Born in the late 1930s on the Central Asian steppe, Naja is the daughter of a clan chieftain of the Tushan nomads, proud descendants of Genghis Khan. When her fiercely independent father, U'lan, hears of Stalin's plan to bring the Tushan under state control and make them settle permanently in collective farms, he pledges to join forces with the invading German army. It is a pledge of honor that will take her father to the hell of Stalingrad and change Naja's life forever by eventually bringing her, at the age of nine, to ruined postwar Cologne. From there she must learn to adapt to a strange new culture, and to the strange family that has taken her in. But as Naja gradually grows more comfortable in this alien world, the memories of her young life on the steppe call out to her. She begins a difficult search for her past-and the past of her people-with only the word kuraj (Tushan for tumbleweed) as her talisman and guide. Silvia di Natale was born in Genoa in 1951 and moved to Germany in 1973, where she lives with her husband and son. She teaches and works as an ethnosociologist. Kuraj is her first novel. "An extraordinary epic of emigration, capture, ruin, flight and return-a revelation."-Corriere della Sera "Extraordinary and gripping."-Repubblica
Born in the late 1930s on the Central Asian steppe, Naja is the daughter of a clan chieftain of the Tushan nomads, proud descendants of Genghis Khan. When her fiercely independent father, U'lan, hears of Stalin's plan to bring the Tushan under state control and make them settle permanently in collective farms, he pledges to join forces with the invading German army. It is a pledge of honor that will take her father to the hell of Stalingrad and change Naja's life forever by eventually bringing her, at the age of nine, to ruined postwar Cologne. From there she must learn to adapt to a strange new culture, and to the strange family that has taken her in. But as Naja gradually grows more comfortable in this alien world, the memories of her young life on the steppe call out to her. She begins a difficult search for her past-and the past of her people-with only the word kuraj (Tushan for tumbleweed) as her talisman and guide. Silvia di Natale was born in Genoa in 1951 and moved to Germany in 1973, where she lives with her husband and son. She teaches and works as an ethnosociologist. Kuraj is her first novel. "An extraordinary epic of emigration, capture, ruin, flight and return-a revelation."-Corriere della Sera "Extraordinary and gripping."-Repubblica
Combining close textual readings with a broad theoretical perspective, Gender, Narrative, and Dissonance in the Modern Italian Novel is a study of the ways in which gender shapes the principal characters and narratives of seven important Italian novels of the nineteenth and twentieth centuries, from Alessandro Manzoni’s I promessi sposi (1827) to Elsa Morante’s Aracoeli (1982). Silvia Valisa’s innovative approach focuses on the tensions between the characters and the gender ideologies that surround them, and the ways in which this dissonance exposes the ideological and epistemological structures of the modern novel. A provocative account of the intersection between gender, narrative, and epistemology that draws on the work of Georg Lukács, Barbara Spackman, and Teresa de Lauretis, this volume offers an intriguing new approach to investigating the nature of fiction.
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