God! Has it come to this?" Meet Grace, white-haired, with dementia, being admitted to the daunting asylum with an unwelcome introduction from the student nurse. Then Percy, the crystal radio buff, with depression. Here is Harry, the Japanese ex-POW, whose bath-time is a re-living of battles fought and Walter, with the dodgy and less than faithful, girl-friend. What about Tom, who is getting secret signs from both the Newscaster on the BBC as well as the landlady of the local pub, or Betty who won't fit in the coffin, and needs a bit of encouragement? But also meet Stuart, the very novice student nurse fearfully working on nights, standing there being strangled, not knowing what to do, or trying to come to grips on his first day on the ward with shaving a corpse. Learn about what goes on in the long asylum corridor & how to survive the laws of the asylum jungle. Stuart has to rely on information from the unlikeliest of sources, the Social Club hard drinkers. Asylum Bound is a wild weird walk through the experiences of a student nurse as he enters the unknown world of the mental "asylum" of the 1970s. It is a bizarre world, a world of terrible extremes. Within this odd place there are Hogarthian characters of varying chaotic hues, some aggressive, some sad, some disturbed and some institutionalised, both patients and staff. It is in this strange world that Stuart begins to understand the origins of psychiatry and its terrible treatments, including lobotomies, E.C.T., insulin shock and even aversion therapy for underwear snatchers. He has to learn about schizophrenia and bipolar disorder, new and frightening conditions that had new and frightening treatments and outcomes. But he finds an asylum coming to the end of any usefulness it might ever once have had. The patients are leaving, the staff are changing, and, thank God, the abuses are declining. It is a different world from anything he has experienced before. It is a very new world. It is a life-changing revelation. For Stuart, what started as a novelty, progressed to fascination and was to end in tragedy. It was the start of a long psychiatric nursing career. It is, sadly, all true.
Fundamental changes to the social security system took effect in April 2002. The Government is committed to reforming the welfare system and two new Government departments - the Department for Work and Pensions and the Department of Education and Skills - aim to bring about great changes in social security access and procedure. This revised third edition has been completely updated to reflect those changes, offering comprehensive coverage of all social security and state benefit issues.
Tolley's Social Security and State Benefits consolidates, in one volume, all the information you need to know on this complex subject.It provides you with a well organised, logically laid out looseleaf, which allows you to find the information you want quickly and easily. With information about jobseekers allowance, income support, pensions, health and medical care and much more, you can be guaranteed to have all the advice and guidance you will ever need at your fingertips. An essential reference tool for benefit rights officers, DWP departments, personnel managers, accountants, lawyers and franchise clerks.Three issues per year; invoiced separately on publication.
Although Britain’s formal imperial role in the smaller, oil-rich sheikdoms of the Arab Gulf – Kuwait, Bahrain, Qatar and the United Arab Emirates – ended in 1971, Britain continued to have a strong interest and continuing presence in the region. This book explores the nature of Britain’s role after the formal end of empire. It traces the historical events of the post-imperial years, including the 1973 oil shock, the fall of the Shah in Iran and the beginnings of the Iran-Iraq War, considers the changing positions towards the region of other major world powers, including the United States, and engages with debates on the nature of empire and the end of empire. The book is a sequel to the authors’ highly acclaimed previous books Britain's Revival and Fall in the Gulf: Kuwait, Bahrain, Qatar, and the Trucial States, 1950-71 (Routledge 2004) and Ending Empire in the Middle East: Britain, the United States and Post-war Decolonization, 1945-1973 (Routledge 2012).
This reader presents over seventy case studies of policy making in Whitehall and Westminster, combining newspaper coverage, official documents, academic analysis and the recollections of participants. Simon James demonstrates the various ways in which policy originates, the way it is shaped within Whitehall, the different modes of parliamentary control, and the problems of implementation and policy review. He illustrates civil servants' part in developing policy, ministers' relations with their departments and their colleagues, and the role of the prime minister and cabinet. Case studies help to examine cabinet committees, the influence of pressure groups and select committees as well as the consequences of independent inquiries, the impact of the European Community and the restraining power of parliament and the courts. The case studies range from national controversies such as the pits closure crisis and the "Satanic Verses" affair, through to the hidden side of policy making including deals struck with pressure groups in Whitehall conference and wrangling in Brussels over the tax on whisky. Designed as a textbook for A-level students and undergraduates, "Policy Making in the British Government" provides a broad range of source material and analysis that will be of value to students of British politics, policy making and political institutions.
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
In April 1859, at age fifty, Shinohara Chūemon left his old life behind. Chūemon, a well-off farmer in his home village, departed for the new port city of Yokohama, where he remained for the next fourteen years. There, as a merchant trading with foreigners in the aftermath of Japan’s 1853 “opening” to the West, he witnessed the collapse of the Tokugawa shogunate, the civil war that followed, and the Meiji Restoration’s reforms. The Merchant’s Tale looks through Chūemon’s eyes at the upheavals of this period. In a narrative history rich in colorful detail, Simon Partner uses the story of an ordinary merchant farmer and its Yokohama setting as a vantage point onto sweeping social transformation and its unwitting agents. Chūemon, like most newcomers to Yokohama, came in search of economic opportunity. His story sheds light on vital issues in Japan’s modern history, including the legacies of the Meiji Restoration; the East Asian treaty port system; and the importance of everyday life—food, clothing, medicine, and hygiene—for national identity. Centered on an individual, The Merchant’s Tale is also the story of a place. Created under pressure from aggressive foreign powers, Yokohama was the scene of gunboat diplomacy, a connection to global markets, the birthplace of new lifestyles, and the beachhead of Japan’s modernization. Partner’s history of a vibrant meeting place humanizes the story of Japan’s revolutionary 1860s and their profound consequences for Japanese society and culture.
This book offers an in-depth understanding of the unique challenges and contributions of urban primary schools. The authors set urban education in the wider social context of structural disadvantage, poverty, oppression and exclusion, and reassert some critical urban educational concerns. Recognising that practice needs to be informed by theory, they provide a strong theoretical framework alongside contemporary ethnographic data. Drawing on their extensive experience in urban primary schools, as well as numerous case studies, the authors present a fresh and stimulating view of urban primary schools which will inspire education professionals and academics alike. The Urban Primary School is essential reading for teachers and trainee teachers in urban primary schools, as well as for students of education, policy-makers, parents and school governors.
Drawing on exclusive and unprecedented access to David Hockney’s extensive archives, notebooks, and paintings, interviews with family, friends, and on Hockney himself, Christopher Simon Sykes provides a colorful and intimate portrait of one of the most influential artists of the twentieth century. Born in 1937, David Hockney grew up in a northern English town during the days of postwar austerity. By the time he was ten years old he knew he wanted to be an artist, and after leaving school he went on to study at Bradford Art College and later at the Royal College of Art in London. Bursting onto the scene at the Young Contemporaries exhibition, Hockney was quickly heralded as the golden boy of postwar British art and a leading proponent of pop art. It was during the swinging 60s in London that he befriended many of the seminal cultural figures of the generation and throughout these years Hockney's career grew. Always absorbed in his work, he drew, painted and etched for long hours each day, but it was a scholarship that led him to California, where he painted his iconic series of swimming pools. Since then, the most prestigious galleries across the world have devoted countless shows to his extraordinary work. In the seventies he expanded his range of projects, including set and costume design for operas and experiments with photography, lithography, and even photocopying. Most recently he has been at the forefront the art world's digital revolution, producing incredible sketches on his iPhone and iPad, and it is this progressive thinking which has highlighted his genius, vigor and versatility as an artist approaching his 75th birthday. In this, the first volume of Hockney’s biography, detailing his life and work from 1937 - 1975, Sykes explores the fascinating world of the beloved and controversial artist whose career has spanned and epitomized the art movements of the last five decades. "The timing couldn't be better for this enjoyable and well-sourced book, which — like Hockney's own work — is both conversational and perceptive." —Los Angeles Times "To read Christopher Simon Sykes' David Hockney is to marvel at the artistic gifts of the eccentric Yorkshireman who rose from a sometimes pinched childhood to hobnob with poet Stephen Spender and novelist Christopher Isherwood, to party with Mick Jagger and Manolo Blahnik." —The Plain Dealer "Prodigiously entertaining." —Financial Times “A chatty, knowledgeable, insider's biography, full of anecdotes.” —The Guardian
Providing a lively critical survey of methods for historical research at all levels, this textbook covers well-established sources and methods together with those that are less widely known. It reflects current theoretical and technical approaches to hist
This powerful and original book locates the anti-police violence that spread across England in 1980-1 within a longer struggle against racism and disadvantage faced by black Britons, which had seen a growth in more militant forms of resistance since the Second World War. It explains these disturbances as ‘collective bargaining by riot’ – attempts to increase political inclusion by this marginalised group. Through case studies of Bristol, Brixton and Manchester, the book explores the actions of community organisations in the aftermath of disorders. Highlighting the political activities of black Britons and the often-problematic reliance upon ‘official’ sources when forming historical narratives, it demonstrates the contested value awarded to public inquiries – contrastingly viewed by black Britons as either a method for increased political participation or simply a governmental diversionary tactic.
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