King Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.
“A history of “secular,” or non-supernatural, or entertainment magic as an important but neglected constituent of modern culture” (Nicholas Daly). Magic, Simon During suggests, has helped shape modern culture. Devoted to this deceptively simple proposition, During’s superlative work, written over the course of a decade, gets at the aesthetic questions at the very heart of the study of culture. How can the most ordinary arts—and by “magic,” During means not the supernatural, but the special effects and conjurings of magic shows—affect people? Modern Enchantments takes us deeply into the history and workings of modern secular magic, from the legerdemain of Isaac Fawkes in 1720, to the return of real magic in nineteenth-century spiritualism, to the role of magic in the emergence of the cinema. Through the course of this history, During shows how magic performances have drawn together heterogeneous audiences, contributed to the molding of cultural hierarchies, and extended cultural technologies and media at key moments, sometimes introducing spectators into rationality and helping to disseminate skepticism and publicize scientific innovation. In a more revealing argument still, Modern Enchantments shows that magic entertainments have increased the sway of fictions in our culture and helped define modern society’s image of itself. Praise for ModernEnchantment “During documents the extent to which magic and magical thinking have pervaded, and continue to pervade, secular life . . . the author examines 19th- and 20th-century theatrical magic and “commercial conjuring” with great sensitivity to the social and cultural context in the Western world. Equally fascinating is the analysis of magic and early film.” —R. Sugarman, Choice “A richly informed, warmly argued addition to the growing number of books in which writers worry at the pervasive blurring of distinctions between act and appearance, organic consciousness and artificial intelligence, imagination and empirical experience, illusion and thought, reality TV and real life, dreams and money.” —Marina Warner, Financial Times “During moves confidently across three centuries of magic (and covers aspects of a few more besides). The sheer wealth of historical detail he provides is impressive, but no less impressive is the subtlety of his argumentation, and the suggestiveness of his claims . . . This extremely significant piece of work will appeal to literary critics, historians, and not least, devotees of magic.” —Nicholas Daly, author of Modernism, Romance, and the Fin de Siècle: Popular Fiction and British Culture, 1880–1914
A truly groundbreaking collaboration of original theatre history with exciting literary criticism, Shakespeare in Parts is the first book fully to explore the original form in which Shakespeare's drama overwhelmingly circulated. This was not the full play-text; it was not the public performance. It was the actor's part, consisting of the bare cues and speeches of each individual role. With group rehearsals rare or non-existent, the cued part alone had to furnish the actor with his character. But each such part-text was riddled with gaps and uncertainties. The actor knew what he was going to say, but not necessarily when, or why, or to whom; he may have known next to nothing of any other part. Starting with a comprehensive history of the part in early modern theatre, Simon Palfrey and Tiffany Stern's work provides a unique keyhole onto hitherto forgotten practices and techniques. It not only discovers a newly active, choice-ridden actor, but a new Shakespeare.
London, 1910: young Adam Raine’s impoverished childhood becomes even darker when his mother is killed in a workers’ protest march. His grieving father, Daniel, seeks a second chance for them in a coal mining town, where he begins working for the miners’ union. But tensions escalate between the miners and their employer, Sir John Scarsdale, and finally explode with tragic consequences. In the aftermath, Adam is brought into the opulent Scarsdale family home where Sir John’s son subjects Adam to a succession of petty cruelties for daring to step above his station. When, despite everything, Adam finds love with the beautiful parson’s daughter and wins a scholarship to Oxford, he starts to feel that his life is finally coming together—until the outbreak of war threatens to tear everything apart. Inspired by the real-life war experiences of the author’s grandfather J.R.R. Tolkien, No Man’s Land delivers a Dickensian, page-turning novel of Edwardian England and World War I.
A USA Today bestseller from the author of The First Christmas of the War and its sequels: July 1-3, 1863: The famed Battle of Gettysburg turns the tide of the Civil War, but not before approximately 50,000 soldiers from both sides become casualties during those three terrible days of carnage. June 29-July 4, 1913: To commemorate the 50th anniversary of The Battle of Gettysburg, more than 50,000 Civil War veterans ranging in age from 61 to more than 100 years old converge on the scene of that titanic battle half a century earlier in an occasion of healing that was known as the Great Reunion. Abraham Lincoln had incorrectly surmised in his famed Gettysburg Address that "the world will little note nor long remember what we say here" four months after the battle itself, but those very words could well be said about the Great Reunion that occurred half a century later. Though at the time the 1913 gathering was a widely anticipated, momentous commemoration with 50,000 spectators joining the 50,000 veterans, the grandest of all gatherings of Civil War veterans has been all but forgotten in the nearly 100 years since that occasion. Until now. GETTYSBURG, 1913: THE COMPLETE NOVEL OF THE GREAT REUNION (originally published as a 3-part serialized novel) _______ Travel back in time to meet and spend the occasion of the Great Reunion with the following unforgettable characters in this meticulously researched tale: Doctor Samuel Chambers, a young unmarried Philadelphia physician thrust into great responsibility as Pennsylvania's chief planner of medical and aid facilities for more than 50,000 Civil War veterans, averaging 70 years of age...all of whom will be spending the duration of The Great Reunion encamped in outdoor tents under temperatures expected to approach or even exceed 100 degrees. Louisa May Sterling, a Gettysburg nurse and the young widow of a West Point-educated Army officer whose untimely death from typhoid left her alone with only her son Randall for companionship...but for whom The Great Reunion opens up an unexpected second chance at happiness when she meets Samuel Chambers. Angus Findlay, now just past his 85th birthday but during the Battle of Gettysburg a dashing cavalry officer serving with the Army of Northern Virginia directly under the legendary J.E.B. Stuart...and who became a leading figure in Virginia politics during Reconstruction. Chester Morrison, a classic Gilded Age Titan of Industry (and recent widower) from Philadelphia who decades earlier had been a green private facing battle for the first time at Gettysburg. Edgar and Johnny Sullivan, brothers from Illinois who had been members of the Union Cavalry Division that arrived at Gettysburg the day before the battle began. Years later, the Sullivans became allies of the Earp brothers in Tombstone and were first-hand witnesses to the evolution of Arizona from the Old West to the early 20th century. Ned Tomlinson, a Confederate veteran from Norfolk, Virginia who lost his left leg during the ill-fated assault known ever since as Pickett's Charge before being taken prisoner by the Yankees. John K. Tener, the real-life Governor of Pennsylvania - born in County Tyrone, Ireland, only weeks after the Battle of Gettysburg - who was a former Major League baseball player and under whose leadership The Great Reunion was planned and held.
* Don't miss 'THE CHEMISTRY OF DEATH' TV SERIES - now streaming on Paramount+ * Adapted from The Chemistry of Death and Written in Bone - starring Harry Treadaway as Dr David Hunter 'Atmospheric . . . a tense, gripping read' Sunday Times It's not the dead we need to fear. . . Top forensics expert Dr David Hunter is facing an uncertain future - his career hangs in the balance and his personal life has taken a turn for the worse. So when he gets a call from Essex police, it comes at the perfect time. A badly decomposed body has been found in the mudflats and salt marshes of the Backwaters. Could it be linked to two unsolved missing-person cases? But as these desolate wetlands begin to give up their grisly secrets, more remains are discovered. With its eerie, claustrophobic sense of place, authentic forensics and explosive, heart-in-mouth moments, The Restless Dead is a masterclass in crime fiction.
From the invention of the telegraph to the discovery of X rays, Simon has created a revealing portrait of an anxious age when Americans welcomed electricity into their bodies even as they kept it from their homes.
While the advent and structure of electronic mail has been discussed in web caucuses, newspapers, hypertext theory, and communication theory, it has not yet been considered in conjunction with epistolary scenarios in film, art, and literature. To address this gap, Mail-Orders explores the status of the epistolary form at the end of the twentieth century and its connections to feminist criticism, literary theory, and postmodernism. One of the first works to consider electronic mail in relation to the history of epistolary fiction, Mail-Orders concerns itself with individual letters, as well as fiction written in letter form, and widens the debate on the often postulated "death of letters" by considering the epistolary connections between the eighteenth and twentieth centuries' systems of communication and representation.
A thoroughly revised edition of the successful student text Doing Shakespeare, first published in 2005. The book's success lies in the close readings of speeches and scenes it gives students, demystifying the language of the plays and critical approaches to them. This new edition introduces a new way of approaching Shakespeare's text, through ideas of performance and the actor's role and restructures the content to make it easier to navigate, with clear signposting throughout, guiding students to the content most useful to them. Simon Palfrey takes a direct approach to the common difficulties faced by students "doing" Shakespeare and tackles them head-on in a no-nonsense style, making the book especially accessible. He brings us much closer to the animate life of the plays, as things that are not finished monuments but living material, in process and up for grabs, empowering students to see opportunities for their own creative or re-creative readings of Shakespeare.
Simon Russell Beale is one of Britain's most recognisable and well-loved actors. He has played many roles on stage, film, television and radio - ranging from Winston Churchill to Stalin, George Smiley to King Arthur. But ever since his appearance at school as a glamorous Desdemona, complete with false eyelashes that rendered him half-blind, he has been captivated by Shakespeare. In A Piece of Work, Russell Beale tries to get under the skin of the playwright and find out what interested him. Was Shakespeare an instinctive 'conservative' or, rather, gently subversive? How collaborative was he? Did he add a line to Hamlet in order to accommodate his ageing and increasingly chubby principal actor, Richard Burbage? Did he suffer from insomnia and experience sexual jealousy? Russell Beale describes what it is to approach and live with some of Shakespeare's most famous characters. Some of the actor's inspiration comes from surprising sources. Watching Coronation Street gave him an idea for how Richard III might react on hearing of the death of the two Princes in the Tower; a visit to elderly patients in a local hospital gave him insights into King Lear's descent into madness; and the memory of childhood family holidays led him to a spectacular plunge into an ornamental pool in Much Ado About Nothing. Funny and touching about his family, Russell Beale also writes fascinatingly about some of the supremely creative people he counts as his friends - including Sam Mendes, Nick Hytner, Stephen Sondheim and Lauren Bacall. A Piece of Work is a brilliant account of an actor's life and work - and his relationship with our foremost dramatist.
One of the most important characteristics of tragic drama--as of psychoanalysis-- is the focus on the family. Dr. Bennett Simon here provides a psychoanalytic reading of Aeschylus' Oresteia, Euripedes' Medea, Shakespeare's King Lear and Macbeth, O'Neill's Long Day's Journey into Night, and Beckett's Endgame, six plays from ancient to modern times which involve a particular form of intrafamily warfare: the killing of children or of the possibility of children.
The reign of Æthelred 'the Unready' (978-1016) is known to us mainly from a series of annals in the Anglo-Saxon Chrolicle, written at or after its close and accordingly conveying an impression of gathering doom as Viking armies ravaged the country and eventually, under the leadership of Swein Forkbeard and Cnut, brought about its conquest. Dr Keynes is here concerned to establish what light the royal diplomas issued in King Æthelred's name throw on this unhappy and notorious period. He first considers the general issues that bear directly on the value of royal diplomas as historical evidence for all periods of Anglo-Saxon history, discussing the circumstances under which these documents have been preserved, the techniques available for their criticism, and the arrangements that existed for their production. He then demonstrates how a detailed analysis of Æthelred's diplomas can transform our understanding of this troubled reign. On a practical level they provide invaluable evidence on the operation of royal government, and on a personal level they afford a remarkable insight into the relations between the king and his councillors, suggesting a picture of political manoeuvring and court intrigue which compensates for the chronicler's emphasis on the struggle against the marauding Vikings. By placing the familiar account of incessant warfare in the context of these domestic affairs it becomes possible for the first time to see the reign in its true perspective.--
Louvish's research cements West's reputation as the definitive siren of suggestion, without whom there would never have been any Sex and the City." ---Publishers Weekly
Widely acknowledged as the essential reference work for this period, this volume brings together more than 700 articles written by 150 top scholars that cover the people, places, activities, and creations of the Anglo-Saxons. The only reference work to cover the history, archaeology, arts, architecture, literatures, and languages of England from the Roman withdrawal to the Norman Conquest (c.450 – 1066 AD) Includes over 700 alphabetical entries written by 150 top scholars covering the people, places, activities, and creations of the Anglo-Saxons Updated and expanded with 40 brand-new entries and a new appendix detailing "English Archbishops and Bishops, c.450-1066" Accompanied by maps, line drawings, photos, a table of "English Rulers, c.450-1066," and a headword index to facilitate searching An essential reference tool, both for specialists in the field, and for students looking for a thorough grounding in key topics of the period
The Bumper Book of Slightly Forgotten British Olympians and Other Sporting Heroes is just that: a collection of stirring tales of pluck, grit, triumph, disaster and on occasion, ineptitude, featuring a host of former sportspeople who've been utterly forgotten by history. From Maude Waveney, the plucky servant girl who bravely took half a day off work scrubbing kitchen floors to win a gold medal folding bedsheets in the first London games, to Tom Drake, Dressage's first punk, who shocked the sport with his slashed jacket and swear words on his hat.There's the tale of the Lincolnshire javelin thrower who fell under the spell of a cult devoted to the eating of egg and chips; of the mascot of Bexhill-on-Sea's ill fated bid to host the Olympics and "Ample" Arthur Cartwright, whose football career was blighted by an obsession with archaeology. They, and many others, all have a story to tell.
In his national bestseller, Soccernomics, Simon Kuper pioneered a new way of looking at soccer, the world’s most popular game, through his witty and meticulous use of data. In Soccer Men, Kuper explores the heart and soul of the sport by getting up close and personal with soccer’s greatest players and coaches. An inquiry into the genius and hubris of the modern game, Soccer Men details the lives of international stars such as Arsène Wenger, Jose Mourinho, Josep Guardiola, Lionel Messi, Wayne Rooney, and David Beckham, describing their upbringings, the soccer cultures they grew up in, the way they play or coach, and the baggage they bring to their relationships at work. In this updated edition, Kuper profiles Hope Solo, Raymond Domenech, Andrea Agnelli, Robin van Persie, Carlo Ancelotti, and more. He also provides a brilliant comparison of two tales of immigrant life: Philip Roth’s Portnoy’s Complaint and the autobiography of Swedish striker Zlatan Ibrahimovic.
Nineteenth-century America witnessed some of the most important and fruitful areas of intersection between the law and humanities, as people began to realize that the law, formerly confined to courts and lawyers, might also find expression in a variety of ostensibly non-legal areas such as painting, poetry, fiction, and sculpture. Bringing together leading researchers from law schools and humanities departments, this Companion touches on regulatory, statutory, and common law in nineteenth-century America and encompasses judges, lawyers, legislators, litigants, and the institutions they inhabited (courts, firms, prisons). It will serve as a reference for specific information on a variety of law- and humanities-related topics as well as a guide to understanding how the two disciplines developed in tandem in the long nineteenth century.
Confused by all the brouhaha surrounding stock options? Let expert Alan Simon demystify this often-confusing investment vehicle for you. If you’re like the majority of the estimated 12 million employees in the U.S. who have stock options as a key component to their compensation packages, you have a vague notion, at best, of how options work and what they can mean to your financial well being. What’s the vesting schedule for your shares and how will their strike price be set? What type of stock option grant will you receive, an ISO (incentive stock option) or an NQSO (non-qualified stock option)? What tax rules apply to your option program? Your financial future could depend on your knowing the answers to these and other questions regarding your company’s stock option plan. Featuring clear explanations of how your stock options might make you money—or not—this friendly guide fills you in on what you need to know to: Understand different types of stock options Read and find traps in your stock option agreement Evaluate the pros and cons of company investment vehicles Assess vesting schedules and tax laws Tap Web resources Simon demystifies the jargon, rules, and tax consequences of stock options. He provides a realistic picture of what to expect from your options, and he helps you see past the hype to understand what your employer is really offering. Important topics covered include: What you need to know before accepting a compensation package that includes options Developing a stock option philosophy and clear-cut goals Knowing whether you’re being treated fairly by your company Making sense of the language of stock options agreements Getting a handle on key restrictions on how you exercise your options Stock option valuation Tax rules and how they apply to different types of options How stock options can be affected by changes at your company Stock Options For Dummies is the only guide you’ll need to get the most out of this important investment vehicle.
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