Simon Callow traces his life as a stage actor, from the letter he wrote to Laurence Olivier that led him to his first job, to his triumph as Mozart in the original production of 'Amadeus'.
When Simon Callow met the Yugoslav film director Dusan Makavejev to discuss his new film Manifesto, they both greatly looked forward to working together. Only months later the two were barely speaking. A companion volume to Being An Actor, Shooting the Actor is a funny and disastrous account of a film made in the former Yugoslavia, together with new essays on film and film acting including Callow's work in Amadeus and Four Weddings and a Funeral. Shooting the Actor reveals more about the process of filmmaking and the highly complex nature of the role of both actor and director than any formal guide could ever provide.
The reason for the decline of Orson Welles's career is a hotly debated issue, but decline it certainly did. When Citizen Kane, his first film, opened in 1941, Welles was universally acclaimed as the most audacious filmmaker alive. But instead of marking the beginning of a triumphant career in Hollywood, the film still regularly voted the greatest ever made proved to be an exception in Welles's life and work. In 1947 Welles left America for Europe and lived for the best part of twenty years in self-imposed exile. Welles himself famously quipped 'I started at the top and worked my way down' - the second volume of Simon Callow's compelling biography tells the story of that complex and protracted descent from grace.
A short biography of Charles Dickens by acclaimed actor and writer Simon Callow that offers a fresh perspective on one of the greatest novelists in the English language in a lively, highly readable account. "It has all the gusto that a popular biography of Dickens—a man who “could do nothing by halves”—should possess. . . . The best biography for Dickens newcomers and a wonderful read for all."—Library Journal Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances in pubs to his legendarily powerful reading tours, Dickens was fanatical about the stage. Callow reveals Dickens’s genius on and off the page and offers a compelling insight into a life that was driven as much by performance and showmanship as by literature.
A new edition of the classic book for actors starting their careers, with new material Few actors have ever been more eloquent, more honest, or more entertaining about their life and their profession than Simon Callow, one of the finest actors of his time and increasingly one of the most admired writers about the theater. Beginning with the letter to Laurence Olivier that produced his first theatrical job to his triumph as Mozart in the original production of Amadeus, Callow takes us with him on his progress through England's rich and demanding theater: his training at London's famed Drama Centre, his grim and glorious apprenticeship in the provincial theater, his breakthrough at the Joint Stock Company, and then success at Olivier's National Theatre are among the way stations. Callow provides a guide not only to the actor's profession but also to the intricacies of his art, from unemployment--"the primeval slime from which all actors emerge and to which, inevitably, they return"--to the last night of a long run.
Simon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy--a fresh take for seasoned acolytes and the perfect introduction for new fans. Richard Wagner's music dramas have never been more popular or more divisive. His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.
When he turned sixty-five, playwright Simon Gray began to keep a diary in which he reflected on a life filled with cigarettes (continuing), alcohol (stopped), several triumphs and many more disasters, shame, adultery, friendship and love. Bringing together the four parts of The Smoking Diaries (The Smoking Diaries, The Year of the Jouncer, The Last Cigarette, and Coda) this beautiful volume is filled with comedy and serious reflection, sharp observation and painful self-disclosure. A brilliant and moving account of life's unsteady progress, it takes the reader to the heart of one man's brilliant struggle towards some kind of personal truth.
Simon Callow, the celebrated author of Orson Welles, delivers a dazzling, swift, and accessible biography of the musical titan Richard Wagner and his profoundly problematic legacy--a fresh take for seasoned acolytes and the perfect introduction for new fans. Richard Wagner's music dramas have never been more popular or more divisive. His ten masterpieces, created against the backdrop of a continent in severe political and cultural upheaval, constitute an unmatched body of work. A man who spent most of his life in abject poverty, inspiring both critical derision and hysterical hero-worship, Wagner was a walking contradiction: belligerent, flirtatious, disciplined, capricious, demanding, visionary, and poisonously anti-Semitic. Acclaimed biographer Simon Callow evokes the intellectual and artistic climate in which Wagner lived and takes us through his most iconic works, from his pivotal successes in The Flying Dutchman and Lohengrin, to the musical paradigm shift contained in Tristan and Isolde, to the apogee of his achievements in The Ring of the Nibelung and Parsifal, which debuted at Bayreuth shortly before his death. Being Wagner brings to life this towering figure, creator of the most sublime and most controversial body of work ever known.
Few major artists have aroused the ire and adulation of successive generations as persistently as Richard Wagner. He was the centre of controversy during his lifetime and yet, when he died, he was the most idolized man in Germany. The situation has not changed much since then. Simon Williams explores the reasons for this adulation and antipathy by examining an aspect that may be a fundamental cause for this radical division in the reception of Wagner's work, the phenomenon of heroism. Williams analyses this heroism as a function of Wagner's theatre and music, beginning with a definition and examination of the concept of the heroic. The book also discusses all thirteen stage works by Wagner and the phenomenon of heroism and Wagner's adaptation of the figure of the Romantic hero. Williams offers a theatrical, musical, and cultural re-evaluation of one of the most enduring figures in the arts.
Believable characters and the warmth of Green's writing bring light to a difficult topic" - Observer In the margins of a book's pages, sparks fly as a teenage romance begins. But in this time and place, sparks like these can only ignite trouble. It's 1994 and thanks to Section 28, there can be no mention of gay relationships in UK schools. When a kind librarian leads Jamie to a disguised novel in the library that reflects his own confused feelings towards boys, Jamie sees that he's not the only one who has checked the book out. Will Jamie and this mystery boy have the courage to meet - and if they do, what will it take to hold on to each other? A timely - and timeless - story of forbidden love by one of the UK's most beloved authors of teen LGBTQ+ fiction Filled with Simon James Green's distinctive brand of humour making this an important but also very enjoyable read! Perfect for fans of books such as They Both Die At the End, Afterlove and Young Mungo, as well as dramas like It's a Sin, Close, and Blue Jean.
(Applause Books). "I find John's critical writing immensely entertaining even when I'm not in agreement... He has the gift, such a rare one, of being able to analyze the work in question, to be able to say why it is that it's so powerful, so touching; or, on the other hand, so trite, so meretricious, or so banal... I find his reviews full of insights and perceptions that make reading a collection of this sort as exciting as reading a gripping novel. John's wit is dazzling and is never displayed for its own sake, but to drive home an aspect of the review... It was exciting for me to read through this collection and see such warm praise for so many films that I feel have been unjustly ignored." Bruce Beresford
One of the seminal groups of the Eighties, The Smiths' career was as brilliant as it was brief. Now, drawing on interviews with band members, producers, and colleagues, music journalist Simon Goddard presents a meticulous chronological survey of the group's musical evolution, from their first demos in 1982 to their final fractured studio session five years later. Investigating the stories behind the songs, and detailing every British TV and radio session, he also offers a unique analysis of each track's concert life. Granted unprecedented access to The Smiths' studio archives and to the private collection of outtakes and rehearsals retained by drummer Mike Joyce, the author lifts the lid on unreleased material as well as the lost songs and alternate versions that have remained closely guarded secrets until now.
First published in 1997, this volume will revolutionise the study of watercolour painting in Britain. The Royal Watercolour Society archive constitutes a major academic resource covering two hundred years of the history of watercolour painting in Britain. The rediscovery in 1980 of ‘the Jenkins Papers’, the early records of the Society, was a major find for the history of British art. The archives are substantial and remarkably comprehensive. Minutes of annual general meetings, Council and committees, are all intact; extraordinarily, the Society’s catalogues for its own exhibitions have also survived, with details of who bought the pictures and for how much. It contains biographical information on several hundred artists who practised throughout the United Kingdom from the end of the eighteenth century to the present day. Prepared by the archivist to the RWS, Simon Fenwick, this is not just a work of reference, but an absorbing book to dip into again and again. The Society of Painters in Water Colours, as it was then titled, was founded in 1804 to promote the interests of painters using watercolour and to provide a platform for members to sell their work. As such, its archives provide an excellent insight into the evolving debate on the status of the artists and their medium, and an authoritative account of the way in which watercolour paintings were sold, distributed and acquired. The substantial introduction by Greg Smith surveys some of the purposes and practices of watercolour from 1750 to the present day and highlights key issues, many yet to be examined, relating to the study of watercolour. His survey is arranged around a number of topics including the notion of watercolour as a British art, collecting and display, book illustration, architectural drawing, map-making and topography, antiquarian studies, decorative arts, printmaking, portrait miniatures and drawings, amateur practices and the changing status of the sketch.
The 2018 Edition of the Complete & Independent Guide to the Eurovision Song Contest is the 11th edition of this book and as usual it's packed with statistical details of every Contest since 1956 along with plenty of new analysis, over 337 pages, our biggest edition ever. The book looks at the national qualification competitions for 2018 and has an in-depth section on the entire voting history of each country, along with dozens of facts and statistics on this year's Contest and historical trends, including jury/public differences, bloc voting and analysis of where best to perform in the running order.
New methods are needed to do justice to Shakespeare. His work exceeds conventional models, past and present, for understanding playworlds. In this book, Simon Palfrey goes right to the heart of early modern popular drama, revealing both how it works and why it matters. Unlike his contemporaries, Shakespeare gives independent life to all his instruments, and to every fraction and fragment of the plays. Palfrey terms these particles 'formactions' - theatre-specific forms that move with their own action and passion. Palfrey's book is critically daring in both substance and format. Its unique mix of imaginative gusto, thought experiments, and virtuosic technique generates piercing close readings of the plays. There is far more to playlife than meets the eye. Influenced by Leibniz's visionary original model of possible worlds, Palfrey opens up the multiple worlds of Shakespeare's language, scenes, and characters as never before.
From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world. David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl. Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition—which includes a new introduction, an afterword, and photographs—revives this classic, riveting tale about the men who work on the dark side of the American experience.
The 7th annual edition. Details of all the Contests from 1956 to 2014, the performers, composers & writers. Full details of the national qualifying competitions, voting histories for each country, analysis of best and worst countries, who favours who and who doesn't, the best position in the running order to perform and lots more. The expanded Guide this year includes even more pages of facts, statistics and records, including a detailed round-by-round analysis of the votes to show how each country moved up and down the scoreboard during the voting. Also included are: Average age and gender of previous winners back to 1956, Seven year history of the language each country has performed their songs in, Analysis of the type of entry from each country this year, Worst semi-final runs since last qualifying for the Final, Analysis of the best and worst semi-finals to compete in, national spokespersons & order of announcing the votes. Every fact and statistic for devoted fans of Eurovision!
The idea of saints and sainthood are familiar to all, irrelevant of religious faith. In this Very Short Introduction, Simon Yarrow looks at the origins, ideas, and definitions of sainthood, sanctity, and saints in the early Church, tracing their development in history and explaining the social roles saints played in the ancient, medieval, and modern worlds. Along the way Yarrow considers the treatment of saints as objects of literary and artistic expression and interpretation, and as examples of idealised male and female heroism, and compares Christian saints and holy figures to venerated figures in other religious cultures, including Islam, Buddhism, and Hinduism. He concludes by considering the experiences of devotees to saints, and looking at how saints continue to be a powerful presence in our modern world. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
As a baby, Simon Gray discovered that he could move his pram while still nestling inside it. 'It was a complete mystery to the adult intelligences, how had he done it, if it was he who had done it, but if not he, who then and why? So the next afternoon they (Mummy and Nanny) planted the pram in the usual spot, and stood over it, watching - the baby lay there smiling or snivelling up at them, until it struck them that they should try observing the baby when unobserved by the baby, and they withdrew behind bushes and trees etc.; and thus witnessed the swaying of the pram, then the juddering of the pram, then its slow, unsteady progress along the path, the movement accompanied by a low humming and keening sound from within that reminded them more of a dog than a human ... "jouncing" was the word they used for it. I was a jouncer therefore.' In the second book of his chronicles of triumph and disaster which started with The Smoking Diaries, Gray intertwined scenes from his adult and his childish self to produce a brilliant and moving counterpoint of life's unsteady progress.
Discover heart-racing intrigue in this Thriller Short of romantic suspense. Originally published in LOVE IS MURDER (2013), edited by #1 New York Times bestselling author Sandra Brown. In this forceful Thriller Short, bestselling author William Simon opens the door on the inner workings of the FBI’s Violent Crimes Unit and answers this question—when the FBI needs help, who does it call? Outside consultant Nicholas White answers an FBI summons on a special-incident case. Three agents are dead—all killed in the line of duty protecting a special little girl who some of the worst people in the world are eager to acquire. Cyber technology alone won’t save this child. It’s up to Nicholas to determine what will and to work closely with his ex-wife to bring the child home. Don’t miss any of these Thriller Shorts from Love Is Murder: Diamond Drop by Roxanne St. Claire Cold Moonlight by Carla Neggers Poisoned by Beverly Barton Speechless by Robert Browne Lockdown by Andrea Kane Spider’s Tango by William Simon Night Heat by Laura Griffin B.A.D. Mission by Sherrilyn Kenyon Deadly Fixation by Dianna Love Hot Note by Patricia Rosemoor Last Shot by Jon Land & Jeff Ayers Grave Danger by Heather Graham Without Mercy by Mariah Stewart Even Steven by D.P. Lyle Dying to Score by Cindy Gerard The Number of Man by J.T. Ellison Hard Drive by Bill Floyd After Hours by William Bernhardt Blood In, Blood Out by Brenda Novak Wed to Death by Vicki Hinze The Honeymoon by Julie Kenner Execution Dock by James Macomber In Atlantis by Alexandra Sokoloff Break Even by Pamela Callow Dirty Down Low by Debra Webb Broken Hallelujah by Toni McGee Causey Holding Mercy by Lori Armstrong Vacation Interrupted by Allison Brennan I Heard a Romantic Story by Lee Child
Details of all the Contests from 1956 to 2011, the performers, composers & writers. Full details of voting histories for each country, analysis of best and worst countries, who favours who and who doesn't, and the best position in the running order to perform. Includes details of the qualification process for each nation's entry and lots more.
Everyone has the potential to change the world, but some are born to do it When Drue's beloved cat Will-C goes missing, she's unaware that his disappearance is the start of the greatest global conflict the world has ever known. The animal kingdom has declared war on mankind, and now domesticated creatures must choose who to fight for: Man or Beast. Cast into a world full of danger, but determined to rescue Will-C and bring him home, Drue starts out on a quest and makes an astonishing discovery: an ancient tribe of shape-shifters, who have lived in the shadows since the dawn of time, are about to play a key role in shaping the future - but can they save mankind? And what role is Drue herself about to play? The Savage Kingdomis an unforgettable tale about courage, hope, loyalty… and the unbreakable bond between a girl and her cat
Actors' Yearbook is an established and respected directory that enables actors to find work in stage, screen and radio. It is the only directory to provide detailed information for each listing and specific advice on how to approach companies and individuals, saving hours of further research. From agents and casting directors to producing theatres, showreel companies and photographers, Actors' Yearbook editorially selects only the most relevant and reputable contacts for the actor. Articles and commentaries provide valuable insight into the profession: auditions, interviews and securing work alongside a casting calendar and advice on contracts and finance. This is an incredibly useful professional tool in an industry where contacts and networking are key to career survival. The listings detailed in this edition have been thoroughly updated alongside fresh advice from industry experts.
Where do our everyday words come from? The bagel you eat for breakfast, the bumf you have to wade through at the office, and the bus that takes you home again: we use these words without thinking about their origins or how their meanings have changed over time. Simon Horobin takes the reader on a journey through a typical day, showing how the words we use to describe routine activities - getting up, going to work, eating meals - have surprisingly fascinating histories.
SHORTLISTED FOR THE BOOKER PRIZE The inspiration for the major motion picture The Affair, now available on demand. Cool. Balanced. Modern. The precisions of science, the wild variance of lust, the catharsis of confession and the fear of failure - these are things that happen in the Glass Room. High on a Czechoslovak hill, the Landauer House shines as a wonder of steel and glass and onyx built specially for newlyweds Viktor and Liesel Landauer, a Jew married to a gentile. But the radiant honesty of 1930 that the house, with its unique Glass Room, seems to engender quickly tarnishes as the storm clouds of WW2 gather, and eventually the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, and as it passes from hand to hand, from Czech to Russian, both the best and the worst of the history of Eastern Europe becomes somehow embodied and perhaps emboldened within the beautiful and austere surfaces and planes so carefully designed, until events become full-circle.
The world of the Roman Republic and Empire is still very much with us, alive and a key companion as we negotiate the trials and tribulations of modern life. We don't just walk in the footsteps of Romans great and small; we walk side by side with them. At its height in the second century AD the Roman Empire stretched across three continents, from Hadrian's Wall in the far north-west to the bustling port cities on the Red Sea, but its influence spread even further afield, with its legacy lasting to this day. In The Legacy of Rome, acclaimed historian Dr Simon Elliott sets off on a grand tour of the whole empire, reviewing each region in turn to show how the experience of being part of the Roman world still has a dramatic impact on our lives today. From wild Britannia, where the legacy of conquest still influences relationships with the Continent; to western Europe, where the language, church and even law can be traced back to antiquity; to schisms and war across central Europe and the Middle East that are directly rooted in the world of Rome – the result is a fascinating exploration of the reach of Rome beyond its borders and through time.
NEW YORK TIMES BESTSELLER • A magisterial world history unlike any other that tells the story of humanity through the one thing we all have in common: families • From the author of The Romanovs “Succession meets Game of Thrones.” —The Spectator • “The author brings his cast of dynastic titans, rogues and psychopaths to life...An epic that both entertains and informs.” —The Economist, Best Books of the Year Around 950,000 years ago, a family of five walked along the beach and left behind the oldest family footprints ever discovered. For award-winning historian Simon Sebag Montefiore, these poignant, familiar fossils serve as an inspiration for a new kind of world history, one that is genuinely global, spans all eras and all continents, and focuses on the family ties that connect every one of us. In this epic, ever-surprising book, Montefiore chronicles the world’s great dynasties across human history through palace intrigues, love affairs, and family lives, linking grand themes of war, migration, plague, religion, and technology to the people at the heart of the human drama. It features a cast of extraordinary diversity: in addition to rulers and conquerors, there are priests, charlatans, artists, scientists, tycoons, gangsters, lovers, husbands, wives, and children. There is Hongwu, the beggar who founded the Ming dynasty; Ewuare, the Leopard-King of Benin; Henry Christophe, King of Haiti; Kamehameha, the conqueror of Hawaii; Zenobia, the Arab empress who defied Rome; Lady Murasaki, the first female novelist; Sayyida al-Hurra, the Moroccan pirate-queen. Here too are moderns such as Indira Gandhi, Margaret Thatcher, Barack Obama, Vladimir Putin, and Volodymyr Zelensky. Here are the Caesars, Medicis and Incas, Ottomans and Mughals, Bonapartes, Habsburgs and Zulus, Rothschilds, Rockefellers and Krupps, Churchills, Kennedys, Castros, Nehrus, Pahlavis and Kenyattas, Saudis, Kims and Assads. These powerful families represent the breadth of human endeavor, with bloody succession battles, treacherous conspiracies, and shocking megalomania alongside flourishing culture, moving romances, and enlightened benevolence. A dazzling achievement as spellbinding as fiction, The World captures the whole human story in a single, masterful narrative.
This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a tripartite form rather than the more common bipartite form. Taking the Psalms of Ascents as a sample corpus of poetic texts, it identifies tricola on an explicit and consistent basis. It draws on the rhythmical-accentual approach of Eduard Sievers, and in so doing highlights an important but neglected aspect of his method. The concept of a "para-tricolon" is developed, designating a line that is tripartite, yet rhythmically equivalent to a conventional bicolon. Analyses of psalm structures and of the syntactic and semantic structures of each tripartite line facilitate an assessment of the function of, and characterization of, tripartite lines. The significance of enjambment is explored as a distinguishing factor between different line-forms and as a means of uniting non-parallel cola. The study demonstrates clear differences between the form and function of para-tricola and those of tricola, and so will facilitate a more nuanced and realistic appraisal of the functional significance of Hebrew poetic line-forms.
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