Napoleon Bonaparte occupied a central place in the consciousness of many British writers of the Romantic period. He was a profound shaping influence on their thinking and writing, and a powerful symbolic and mythic figure whom they used to legitimize and discredit a wide range of political and aesthetic positions. In this first ever full-length study of Romantic writers' obsession with Napoleon, Simon Bainbridge focuses on the writings of the Lake poets Wordsworth, Coleridge and Southey, and of Byron and Hazlitt. Combining detailed analyses of specific texts with broader historical and theoretical approaches, and illustrating his argument with the visual evidence of contemporary cartoons, Bainbridge shows how Romantic writers constructed, appropriated, and contested different Napoleons as a crucial part of their sustained and partisan engagement in the political and cultural debates of the day.
As a sociologist Simon Frith takes the starting point that music is the result of the play of social forces, whether as an idea, an experience or an activity. The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.
In Rider Haggard and the Imperial Occult, Simon Magus explores the occult world of H. Rider Haggard through an analysis of his literary engagement with ancient Egypt, Romanticism and Theosophy.
First aired in 2001, "Alias" is a spy drama with a central action heroine, a complex narrative of moral twists, turns, lies and double-crosses, and an imaginative array of gadgets, gizmos and glamorous costumes. It has become a leading cult television series with a loyal fan following. In the wake of 9/11, "Alias'" themes of doubles and duplicity have been perfectly placed to comment on global relations and the personal paranoias of post 9/11 citizens. But as much as "Alias" reflects contemporary global politics, at its core are themes of family and relationships. The series is ending with a bang in 2006 and "Investigating "Alias"" is the first book to give a full and fascinating examination of the series in its entirety, with a complete episode guide. Placing the series within the wider context of American Quality Television and the spy genre, contributors consider the central role of family, race, gender and moral ambiguity in "Alias". They also focus on the creator of "Alias", JJ Abrams, and discuss the development and influence of the fan world beyond the series with in-depth studies of DVD releases, tie-in, fan and slash fiction. is the first book to give a full and fascinating examination of the series in its entirety, with a complete episode guide.
The successor to the Chieftain from the 1960's, work began in 1976 on development of a new MBT specifically for the Iranian army, who needed a more capable tank than the Chieftain to suit their climatic and geographical conditions. However, once the revolution occurred in 1979 the British army was reluctantly forced to accept this new design themselves. Once in service there were technical problems resulting in various modifications. However, the Challenger would go on to great success in the Gulf War, playing crucial roles in both Desert Storm and Desert Sabre operations. In this book, Simon Dunstan examines this tank in detail, evaluating its performance both on the test range and in the field of battle.
Why has the integration of women into Congress been so slow? Is there a "political glass ceiling" for women? Although women use the same strategic calculations as men to decide when to run, the decision regarding where to run is something else. While redistricting has increasingly protected incumbents, it also has the unintended consequence of shaping the opportunities for female candidates. The political geography and socio-economic profile of districts that elect women differ substantially from districts that elect men. With data on over 10,000 elections and 30,000 candidates from 1916 to the present, Palmer and Simon explore how strategy and the power of incumbency affect women’s decisions to run for office. Breaking the Political Glass Ceiling is the most comprehensive analysis of women in congressional elections available. The Second Edition is fully updated to reflect the pivotal 2006 mid-term elections, including Nancy Pelosi’s rise to Speaker of the House, Hillary Clinton’s bid for the presidency, and a record number of women serving as committee chairs. Additionally, the authors have created a website, found at politicsandwomen.com, to highlight key features of the book and provide updates throughout the election cycle.
Winner of the 2020 Chicago Folklore Prize CHOICE Outstanding Academic Title for 2020 Despite predictions that commercial mass culture would displace customs of the past, traditions firmly abound, often characterized as folklore. In The Practice of Folklore: Essays toward a Theory of Tradition, author Simon J. Bronner works with theories of cultural practice to explain the social and psychological need for tradition in everyday life. Bronner proposes a distinctive “praxic” perspective that will answer the pressing philosophical as well as psychological question of why people enjoy repeating themselves. The significance of the keyword practice, he asserts, is the embodiment of a tension between repetition and variation in human behavior. Thinking with practice, particularly in a digital world, forces redefinitions of folklore and a reorientation toward interpreting everyday life. More than performance or enactment in social theory, practice connects localized culture with the vernacular idea that “this is the way we do things around here.” Practice refers to the way those things are analyzed as part of, rather than apart from, theory, thus inviting the study of studying. “The way we do things” invokes the social basis of “doing” in practice as cultural and instrumental. Building on previous studies of tradition in relation to creativity, Bronner presents an overview of practice theory and the ways it might be used in folklore and folklife studies. Demonstrating the application of this theory in folkloristic studies, Bronner offers four provocative case studies of psychocultural meanings that arise from traditional frames of action and address issues of our times: referring to the boogieman; connecting “wild child” beliefs to school shootings; deciphering the offensive chants of sports fans; and explicating male bravado in bawdy singing. Turning his analysis to the analysts of tradition, Bronner uses practice theory to evaluate the agenda of folklorists in shaping perceptions of tradition-centered “folk societies” such as the Amish. He further unpacks the culturally based rationale of public folklore programming. He interprets the evolving idea of folk museums in a digital world and assesses how the folklorists' terms and actions affect how people think about tradition.
The social history of music in Britain since 1950 has long been the subject of nostalgic articles in newspapers and magazines, nostalgic programmes on radio and television and collective memories on music websites, but to date there has been no proper scholarly study. The three volumes of The History of Live Music in Britain address this gap, and do so from the unique perspective of the music promoter: the key theme is the changing nature of the live music industry. The books are focused upon popular music but cover all musical genres and the authors offer new insights into a variety of issues, including changes in musical fashions and tastes; the impact of developing technologies; the balance of power between live and recorded music businesses; the role of the state as regulator and promoter; the effects of demographic and other social changes on music culture; and the continuing importance of do-it-yourself enthusiasts. Drawing on archival research, a wide range of academic and non-academic secondary sources, participant observation and industry interviews, the books are likely to become landmark works within Popular Music Studies and broader cultural history.
Urology continues to be one of the most rapidly advancing specialities. Approximately 20% of all surgical operations and a similar percentage of surgical emergencies are urological in nature. However, often doctors have very limited experience of the many common and varied conditions encountered in this important surgical specialty. For the doctor or nurse expected to provide the initial assessment and management of a condition with which he or she has had very limited experience, this handbook provides an invaluable source of information and advice. Covering a wide spectrum of diseases and their treatment in the field of urology and surgical aspects of kidney, bladder, prostate and scrotal disorders, this handbook aims to give a brief overview of many different urological subjects including urological emergencies, cancers, infections, children's disorders and kidney stone disease. It is designed so that it can be quickly and efficiently accessed by a range of professionals involved in patient care, including medical students, nurses, surgical and urology doctors and general practitioners. Thoroughly revised for the third edition, the Oxford Handbook of Urology covers all recent guidelines and criteria including the significant advances in medical and surgical options that are now available to patients; key papers and national recommendations in the field of neurourology; expanded information on medical therapy of bladder overactivity and additional information on subjects including urethral diverticulum, pelvic organ prolapse, dialysis and renal transplantation, antenatal hydronephrosis, megaureters, and incontinence in children. An invaluable tool relevant not only to specialist trainees and specialist registrars on urology and surgical rotations, but also to general practitioners, emergency staff and the growing number of urological specialist nurses.
While the upper renal tract remains the sole preserve of the urologist, gynaecologists have traditionally been involved in the assessment and treatment of female lower urinary tract infection disorders. Childbirth is a major causal factor in urogynaecology, and women often present with a combination of menstrual, genital, urinary and colorectal symptoms which require a holistic approach. This book provides a comprehensive overview of the assessment and treatment of a range of urogynaecological problems: urinary incontinence; lower urinary tract symptoms; overactive bladder; recurrent urinary tract infection; haematuria; painful bladder syndrome and interstitial cystitis; pregnancy and the renal tract; ageing and urogenital symptoms; fistulae and urinary tract injuries; pelvic organ prolapse; colorectal disorders; obstetric anal sphincter injuries. It has been comprehensively updated to reflect current clinical practice and new research since publication of the original edition.
In a narrative-redefining approach, Engaging the Evil Empire dramatically alters how we look at the beginning of the end of the Cold War. Tracking key events in US-Soviet relations across the years between 1980 and 1985, Simon Miles shows that covert engagement gave way to overt conversation as both superpowers determined that open diplomacy was the best means of furthering their own, primarily competitive, goals. Miles narrates the history of these dramatic years, as President Ronald Reagan consistently applied a disciplined carrot-and-stick approach, reaching out to Moscow while at the same time excoriating the Soviet system and building up US military capabilities. The received wisdom in diplomatic circles is that the beginning of the end of the Cold War came from changing policy preferences and that President Reagan in particular opted for a more conciliatory and less bellicose diplomatic approach. In reality, Miles clearly demonstrates, Reagan and ranking officials in the National Security Council had determined that the United States enjoyed a strategic margin of error that permitted it to engage Moscow overtly. As US grand strategy developed, so did that of the Soviet Union. Engaging the Evil Empire covers five critical years of Cold War history when Soviet leaders tried to reduce tensions between the two nations in order to gain economic breathing room and, to ensure domestic political stability, prioritize expenditures on butter over those on guns. Miles's bold narrative shifts the focus of Cold War historians away from exclusive attention on Washington by focusing on the years of back-channel communiqués and internal strategy debates in Moscow as well as Prague and East Berlin.
This 2000 book analyses the revival of charismatic Protestant Christianity as an example of globalization. Simon Coleman shows that, along with many social movements, these religious conservatives are negotiating their own interpretations of global and postmodern processes. They are constructing an evangelical arena of action and meaning within the liminal, chaotic space of the global. The book examines globalization not only as a social process, but also as an embodied practice involving forms of language and ritualized movement. Charismatic Christianity is presented through its material culture - art, architecture and consumer products - as well as its rhetoric and theology. The book provides an account of the incorporation of electronic media such as television, videos and the Internet into Christian worship. Issues relating to the conduct of fieldwork in contexts of globalization are raised in an account which is also a major ethnography of a Faith ministry.
A highly original and well researched monograph covering Romanticism and philosophy, focusing particularly on aesthetics and reason, now available in paperback.
Sustaining the Borderlands in the Age of NAFTA provides the only book-length study of the impact on residents of the US-Mexico border of NAFTA's Environmental and Labor Side Accords, which required each state to enforce labor and environmental regulations. Through field research in Matamoros, Tamaulipas, anthropologist Suzanne Simon tests the premise that the side accords would encourage Mexican grassroots democratization. The effectiveness of the side accords was tied to transparency and accountability and practically bound to opportunities for Mexican border populations to participate in the side accord petitioning and civil society input mechanisms. Simon conducted sixteen months of fieldwork with both a group of environmental activists and a group of those fighting for labor justice in Mexico. Both of these groups became enmeshed in the types of cross-border advocacy networks and coalition building efforts that are typical of the NAFTA era. Although the key to the side accords' anticipated success lay in their ostensibly generous encouragement of a participatory politics and sustainable development opportunities, Sustaining the Borderlands reveals that the Mexican border populations for which they were largely created are effectively excluded from participating due to the ongoing online, territorial, class, and cultural barriers that shape the borderlands. Rather than experiencing the side accords and their companion institutions as transparent and accessible, residents experienced them as opaque and indecipherable. Simon concludes that the side accords have failed to deliver on their promise of bringing democracy to Mexico because practical mechanisms that would ensure their effective implementation were never put in place. NAFTA took effect at a time when Mexico was undergoing a democratic transition. The treaty was supposed to encourage this transition and improve environmental and labor conditions on the US-Mexico border. This book demonstrates that, twenty years later, the promises of NAFTA have not come to pass.
Provides a review of diseases of the small intestine in children, with an emphasis upon a discussion of their causes, clinical manifestations and the newer techniques which are used in diagnosis as well as modern methods of management. The book will be of value to the consultant paediatrician and paediatric surgeon as well as to the paediatric registrar and house officer as a practical guide to their understanding of these diseases. It is also intended for adult physicians, gastroenterologists and surgeons who wish to survey the clinical spectrum of disease of the small intestine in childhood.
Looks at the artistry and production process of cel animation in a friendly, how-to manner. This book guides animators through various steps of planning and production and includes examples of actual production forms, organization tips, screen shots, and sketches from the pre- to post-production processes.
What separates good leaders from brilliant ones? How do you successfully move your school or district from mediocrity to brilliance? Drawing on their expertise in business and education, the authors provide a simple, sustainable framework that will help you overcome educational inertia to reach new heights of achievement. The authors use the forces of flight as a powerful metaphor: Weight: Discover your Personal Brilliance through self-discovery Lift: Engage Collaborative Brilliance through collaboration with all stakeholders Thrust: Drive Team Brilliance by encouraging smart risks and designing potent changes Reduce Drag: Expand Student Brilliance by unleashing imagination, resilience, and hope Download the free study guide at releasingleadershipbrilliance.com
Bestselling, award-winning writer Simon Garfield returns with an enthralling investigation of humans’ peculiar fascination with small things—and what small things tell us about our larger world. “[Simon Garfield is] an exuberant truffle-hound of the recondite and delightful factoid.” —Sunday Times (London) Simon Garfield writes books that shine a light on aspects of the everyday world in order to reveal the charms and eccentricities hiding in plain sight around us. After beguiling fans with books about everything from typography to time, from historic maps to the color mauve, he’s found his most delightful topic yet: miniatures. Tiny Eiffel Towers. Platoons of brave toy soldiers. A doll’s house created for a Queen. Diminutive crime scenes crafted to catch a killer. Model villages and miniscule railways. These are just a few of the objects you will discover in the pages of In Miniature. Bringing together history, psychology, art, and obsession, Garfield explores what fuels the strong appeal of miniature objects among collectors, modelers, and fans. The toys we enjoy as children invest us with a rare power at a young age, conferring on us a taste of adult-sized authority. For some, the desire to play with small things becomes a desire to make small things. We live in a vast and uncertain world, and controlling just a tiny, scaled-down part of it restores our sense of order and worth. As it explores flea circuses, microscopic food, ancient tombs, and the Vegas Strip, In Miniature changes the way we perceive our surroundings, encouraging all of us to find greatness in the smallest of things.
This book, the last in a four-part series on British Battle Tanks covering the whole history of British armoured warfare, concentrates on those vehicles that have served following the end of World War II up to the present day. Starting with the Centurion, the title explores those types that equipped the armoured divisions lined up on the German plains to resist any potential Soviet offensive, as well as in Korea and Suez, including the Chieftain and Conqueror, and modern tanks such as the Challenger 2 which are still in service today. Covering the many variants of these and other tanks in British service as well as their deployments around the world, including in Afghanistan and Iraq, this illustrated volume is a comprehensive guide to the development of British tanks since the Second World War.
Though well-known as the author of Trilby and the creator of Svengali, the writer-artist George Du Maurier had many other accomplishments that are less familiar to modern audiences. This collection traces Du Maurier’s role as a participant in the wider cultural life of his time, restoring him to his proper status as a major Victorian figure. Divided into sections, the volume considers Du Maurier as an artist, illustrator and novelist who helped to form some of the key ideas of his time. The contributors place his life and work in the context of his treatment of Judaism and Jewishness; his fascination with urbanization, Victorian science, technology and clairvoyance; his friendships and influences; and his impact on notions of consumerism and taste. As an illustrator, Du Maurier collaborated with Thomas Hardy, Elizabeth Gaskell and sensational writers such as M. E. Braddon and the author of The Notting Hill Mystery. These partnerships, along with his reflections on the art of illustration, are considered in detail. Impossible to categorize, Du Maurier was an Anglo-Frenchman with cultural linkages in France, England, and America; a social commentator with an interest in The New Woman; a Punch humourist; and a friend of Henry James, with whom he shared a particular interest in the writing of domesticity and domestic settings. Closing with a consideration of Du Maurier’s after-life, notably the treatment of his work in film, this collection highlights his diverse achievements and makes a case for his enduring significance.
This thoughtful and provocative book explores the relationship between music and the visual arts in the late nineteenth and twentieth centuries, focusing on the modernist period. Reassessing the work of composers and artists such as Richard Wagner, Pablo Picasso, Paul Klee, Josef Matthias Hauer, and John Cage, Simon Shaw-Miller argues that despite modernism's advocacy of media purity and separation, the boundaries between art and music were permeable at this time, as they have been throughout history. Shaw-Miller begins by discussing the place of Wagner's music and ideas at the time of the birth of modernism, presenting Wagner's aesthetic of the Gesamtkunstwerk as an alternative paradigm for modernist art. He goes on to analyze Picasso's use of musical subjects in his cubist works and Klee's adoption of music and the issue of temporality in his paintings and drawings. He concludes with the radical aesthetic of Cage, the silencing of sound, and the promotion of intermediality in the work of Fluxus artists. Through these fascinating examples, Shaw-Miller raises questions about both art and music history that will be of interest to students of both disciplines.
Crisis Management Strategy, first published in 1993, is an excellent introduction to the theory and practice of crisis management in modern enterprises. Simon Booth examines the conventional approaches followed by many firms in the face of change and crisis. He warns of the dangers of theories which oversimplify the causes of crisis and their possible solutions, and which overlook the individual nature of each firm and its environment. Instead, a dynamic new vision of crisis management is offered, which takes into account different kinds of crisis demanding diverse solutions. The key role of leadership is also evaluated in relation to both internally and externally generated crises. Drawing on case studies of leading firms facing crisis solutions in a variety of environments, this truly international volume will provide valuable insight into the experience of crisis, risk and uncertainty. This title will be of interest to students of business.
A wide-ranging collection of the key contextual documents which inform the Romantic period. It includes material on fiercely debated areas such as the French Revolution, women, the slave trade, science and religion. Documents are supported by substantial editorial material, drawing connections to the major Romantic texts.
“A great book” on the decisive engagement of the Battle of Normandy in the series that brings World War II battles to life (Army Rumour Service). The denouement of the battle of Normandy, the fighting around Falaise and Chambois in August 1944, and the pursuit of the retreating German armies to the Seine provided the Allies with an immense victory—all made possible by Operation Cobra . . . As US First Army and British Second Army squeezed the western and northern edges of the German salient, so Third Army rushed headlong eastwards and then north to create the lower of two pincers—the other formed as the Canadian First Army and the Polish 1st Armored Division pushed south of Caen. As could be expected, the Germans did not simply give up: they fought furiously to keep the pincers from closing. When they did, attacks from inside the pocket to break out and outside the pocket to break in led to fierce fighting between Chambois and Argentan. When the dust settled, between 80,000 and 100,000 troops had been trapped by the Allied encirclement. Estimates vary considerably, but it seems safe to say that at least 10,000 of the German forces were killed and around 50,000 became PoWs. The Past & Present Series reconstructs historical battles by using photography, juxtaposing modern views with those of the past together with concise explanatory text. It shows how much infrastructure has remained and how much such as outfits, uniforms, and ephemera has changed, providing a coherent link between now and then.
‘Who is the enemy?’ This is the question most asked in modern warfare; gone are the set-piece conventional battles of the past. Once seen as secondary to more traditional conflicts, irregular warfare (as modified and refashioned since the 1990s) now presents a major challenge to the state and the bureaucratic institutions which have dominated the twentieth century, and to the politicians and civil servants who formulate policy.Twenty-first-century conflict is dominated by counterinsurgency operations, where the enemy is almost indistinguishable from innocent civilians. Battles are gunfights in jungles, deserts and streets; winning ‘hearts and minds’ is as important as holding territory. From struggles in South Africa, the Philippines and Ireland to operations in Iraq, Afghanistan and Chechnya, this book covers the strategy and doctrine of counterinsurgency, and the factors which ensure whether such operations are successful or not. Recent ignorance of central principles and the emergence of social media, which has shifted the odds in favour of the insurgent, have too often resulted in failure, leaving governments and their security forces embedded in a hostile population, immersed in costly and dangerous nation-building.
Advertising can be great. Great advertising, that is. Brands live or die on the power of their advertising and the advertiser's role is to build better mousetraps. But why do we love certain brands and passionately or indifferently reject the rest? What do our brands say about us? And why do we feel so compelled to use digital brands to say even more? Advertising has always been the hard sell and subtle hustle that piques our interest and gets us thinking I WANT that, but in a world that now moves with binary speed, the Brand Game is taking ever-new and remarkable turns in its pursuit of better and faster mice. A provocative and insightful look at the chase, The Better Mousetrap lifts the lid on the brand and advertising strategies of leading companies who, in a world redefined by digital media, are setting the best traps for these ever quicker mice.
The second edition of this acclaimed text gives students of cognitive and cognitive-behavioral therapy a solid grounding in principles, while modeling an integrative approach to the problems they will encounter most.
This series fills immense gaps in knowledge of issues related to early life development of fishes in the Ohio basin. Volume I includes familes Acipenseridae to Esocidae, Volume II includes the Catostomidae, while Volume III addresses the developmental and morphological issues of catfish and madtoms. This volume describes the characteristics of the
Four pep pills, a Sunday tabloid, two celebrated rock stars and a court case. Butterfly on a Wheel: The Rolling Stones Great Drugs Bust documents how these ingredients came to form a huge slice of British social history; a watershed where attitudes to drugs prompted a seismic change in popular culture. When Keith Richards threw a drug-fuelled party at his West Sussex house in early 1967, it was never going to be an uneventful affair. The police broke in, dragged Keith Richards and Mick Jagger away in handcuffs, and a media frenzy erupted which pitted the hedonistic counterculture against the British Establishment. Using previously unpublished police and court documents, best-selling author Simon Wells reveals what really happened on the night of the raid and the extraordinary conspiracy mounted to end the careers of Jagger and Richards, with The Beatles soon to follow. Using fresh interviews with lawyers, police and eye witnesses to the notorious party, Wells reveals the truth about the celebrity pushers, London gangsters, bent cops, corrupt newspapers and dodgy politicians. This Omnibus enhanced edition includes an online media collection of television news footage, newspaper reports, interviews with Jagger, Richards and McCartney, as well as an interview with the author.
Now available in paperback, this is a comprehensive study of the most influential figure in postwar American literature. Over a writing career spanning more than fifty years, Thomas Pynchon has been at the forefront of America’s engagement with postmodern literary possibilities. In chapters that address the full range of Pynchon’s career, from his earliest short stories and first novel, V., to his most recent work, this book offers highly accessible and detailed readings of a writer whose work is indispensable to understanding how the American novel has met the challenges of postmodernity. The authors discuss Pynchon’s relationship to literary history, his engagement with discourses of science and utopianism, his interrogation of imperialism and his preoccupation with the paranoid sensibility. Invaluable to Pynchon scholars and to everyone working in the field of contemporary American fiction, this study explores how Pynchon’s complex narratives work both as exuberant examples of formal experimentation and as serious interventions in the political health of the nation.
This welcome new resource for international students in art,design, and media provides clear explanations of the terminologythey must master in order to fulfill their academic potential andenrich their professional careers. Offers a much-requested new resource that fills a gap inthe academic market Tailored specifically to the needs of international students inart, design, and media Color-coded key words and phrases for quick reference Includes sections on study skills, academic expectations inWestern institutions, methodologies, and important theorists An ideal handbook for curators and gallery staff everywhere forwhom English is a non-native language
For many people who live in Europe, the presence of substantial US military forces is a matter of concern and debate, which has tended so far to centre around a few highly-visible bases, such as the cruise missile locations. Apart from these few bases, relatively little is known about the size and extent of the US military presence in Europe. This book aims to fill that gap by providing the raw data on what is where. The study also highlights the historical details behind the acquisition of bases in individual countries, and summarizes and analyses all of the basing agreements between the US and its host nations which are available to the public. The book a timely contribution to the debate: as discussions begin for possible post-INF cuts in superpower force levels in Europe, there is an urgent need for accurate and unbiased information on US forces in Western Europe and on the massive infrastructure that supports those forces.
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