Fully illustrated in color, a fascinating exploration of the one hundred animals that have had the most profound influence on humanity throughout the ages. We are not alone. We are not alone on the planet. We are not alone in the countryside. We are not alone in cities. We are not alone in our homes. We are humans and we love the idea of our uniqueness. But the fact is that we humans are as much members of the animal kingdom as the cats and dogs we surround ourselves with, the cows and the fish we eat, and the bees who pollinate so many of our food-plants. In The History of the World in 100 Animals, award-winning author Simon Barnes selects the one hundred animals who have had the greatest impact on humanity and on whom humanity has had the greatest effect. He shows how we have domesticated animals for food and for transport, and how animals powered agriculture, making civilisation possible. A species of flea came close to destroying human civilisation in Europe, while the slaughter of a species of bovines was used to create one civilisation and destroy another. He explains how pigeons made possible the biggest single breakthrough in the history of human thought. In short, he charts the close relationship between humans and animals, finding examples from around the planet that bring the story of life on earth vividly to life, with great insight and understanding. The heresy of human uniqueness has led us across the millennia along the path of destruction. This book, beautifully illustrated throughout, helps us to understand our place in the world better, so that we might do a better job of looking after it. That might save the polar bears, the modern emblem of impending loss and destruction. It might even save ourselves.
This brand new textbook provides a complete course in forensic psychology, covering the criminal justice system, law and legislation, and treatments and outcomes for offenders. It offers rigorous coverage of the major topics: from theoretical concepts and research methods to explaining criminal acts and patterns of crime. The authors, both from leading institutions and well-known in the field, guide readers through the interlocking systems of criminal justice, mental health and social service provision, providing a deeper critical appreciation of what motivates crime and how criminal behaviour can be understood, assessed and treated. This text will be core reading for upper level undergraduates and postgraduates studying forensic psychology, either as a module on a BSc Psychology degree or on an MSc for trainee Forensic Psychologists. It will also be ideal for early career practitioners.
Drawing together the work of ten leading playwrights - a mixture of established and emerging writers - this National Theatre Connections anthology is published to coincide with the 2014 festival, which takes place across the UK and finishes up at the National Theatre in London. It offers young performers between the ages of thirteen and nineteen everywhere an engaging selection of plays to perform, read or study. Each play is specifically commissioned by the National Theatre's literary department with the young performer in mind. The plays are performed by approximately 200 schools and youth theatre companies across the UK and Ireland, in partnership with multiple professional regional theatres where the works are showcased. As with previous anthologies, the volume will feature an introduction by Anthony Banks, Associate Director of the National Theatre Discover Programme, and each play includes notes from the writer and director addressing the themes and ideas behind the play, as well as production notes and exercises. The National Theatre Connections series has been running for nineteen years and the anthology that accompanies it, published for the last three years by Methuen Drama, is gaining a greater profile by the year. Some iconic plays have grown out of the Connections programme including Citizenship by Mark Ravenhill, Burn by Deborah Gearing, Chatroom by Enda Walsh, Baby Girl by Roy Williams, DNA by Dennis Kelly, and The Miracle by Lin Coghlan. The series has a recognisable brand and the anthologies continue to be an extremely useful resource, their value extending well beyond their year of publication. This year's anthology includes plays by Sabrina Mahfouz, Simon Vinnicombe, Catherine Johnson, Pauline McLynn, Dafydd James, Luke Norris and Sam Holcroft.
This unique Irish law book is a core text for any student of medicine, dentistry, radiography, physiotherapy, psychiatry or nursing, as well as legal practitioners advising clients in this area. Medical Law in Ireland (originally titled: Clinical Practice and the Law) brings together all applicable Irish law in an easy-to-read style and provides clear day-in day-out guidance for clinical practitioners, students and legal practitioners working in Ireland. This new edition sees an added emphasis on those areas of interest to legal practitioners, however there remains a wealth of information for those working in medical fields. Of particular note in this regard are the chapters on Clinical Negligence, Consent to Medical Treatment, End of Life, and Coroners Law and Other Issues arising after Death. These are all given in-depth treatments which provide the necessary information for those in day-to-day practice as well as those with an academic interest. Recent legislative changes are taken into account such as 2015's Montgomery vs Lanarkshire Health Board, as well as cases from the Medical Council. The two chapters on mental health reflect the growing importance need for clarity in this area. Author Simon Mills trained and qualified first as a doctor before moving into law. Now a barrister, he has specialized in medical law and brings both aspects of his experience to his work. His areas of particular interest are in clinical negligence, professional regulatory law, mental capacity and coroners' inquests.
Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
Meet Charles Paris: a washed-up actor with a taste for wine, women . . . and solving crimes! A binge-worthy cozy mystery series from the original king of British cozy crime, internationally best-selling, award-winning author Simon Brett, OBE. For fans of Richard Osman - but with added bite! "Like a little malice in your mysteries? Some cynicism in your cosies? Simon Brett is happy to oblige" THE NEW YORK TIMES "Few crime writers are as enchantingly gifted" THE SUNDAY TIMES "One of British crime's most assured craftsmen . . . Perfect entertainment" THE GUARDIAN "A new Simon Brett is an event for mystery fans" P.D. JAMES "Murder most enjoyable" COLIN DEXTER _______________________ A middle-aged actor - and sometimes sleuth - hired for a corporate video A company, acting suspicious A dreadful accident . . . or is it murder? Giving a whole new meaning to the term CORPORATE BODIES! Charles Paris, the almost perpetually out of work actor, finally has a new job, breaking the dry spell of his unemployment. It's not prime-time television or a major film, but it seems easy enough: he is to play a forklift driver in the Delmoleen company's corporate video. The shoot starts off well - until, that is, the forklift is used to commit a murder! The victim is Dayna Richman, a young secretary, who's found crushed to death by the monstrous machine. Was it just an unfortunate industrial accident? Charles Paris and the Delmoleen company don't seem to think so. In fact, Charles finds himself thrust into the spotlight as the prime suspect . . . Fans of Agatha Christie, The Thursday Murder Club, Anthony Horowitz, Alexander McCall Smith, M.C. Beaton and Faith Martin will love this hilarious cozy traditional mystery series featuring one of the funniest antiheroes in crime fiction. Written over a fifty-year-period, it perfectly captures life and contemporary attitudes in 1970s London - and beyond! READERS ADORE CHARLES PARIS: "Brett's light, clever dialogue makes this Charles's best showing in years" Kirkus Reviews "[One] of the best light-comedy crime series currently in rotation" Booklist "This an entertaining golden oldie from one of my favourites. It has Simon Brett's usual mixture of good plotting, humour and believable characters" Bud, Goodreads 5* review "[A] British cozy at its best" Nathalie, Goodreads 5* review "Excellent!" Silvio, 5* Goodreads review THE CHARLES PARIS MYSTERIES, IN ORDER: 1. Cast in Order of Disappearance 2. So Much Blood 3. Star Trap 4. An Amateur Corpse 5. A Comedian Dies 6. The Dead Side of the Mike 7. Situation Tragedy 8. Murder Unprompted 9. Murder in the Title 10. Not Dead, Only Resting 11. Dead Giveaway 12. What Bloody Man is That 13. A Series of Murders 14. Corporate Bodies 15. A Reconstructed Corpse 16. Sicken and So Die 17. Dead Room Farce 18. A Decent Interval 19. The Cinderella Killer 20. A Deadly Habit 15. A Reconstructed Corpse 16. Sicken and So Die 17. Dead Room Farce 18. A Decent Interval 19. The Cinderella Killer 20. A Deadly Habit
As Chile has continued to grow and prosper in the twenty-first century, this new edition of the definitive history of the country brings the story of its political, social and cultural development up to date. It describes how Ricardo Lagos and Michelle Bachelet, both highly educated Socialists, modernized the country and integrated new interests into Chilean political life, and how the billionaire, Harvard-trained economist Sebastian Piñera, who succeeded Bachelet, addressed the problems caused by the 2010 tsunami. In the last twenty years Chile diversified its economy, replaced a number of Pinochet's organizations with more inclusive institutions, cultivated Chilean culture, modernized its constitution, and fomented reconciliation of the various political factions – until economic crisis in early 2018 caused political chaos and occasionally violent public protest. Based on new statistics to measure Chile's economic and social development, this volume celebrates Chile's achievements and dissects its failures.
The 'relational turn' is a movement affecting a range of disciplines including neuroscience, psychoanalysis, psychotherapy, organisational consulting and, more recently, coaching. Its primary focus is on the centrality of human relating in determining how individuals develop, make meaning and function individually and collectively. In The Theory and Practice of Relational Coaching: Complexity, Paradox and Integration, Simon Cavicchia and Maria Gilbert expand existing coaching theory and practice to focus on the implications of the relational turn for how coaches and clients think about the nature of identity, the self, change, learning, and individual and organisational development. Drawing on perspectives as varied as relational neuroscience, the relational foundations of personality development, psychoanalysis, psychotherapy, shame, vulnerability, complexity and systems ideas, the authors shed light on many of the paradoxes and challenges facing coaches and their clients in today’s fast-paced, volatile and uncertain organisational environments. These include holding tensions such as the uniqueness of individual needs with the requirements of organisational contexts, managing multiple stakeholder expectations and networks and balancing linear approaches to change with adjusting to emerging and unpredictable events. Given the ever-increasing volatility, complexity and uncertainty that coaches and their clients face, The Theory and Practice of Relational Coaching guides the reader through a series of illuminating perspectives, examples and practical suggestions. These will enable coaches to integrate a more relational orientation in their work and extend their range and that of their clients for responding creatively to the challenges of modern organisational life. The book will appeal to coaches and coaching psychologists in practice and training, as well as counsellors and psychotherapists retraining as coaches.
A rollicking review of popular culture in 18th century Britain, this text turns away from sentimental and polite literature to focus instead on the jestbooks, farces, comic periodicals, variety shows and minor comic novels that portray a society in which no subject was taboo and political correctness unimagined.
This book develops a theoretical and empirical argument about the disintegration of security communities, and the subsequent breakdown of stable peace among nations, through a process of norm degeneration. It draws together two key bodies of contemporary IR literature – norms and security communities – and brings their combined insights to bear on the empirical phenomenon of disintegration. The investigation of normative change in IR is becoming increasingly popular. Most studies, however, focus on its progressive connotation. The possibility of a weakening or even disappearance of an established peaceful normative order, by contrast, tends to be often either neglected or implicitly assumed. Normative Change and Security Community Disintegration: Undoing Peace advances the contemporary body of research on the important role of norms and ideas by analytically extending recent Constructivist arguments about international norm degeneration to the regional level and by applying them to a particular type of regional order – a security community.
In this candid and witty autobiography, Nobel laureate Herbert A. Simon looks at his distinguished and varied career, continually asking himself whether (and how) what he learned as a scientist helps to explain other aspects of his life. A brilliant polymath in an age of increasing specialization, Simon is one of those rare scholars whose work defines fields of inquiry. Crossing disciplinary lines in half a dozen fields, Simon's story encompasses an explosion in the information sciences, the transformation of psychology by the information-processing paradigm, and the use of computer simulation for modeling the behavior of highly complex systems. Simon's theory of bounded rationality led to a Nobel Prize in economics, and his work on building machines that think—based on the notion that human intelligence is the rule-governed manipulation of symbols—laid conceptual foundations for the new cognitive science. Subsequently, contrasting metaphors of the maze (Simon's view) and of the mind (neural nets) have dominated the artificial intelligence debate. There is also a warm account of his successful marriage and of an unconsummated love affair, letters to his children, columns, a short story, and political and personal intrigue in academe.
Louvish brilliantly sifts through evidence of W.C. Fields' own self-creation to illuminate the vaudeville world from which he rose to become the beloved cinematic curmudgeon and comic genius of his time. Photos.
From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world. In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her. She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed. The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.
Shortlisted: 2016 Boardman Tasker Prize for Mountain Literature Shortlisted: 2016 Banff Mountain Book Competition 'It's the classic of post-war mountain writing.' – Jim Perrin 'Rarely do I encounter a cannot-put-down book, but Simon McCartney's aptly titled The Bond is exceptional in many ways.' – Tom Hornbein Simon McCartney was a cocky young British alpinist climbing many of the hardest routes in the Alps during the late seventies, but it was a chance meeting in Chamonix in 1977 with Californian 'Stonemaster' Jack Roberts that would dramatically change both their lives – and almost end Simon's. Inspired by a Bradford Washburn photograph published in Mountain magazine, their first objective was the 5,500-foot north face of Mount Huntington, one of the most dangerous walls in the Alaska Range. The result was a route so hard and serious that for decades nobody believed they had climbed it – it is still unrepeated to this day. Then, raising the bar even higher, they made the first ascent of the south-west face of Denali, a climb that would prove almost fatal for Simon, and one which would break the bond between him and climbing, separating the two young climbers. But the bond between Simon and Jack couldn't remain dormant forever. A lifetime later, a chance reconnection with Jack gave Simon the chance to bury the ghosts of what happened high on Denali, when he had faced almost certain death. The Bond is Simon McCartney's story of these legendary climbs.
A superb book and a must-read for any City fan.' - DANIEL TAYLOR, senior writer, The Athletic 'A thorough and delicious retelling of perhaps not the most successful of European journeys, but definitely the most interesting ... Fantastic.' - DAVID MOONEY, BBC Radio 5 Live 'A book that brilliantly explodes the myth that City have no history or pedigree in Europe.' - SIMON MULLOCK, chief football writer, Sunday Mirror THE ESSENTIAL NEW HISTORY OF MANCHESTER CITY'S EUROPEAN TRIUMPHS AND TRAGEDIES FEATURING A FOREWORD BY CITY LEGEND FRANCIS LEE As one of the first English sides to taste glory in Europe, lifting the Cup Winners' Cup in 1970, City looked set for life among the continent's elite. But as their domestic fortunes went from bad to worse to absolute calamity, the wilderness returned. Avid City fan and respected journalist Simon Curtis dusts off the details of some truly intoxicating away days. Filled with tales of the club's travelling support and the evocative accounts of the journalists who saw the team of the Seventies, Curtis tells the story of a club steeped in history, defiantly refusing to bow to pomp and ceremony as it goes about lifting the ultimate prize. After a spectacular rebuild and having achieved all there is to achieve on the domestic stage, including a record-breaking 100-point season in 2017-18, City's deep-pocketed owners have their sights firmly set on European glory once more. Yet for all their recent success at home, they are anything but welcome guests at Europe's top table.
The core idea underlying human rights is that everyone is inherently and equally worthy of respect as a person. The emergence of that idea has been one of the most significant international developments since the Second World War. But it is one thing to embrace something as an aspirational ideal and quite another to recognize it as enforceable law. The continued development of the international human rights regime brings a pressing question to the fore: What role should international human rights have as law within the American legal system? The U.S. Supreme Court and the Domestic Force of International Human Rights Law examines this question through the prism of the U.S. Supreme Court’s handling of controversies bearing most closely on it. It shows that the specific disputes the Court has addressed can be best understood by recognizing how each interconnects with an overarching debate over the proper role to be accorded international human rights law within American institutions. By approaching the subject from the justices’ standpoint, this book reveals a divide in the Court between two fundamentally different orientations toward the domestic impact of the international human rights regime.
This book discusses innovative methods for mining information from images of plants, especially leaves, and highlights the diagnostic features that can be implemented in fully automatic systems for identifying plant species. Adopting a multidisciplinary approach, it explores the problem of plant species identification, covering both the concepts of taxonomy and morphology. It then provides an overview of morphometrics, including the historical background and the main steps in the morphometric analysis of leaves together with a number of applications. The core of the book focuses on novel diagnostic methods for plant species identification developed from a computer scientist’s perspective. It then concludes with a chapter on the characterization of botanists' visions, which highlights important cognitive aspects that can be implemented in a computer system to more accurately replicate the human expert’s fixation process. The book not only represents an authoritative guide to advanced computational tools for plant identification, but provides experts in botany, computer science and pattern recognition with new ideas and challenges. As such it is expected to foster both closer collaborations and further technological developments in the emerging field of automatic plant identification.
With his critically acclaimed Rip It Up and Start Again, renowned music journalist Simon Reynolds applied a unique understanding to an entire generation of musicians working in the wake of punk rock. Spawning artists as singular as Talking Heads, Joy Division, The Specials, Siouxsie and the Banshees, Gang of Four, and Devo, postpunk achieved new relevance in the first decade of the twenty-first century through its profound influence on bands such as Radiohead, Franz Ferdinand, and Vampire Weekend. With Totally Wired the conversation continues. The book features thirty-two interviews with postpunks most innovative personalities—such as Ari Up, Jah Wobble, David Byrne, and Lydia Lunch—alongside an overview” section of further reflections from Reynolds on postpunks key icons and crucial scenes. Included among them are John Lydon and PIL, Ian Curtis and Joy Division, and art-school conceptualists and proto-postpunkers Brian Eno and Malcolm McLaren. Reynolds follows these exceptional, often eccentric characters from their beginnings through the highs and lows of postpunks heyday. Crackling with argument and anecdote, Totally Wired paints a vivid portrait of individuals struggling against the odds to make their world as interesting as possible, in the process leaving a legacy of artistic ambition and provocation that reverberates to this day.
This work, part of a series, deals with the parliamentary papers of Nicholas Ferrer, from 1624. Other speeches of parliamentarians of the time are also mentioned, along with information on Sir Cheney Culpeper.
Strange but true: this is the first authentic account of the Marx Brothers, their origins and of the roots of their comedy. First and foremost, this is the saga of a family whose theatrical roots stretch back to mid-19th century Germany. From Groucho Marx's first warblings with the singing Leroy Trio, this book brings to life the vanished world of America's wild and boisterous variety circuits, leading to the Marx Brothers' Broadway successes, and their alliance with New York's theatrical lions, George S. Kaufman and the 'Algonquin Round Table'. Never-before-published scripts, well-minted Marxian dialogue, and much madness and mayham feature in this tale of the Brothers' battles with Hollywood, their films, their loves and marriages, and the story of the forgotten brother Gummo.
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Don’t just sit there! Do something to insure your teen driver is driving safely. Get this book and discuss it with your teen driver. Share your experience. Show him or her that you care about how he or she drives. This book guides the discussion, prevents you from feeling guilty about not knowing what to say, and changes your teen driver’s attitude about driving and be much safer. Help keep your kid be alive at 25.
“Like Don DeLillo’s Underworld, Simon Ings’s remarkable new work delivers nothing less than a secret key, a counter-history, of the last sixty years.”—Mark Costello, author of Big If The Weight of Numbers describes the metamorphosis of three people: Anthony Burden, a mathematical genius destroyed by the beauty of numbers; Saul Cogan, transformed from prankster idealist to trafficker in the poor and dispossessed; and Stacey Chavez, ex-teenage celebrity and mediocre performance artist, hungry for fame and starved of love. All are haunted by Nick Jinks, a malevolent curse of a man who seems to be everywhere at once. As a grid of connections emerge between a dusty philosophical society in London and an African revolution, between international container shipping and celebrity-hosted exposés on the problems of the Third World—this novel sends the specters of the Baby Boom’s liberal revolutions floating into the unreal estate of globalization and media overload—with a deadly payoff. The Weight of Numbers is an artful and deadly novel that traces the secret histories and paranoid fantasies of our culture into a future globalized in ways both liberating and hideous, full of information and empty of meaning. Simon Ings has delivered a storytelling tour de force that will alter some of your most cherished beliefs. “[A] Pynchon-on-speed romp . . . Ings’s mad, mad world is held together to the very last page by humor, vivid depictions and a deeply compelling emotional core.”—Publishers Weekly “A Scheherazade of a novel, executed with scope, daring, and humor. The Weight of Numbers is unerringly well written, and engrossing to the last page.”—Lionel Shriver, bestselling author of We Need to Talk About Kevin
It's fitting that Alice B. Toklas, 'wife' and literary impresario of Gertrude Stein, should be the subject of a biography . . . and this is a good one, sensitive and lively. . . . it's clear from this portrait that through her possessive affection she not only had a dominant influence on Stein's life but (for good or ill) on her highly idiosyncratic prose. With her acid tongue, shrewd judgment, vitality, and intense loyalty she was a fairly remarkable person in her-self."--Publishers Weekly. "Linda Simon writes beautifully of Alice's early years in California, of her Polish-Jewish family, of her growing alienation from her surroundings and gravitation toward artists, of her awareness of the isolating burden homosexuality would force on her. . . . entertaining, thoroughly researched. and well-written. . . .with a clear gaze fixed on undistorted truth."--Saturday Review. "A study that shows Toklas as she must have been, not 'Miss Stein's obedient shadow,'. . . but a multifaceted and complex creature with her own tastes and standards. . . . [her story] is an emotionally stirring experience."--Washington Post Book World. Linda Simon, in her preface to this Bison Book edition, calls Alice B. Toklas "a woman who, through a mixture of determination and good luck, invented a new narrative for her life" at a time when options for women were few. Simon is the author of Thornton Wilder: His World (1979), Good Writing (1988), and other books. She is now working on a biography of William James.
By constantly challenging one another to take art "Off Limits," George Brecht, Geoffrey Hendricks, Allan Kaprow, Roy Lichtenstein, Lucas Samaras, George Segal, Robert Watts, and Robert Whitman defied the art world, bringing Abstract Expressionism to a screeching halt and setting the stage for the art of the rest of the century. Off Limits accompanies a major exhibition of the same title at The Newark Museum, February 18 - May 16, 1999.
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