In this New York Times bestseller, award-winning author Simon Schama presents an ebullient country, vital and inventive, infatuated with novelty and technology--a strikingly fresh view of Louis XVI's France. One of the great landmarks of modern history publishing, Citizens: A Chronicle of the French Revolution is the most authoritative social, cultural, and narrative history of the French Revolution ever produced.
When the new, strange kid at school turns out to be Kieran's cousin, Kieran will have to choose between fitting in with the other kids and standing up for his cousin against the kids that bully him.
When Sam brings his baby brother to school for Show and Tell, it provides Mr. Judd with an opportunity to teach the class some things about babies, including that even grown-ups were babies once.
Grade Six is almost over and Arkie knows that nothing is ever going to be the same again. Her best friend has dumped her, her little brother is growing up and her favourite teacher is leaving. With all this upheaval, Arkie begins to look at everyone and everything differently - through a camera lens. She takes photos because that's a way of holding on to things you know when so much is changing.
Remembering can be risky. "I don't know where we came from. Several times when it had seemed important to know, I had tried asking, but mum never really answered." Steven is curious about his past. When he hears a stranger's name, odd memories come back to him. A large house. Being left on the side of the road. But does he really want to remember everything? An unforgettable novel from the multi-award-winning author, Simon French.
Kieran wants to be part of the in-crowd at school. He wants to be on the football team. He wants to fit in. But his cousin Bon is different. Bon doesn't know anything about fitting in. He doesn't like playing sport; he wears his long, blond hair in a plait; and he speaks in a funny, precise voice. So when Bon joins Kieran's school, Kieran is angry and embarrassed and wishes he would disappear. But can he just sit back and watch while his friends bully Bon?
By the winner of the 1985 Nobel Prize in Literature, a riveting, stylistically audacious modernist epic about the French cavalry's bloody face-off against German Panzer tanks during WWII. On a sunny day in May 1940, the French army sent out the cavalry against the invading German army’s panzer tanks. Unsurprisingly, the French were routed. Twenty-six-year-old Claude Simon was among the French forces. As they retreated, he saw his captain shot off his horse by a German sniper. This is the primal scene to which Simon returns repeatedly in his fiction and nowhere so powerfully as in his most famous novel The Flanders Road. Here Simon’s own memories overlap with those of his central character, Georges, whose captain, a distant relative, dies a similar death. Georges reviews the circumstances and sense—or senselessness—of that death, first in the company of a fellow prisoner in a POW camp and then some years later in the course of an ever more erotically charged visit to the captain’s widow, Corinne. As he does, other stories emerge: Corinne’s prewar affair with the jockey Iglésia, who would become the captain’s orderly; the possible suicide of an eighteenth-century ancestor, whose grim portrait loomed large in Georges’s childhood home; Georges’s learned father, whose books are no help against barbarism. The great question throughout, the question that must be urgently asked even as it remains unanswerable, is whether fiction can confront and respond to the trauma of history.
This first study of the post-Revolutionary French émigré press in London discusses the exiles' ideologies and activities and their effect on British and French foreign policy.
They were on the move again, but nowhere ever felt like home. "Home, he thought grimly. Funny sort of home, a caravan and a kombi with a tent annexe to connect the two." Trevor is canny. Knowing. Thrifty. Cautious. But he also wants to belong. A brilliant novel from the multi-award-winning author Simon French.
Principles of French Law offers a comprehensive introduction to French law and the French legal system in terms which a common lawyer can understand. The authors give an explanation of the institutions, rules and techniques that characterize the major branches of French law. The chapters provide the reader with a clear sense of the questions that French lawyers see as important and how they would answer them. In the ten years since the publication of the first edition, French law has changed in significant ways. European Union law and the European Convention on Human Rights have had a significant impact, especially on procedural law and family law. There has been a new Commercial Code, major legislation on divorce, succession and criminal law, as well as significant developments in the Constitution. In addition, there have been considerable developments in the case-law and a much discussed proposal for reform of major areas of the law of obligations. The chapters present not only the rules of law, but, where appropriate, the principles and values underlying the system. Considerable use is made of juristic literature and of examples from French case law. The book is designed for students studying French law at both undergraduate and postgraduate level, and as preliminary reading for students about to study in France. It will also serve as an initial point of reference for scholars embarking on a study of French law.
Readings in Decision Analysis conveys the purpose of decision analysis and the interpretation that should be placed upon its output- vital topics seldom discussed in introductory texts. The author's extensive notes and commentary weave into a coherent whole extracts from the Journal of the Operational Research Society and other publications. Intended for the non-technical reader, this book is ideal for undergraduate and postgraduate students in operations research, business studies, statistics, economics, and management.
When the school has a costume parade, all of the children dress up in recognizable costumes except for Sacha, who has made a costume of his own design.
In May 2005 Penguin will publish 70 unique titles to celebrate the company's 70th birthday. The titles in the Pocket Penguins series are emblematic of the renowned breadth of quality of the Penguin list and will hark back to Penguin founder Allen Lane's vision of good books for all'. whose books and TV series have enthralled huge audiences through their gripping storytelling. Citizens, his award-winning account of the French Revolution, has continued to be one of Penguin's most popular history titles since it was first published in 1989. This extract takes us into the heart of the revolution's ferment as the angry crowd storm the Bastille
“A pleasure to read and nearly impossible to put down.” –Army Times “Embodies an experience that many have enjoyed in fantasy–few in reality.” –The Washington Post The French Foreign Legion–mysterious, romantic, deadly–is filled with men of dubious character, and hardly the place for a proper Englishman just nineteen years of age. Yet in 1960, Simon Murray traveled alone to Paris, Marseilles, and ultimately Algeria to fulfill the toughest contract of his life: a five-year stint in the Legion. Along the way, he kept a diary. Legionnaire is a compelling, firsthand account of Murray’s experience with this legendary band of soldiers. This gripping journal offers stark evidence that the Legion’s reputation for pushing men to their breaking points and beyond is well deserved. In the fierce, sun-baked North African desert, strong men cracked under brutal officers, merciless training methods, and barbarous punishments. Yet Murray survived, even thrived. For he shared one trait with these hard men from all nations and backgrounds: a determination never to surrender. “The drama, excitement, and color of a good guts-and-glory thriller.” –Dr. Henry Kissinger
The French novel’s “return to the story” in the last decades of the twentieth century and the beginning of the twenty-first is has been widely acknowledged in literary scholarship. But is this assessment accurate? With French Fiction in the Twenty-First Century, Simon Kemp looks at the work of five contemporary writers—Annie Ernaux, Pascal Quignard, Marie Darrieussecq, Jean Echenoz, and Patrick Modiano—in the context of the current French literary scene, and examines how far they pursue the innovations of their predecessors and just how far they have turned their backs on the era of experiment.
Some of medieval culture's most arresting images and stories inextricably associate love and death. Thus the troubadour Jaufre Rudel dies in the arms of the countess of Tripoli, having loved her from afar without ever having seen her. Or in Marie de France's Chevrefoil, Tristan and Iseult's fatal love is hauntingly symbolized by the fatally entwined honeysuckle and hazel. And who could forget the ethereal spectacle of the Damoisele of Escalot's body carried to Camelot on a supernatural funerary boat with a letter on her breast explaining how her unrequited love for Lancelot killed her? Medieval literature is fascinated with the idea that love may be a fatal affliction. Indeed, it is frequently suggested that true love requires sacrifice, that you must be ready to die for, from, and in love. Love, in other words, is represented, sometimes explicitly, as a form of martyrdom, a notion that is repeatedly reinforced by courtly literature's borrowing of religious vocabulary and imagery. The paradigm of the martyr to love has of course remained compelling in the early modern and modern period. This book seeks to explore what is at stake in medieval literature's preoccupation with love's martyrdom. Informed by modern theoretical approaches, particularly Lacanian psychoanalysis and Jacques Derrida's work on ethics, it offers new readings of a wide range of French and Occitan courtly texts from the twelfth and thirteenth centuries, and argues that a new secular ethics of desire emerges from courtly literature because of its fascination with death. This book also examines the interplay between lyric and romance in courtly literary culture and shows how courtly literature's predilection for sacrificial desire imposes a repressive sex-gender system that may then be subverted by fictional women and queers who either fail to die on cue, or who die in troublesome and disruptive ways.
This is a rich and path-breaking comparative study of reading tastes in the final years of old regime Europe. Based on extensive research in the account books of the Swiss publishers, the Société Typographique de Neuchâtel (STN), and related archives, it charts the dissemination of literature and reading tastes across Europe in the years leading up to the French revolution. In the process, it recasts our understanding of late 18th-century print culture and the contours of the enlightenment. The fruit of a widely acclaimed five year database project, the STN database, it is also a story of pioneering efforts to apply the latest digital technology and GIS mapping techniques to traditional historical and bibliographic problems. Although written to serve as a standalone study, this book is ideally complemented by its companion volume, Mark Curran's The French Book Trade in Enlightenment Europe I: Selling Enlightenment, which offers a radical reinterpretation of the structure and practices of the European book trade. The STN database is now recognised as a cutting-edge digital project of global significance. Robert Darnton has called it "a prodigious accomplishment and a joy to use" while Jeremy Popkin adds, "No one working in the field of French Enlightenment studies ... can afford to ignore the rich mine of data that Simon Burrows and his collaborators have made accessible, in an eminently usable form, and the new possibilities it opens up for scholars." The French Book Trade in Enlightenment Europe I and II offer a roadmap of that data and what it can show us.
When Sam's baby brother Jake came to school for show and tell, everyone had a great time looking after him. Then Mr Judd, asks the class to bring their baby photographs to school to show how much the boys and girls grow and change. There's a lot of fun when they try to guess which baby is who.
Intro -- Contents -- Illustrations -- Preface -- Introduction -- Castorland Journal 1793 -- Castorland Journal 1794 -- Castorland Journal 1795 -- Castorland Journal 1796-1797 -- Prospectus of the New York Company -- Constitution Of the New York Company -- Letter to Nicolas Olive -- Synopsis of Travel -- Overview of Castorland Workers -- Currency and Measures -- Place-Names in the Castorland Journal -- Notes -- Bibliography -- Index.
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