonishing versatility. In TICKLED TO DEATH, a lover of practical jokes is smothered to death in a custard pie. DOUBLE GLAZING reveals the patient and perverse logic of an elderly Do-It-Yourselfer. And in BIG BOY, LITTLE BOY, a former hotel porter plots the murder of a very rich wife - with shocking results.
The English were punished in many different ways in the five centuries after 1500. This collection stretches from whipping to the gallows, and from the first houses of correction to penitentiaries. Punishment provides a striking way to examine the development of culture and society through time. These studies of penal practice explore violence, cruelty and shame, while offering challenging new perspectives on the timing of the decline of public punishment, the rise of imprisonment and reforms of the capital code.
The use of high male voices in the past has long been one of the most seriously misunderstood areas of musical scholarship and practice. In opening up this rich subject (to readers of all sorts) with refreshingly clear perspectives and plenty of new material, Simon Ravens' well-researched book goes a very long way to rectifying matters. Ravens writes damnably well, and if the story that emerges is necessarily a complex one, his treatment of it is always engagingly comprehensible.' ANDREW PARROTT Tracing the origins, influences and development of falsetto singing in Western music, Simon Ravens offers a revisionist history of high male singing from the Ancient Greeks to Michael Jackson. This history embraces not just singers of counter-tenor and alto parts up to and including our own time but the castrati of the Ancient world, the male sopranists of late Medieval and Renaissance Europe, and the dual-register tenors of the Baroque and Classical periods. Musical aesthetics aside, to understand the changing ways men have sung high, it is also vital to address extra-musical factors - which are themselves in a state of flux. To this end, Ravens illuminates his chronological survey by exploring topics as diverse as human physiology, the stereotyping of national characters, gender identity, and the changing of boys' voices. The result is a complex and fascinating history sure to appeal not only to music scholars but to performers and all those with an interest particularly in early music. Simon Ravens is a performer, writer, and director of Musica Contexta, with whom he has performed in Britain and Europe, regularly broadcast, and made numerous acclaimed recordings. Ravens had previously founded and directed Australasia's foremost early music choir, the Tudor Consort. Between 2002 and 2007 his regular monthly column Ravens View appeared in the Early Music Review, to which he still regularly contributes.
Focusing exclusively on examples from the 16th century, the great age of Italian drawing, this stunning volume, published to accompany an early-1994 exhibition at The Metropolitan Museum of Art, includes 124 prized works from The Metropolitan, the Pierpont Morgan Library, the Cooper-Hewitt Museum, and some 20 private collections in New York. The catalogue is organized by school and, within each section, chronologically by artist. Each drawing is illustrated and presented with a discussion that places it in the context of the artist's career and explores the purpose for which it was made. Paper edition (unseen), $35. Annotation copyright by Book News, Inc., Portland, OR
The contribution of successive generations of immigrants is reflected in the variety of places of worship and cultural centres, from chapels to synagogues and mosques, while a century of social housing has produced innovative planning and architecture, now itself of historic interest." "This volume covers the boroughs of Barking and Dagenham, Havering, Newham, Redbridge, Tower Hamlets, and Waltham Forest. For each area there is a detailed gazetteer and historical introduction. A general introduction provides an historical overview. Numerous maps and plans, over one hundred specially taken photographs and full indexes make this volume invaluable as both reference work and guide."--Jacket.
This examination of American novels from 1900 to 1940 traces the literary treatment of the technological sublime, a simultaneous awe and fear of technology. The American technological sublime is a construct that can be useful in understanding the often conflicted and ambivalent reactions of enthusiasm and anxiety, exaltation and depression, associated with the patterns of development experienced in the US in this transitory period. The first four decades of the 20th century saw the culmination of the technological sublime in America: the loss of the innocently one-sided enthusiasm and technological republicanism of the 19th century to a fragmented, often paranoiac, and largely pessimistic vision of technology that became dominant of the literature after World War II. After an evaluation of earlier scholarship on the American technological sublime, the study examines four important decades in the development of the American technological sublime and some of the literary responses to it
Written with style, imagination and insight, and packed with interesting illustrations, this authoritative book traces the development through the ages of plays and playwriting, forms of staging, the acting profession and the role of the actor - in fact all aspects of live entertainment. From satire and burlesque to melodrama and pantomime, this is a major history of British theatre from the earliest times to the present day. Shifting its focus constantly between those who played and those who watched, between officially approved performance and the popular theatre of the people, The Cambridge Illustrated History of British Theatre will be invaluable to anyone interested in theatre, whether student, teacher, performer or spectator.
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