First published in 2001, Art and Copyright has established itself as a leading text in the field. Revised and updated, this third edition includes additional coverage of the following topics: - The relationship between designs law and artistic works; - EU and Brexit developments; - AI-created works; - graffiti and other non-conventional works; - blockchain and rights management; - orphan works; - new exceptions to copyright; and - digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art.
Centered around a reflective narrative recounting the experiences of a participatory action research project into leading online small groups for adults in the Church of Sweden Diocese of Stockholm during 2021 and 2022, the dissertation argues for the need to reconceptualize and reemphasize teaching as an important aspect in Christian religious education. Employing creative non-fiction methods, the dissertation aims to broaden the scope of the initial Online Small Groups project, by inviting readers to join into a "learning journey." The narrative account is complemented with more traditional forms of analysis that connect experiences from online small groups in the Church of Sweden to similar research from Anglo-Saxon countries, noting especially how notions of community diverge due to different ecclesiological understandings. Insights are then synthesized into eight teaching strategies aimed at communicating actionable knowledge to small group leaders, before noting how the study complements research on Christian religious education and, particularly, the current debate about learning and teaching in the Church of Sweden.
The last ten years have seen an extraordinary transformation in how business has to account for itself. Today, the air is thick with the buzz of corporate responsibility (CR) leaders, innovators and practitioners. Conferences and publications on the topic are in abundance: the tip of an iceberg that has become a fast-growth industry. Many of those companies and service providers most vocal in distancing themselves from early experimentation have proved the strongest advocates of sustainability reporting, often winning applause and coveted awards in the process. Even companies from controversial sectors such as alcohol, cigarettes and gambling have joined the party – running up bills of tens of millions of dollars in demonstrating their new-found faith for CR. It has not always been like this. As one of the architects of the burgeoning CR movement, Simon Zadek has always been a prolific writer and contributor of ideas. The evolution of his thoughts on new economics, corporate accountability, stakeholder dialogue, social and ethical auditing and reporting have attracted consistent attention – never more than today. In this unique anthology, Zadek crystallises his key work from the last decade into a coherent and fascinating whole, which, read together, provide a context, lens and early history lesson on how CR has become one of the defining business issues of the 21st century. The writings reflect Zadek's involvement with organisations such as the New Economics Foundation, a pioneer in the development of social auditing, sustainability indicators, community finance and much more. They illustrate his contribution in setting up the Ethical Trading Initiative, and AccountAbility (where he is presently the CEO), in working with companies such as The Body Shop and Ben & Jerry's through to Nike, BT and many other civil-society organisations. The book contains 33 pieces, which are split into six sections: "The Economics of Utopia"; "Civil Society, Power and Accountability"; "Accounting for Change"; "The Civil Corporation"; "Partnership Alchemy"; and "Responsible Competitiveness". It will be an invaluable resource for anyone wishing develop an understanding of why corporate responsibility is where it is today and where it might end up tomorrow.
TV Geek recounts the fascinating stories of cult-classic series, reveals the nerdy Easter eggs hidden in TV show sets, and demonstrates the awe-inspiring power of fandom, which has even been known to raise TV series from the dead. Subjects include: - How the live-action Star Wars TV show fell apart - The logistics and history of the crossover episode - The underrated geeky TV shows of the 1980s - The hidden details of Game of Thrones - Five Scandinavian crime thrillers that became binge hits - The Walking Dead, and the power of fandom TV series now have the same budgets, stars, audience figures and cultural impact as Hollywood movies, and TV Geek provides an insightful look at the fascinating history, facts and anecdotes behind the greatest (and not-so-great) shows. This is the ultimate, nerdy television guide for TV geeks everywhere.
With his own family convinced that he has become a menace and that humanity needs to be protected from him, Eddie Drood is on the run, forced to use every magical trick in the book to avoid capture and hoping he lives long enough to prove his innocence.
‘An epic new history . . . a work of epic scholarship, breathtaking range, and piercing originality’ Daily Express ‘An astonishing achievement of narrative history . . . I think the word is "magisterial".’ Spectator ‘Excellent, thorough, detailed and combatively argued.’ Sunday Times ______________________________________ Sing As We Go is an astonishingly ambitious overview of the political, social and cultural history of the country from 1919 to 1939. It explores and explains the politics of the period, and puts such moments of national turmoil as the General Strike of 1926 and the Abdication Crisis of 1936 under the microscope. It offers pen portraits of the era's most significant figures. It traces the changing face of Britain as cars made their first mass appearance, the suburbs sprawled, and radio and cinema became the means of mass entertainment. And it probes the deep divisions that split the nation: between the haves and have-nots, between warring ideological factions, and between those who promoted accommodation with fascism in Europe and those who bitterly opposed it. __________________________________________ 'Magisterial . . . an extraordinary achievement.’ Literary Review ‘A masterful portrayal of political, social and cultural upheaval between the wars.’ Daily Mail
This is the first study of the literary theories of H. G. Wells, the founding father of English science fiction and once the most widely read writer in the world. It explores his entire career, during which he produced popular science, educational theory, history, politics, and prophecy, as well as realist, experimental, and science fiction.
HOW WAS A MAN KILLED WHILE ALONE IN A LOCKED ROOM? IS IT THE PERFECT MURDER? It's a case for FBI Special Agent Rose Blake. Still raw after a notorious serial killer slipped through her net, Rose will do whatever it takes - including putting her own life at risk - to nail the perpetrator this time. When a second body with identical wounds is discovered, Rose realises that a twisted murderer is playing a deadly game. A murderer who's not going to stop any time soon. But what links the victims? And who's next? No one is safe, and the clock is ticking... What readers are saying about Playing with Death: 'An edgy, pacy, futuristic and oh so very polished cyber thriller...intelligent, perceptive...exciting' trevtwinem.booklikes.com '[A] fast-paced thriller of the highest quality...The pace of the story is relentless...Would highly recommend' Goodreads reviewer, 5 stars 'Grips you from the beginning and races to a most exciting and enigmatic ending. It was one of those books that call you back every time you are dragged away. I absolutely loved it' www.crimesquad.com, 5 stars 'Aleading-edge thriller...My skin crawled quite a bit whilst reading this...A great novel that explores some brilliant concepts' Goodreads reviewer, 5 stars 'Addictive...thought provoking...Definitely recommended' Goodreads reviewer, 4 stars 'Makes you lie in bed and go over every possible theory in your head...I can't recommend this book enough. If you're a fan of Simon Scarrow or just love a good crime thriller then do not hesitate to read this book' Goodreads reviewer, 5 stars 'A terrific thriller' Goodreads reviewer, 4 stars
A landmark history of post-punk, the basis of the documentary film directed by Nikolaos Katranis Renowned music journalist Simon Reynolds celebrates the futurist spirit of such bands as Joy Division, Gang of Four, Talking Heads, and Devo, which resulted in endless innovations in music, lyrics, performance, and style and continued into the early eighties with the video-savvy synth-pop of groups such as Human League, Depeche Mode, and Soft Cell, whose success coincided with the rise of MTV. Full of insight and anecdotes and populated by charismatic characters, Rip It Up and Start Again re-creates the idealism, urgency, and excitement of one of the most important and challenging periods in the history of popular music.
The Challenge of Politics balances classic political theory with contemporary politics to help students understand the fundamental questions of political science. The authors relate insights of classic political thinkers both to their modern counterparts and to the political dynamics of American, comparative, and international affairs.
A key aspect of town planning, landscape planning and landscape architecture is to identify and then use the distinctive features and characteristics of space, place and landscape to achieve environmental quality. Landscape Analysis provides an introduction to the field both in theory and in practice. A wide range of methods and techniques for landscape analysis is illustrated by urban and rural examples from many countries. Analysing landscapes within a planning context requires both skill and insights. Drawing upon numerous concrete examples, together with an examination of some theoretical concepts, this book guides the reader through a wide range of different approaches and techniques of landscape analysis that may be applied at different scales, from elementary site analysis to historical and regional studies. This is an essential book for students and graduate practitioners working in landscape architecture, planning and architecture.
Almost as soon as 'club culture' took hold - during the UK's Second Summer of Love in 1988 - its sociopolitical impact became clear, with journalists, filmmakers and authors all keen to use this cultural context as source material for their texts. This book uses that electronic music subculture as a route into an analysis of these principally literary representations of a music culture: why such secondary artefacts appear and what function they serve. The book conceives of a new literary genre to accommodate these stories born of the dancefloor - 'dancefloor-driven literature'. Using interviews with Irvine Welsh, author of Trainspotting (1994), alongside other dancefloor-driven authors Nicholas Blincoe and Jeff Noon as case studies, the book analyzes three separate ways writers draw on electronic dance music in their fictions, interrogating that very particular intermedial intersection between the sonic and the linguistic. It explores how such authors write about something so subterranean as the nightclub scene, and analyses what specific literary techniques they deploy to write lucidly and fluidly about the metronomic beat of electronic music and the chemical accelerant that further alters that relationship.
So often, political science is introduced to students as a segmented field. The Challenge of Politics instead enables students to see how the subfields converge around a set of crucial questions: can we, as citizens and students articulate and defend a view of the good political life and its guiding political values? Can we develop a science of politics to help us understand significant political phenomenaùthe empirical realities of politics? Can we bring a high level of political prudence or wisdom to bear on judgments about politics and public issues? Can citizens and students creatively address the future of politics?Riemer, Simon, and Romance aim to harmonize the valuable lessons of classic and contemporary theory, as well as to reconcile politics to scientific and empirical study. The book gives students an avenue to explore the impact of philosophy and ideology, to recognize major forms of government, to evaluate empirical findings, and to understand how policy issues directly affect peopleÆs lives. Throughout, the authors look at political dynamics of American, comparative, and international affairs. While continuing to pursue its distinctive normative approach and showing politics to be a potentially humanizing enterprise, this new edition of Challenge has been revised and updated for major world events like the global financial crisis, recent elections in the U.S. and elsewhere, important policy decisions like the recent Supreme Court ruling in the U.S. on healthcare, and the aftermath of the Arab Spring. Based on reviewer feedback, it has also been substantially streamlined throughout.
The First World War was perhaps the most traumatic event of the Twentieth Century. Millions of men, women and children were affected by it. And it still has a resonance today more than a hundred years after the Armistice. This guide offers a simple, yet comprehensive, guide to researching the men and women from Britain - and its dominions and colonies - who took part in the First World War either at the front or at home It is an accessible, up-to-date and expert introduction to get you on your way and to answer those questions you might come across during your researches. In a straightforward, easy-to-follow style the book introduces readers to the multitude of sources they can use to explore the history of the First World War for themselves. In a series of short, instructive chapters the book takes the reader through the process of researching ancestors who served during the First World War providing short cuts and background information as required. The book covers the key sources, including the National Archives and the many online sites that researchers can turn to. It also covers records of casualties, munitions workers, conscientious objectors and service personnel from the British Dominions.
This book describes an action research approach to engaging respectfully with First Nations communities in a diverse range of contexts, disciplines and projects. It offers a valuable guide for professionals, students and teaching staff that recognises all participants as equal partners while acknowledging the diversity of First Peoples and culture, and prioritising local knowledge. While the book is adaptable to a diverse range of cultures and disciplines, it is specifically focused on cross-cultural collaborative case studies in Noongar Country, which is located in the southwest of Western Australia. The case studies demonstrate how action research can be applied not only in the traditional areas of education and social justice, but also in a diverse range of disciplines, communities and circumstances, including media, education, environmental management and health. The book’s aim is to highlight successful cross-cultural First Nations community projects and to discuss each one in terms of its action research philosophy and process. In this regard, the voices of the participants are prioritised, especially those of First Nations communities. While this book is specifically pitched at Australian readers, the action research approach described may be adapted and applied to many cross-cultural collaborative relationships, making it of interest and value to international students and researchers.
A new perspective on a book that transformed Victorian illustration into a stand-alone art. Edward Moxon’s 1857 edition of Alfred, Lord Tennyson’s Poems dramatically redefined the relationship between images and words in print. Cooke’s study, the first book to address the subject in over 120 years, presents a sweeping analysis of the illustrators and the complex and challenging ways in which they interpreted Tennyson’s poetry. This book considers the volume’s historical context, examining in detail the roles of publisher, engravers, and binding designer, as well as the material difficulties of printing its fine illustrations, which recreate the effects of painting. Arranged thematically and reproducing all the original images, the chapters present a detailed reappraisal of the original volume and the distinctive culture that produced it.
Though well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
Text and Drugs and Rock'n'Roll explores the interaction between two of the most powerful socio-cultural movements in the post-war years - the literary forces of the Beat Generation and the musical energies of rock and its attendant culture. Simon Warner examines the interweaving strands, seeded by the poet/novelists Jack Kerouac, Allen Ginsberg, William Burroughs and others in the 1940s and 1950s, and cultivated by most of the major rock figures who emerged after 1960 - Bob Dylan, the Beatles, Bowie, the Clash and Kurt Cobain, to name just a few. This fascinating cultural history delves into a wide range of issues: Was rock culture the natural heir to the activities of the Beats? Were the hippies the Beats of the 1960s? What attitude did the Beat writers have towards musical forms and particularly rock music? How did literary works shape the consciousness of leading rock music-makers and their followers? Why did Beat literature retain its cultural potency with later rock musicians who rejected hippie values? How did rock musicians use the material of Beat literature in their own work? How did Beat figures become embroiled in the process of rock creativity? These questions are addressed through a number of approaches - the influence of drugs, the relevance of politics, the effect of religious and spiritual pursuits, the rise of the counter-culture, the issue of sub-cultures and their construction, and so on. The result is a highly readable history of the innumerable links between two of the most revolutionary artistic movements of the last 60 years.
South Africa's victory over England in the Yokohama final brought to close a thrilling 2019 Rugby World Cup. This 443 page book is a statistical record of every match played in the nine world cups since 1987 and then concentrates on the 2019 tournament, with each pool and knock-out phase match, full information on the worldwide qualifying competitions, each country's squads, followed by records from both the 2019 tournament and across history of the competition.
A short biography of Charles Dickens by acclaimed actor and writer Simon Callow that offers a fresh perspective on one of the greatest novelists in the English language in a lively, highly readable account. "It has all the gusto that a popular biography of Dickens—a man who “could do nothing by halves”—should possess. . . . The best biography for Dickens newcomers and a wonderful read for all."—Library Journal Dickens was one of the first true celebrity authors. Thousands of fans in Britain and America eagerly awaited each new installment of his stories and flocked to see him on his legendary speaking tours. Not only did he create an incredible cast of characters on the page, but he was also a dazzling mimic and storyteller, and he wrote, stage-managed, and acted in plays for the public. Throughout his life, from his childhood performances in pubs to his legendarily powerful reading tours, Dickens was fanatical about the stage. Callow reveals Dickens’s genius on and off the page and offers a compelling insight into a life that was driven as much by performance and showmanship as by literature.
Pratt investigates the potential erosion of prohibiting assassination, torture, and mercenarism during the US's War on Terrorism. In examining the emergence and history of the US's targeted killing programme, detention and interrogation programme, and employment of armed contractors in warzones, he proposes that a 'normative transformation' has occurred, which has changed the meaning and content of these prohibitions, even though they still exist. Drawing on pragmatist philosophy, practice theory, and relational sociology, this book develops a new theory of normativity and institutional change, and offers new data about the decisions and activities of security practitioners. It is both a critical and constructive addition to the current literature on norm change, and addresses enduring debates about the role of culture and ethical judgement in the use of force. It will appeal to students and scholars of foreign and defence policy, international relations theory, international security, social theory, and American politics.
Marine Ecology: Processes, Systems, and Impacts offers a carefully balanced and stimulating survey of marine ecology, introducing the key processes and systems from which the marine environment is formed, and the issues and challenges which surround its future conservation.
This topical and exciting textbook describes fisheries exploitation, biology, conservation and management, and reflects many recent and important changes in fisheries science. These include growing concerns about the environmental impacts of fisheries, the role of ecological interactions in determining population dynamics, and the incorporation of uncertainty and precautionary principles into management advice. The book draws upon examples from tropical, temperate and polar environments, and provides readers with a broad understanding of the biological, economic and social aspects of fisheries ecology and the interplay between them. As well as covering 'classical' fisheries science, the book focuses on contemporary issues such as industrial fishing, poverty and conflict in fishing communities, marine reserves, the effects of fishing on coral reefs and by-catches of mammals, seabirds and reptiles. The book is primarily written for students of fisheries science and marine ecology, but should also appeal to practicing fisheries scientists and those interested in conservation and the impacts of humans on the marine environment. particularly useful are the modelling chapters which explain the difficult maths involved in a user-friendly manner describes fisheries exploitation, conservation and management in tropical, temperate and polar environments broad coverage of 'clasical' fisheries science emphasis on new approaches to fisheries science and the ecosystem effects of fishing examples based on the latest research and drawn from authors' international experience comprehensively referenced throughout extensively illustrated with photographs and line drawings
Biology of Female Cancers explores what can be learned about female cancers by summarizing what is known about the mechanisms of growth regulation and genetic features associated with common forms of female cancers, including malignancies of the breast, ovary, uterus, cervix, vulva, and gestational trophoblastic disease. The book describes the etiology, incidence, pathology, staging, and treatment of each type of cancer. The risk of developing particular tumor types and how their growth may be influenced by hormones, growth factors, and cytokines is also discussed. For oncologists, gynecologists and obstetricians, cell biologists, and everyone interested in learning more about female cancers, the Biology of Female Cancers offers a comprehensive, unique approach.
A host of memories from Simon Hoggart's forty-plus years in journalism. Simon reveals what Alan Clark said about Melvyn Bragg, what really happened at the Lady Chatterley trial, what Cherie Blair said to him and how he riposted, as well as the time John Sergeant drove a flight attendant to a fury, what happened when he mixed a drink for W. H. Auden and the day Enoch Powell met Bill Haley. A Long Lunch is often hilarious, while also being full of wisdom and insight. Simon has long been regarded as one of our sharpest and wittiest commentators. These memories cover his years in Parliament, Northern Ireland, around the world and on Radio 4, where for twelve years he chaired the much-loved News Quiz. From behind the scenes in Parliament, roving across America and bizarre meetings in TV studios, Simon Hoggart entertains, informs and delights.
From the UK Poet Laureate and bestselling translator, a spirited book that demystifies and celebrates the art of poetry today In A Vertical Art, acclaimed poet Simon Armitage takes a refreshingly common-sense approach to an art form that can easily lend itself to grand statements and hollow gestures. Questioning both the facile and obscure ends of the poetry spectrum, he offers sparkling new insights about poetry and an array of favorite poets. Based on Armitage’s public lectures as Oxford Professor of Poetry, A Vertical Art illuminates poets as varied as Emily Dickinson, Walt Whitman, Marianne Moore, W. H. Auden, Ted Hughes, Thom Gunn, A. R. Ammons, and Claudia Rankine. The chapters are often delightfully sassy in their treatment, as in “Like, Elizabeth Bishop,” in which Armitage dissects—and tallies—the poet’s predilection for similes. He discusses Bob Dylan’s Nobel Prize, poetic lists, poetry and the underworld, and the dilemmas of translating Sir Gawain and the Green Knight. Armitage also pulls back the curtain on the unromantic realities of making a living as a contemporary poet, and ends the book with his own list of “Ninety-Five Theses” on the principles and practice of poetry. An appealingly personal book that explores the volatile and disputed definitions of poetry from the viewpoint of a practicing writer and dedicated reader, A Vertical Art makes an insightful and entertaining case for the power and potential of poetry today.
While the advent and structure of electronic mail has been discussed in web caucuses, newspapers, hypertext theory, and communication theory, it has not yet been considered in conjunction with epistolary scenarios in film, art, and literature. To address this gap, Mail-Orders explores the status of the epistolary form at the end of the twentieth century and its connections to feminist criticism, literary theory, and postmodernism. One of the first works to consider electronic mail in relation to the history of epistolary fiction, Mail-Orders concerns itself with individual letters, as well as fiction written in letter form, and widens the debate on the often postulated "death of letters" by considering the epistolary connections between the eighteenth and twentieth centuries' systems of communication and representation.
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