The acknowledged masterpiece of the Nobel Prize-winning Norwegian novelist Sigrid Undset, Kristin Lavransdatter has never been out of print in this country since its first publication in 1927. Its story of a woman's life in fourteenth-century Norway has kept its hold on generations of readers, and the heroine, Kristin—beautiful, strong-willed, and passionate—stands with the world's great literary figures. Volume 11, The Mistress of Husaby, tells of Kristin's troubled and eventful married life on the great estate of Husaby, to which her husband has taken her.
The third volume in the Nobel Prize–winning writer’s epic story of medieval Norway, finely capturing Undset’s fluid, natural style in the first English translation in nearly a century In the early fourteenth century, Norway is a kingdom in political turmoil, struggling with opposing forces within its own borders and drawn into strife with neighboring Sweden and Denmark. Bloody family vendettas and conflicting loyalties sparked by the irrepressible passion of a boy and his foster sister (also his betrothed) have now set in motion a series of terrible consequences—with a legacy of betrayal, murder, and disgrace that will echo down through the generations. Crossroads, the third of Olav Audunssøn’s four volumes, finds Olav heartbroken by loss and further estranged from his son. To escape his grief, Olav leaves his home estate of Hestviken and agrees to serve as captain on a small merchant ship headed to London. There, separated from everything familiar to him, Olav begins a visionary journey that will send him far into the forest and deep into his soul. Questioning past decisions and future plans, Olav must grapple with his own perceptions of love and guilt, sin and penitence, vengeance and forgiveness. Set in a time and place where royalty and religion vie for power, and bloodlines and loyalties are law, Crossroads summons a powerful picture of Northern life in medieval times, as the Swedish Academy noted in awarding Sigrid Undset the Nobel Prize in 1928. Conveying both the intimate drama and epic sweep of Olav’s story as grief and guilt drive him to ever more desperate action, Crossroads is a moving and masterly re-creation of a vanished world tainted by bloodshed and haunted by sin and retribution. As with Kristin Lavransdatter, her earlier medieval epic, Undset immersed herself in the legal, religious, and historical documents of the time while writing Olav Audunssøn to create astoundingly authentic and compelling portraits of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s natural, fluid prose, in a style that delicately and lyrically conveys the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.
From A to Z, the Penguin Drop Caps series collects 26 unique hardcovers—featuring cover art by Jessica Hische It all begins with a letter. Fall in love with Penguin Drop Caps, a new series of twenty-six collectible and hardcover editions, each with a type cover showcasing a gorgeously illustrated letter of the alphabet. In a design collaboration between Jessica Hische and Penguin Art Director Paul Buckley, the series features unique cover art by Hische, a superstar in the world of type design and illustration, whose work has appeared everywhere from Tiffany & Co. to Wes Anderson's recent film Moonrise Kingdom to Penguin's own bestsellers Committed and Rules of Civility. With exclusive designs that have never before appeared on Hische's hugely popular Daily Drop Cap blog, the Penguin Drop Caps series launches with six perennial favorites to give as elegant gifts, or to showcase on your own shelves. U is for Undset. Set in fourteenth-century Norway, The Wreath, the first volume of Undset’s medieval trilogy begins the life story of Kristin Lavransdatter. Starting with Kristin’s childhood and continuing through her romance with Erlend Nikulaussøn, a dangerously charming and impetuous man, Undset re-creates the historical backdrop in vivid detail, immersing readers in the day-to-day life, social conventions, and political undercurrents of the period. But the story she tells is a modern one, brought to life with clarity and lyrical beauty in this remarkable translation by Tiina Nunnally. Defying her parents and stubbornly pursuing her own happiness, Kristin emerges as a woman who loves with power and passion.
Set in 13th-century Norway, The Axe is the first volume in Undset's epic tetralogy, The Master of Hestviken. In it, we meet Olav Audunsson and Ingunn Steinfinnsdatter, who were betrothed as children and raised as brother and sister. In the heedlessness of youth, they become lovers, unaware that their ardor will forge the first link in a chain of murder, exile, and disgrace. Undset's novel is also a meticulous re-creation of a world split between pagan codes of retribution and the rigors of Christian piety--a world where law is a fragile new invention and manslaughter is so common that it's punishable by a fine."Undset reproduces medieval Norway in all the rich pageantry of color and form...she can transport us eight centuries and several thousand miles more effectively than most writers can take us into the house next door."--The Nation
“[Sigrid Undset] should be the next Elena Ferrante.” —Slate A Penguin Classic Kristin Lavransdatter interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life—her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith—profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally—the first English version since Charles Archer's translation in the 1920s—captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition. Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Rome in the year A.D. 590. A plague is tearing through the city. Pope Pelagius II is dead. Outside the walls, Lombard soldiers are raising their swords. What can save the Eternal City? All eyes, and all hopes, are on the next pope. Veteran writer Sigrid Grabner tells the dramatic story of Pope Gregory I—a poor monk known now to history as Saint Gregory the Great. Born to a noble family and trained in Roman law, Gregory had been prefect of the city of Rome as a young man, but he gave up his power and wealth to walk in the footsteps of Saint Benedict. Everything changed when he was raised, against his will, to the highest office in Christendom and found himself, as he wrote to one friend, "in the eye of a storm"; at the helm of an "old and rotten ship". Although Gregory sensed only his inadequacy, he not only steered Rome clear of a shipwreck, but laid the foundations for the future of Europe. In fourteen years as pope, he instituted sweeping financial reforms, ensured legal protection for the poor, developed a system of musical notation, wrote influential works of theology, quieted the Byzantines and the warring Lombards, and led a citywide pilgrimage to the church of Saint Mary Major that, tradition says, brought an end to the plague. Grabner''s vivid narrative of the life of Pope Gregory I reads like a novel, evoking the landscape of early medieval Italy with humanity and realism. It brings us face-to-face with a man who, for all his weakness, became an instrument in the hand of God and let himself be made great.
This collection, True and Untrue and Other Norse Tales, edited by Sigrid Undset and illustrated by Frederick T. Chapman, contains twenty-eight classic Norse narratives. They include the folkloric stories of ‘East O’ the Sun and West O’ the Moon’, ‘The Seven Foals’, ‘Why the Sea is Salt’, ‘The Squire’s Bride’, and ‘The Master Thief’. The tales are accompanied by the masterful artwork of Frederick T. Chapman; a book and Magazine illustrator, who contributed to numerous publications including Woman’s Home Companion, Collier’s, and American Magazines. He is best known for his pioneering work in children’s books such as ‘Joan, Maid of France, ‘White Falcon’, and ‘Luther Burbank, Nature’s Helper.’ Presented alongside the text, Chapman’s enchanting creations serve to further refine and enhance the classic Nordic storytelling – making this a book to be enjoyed and appreciated, by both young and old alike. Pook Press celebrates the great ‘Golden Age of Illustration‘ in children’s literature – a period of unparalleled excellence in book illustration from the 1880s to the 1930s. Our collection showcases classic fairy tales, children’s stories, and the work of some of the most celebrated artists, illustrators and authors.
Prince Raiden enjoys his freedom and leisurely lifestyle, Ravenor struggles with the new responsibilities of a commander, and Eryn tries out his skills as an architect in the seclusion of the Nimrod. It is a time of peace and freedom. But it is a deceptive peace, for enemies are gathering all around them and the end of the Golden Age is near ...
“[Sigrid Undset] should be the next Elena Ferrante.” —Slate A Penguin Classic Kristin Lavransdatter interweaves political, social, and religious history with the daily aspects of family life to create a colorful, richly detailed tapestry of Norway during the fourteenth-century. The trilogy, however, is more than a journey into the past. Undset's own life—her familiarity with Norse sagas and folklore and with a wide range of medieval literature, her experiences as a daughter, wife, and mother, and her deep religious faith—profoundly influenced her writing. Her grasp of the connections between past and present and of human nature itself, combined with the extraordinary quality of her writing, sets her works far above the genre of "historical novels." This new translation by Tina Nunnally—the first English version since Charles Archer's translation in the 1920s—captures Undset's strengths as a stylist. Nunnally, an award-winning translator, retains the natural dialog and lyrical flow of the original Norwegian, with its echoes of Old Norse legends, while deftly avoiding the stilted language and false archaisms of Archer's translation. In addition, she restores key passages left out of that edition. Undset's ability to present a meticulously accurate historical portrait without sacrificing the poetry and narrative drive of masterful storytelling was particularly significant in her homeland. Granted independence in 1905 after five hundred years of foreign domination, Norway was eager to reclaim its national history and culture. Kristin Lavransdatter became a touchstone for Undset's contemporaries, and continues to be widely read by Norwegians today. In the more than 75 years since it was first published, it has also become a favorite throughout the world. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
American Wild also features new writing by Martin Amis, Anne Carson, Diane Cook, Thomas McGuane, Jess Row, Mona Simpson and Callan Wink, poetry by Andrew Motion and Mary Ruefle and photography by Aaron Huey and Nicola Lo Calzo.
From the Nobel Prize-winning author who "should be the next Elena Ferrante” (Slate) comes a stormy romance set in 14th-century Norway. The acknowledged masterpiece of the Nobel Prize-winning Norwegian novelist Sigrid Undset, Kristin Lavransdatter has never been out of print in this country since its first publication in 1927. Its story of a woman's life in fourteenth-century Norway has kept its hold on generations of readers, and the heroine, Kristin—beautiful, strong-willed, and passionate—stands with the world's great literary figures. Volume 1, The Bridal Wreath, describes young Kristin's stormy romance with the dashing Erlend Nikulausson, a young man perhaps overly fond of women, of whom her father strongly disapproves.
This book offers an introduction to the derivation of meaning that is accessible and worked out to facilite an understanding of key issues in compositional semantics. The syntactic background offered is generative, the major semantic tool used is set theory. These tools are applied step-by-step to develop essential interface topics and a selection of prominent contrastive topics with material from English and German.
Unusual Stories, Unusually Told celebrates some of the boldest contemporary American voices with seven plays from Clubbed Thumb's Summerworks. Spanning 2001 to 2019 and accompanied by artist interviews and reflections on the work, this anthology presents a vital survey of formally inventive 21st century playwriting, and is a perfect collection for study and performance. U.S. Drag by Gina Gionfriddo A serial killer named Ed stalks the city, luring his victims by asking for help. To protect themselves, a group of New Yorkers form SAFE, “Stay Away From Ed.” The first rule: don't help anyone. It's a matter of urban survival. Slavey by Sigrid Gilmer In which Robert and Nora, a couple on the rise, get a big promotion, a bigger house, and a brand new slave. Dot by Kate E. Ryan In which old Dot and the weird kid from the neighborhood become friends. Set in that kind of Florida town that makes you wonder: is this TV, a book, or maybe even a cabaret? Baby Screams Miracle by Clare Barron In which a freak storm knocks down all the trees in town and a prodigal daughter is taught a new way to pray. But the weird weather's not over yet. Men on Boats by Jaclyn Backhaus Ten explorers. Four boats. One Grand Canyon. Men On Boats is the true(ish) history of an 1869 expedition, when a one-armed captain and a crew of insane yet loyal volunteers set out to chart the course of the Colorado River. Of Government by Agnes Borinsky The adventures of Barb the Teacher, Deb the Seeker, Heidi the Helper, Tawny the Addict and a host of others. With songs! Presented by Miss Marjorie Blain, her students, and members of the community. Light refreshments will be provided. Plano by Will Arbery Tonight, and later, and earlier, three sisters (no, not those ones) are stricken with a series of strange plagues. Let's talk about family nightmares. I mean, uh, memories.
Grammatology of Images radically alters how we approach images. Instead of asking for the history, power, or essence of images, Sigrid Weigel addresses imaging as such. The book considers how something a-visible gets transformed into an image. Weigel scrutinizes the moment of mis-en-apparition, of making an appearance, and the process of concealment that accompanies any imaging. Weigel reinterprets Derrida’s and Freud’s concept of the trace as that which must be thought before something exists. In doing so, she illuminates the threshold between traces and iconic images, between something immaterial and its pictorial representation. Chapters alternate between general accounts of the line, the index, the effigy, and the cult-image, and case studies from the history of science, art, politics, and religion, involving faces as indicators of emotion, caricatures as effigies of defamation, and angels as embodiments of transcendental ideas. Weigel’s approach to images illuminates fascinating, unexpected correspondences between premodern and contemporary image-practices, between the history of religion and the modern sciences, and between things that are and are not understood as art.
Sixteen-year-old Louisa Softly is not used to anything exciting happening to her or in the fragrant land of Roseberry. Still, she cannot shake the feeling she is being watched. But with an official unicorn naming party to plan, Louisa shrugs off her uneasiness and hopes she is worrying about nothing. It is not an easy task naming a unicorn. Louisa knows she cannot give him just any old name. It has to be perfect. After she finally settles on Twilight and announces it to her family and friends, Louisa and her unicorn immediately form a tight bond. But when she discovers a book that holds certain truths, Louisa is led down a mysterious path where secrets are revealed. Now she and Twilight must combine their talents and gifts to save the beautiful Fairywood from a horrifying fate. In this delightful tale for all ages, a teenager must learn to rely on her instincts and intuition after she embarks on a dangerous journey with her unicorn to fulfill her destiny.
Until recently, collaborative efforts between formal linguistics and literary studies have been relatively sparse; this book is an attempt to bridge this gap and add to the hitherto small pool of studies that combine the two disciplines. Our study concentrates on Emily Dickinson’s poetry, since it displays a highly uncommon and therefore challenging use of language. We argue this to be part of her poetic strategy and consider Dickinson an intuitive linguist: her apparent non-compliance with linguistic rules is a productive exploration of linguistic expression to reveal the flexibility and potential of grammar, leading to complex processes of interpretation. Our study includes a number of in-depth analyses of individual poems, which combine formal linguistic methods and literary scholarship and focus on specific aspects such as ambiguity, reference, and presuppositions. One of our findings concerns the dynamic interpretation of lyrical texts in which the pragmatic step of establishing what a poem means for the reader is postponed to text level. We provide readers with a tool-box of methods for the formal linguistic analysis not just of Emily Dickinson’s poetry but of linguistically complex literary texts in general.
In this heart-wrenching novel by Sigrid Undset, The Cross brings Kristin’s story to a close as the final years of her life are consumed by the Black Death, in the final installment in the well-known Norwegian trilogy, Kristin Lavransdatter. Kristin Lavransdatter has lost almost everything she loves. As the Black Death rapidly approaches Norway, she once again has to decide what is most important to her. Kristin grapples with her failing marriage and wavering faith while attempting to support eight sons. The once charmingly reckless characters are now facing their greatest challenge yet: the inevitability of their diminishing lives. Completing the trilogy, Sigrid Undset’s third Kristin Lavransdatter book was originally published in 1922. The author’s colourful depiction of 14th century Norway is continued in this final volume as she provides a fascinatingly accurate insight into medieval Scandinavia. Proudly republished by Read & Co. Books, this new edition of The Cross features an excerpt from Six Scandinavian Novelists by Alrik Gustafrom. An essential addition to the bookshelves of Kristen Lavransdatter fans, this volume is the perfect end to the classic Norwegian series.
Raiden finally finds a way into the Nimrod – with Eryn's help. And instead of finding answers to their many questions, everything just gets more complicated. The Nimrod turns out to be a great retreat for magical beings of all kinds. From the bloodthirsty monster to the first species, everyone is there... but no true allies. And yet help is promised, as an exchange for the key. Also the mysterious Voice in Eryn's head speaks again, sending them to the Six Places of Power... so that Eryn's fate can finally be fulfilled. "Well, if that's not a trap..." (The Dragon of Science)
The book provides details of the location, layout, structure, and decoration of the tombs. Hodel-Hoenes addresses subjects such as the two-dimensional art of the Kingdom of New Thebes, the contents of the tombs, the pigments used in the artists' paints, and the symbolism of the colors and the scenes depicted in the tomb paintings and reliefs."--BOOK JACKET.
Inspired by tales of the hero Vilmund Vidutan and his fellow knights, Sigurd Jonsson and his young friends Ivar and Helge set out to reenact these exploits on their medieval Norwegian farm. They carve swords and lances and spend hours making shields. With a little imagination, a pasture becomes a battlefield, an old boar their greatest foe, and they pass many hours jousting and dueling. But when the summer is nearly over, the three boys stumble into real trouble and must prove their courage in an adventure all their own. Written during Sigrid Undset’s time in New York, Sigurd and His Brave Companions will make medieval Norway come alive for young and old readers alike.
The desperate search to find a way into the Nimrod continues. Master Raiden's concerted research efforts brings him ever closer to this goal, even if the big breakthrough is still not in sight. In the meantime, Eryn and Ravenor are faced with a whole range of challenges, which they undertake with intelligence, wit and energy. In the process, they set out on their travels to discover more about Eryn's origins, When the veil is finally lifted, however, truths come to light that might have been better left in the dark...
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