If healthcare professionals and organisations are going to deliver the improvements we all want to see, then healthcare organisations have to learn and develop, and support their staff. This book will help organisations to change systematically. The book includes lots of practical ways to help organisations look at themselves, plan and implement change.
Favouring an interactive approach, this title should help doctors to demonstrate their competence to the standard expected by the GMC in clinical areas related to cardiovascular and neurological conditions.
Astrophotonics is the application of photonics to astronomical instrumentation. It is a rapidly developing field that takes a new approach to instrumentation, in which the bulk optics of traditional instruments, such as lenses, mirrors, and diffraction gratings, are replaced with devices embedded within waveguides. This enables instruments that are smaller, modular, more stable, and most excitingly, with optical capabilities not possible with traditional instruments.Astrophotonics has reached a stage of development where many prototype devices are now being tested on sky, and the first fully-fledged instruments incorporating photonic devices are now being used for observations. The field is thus transitioning from one of instrumental research and development to mainstream observational astrophysics.This is the first book focussed on astrophotonics, written by three experts in the field. Beginning with a sound introduction to the basic principles of astrophotonics, it is intended to communicate the current status, potential, and future possibilities of astrophotonics to the wider astronomical, optics and photonics communities.
Is church discipline really necessary? One sixteenth-century Anabaptist reformer certainly thought so. A contemporary of Luther and Zwingli, Balthasar Hubmaier believed that church discipline was so important that he included the doctrine in every major area of his theology. Not only did church discipline appear in his doctrine of humanity, salvation, and the church, as a theoretical construct, but he also included practical instructions regarding its implementation in the life of the church. In this book Goncharenko examines Hubmaier's teaching on discipline and considers its relevance to the church today.
From the alien worlds of Star Trek to the realistic operating room of ER, the design of sets and costumes contributes not only to the look and mood of television shows, but even more importantly to the creation of memorable characters. Yet, until now, this crucial aspect of television creativity has received little critical attention, despite the ongoing interest in production design within the closely allied discipline of film studies. In this book, Piers Britton and Simon Barker offer a first analytical study of scenic and costume design for television drama series. They focus on three enduringly popular series of the 1960s—The Avengers, The Prisoner, and Doctor Who—and discuss such topics as the sartorial image of Steed in The Avengers, the juxtaposition of picturesque and fascistic architecture in The Prisoner, and the evolution of the high-tech interior of Doctor Who's TARDIS. Interviews with the series' original designers and reproductions of their original drawings complement the authors' analysis, which sheds new light on a variety of issues, from the discourse of fashion to that of the heritage industry, notions of "Pop" and retro, and the cultural preoccupation with realism and virtual reality.
Examining the many controversies associated with pitch standards in Melbourne over more than a hundred years, Simon Purtell discovers their impact on the tuning of the city’s orchestras and organs, as well as its defence, municipal and Salvation Army bands. This fascinating history involves famous local and touring singers, conductors and organists, including Nellie Melba, Malcolm Sargent and William McKie, revealing just how complex a problem it was to ensure that Melbourne’s music-makers remained in tune. “Harry Potter and the Cursed Child has nothing on the saga of ‘Pitch, pitch, that cursed pitch’: the seemingly endless and frequently caustic attempts to establish a uniform performing pitch for music in the Antipodes. It is a typically Melburnian drama of mixed deference to Britain and stubborn upholding of local interests that the author so eloquently and patiently chronicles, and it ranges from the almost theocratic intervention of Dame Nellie Melba at the beginning of the twentieth century to the Stanthorpe Apple and Grape Harvest Festival of 1972. At the same time, it will have been a battle taking place comparably in all the major cities of the British Empire and beyond, though each with its peculiar twists and turns. What Simon Purtell has done is show us, in immaculate detail, just how pervasive and intricate, not to mention costly, this tectonic realignment of a fundamental element of musical infrastructure must have been in all places over a very long period of time” (Emeritus Professor Stephen Banfield, Centre for the History of Music in Britain, the Empire and the Commonwealth, University of Bristol).
A Commerce of Knowledge tells the story of three generations of Church of England chaplains who served the English Levant Company in Syria during the seventeenth and eighteenth centuries. Reconstructing the careers of its protagonists in the cosmopolitan city of Ottoman Aleppo, Simon Mills investigates the links between English commercial and diplomatic expansion, and English scholarly and missionary interests: the study of Middle-Eastern languages; the exploration of biblical and Greco-Roman antiquities; and the early dissemination of Protestant literature in Arabic. Early modern Orientalism is usually conceived as an episode in the history of scholarship. By shifting the focus to Aleppo, A Commerce of Knowledge brings to light the connections between the seemingly separate worlds, tracing the emergence of new kinds of philological and archaeological enquiry in England back to a series of real-world encounters between the chaplains and the scribes, booksellers, priests, rabbis, and sheikhs they encountered in the Ottoman Empire. Setting the careers of its protagonists against a background of broader developments across Protestant and Catholic Europe, Mills shows how the institutionalization of English scholarship, and the later English attempt to influence the Eastern Christian churches, were bound up with the international struggle to establish a commercial foothold in the Levant. He argues that these connections would endure until the shift of British commercial and imperial interests to the Indian subcontinent in the second half of the eighteenth century fostered new currents of intellectual life at home.
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