A fully illustrated survey of the Soviet infantryman on the Eastern Front in World War II. The Soviet Army was ill-prepared for its ally’s treacherous onslaught in 1941. Its officer corps decimated by Stalin’s purges and its men less well-trained than the Germans, the Red Army was poorly led, hampered by the power of the political officers and only partly mobilized. But, in spite of the huge German victories and the speed of the Nazi attack, the Soviets proved fantastically capable of rolling with the punches. The vast territory of the Soviet Union and huge population were significant, as was substantial assistance from the West—the United States and Britain in particular—which was in evidence when the German columns got to within a few miles short of Moscow and were held and then forced back. The tide turned thanks to help from outside and the efforts of the Soviet soldiers, who proved hardy and durable. And just like its soldiers, Russian infantry equipment was rugged and effective. While Soviet infantrymen may not have had the flexibility or tactical nous of the Germans, they did not lack cunning: deception, camouflage skills and endurance made Russian snipers, as an example, more than the equal of the Germans. Most of the views of the Soviet soldier and campaign are influenced by self-serving German postwar accounts designed to excuse their loss by suggesting that Adolf Hitler’s meddling and Soviet numbers were the main reasons for victory: this denigrates the Russian infantryman whose toughness and ingenuity helped destroy the Third Reich in spite of the faults of its own regime. Fully illustrated with over 150 contemporary photographs and illustrations, Soviet Infantryman on the Eastern Front in the Casemate Illustrated series provides an insight into the Soviets’ main theater of operations in World War II.
Packed with archival photos, a fascinating account of armored warfare in WWII—and how tank design and tactics were transformed during the period. On the battlefields of Europe and North Africa during the Second World War, tanks played a key role, and the intense pressure of combat drove forward tank design and tactics at an extraordinary rate. In a few years, on all sides, tank warfare was transformed. This is the dramatic process that Simon and Jonathan Forty chronicle in this heavily illustrated history. They describe the fundamentals of pre-war tank design and compare the theories formulated in the 1930s as to how they should be used in battle. Then they show how the harsh experience of the German blitzkrieg campaigns in Poland, France, and the Soviet Union compelled the Western Allies to reconsider their equipment, organization, and tactics—and how the Germans responded to the Allied challenge. The speed of progress is demonstrated in the selection of over 180 archive photographs which record, as only photographs can, the conditions of war on each battle front. They also give a vivid impression of what armored warfare was like for the tank crews of 75 years ago. “The images in the book are excellent and inspire diorama ideas for modelers.” —IPMS/USA
...contains a plethora of after-action reports, diagrams and text which makes the work a thorough and engaging study of amphibious landings during the war." —WWII History Magazine Amphibious operations have always been an important element of warfare, but they reached their climax during the Second World War when they were carried out on a large scale in every theater of the conflict. That is why this wide-ranging, highly illustrated history of amphibious warfare 1939–1945 by Simon and Jonathan Forty is of such value. Their book gives graphic accounts of the main amphibious assaults launched by the major combatants, in particular the British, American, German and Japanese – not just large-scale landings like those in North Africa, Normandy, the Philippines and Okinawa, but also raids such as Dieppe and St Nazaire and evacuations like Dunkirk and Kerch. The rapid development of amphibious tactics and equipment is an essential element of the story, as are the vital roles played by the navies, air forces, armies and special forces in each complex combined operation. There is also a section on amphibious operations that were planned but didn’t happen, such as the German invasion of Britain and the Italian and German operation against Malta.
The infantry can always be found at the sharp end of the battlefield. You may be able to crush an opponent with armour or artillery, but there’s only one way to take and hold ground and that’s with riflemen – the ‘poor bloody infantry’. And it is the infantrymen of the Second World War – from all sides, Allied and Axis – who are the subject of this highly illustrated history. It uses over 400 wartime photographs plus contemporary documents and other illustrations to show the developments in equipment, training and tactical techniques and to give an insight into the experience of the infantry soldier during the conflict. Although the infantry were critical to the war effort, their contribution is often overshadowed by the more dramatic roles played by soldiers with more specialized skills – like tank crew, paratroopers and special forces. They also suffered devastating casualties, in particular during the last phase of the war in the west when around 20 per cent of an infantry division’s riflemen were likely to die and over 60 per cent could expect to be wounded. So as well as describing how the infantry fought, the authors look at the motivation which kept them fighting in awful conditions and despite brutal setbacks. The result is a thorough, detailed and revealing portrait of infantry warfare over seventy years ago.
“From mountain warfare with guns on mules to V2 rockets and everything between makes it well worth a place on anyone’s reference shelf.” —Clash of Steel It is said that artillery won the Second World War for the Allies—that Soviet guns wore down German forces on the Eastern Front, negating their superior tactics and fighting ability, and that the accuracy and intensity of the British and American artillery was a major reason for the success of Allied forces in North Africa from El Alamein, in Italy and Normandy, and played a vital role in the battles of 1944 and 1945. Yet the range of weapons used is often overlooked or taken for granted—which is why this highly illustrated history by Simon and Jonathan Forty is of such value. They stress the importance of artillery on every front and analyze how artillery equipment, training and tactical techniques developed during the conflict. The selection of wartime photographs—many from east European sources—and the extensive quotations from contemporary documents give a graphic impression of how the guns were used on all sides. The photographs emphasize the wide range of pieces employed as field, antiaircraft and antitank artillery without forgetting self-propelled guns, coastal and other heavyweights and the development of rockets. The authors offer a fascinating insight into the weapons that served in the artillery over seventy years ago. “Superbly illustrated, this is testament to the courage and skills of extraordinary men in the execution of their duty. An amazing book.” —Books Monthly
The borders of the Roman Empire were frontiers that were often wild and dangerous. The expansion of the empire after the Punic Wars saw the Roman Republic become the dominant force in the Mediterranean as it first took Carthaginian territories in Gaul, Spain and north Africa and then moved into Greece with purpose, subjugating the area and creating two provinces, Achaea and Macedonia. The growth of the territories under Roman control continued through the rise of Julius Caesar – who conquered the rest of Gaul – and the establishment of the empire: each of the emperors could point to territories annexed and lands won. By AD 117 and the accession of Hadrian, the empire had reached its peak. It held sway from Britain to Morocco, from Spain to the Black Sea. And its wealth was coveted by those outside its borders. Just as today those from poorer countries try to make their way into Europe or North America, so those outside the empire wanted to make their way into the Promised Land – for trade, for improvement of their lives or for plunder. Thus the Roman borders became a mix – just as our borders are today – of defensive bulwark against enemies, but also control areas where import and export taxes were levied, and entrance was controlled. Some of these borders were hard: the early equivalents of the Inner German Border or Trump’s Wall – Hadrian’s Wall and the line between the Rhine and Danube. Others, such as these two great rivers, were natural borders that the Romans policed with their navy. This book examines these frontiers of the empire, looking at the way they were constructed and manned and how that changed over the years. It looks at the physical barriers – from the walls in Britain to the Fossatum Africae in the desert. It looks at the traders and the prices that were paid for the traffic of goods. It looks at the way that civil settlements – vici – grew up around the forts and fortlets and what life was like for soldiers, sailors and civilians. As well as artefacts of the period, the book provides a guidebook to top Roman museums and a gazetteer of visitable sites
On 10 May 1940 German Fallschirmjäger stormed the Dutch fort of Eben-Emael, south of Maastricht. The brilliantly executed operation was the first signal success by airborne troops in the Second World War and it made the military world sit up and take notice. Improved parachutes and the creation of gliders that could carry troops meant that assault forces could be dropped or landed behind enemy lines. This was a significant new tactic which had a dramatic impact on several of the key campaigns, and it is the subject of Simon and Jonathan Forty’s in-depth, highly illustrated history. They tell the story of the development of airborne forces, how they were trained and equipped, and how they were landed and put into action in every theatre of the global conflict. The results were mixed. German airborne forces were victorious on Crete, but the cost was so great that Hitler vowed never to use them in the same way again. The Allies saw things differently. After Crete they built up elite units who would play important roles in later battles – in Normandy, for example, where the British 6th Airborne Division took vital bridges prior to the D-Day landings. These are just two examples of the many similar operations on the Western and Eastern Fronts and in the Pacific which are covered in this wide-ranging book. It offers the reader a fascinating insight into airborne warfare over seventy years ago.
The Italian campaign was one of the most debated of the Second World War, splitting the American and British allies, and causing great disharmony. After the fall of Rome and the surrender of Italy, the invasion of Normandy led to the Italian campaign becoming a sideshow as the ‘D-Day Dodgers’ fought their way through Italy to the Alps against a grinding defence and extreme weather. In a sequence of 200 wartime photographs Simon Forty sums up the major events of the conflict – from the landings on Sicily to the crossing of the Po. Commanded first by Sir Harold Alexander and then Mark Clark, the Allied armies (US Fifth and British Eighth) drew men not only from Britain, the United States, France and Poland but from all over the Commonwealth – from Australia, Canada, India, New Zealand and South Africa – as well as such other countries as Brazil, Czechoslovakia, Greece and Palestine. The devastation caused by the war in the cities, towns and countryside is part of the story, but perhaps the most powerful impression is made by the faces of the soldiers themselves as they look out from the Italian front of so long ago.
A pictorial history of the British Eighth Army’s campaigns in Egypt, Libya, and Tunisia during World War II. The British Eighth Army, which played a decisive role in defeating the Axis in North Africa, was one of the most celebrated Allied armies of the Second World War, and this photographic history is the ideal introduction to it. The carefully chosen photographs show the men, weapons, and equipment of the army during campaigns in Egypt, Libya, and Tunisia. The battles the army fought in the Western Desert in 1941 and 1942 are the stuff of legend, as is the second Battle of El Alamein when, under Montgomery, it defeated the German and Italian forces commanded by Rommel. With vivid insight into the fighting and the desert conditions, this book shows what a varied, multinational force the army was, for it brought together men from Britain and the British Empire and Commonwealth as well as Free French, Greeks, and Poles.
With rare wartime photography, this WWII history presents an in-depth look at one of the most grueling and vital battles of the Normandy campaign. After storming the beaches on D-Day, the US First Army labored to advance through the Norman bocage country in the west. The lethal struggle that developed there was a defining episode in the Normandy campaign, and this photographic history is a vivid introduction to it. The Germans mounted a tenacious defense from the high hedgerows. But the Americans adapted their tactics and brought in special equipment including bulldozers and tanks with hedgerow cutters to force their way through. In spite of appalling losses, First Army overcame their tactical problems and ground their way to Saint-L. Through a selection of over 150 carefully chosen and meticulously captioned wartime photographs, Simon Forty traces the course of the battle and gives the reader a graphic impression of the conditions, the terrain, and the experience of the troops.
A revealing and heartfelt memoir of a Pulitzer Prize–winning artist finding joy and inspiration after tragedy. In his critically acclaimed Rewrites, Neil Simon talked about his beginnings—his early years of working in television, his first real love, his first play, his first brush with failure, and, most moving of all, his first great loss. Simon's same willingness to open his heart to the reader permeates The Play Goes On. This second act takes the reader from the mid-1970s to the present, a period in which Simon wrote some of his most popular and critically acclaimed plays, including the Brighton Beach trilogy and Lost in Yonkers, for which he won the Pulitzer Prize. Simon experienced enormous professional success during this time, but in his personal life he struggled to find that same sense of happiness and satisfaction. After the death of his first wife, he and his two young daughters left New York for Hollywood. There he remarried, and when that foundered he remarried again. Told with his characteristic humor and unflinching sense of irony, The Play Goes On is rich with stories of how Simon's art came to imitate his life. Simon's forty-plus plays make up a body of work that is a long-running memoir in its own right, yet here, in a deeper and more personal book than his first volume, Simon offers a revealing look at an artist in crisis but still able and willing to laugh at himself.
“An interesting introductory read . . . [on] this infamous ‘bridge too far’ division” in the series that brings World War II battles to life (Classic Military Vehicle). After being held in reserve during the battle of Normandy and spending three months waiting for action, 1st Airborne played a leading role in Operation Market—the air component of Operation Market Garden, an audacious attempt by the Allies to bypass the Siegfried Line and advance into the Ruhr in September 1944. It was to be 1st Airborne’s last action of the war. Encountering more resistance than expected, including II SS Panzer Corps, the division landed too far from Arnhem bridge, and fought bravely but in vain. Held up en route, particularly at Nijmegen, XXX Corps’ advance to Arnhem stuttered and ran late. After nine days of fighting, 1st Airborne had lost 8,000 men around Arnhem when the survivors retreated across the Lower Rhine to safety. During those nine days, however, they had created a legend: first as the small unit under Lt-Col John Frost held the “bridge too far” and then as the Oosterbeek perimeter came under sustained attack waiting for XXX Corps to arrive. The Past & Present Series reconstructs historical battles by using photography, juxtaposing modern views with those of the past together with concise explanatory text. It shows how much infrastructure has remained and how much such as outfits, uniforms, and ephemera has changed, providing a coherent link between now and then.
Since 1960, a Broadway season without a Neil Simon play has been a rare one. For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities
From the Thurber Prize–winning author of New Teeth, hailed as “a triumph of sustained humor” (Sarah Lyall, New York Times Book Review), comes a hilarious and powerful collection of short stories chronicling the plight of aging millennials. Super Mario turns forty and is forced to “take-a stock” of his life and how “messed up it’s-a become.” Goliath struggles to control the media narrative in the lead-up to his death match against David, a small, beloved child. And a long-discarded participation trophy reminisces about the glorious field day in 1993, when he wound up in the arms of a jubilant, asthmatic Simon Rich. High-stakes and heartfelt, Glory Days mourns the death of youthful innocence and hails the beginning of something approximating wisdom.
Before packing away his robes, Simon Glustrom was a practicing rabbi for forty-three years. One of the compelling reasons for deciding to write a memoir was in response to the endless variety of questions about the interior life of a rabbi: Who influenced him to enter the rabbinate? Can a rabbi have religious doubts and still be true to his calling? Would he repeat such a rigorous life if he knew from the beginning the demands that would be made upon him? This book provides the reader with some uncommon answers. The author does not hesitate to reveal some of his lingering doubts, regrets and fears even as he refers with pride to his skills and strengths. Rabbi Glustrom reaches back to his early youth in Atlanta. He recalls some of the unheralded personalities who influenced him during his most impressionable years and impacted on his life in college, in rabbinical school and in the broader community. The author feels the need to sing on behalf of his unsung heroes. Much of this memoir deals with the human and spiritual problems the author encountered in a new suburban congregation in Fair Lawn, New Jersey where he served as the first rabbi. Nostalgically he recalls those pioneering years in the Fifties and documents some of the monumental changes that took place over four decades, including some of the unresolved crises, such as the problem of egalitarianism in synagogue life. Clergy and lay people will identify with much of the rich anecdotal material, from the humorous to the pathetic, that is so candidly expressed in this memoir.
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