From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world. In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her. She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed. The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.
A true crime account of the historic 1920s case from the killers’ point of view, detailing their explosive relationship that culminated in murder. It was a crime that shocked the nation: the brutal murder in Chicago in 1924 of a child by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb were intellectuals—too smart, they believed, for the police to catch them. When they were apprehended, state’s attorney Robert Crowe was certain that no defense could save the ruthless killers from the gallows. But the families of the confessed murderers hired Clarence Darrow, entrusting the lives of their sons to the most famous lawyer in America in what would be one of the most sensational criminal trials in the history of American justice. Set against the backdrop of the 1920s—a time of prosperity, self-indulgence, and hedonistic excess in a lawless city on the brink of anarchy—For the Thrill of It draws the reader into a world of speakeasies and flappers, of gangsters and gin parties, with a spellbinding narrative of Jazz Age murder and mystery. Praise for For the Thrill of It “Baatz’s comprehensive account of the case succeeds in identifying their peculiar personality traits as well as what it was in the nature of their relationship that made them believe in their infallibility in performing the ultimate crime. . . . [An] exhaustively researched and rivetingly presented account. . . . One of the best true-crime books of this or any other season.” —Booklist (starred review)
From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world. In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her. She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed. The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.
In March and April of 1944, Gestapo gunmen killed fifty POWs—a brutal act in defiance of international law and the Geneva Conventions. This is the true story of the men who hunted them down. The mass breakout of seventy-six Allied airmen from the infamous Stalag Luft III became one of the greatest tales of World War II, immortalized in the film The Great Escape. But where Hollywood’s depiction fades to black, another incredible story begins . . . Not long after the escape, fifty of the recaptured airmen were taken to killing fields throughout Germany and shot on the direct orders of Hitler. When the nature of these killings came to light, Churchill’s government swore to pursue justice at any cost. A revolving team of military police, led by squadron leader Francis P. McKenna, was dispatched to pick up a trail long gone cold. Amid the chaos of postwar Germany, divided between American, British, French, and Russian occupiers, McKenna led a three-year manhunt that brought twenty-one Gestapo killers to justice. In Human Game, Simon Read delivers a clear-eyed and meticulously researched account of this often overlooked saga of hard-won justice. INCLUDES PHOTOS
A Sunday Times bestseller, the real story behind the mastermind of the most famous breakout in history—The Great Escape. While the most famous images from the 1963 film The Great Escape include either a motorcycle or a ball—but definitely Steve McQueen—Richard Attenborough played the part of “Big X,” the British mastermind behind the greatest escape in history. Like the subject of the film, “Big X” was a real person. Roger Bushell was the mastermind of the mass breakout from Stalag Luft III in March 1944. Very little was known about Bushell until 2011, when his family donated his private papers to the Imperial War Museum. Through exclusive access to this material, as well as new research from other sources, Simon Pearson has written the first biography of this iconic figure. Born in South Africa in 1910, Roger Bushell was the son of a British mining engineer. On May 23, 1940, his Spitfire was shot down during a dogfight over Boulogne after destroying two German fighters. Over the next four years he made three escapes, coming within one hundred yards of the Swiss border during his first attempt. His third (and last escape) destabilized the Nazi leadership and captured the imagination of the world, forever immortalized by Hollywood. Simon Pearson's revealing biography is a vivid account of war and love, triumph and tragedy—and one man's attempt to challenge remorseless tyranny in the face of impossible odds.
In this well-established textbook, Simon Baughen expertly covers the whole spectrum of English shipping law, placing the highly specialised rules of shipping in a commercial context and relating them to the general principles of contract and tort law. The book’s accessible narrative and useful glossary of key terms will particularly benefit students new to Shipping Law or from non-law backgrounds. In-depth commentary on judicial decisions and well-balanced coverage and analysis of recent and key cases, such as The New Flamenco, The Ocean Victory, and The Kos, provide an up-to-date reference for all students on Shipping Law courses. The comprehensive overview of topics also ensures that the book is ably suited to course use, including discussion of such areas as: Bills of lading Charterparties Salvage Marine Pollution Arbitration Accidents and collisions Fully updated throughout, this sixth edition provides an invaluable source of reference and will be of use to both students and to those in practice.
This text assesses the changing dimensions of national security in a world where business and technology issues have moved to centre stage, and traditional military security issues seem to have receded due to the end of the Cold War.
Comprehensive and thorough, Utopias in Nonfiction Film takes a new direction in its surprise application to documentary that has the potential to shake up the field.'- Jane Gaines, Columbia University, USA 'Spiegel has introduced a new sub-genre to utopian studies, the documentary film. The book covers an impressive range of films, making the book one of the few truly international and comparative works in utopian studies.'- Lyman Tower Sargent, University of Missouri-St. Louis, USA "Simon Spiegel’s magisterial overview of utopian documentaries and nonfiction films is a treasure trove of information and unearths many forgotten and half-forgotten films, providing perceptive discussions of sidelined movies that deserve his (and our) critical scrutiny.“ - Eckart Voigts, University of Braunschweig – Institute of Technology, Germany This book is the first major study on utopias in nonfiction film. Since the publication of Thomas More’s Utopia more than 500 years ago, countless books have been written which describe a better world. But in film, positive utopias seem to be nonexistent. So far, research has focused almost exclusively on dystopias, since positive outlooks seem to run contrary to the media’s requirement. Utopias in Nonfiction Film takes a new approach; starting from the insight that literary utopias are first and foremost meant as a reaction to the ills of the present and not as entertaining stories, it looks at documentary and propaganda films, an area which so far has been completely ignored by research. Combining insights from documentary research and utopian studies, a vast and very diverse corpus of films is analysed. Among them are Zionist propaganda films, cinematic city utopias, socialist films of the future as well as web videos produced by the Islamist terrorist group ISIS.
The criminalisation of seafarers has been observed as a growing phenomenon for more than forty years, presenting a picture of increasing liability upon the Master even though their responsibilities remain essentially unchanged in generations of maritime law. Because of the demand by society to find someone to blame for environmental and human loss, there is a constant flow of cases, which serve to confirm the phenomenon but offer no solutions to defend the innocent. The structure of the maritime environment in which they work has changed dramatically, as evidenced by the complex evolution of fleet ownership and management, leaving the Master with diminished management influence. This book has been written in a format which meets the needs of lawyers, academics and maritime professionals, with the aim to analyse the character of criminalisation to determine the features which characterise the phenomenon in Port and Flag State contexts; it interrogates the aim to define the nature of criminalisation and identifies the constituent problems in such criminal accountability. Each chapter relies heavily on case studies to illustrate how the laws which reflect national policy underpinning those priorities are applied in practice. This structure enables an understanding of the problems in the criminal process, with a view to offering options for solutions. The book is directly relevant to a broad range of parties which includes lawyers, academics, P & I clubs, seafarers, shipowners, managers and agents, and national and international seafaring unions.
Shipping Law covers the whole spectrum of English shipping law. It takes a structured and integrated approach to the highly specialised rules of shipping, which are placed in their commercial context and related to the general principles of English contract and tort law. The fourth edition has been expanded in many areas, to take into account developments such as the 2007 Wreck Removal Convention and the Rotterdam Rules on contracts for the international carriage of goods wholly or partly by sea. In-depth analysis is provided of recent important judicial decisions, such as that of the European Court of Justice in Owusu v Jackson; those of the House of Lords in The Jordan II, The Achilleas, The Rafaela S and The Golden Victory; and those of the Court of Appeal in The CMA Djakarta and The Tropical Reefer. This book provides an invaluable source of reference on the subject and will be of use to both students and to those in practice.
It was a crime that shocked the nation, a brutal murder in Chicago in 1924 of a child, by two wealthy college students who killed solely for the thrill of the experience. Nathan Leopold and Richard Loeb had first met several years earlier, and their friendship had blossomed into a love affair. Both were intellectuals—too smart, they believed, for the police to catch them. However, the police had recovered an important clue at the scene of the crime—a pair of eyeglasses—and soon both Leopold and Loeb were in the custody of Cook County. They confessed, and Robert Crowe, the state's attorney, announced to newspaper reporters that he had a hanging case. No defense, he believed, would save the two ruthless killers from the gallows. Set against the backdrop of the 1920s, a time of prosperity, self-indulgence, and hedonistic excess, For the Thrill of It draws the reader into a lost world, a world of speakeasies and flappers, of gangsters and gin parties, that existed when Chicago was a lawless city on the brink of anarchy. The rejection of morality, the worship of youth, and the obsession with sex had seemingly found their expression in this callous murder. But the murder is only half the story. After Leopold and Loeb were arrested, their families hired Clarence Darrow to defend their sons. Darrow, the most famous lawyer in America, aimed to save Leopold and Loeb from the death penalty by showing that the crime was the inevitable consequence of sexual and psychological abuse that each defendant had suffered during childhood at the hands of adults. Both boys, Darrow claimed, had experienced a compulsion to kill, and therefore, he appealed to the judge, they should be spared capital punishment. However, Darrow faced a worthy adversary in his prosecuting attorney: Robert Crowe was clever, cunning, and charismatic, with ambitions of becoming Chicago's next mayor—and he was determined to send Nathan Leopold and Richard Loeb to their deaths. A masterful storyteller, Simon Baatz has written a gripping account of the infamous Leopold and Loeb case. Using court records and recently discovered transcripts, Baatz shows how the pathological relationship between Leopold and Loeb inexorably led to their crime. This thrilling narrative of murder and mystery in the Jazz Age will keep the reader in a continual state of suspense as the story twists and turns its way to an unexpected conclusion.
This volume considers the military architecture and its impact on local communities in Rome's eastern frontier, which stretched from the north-east shore of the Black Sea to the Red Sea.
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