Haunting and revealing photographs sent home by Norwegian immigrants in America as visual document and collective expression of the emigrant experience Between 1836 and 1915, in what has been called history’s largest population migration, more than 750,000 Norwegians emigrated to North America. Writing home, the newcomers sent thousands of pictures—America–photographs, as they are called in Norway. In these photographs, the emigrant experience unfolds as framed by thousands of Norwegian transplants in towns, cities, and rural communities across America. Pictures of Longing brings more than 250 America–photographs into focus as a moving account of Norwegian migration in the nineteenth and early-twentieth centuries, conceived of and crafted by its photographer-authors to shape and reshape their story. To clarify the historic nature and the cultural function of the America-photographs, art historian and photography scholar Sigrid Lien located thousands of the photographs in public and private archives and museums in Norway and the United States. Reading these photographs alongside letters sent home by Norwegian immigrants, Lien provides the first comprehensive account of this collective photographic practice involving “the voice of the many.” Pictures of Longing shows, in fascinating detail, how the photographs, like the accompanying letters, contribute to the cultural grassroots expression of Norwegian migration. They steer us toward multiple, fragmented, and dispersed histories and also complement the existing fabric of established historical narratives, demonstrating photography’s potential to engage with history.
Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of ’difficult histories’. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.
Almost all museums hold photographs in their collections, and museum professionals and their audiences engage with photographs in a myriad of ways. Yet despite some three decades of critical museology and photographic theory, and an extensive debate on the politics of representation, outside art museums, almost no critical attention has been given specifically to the roles, purposes and lives of these photographs within museums. This book brings into focus the ubiquitous yet entirely unconsidered work that photographs are put to in museums. The authors' argument is that there is an economy of photographs in museums which is integral to the processes of the museum, and integral to the understanding of museums. The international contributors, drawn from curators and academics, reflect a range of visual and museological expertise. After an introduction setting out the range of questions and problems, the first part addresses broad curatorial strategies and ways of thinking about photographs in museums. Shifting the emphasis from curatorial practices and anxieties to the space of the gallery, this is followed by a series of case studies of exhibitionary practices and the museum strategies that support them. The third section focuses on the role of photographs in the museum articulation of ’difficult histories’. A final section addresses photograph collections in a digital environment. New technologies and new media have transformed the management, address and purposing in photographs in museums, from cataloguing practices to streaming on social media. These growing practices challenge both traditional hierarchies of knowledge in museums and the location of authority about photographs. The volume emerges from PhotoCLEC, a HERA funded project on museums and the photographic legacy of the colonial past in a postcolonial and multicultural Europe.
Haunting and revealing photographs sent home by Norwegian immigrants in America as visual document and collective expression of the emigrant experience Between 1836 and 1915, in what has been called history’s largest population migration, more than 750,000 Norwegians emigrated to North America. Writing home, the newcomers sent thousands of pictures—America–photographs, as they are called in Norway. In these photographs, the emigrant experience unfolds as framed by thousands of Norwegian transplants in towns, cities, and rural communities across America. Pictures of Longing brings more than 250 America–photographs into focus as a moving account of Norwegian migration in the nineteenth and early-twentieth centuries, conceived of and crafted by its photographer-authors to shape and reshape their story. To clarify the historic nature and the cultural function of the America-photographs, art historian and photography scholar Sigrid Lien located thousands of the photographs in public and private archives and museums in Norway and the United States. Reading these photographs alongside letters sent home by Norwegian immigrants, Lien provides the first comprehensive account of this collective photographic practice involving “the voice of the many.” Pictures of Longing shows, in fascinating detail, how the photographs, like the accompanying letters, contribute to the cultural grassroots expression of Norwegian migration. They steer us toward multiple, fragmented, and dispersed histories and also complement the existing fabric of established historical narratives, demonstrating photography’s potential to engage with history.
ANOR is a series of short monographs on the history and culture of Muslim Central Asia. The volumes deal with various topics related to this region such as history, literature, anthropology.
Sigrid Kendall, née Baroness Rüdt von Collenberg, was born in 1930 into the rarefied world of Central European aristocracy with all that title and wealth afforded—castles, estates, and hunting lodges throughout Germany, the Netherlands and Poland, idyllic playgrounds of nature, horseback riding, carriage rides, and nights at the opera. Her childhood, however, coincided with the rise of Hitler, and by the time she was nine years old, her country was on the march toward Russia; one of her earlier family’s houses had been destroyed in the first Allied air raid; and her beloved father, an officer with the German cavalry, had been killed. Yet through a child’s eyes, Germany was home and Hitler, with his mesmerizing radio voice, promising “a thousand years of peace,” seemed like the rightful leader. Post-war Germany brought to her teenage self a different story, a different life—one of shame for the atrocities her country committed, and one in which the complete devastation of her country was the great equalizer among the people. The impact that those post-war years had on Kendall would have a lasting effect on her worldview: to question authority; to earn what you get; and to look out not only for others, but also for yourself. She carried this philosophy with her into a new life in America—immigrating at age twenty-three, newly wedded—and it kept her grounded, even as she fell in love for a second time and assumed the unlikely role of “corporate wife” upon marrying one of the most powerful corporate leaders in the United States. Her life suddenly became one filled with entertaining heads of state and traveling the world over. But for Kendall, her children would always come first and Germany would keep hold of her heart. Narrated with candor and grace, My Many Lives is a deeply moving account of a remarkable life, fractured into so many lives with its unexpected turns, and the true importance of love, loyalty, and resilience.
The volume provides complete and up-to-date information on the few chemical species composed of silicon, fluorine, and noble gases and in the major part on the species composed of silicon, fluorine, and hydrogen. Among the numerous experimentally confirmed and theoretically predicted monosilicon Si-H-F species with Si coordination numbers 2, 3, and 4, the most prominent and best investigated molecules by far are Si H3F, Si H2F2, and Si H F3. Even more has been reported about aqueous solutions of hexafluorosilicic acid, "H2Si F6", a system which is not yet completely understood. Some of the isomers of partially fluorinated di-, tri-, and tetrasilanes are known to some extent, but information on the higher acyclic and cyclic polysilanes is increasingly sparce.
Some years ago the Gmelin Institute started to supplement the volumes on halogens and halogen compounds. For the elements chlorine and fluorine these supplementary volumes have already been finished. For the element bromine the volume A 1 is also available. Now the volume B 1 will be published starting with the description of the compounds of bromine. The present volume describes the compounds of bromine with rare gases and with hydrogen. The volume is dominated by the description of HBr and its aqueous solution, hydrobromic acid. Chemical and physical properties of the diatomic molecule HBr are extremely well studied by modern methods. Thus detailed descriptions are given of gas-phase properties, spectra, and properties of condensed phases. Emphasis is laid on elementary reaction processes such as energy transfer and single reaction steps for HBr formation and decomposition. These studies have become classics of modern reaction kinetics. Likewise, elementary reactions of HBr and Br- with nonmetallic compounds are described comprehensively.
The volume is concerned exclusively with all the binary species formed between the elements silicon and fluorine such as SiF, SiF2, SiF3, SiF4, and Sif62-. Most of the volume, i.e. 144 pages, is devoted to the description of the well known physical and chemical properties of the SiF4 as well as to its preparation. This is followed in length by the report on SiF2 with its interesting chemistry, along with a section on the diatomic radical SiF. Species with fivefold and sixfold coordination of silicon are exemplified by SiF5- and by the well known SiF62-. Interestingly, the detailed models for describing the bonding situation in both ions are still a matter of discussion. While for Si2F6 most of the basic data are known, information on the chemical and physical properties of the higher members of the acylic perfluorosilanes, SinF2n+2, is scarce. All available information on the unstable cyclic perfluorosilanes of composition (SiF2)n and some even more exotic species is also included.
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