Movie star Tom Stark sends his Hollywood A-list status into public free fall with an ill-judged comment to an LAPD cop. Ferdinand, the actor's long-standing Spanish-language dubber, is not only shocked by the TV news but realizes at once that his own future is ruined too ... unless he finds a way to salvage Tom's reputation. Ferdinand begins a frenetic pursuit of his celluloid twin. Success seems near but when the pair are finally united in the unlikely setting of a Californian New Age retreat, it appears that mañana may never come ... Pacy and darkly humorous, My Name is Ferdinand offers a unique sardonic spin on Hollywood and the American dream.
Over the last century a growing number of visual artists have been captivated by the entwinements of beauty and power, truth and artifice, and the fantasy and functionality they perceive in geographical mapmaking. This field of "map art" has moved into increasing prominence in recent years yet critical writing on the topic has been largely confined to general overviews of the field. In Mapping Beyond Measure Simon Ferdinand analyzes diverse map-based works of painting, collage, film, walking performance, and digital drawing made in Britain, Japan, the Netherlands, Ukraine, the United States, and the former Soviet Union, arguing that together they challenge the dominant modern view of the world as a measurable and malleable geometrical space. This challenge has strong political ramifications, for it is on the basis of modernity's geometrical worldview that states have legislated over social space; that capital has coordinated global markets and exploited distant environments; and that powerful cartographic institutions have claimed exclusive authority in mapmaking. Mapping Beyond Measure breaks fresh ground in undertaking a series of close readings of significant map artworks in sustained dialogue with spatial theorists, including Peter Sloterdijk, Zygmunt Bauman, and Michel de Certeau. In so doing Ferdinand reveals how map art calls into question some of the central myths and narratives of rupture through which modern space has traditionally been imagined and establishes map art's distinct value amid broader contemporary shifts toward digital mapping.
Movie star Tom Stark sends his Hollywood A-list status into public free fall with an ill-judged comment to an LAPD cop. Ferdinand, the actor's long-standing Spanish-language dubber, is not only shocked by the TV news but realizes at once that his own future is ruined too ... unless he finds a way to salvage Tom's reputation. Ferdinand begins a frenetic pursuit of his celluloid twin. Success seems near but when the pair are finally united in the unlikely setting of a Californian New Age retreat, it appears that mañana may never come ... Pacy and darkly humorous, My Name is Ferdinand offers a unique sardonic spin on Hollywood and the American dream.
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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