This accessible book explains the significance of relationships between the body and the mark, visual imitation, drawing and writing and visual storytelling, providing a simple guide to these key ideas. For millennia drawing has been conceived as an exploratory activity, mediating between the vision of the drafter and what they are drawing. Drawing reveals hidden relationships, directs attention, scrutinises the material world and provides plans for further action. The book unpacks the key ideas that have shaped the rich, complex and foundational activity of drawing. It presents an unexpected, engaging and authoritative range of illustrated examples of drawings made by culturally and historically diverse people for different purposes, with different media, in widely different times and situations. Educator, author and artist Simon Grennan builds together concepts to create a complete guide to ideas about drawing.
This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847–1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval’s vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval’s drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
This accessible book explains the significance of relationships between the body and the mark, visual imitation, drawing and writing and visual storytelling, providing a simple guide to these key ideas. For millennia drawing has been conceived as an exploratory activity, mediating between the vision of the drafter and what they are drawing. Drawing reveals hidden relationships, directs attention, scrutinises the material world and provides plans for further action. The book unpacks the key ideas that have shaped the rich, complex and foundational activity of drawing. It presents an unexpected, engaging and authoritative range of illustrated examples of drawings made by culturally and historically diverse people for different purposes, with different media, in widely different times and situations. Educator, author and artist Simon Grennan builds together concepts to create a complete guide to ideas about drawing.
England, 1873. John Caldigate, a young gentleman, gets into debt gambling and decides to try his luck in the gold fields of New South Wales. On the outward journey, he promises to marry Mrs Smith, a divorced actress who is travelling in the same ship. Returning home a rich man, John marries Hester, the sweetheart he left behind. Soon, Mrs Smith also returns from Australia, penniless, and claims that she is already his wife. Inspired by Anthony Trollope’s 1879 novel John Caldigate, Dispossession embeds the reader in a uniquely wrought experience of the mid-nineteenth century, including the first ever appearance of the Aboriginal Wiradjuri language in a graphic novel. Taking unique advantage of the graphic form to conjure the material world of the Victorian era in a glittering waltz of intense colour and deep shadow, Dispossession is a virtuoso and intensely affecting graphic novel by a master visual storyteller.
This book takes the contentious issue of designer babies and argues against the liberal eugenic current of bioethics that commends the logic and choice regimes of selective reproduction. Against conceptions of Procreative Beneficence that trade on a disregard for the gifts of maternal bodies, it seeks to recover a thought of maternal giving and a more hospitable ethic of generational beneficence. Exploring themes of responsibility, gift and natality, the book refigures the experience of reproduction as the site of an ethical response to future generations, where refusal to choose one’s children is one virtuous response. The book will appeal to anyone with an interest in reproductive ethics, feminist thought and those seeking principled grounds for resisting the technologies of choosing children.
American folklife is steeped in world cultures, or invented as new culture, always evolving, yet often practiced as it was created many years or even centuries ago. This fascinating encyclopedia explores the rich and varied cultural traditions of folklife in America - from barn raisings to the Internet, tattoos, and Zydeco - through expressions that include ritual, custom, crafts, architecture, food, clothing, and art. Featuring more than 350 A-Z entries, "Encyclopedia of American Folklife" is wide-ranging and inclusive. Entries cover major cities and urban centers; new and established immigrant groups as well as native Americans; American territories, such as Guam and Samoa; major issues, such as education and intellectual property; and expressions of material culture, such as homes, dress, food, and crafts. This encyclopedia covers notable folklife areas as well as general regional categories. It addresses religious groups (reflecting diversity within groups such as the Amish and the Jews), age groups (both old age and youth gangs), and contemporary folk groups (skateboarders and psychobillies) - placing all of them in the vivid tapestry of folklife in America. In addition, this resource offers useful insights on folklife concepts through entries such as "community and group" and "tradition and culture." The set also features complete indexes in each volume, as well as a bibliography for further research.
From the UK Poet Laureate and bestselling translator of Sir Gawain and the Green Knight, a complete verse translation of a spirited and humorous medieval English poem The Owl and the Nightingale, one of the earliest literary works in Middle English, is a lively, anonymous comic poem about two birds who embark on a war of words in a wood, with a nearby poet reporting their argument in rhyming couplets, line by line and blow by blow. In this engaging and energetic verse translation, Simon Armitage captures the verve and humor of this dramatic tale with all the cut and thrust of the original. In an agile iambic tetrameter that skillfully amplifies the prosody and rhythm of the original, Armitage’s translation moves entertainingly from the eloquent and philosophical to the ribald and ridiculous. Sounding at times like antagonists in a Twitter feud, the owl and the nightingale quarrel about a host of subjects that still resonate today—including love, marriage, identity, cultural background, class distinctions, and the right to be heard. Adding to the playful, raucous mood of the barb-trading birds is Armitage, who at one point inserts himself into the poem as a “magistrate . . . to adjudicate”—one who is “skilled with words & worldly wise / & frowns on every form of vice.” Featuring the Middle English text on facing pages and an introduction by Armitage, this volume will delight readers of all ages.
An authoritative, accessible, and up-to-date treatment of deep learning that strikes a pragmatic middle ground between theory and practice. Deep learning is a fast-moving field with sweeping relevance in today’s increasingly digital world. Understanding Deep Learning provides an authoritative, accessible, and up-to-date treatment of the subject, covering all the key topics along with recent advances and cutting-edge concepts. Many deep learning texts are crowded with technical details that obscure fundamentals, but Simon Prince ruthlessly curates only the most important ideas to provide a high density of critical information in an intuitive and digestible form. From machine learning basics to advanced models, each concept is presented in lay terms and then detailed precisely in mathematical form and illustrated visually. The result is a lucid, self-contained textbook suitable for anyone with a basic background in applied mathematics. Up-to-date treatment of deep learning covers cutting-edge topics not found in existing texts, such as transformers and diffusion models Short, focused chapters progress in complexity, easing students into difficult concepts Pragmatic approach straddling theory and practice gives readers the level of detail required to implement naive versions of models Streamlined presentation separates critical ideas from background context and extraneous detail Minimal mathematical prerequisites, extensive illustrations, and practice problems make challenging material widely accessible Programming exercises offered in accompanying Python Notebooks
This book offers an original new conception of visual story telling, proposing that drawing, depictive drawing and narrative drawing are produced in an encompassing dialogic system of embodied social behavior. It refigures the existing descriptions of visual story-telling that pause with theorizations of perception and the articulation of form. The book identifies and examines key issues in the field, including: the relationships between vision, visualization and imagination; the theoretical remediation of linguistic and narratological concepts; the systematization of discourse; the production of the subject; idea and institution; and the significance of resources of the body in depiction, representation and narrative. It then tests this new conception in practice: two original visual demonstrations clarify the particular dialectic relationships between subjects and media, in an examination of drawing style and genre, social consensus and self-conscious constraint. The book’s originality derives from its clear articulation of a wide range of sources in proposing a conception of narrative drawing, and the extrapolation of this new conception in two new visual demonstrations.
A stunning 'Victorian' graphic novel based on a little-known novel by Anthony Trollope. England, 1873. John Caldigate, a young gentleman, gets into debt gambling and decides to try his luck in the gold fields of New South Wales. On the outward journey, he promises to marry Mrs Smith, a divorced actress who is travelling in the same ship. Returning home a rich man, John marries Hester, the sweetheart he left behind. Soon, Mrs Smith also returns from Australia, penniless, and claims that she is already his wife. Inspired by Anthony Trollope's 1879 novel John Caldigate, Dispossession embeds the reader in a uniquely wrought experience of the mid nineteenth century, including the first ever appearance of the Aboriginal Wiradjuri language in a graphic novel. Taking unique advantage of the graphic form to conjure the material world of the Victorian era in a glittering waltz of intense colour and deep shadow, Dispossession is a virtuoso and intensely affecting graphic novel by a master visual storyteller.
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