William Shakespeare lived in violent times; his death passed without comment. By the time he was adopted as the national poet of England the details of his life had been concealed. He had become an invisible man, the humble Warwickshire lad who entertained royalty and then faded into obscurity. But his story has been carefully manipulated. In reality, he was a dissident whose works were highly critical of the regimes of Elizabeth I and James I. Who Killed William Shakespeare? examines the means, motive and the opportunity that led to his murder, and explains why Will Shakespeare had to be ‘stopped’. From forensic analysis of his death mask to the hunt for his missing skull, the circumstances of Shakespeare’s death are reconstructed and his life reconsidered in the light of fresh discoveries. What emerges is a portrait of a genius who spoke his mind and was silenced by his greatest literary rival.
Arthur led the Britons to the brink of victory but was cut down by treachery and betrayal. Arthurian legends have since been corrupted, leading to popular but false assumptions about the king and the belief that his grave could never be found. Drawing on a vast range of sources and new translations of early British and Gaelic poetry, Arthur explodes these myths and exposes the shocking truth. In this, the first full biography of Arthur, Simon Andrew Stirling provides a range of proofs that Artuir mac Aedain was the original King Arthur; he identifies the original Camelot, the site of Arthur's last battle and his precise burial location. For the first time ever, the role played by the early Church in Arthur's downfall and the fall of North Britain is also revealed. This includes the Church's contribution to fabricated Arthurian history, the unusual circumstances of his burial and the extraordinary history of the sacred isle on which he was buried.
A detailed and extensive search through the history of Arthurian literature and the Island of Britain to discover the true form, nature and purpose of the "Holy Grail".
Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced ‘opera’, actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell’s nose. Nobody, perhaps, did more to secure Shakespeare’s reputation or to preserve the memory of the Bard.Davenant was known to boast over a glass of wine that he wrote ‘with the very spirit’ of Shakespeare and was happy to be thought of as Shakespeare’s son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant’s paternity. Was Sir William’s mother the voluptuous and maddening ‘Dark Lady’ of Shakespeare’s Sonnets, and was he Shakespeare’s ‘lovely boy’?
Arthur led the Britons to the brink of victory but was cut down by treachery and betrayal. Arthurian legends have since been corrupted, leading to popular but false assumptions about the king and the belief that his grave could never be found. Drawing on a vast range of sources and new translations of early British and Gaelic poetry, Arthur explodes these myths and exposes the shocking truth. In this, the first full biography of Arthur, Simon Andrew Stirling provides a range of proofs that Artuir mac Aedain was the original King Arthur; he identifies the original Camelot, the site of Arthur's last battle and his precise burial location. For the first time ever, the role played by the early Church in Arthur's downfall and the fall of North Britain is also revealed. This includes the Church's contribution to fabricated Arthurian history, the unusual circumstances of his burial and the extraordinary history of the sacred isle on which he was buried.
Sir William Davenant (1606–1668) – Poet Laureate and Civil War hero – is one of the most influential and neglected figures in the history of British theatre. He introduced 'opera', actresses, scenes and the proscenium arch to the English stage. Narrowly escaping execution for his Royalist activities during the Civil War, he revived theatrical performances in London, right under Oliver Cromwell's nose. Nobody, perhaps, did more to secure Shakespeare's reputation or to preserve the memory of the Bard. Davenant was known to boast over a glass of wine that he wrote 'with the very spirit' of Shakespeare and was happy to be thought of as Shakespeare's son. By recounting the story of his eventful life backwards, through his many trials and triumphs, this biography culminates with a fresh examination of the vexed issue of Davenant's paternity. Was Sir William's mother the voluptuous and maddening 'Dark Lady' of Shakespeare's Sonnets, and was he Shakespeare's 'lovely boy'?
William Shakespeare lived in violent times; his death passed without comment. By the time he was adopted as the national poet of England the details of his life had been concealed. He had become an invisible man, the humble Warwickshire lad who entertained royalty and then faded into obscurity. But his story has been carefully manipulated. In reality, he was a dissident whose works were highly critical of the regimes of Elizabeth I and James I. Who Killed William Shakespeare? examines the means, motive and the opportunity that led to his murder, and explains why Will Shakespeare had to be 'stopped'. From forensic analysis of his death mask to the hunt for his missing skull, the circumstances of Shakespeare's death are reconstructed and his life reconsidered in the light of fresh discoveries. What emerges is a portrait of a genius who spoke his mind and was silenced by his greatest literary rival.
A detailed and extensive search through the history of Arthurian literature and the Island of Britain to discover the true form, nature and purpose of the "Holy Grail".
The letter to the Ephesians is missional to its core. It effectively exhorts its readers to understand, support, and participate in God's mission to rescue humanity and all creation from the damage and distortion of sin, and so bring about a renewed creation filled with God's glorious fullness. Working at the creative intersection of biblical studies and missiology, this study adopts a missional hermeneutic to overcome the scholarly neglect of mission in Ephesians. The book systematically explores each passage in Ephesians, delving into the characterization of God and his mission; allusions to Old Testament missional texts in Ephesians; and the portrayal of the apostle Paul and believers as participants in God's mission. A multi-faceted vision of mission emerges which encompasses God's actions in salvation history; the church as mediator of God's glory, reconciliation and grace to the nations; prayer; ethical witness; and verbal proclamation of the gospel. Reading Ephesians through this missional lens yields fresh insights into its purpose and context, and the richness of its portrait of mission.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.