Multi-voiced Church argues strongly and persuasively for churches in which everyone is important for the well-being and growth of the community. The New Testament indicates that the early churches were multi-voiced, participative and expectant that the Holy Spirit would speak through all members of the community. First-generation renewal movements have typically been multi-voiced, recovering this New Testament characteristic. But institutionalization (often accompanied by clericalization) has persistently reduced such diversity of participation and resulted in many aspects of church life becoming mono-voiced or restricted to only a few voices.
The New Testament indicates that the early churches were multi-voiced, participative and expectant that the Holy Spirit would speak through all members of the community. First-generation renewal movements have typically been multi-voiced, recovering this New Testament characteristic. But institutionalization (often accompanied by clericalization) has persistently reduced such diversity of participation and resulted in many aspects of church life becoming mono-voiced or restricted to only a few voices. This book surveys the history of mono-voiced and multi-voiced expressions of church, offers a robust biblical basis for advocating the latter, and explores ways of developing multi-voiced communities today. It offers resources that encourage multi-voiced practice in the areas of worship, learning, discernment and pastoral care.
Multi-voiced Church argues strongly and persuasively for churches in which everyone is important for the well-being and growth of the community. The New Testament indicates that the early churches were multi-voiced, participative and expectant that the Holy Spirit would speak through all members of the community. First-generation renewal movements have typically been multi-voiced, recovering this New Testament characteristic. But institutionalization (often accompanied by clericalization) has persistently reduced such diversity of participation and resulted in many aspects of church life becoming mono-voiced or restricted to only a few voices.
Multi-voiced Church argues strongly and persuasively for churches in which everyone is important for the well-being and growth of the community. The New Testament indicates that the early churches were multi-voiced, participative and expectant that the Holy Spirit would speak through all members of the community. First-generation renewal movements have typically been multi-voiced, recovering this New Testament characteristic. But institutionalization (often accompanied by clericalization) has persistently reduced such diversity of participation and resulted in many aspects of church life becoming mono-voiced or restricted to only a few voices.
Sian Lewis explores the role of news and information in shaping Greek society from the sixth to the fourth centuries, b.c. Applying ideas from the study of modern media to her analysis of the functions of gossip, travel, messengers, inscriptions, and inst
The Encyclopedia of Medieval Literature in Britain vereint erstmals wissenschaftliche Erkenntnisse zu Multilingualität und Interkulturalität im mittelalterlichen Britannien und bietet mehr als 600 fundierte Einträge zu Schlüsselpersonen, Zusammenhängen und Einflüssen in der Literatur vom fünften bis sechzehnten Jahrhundert. - Einzigartiger multilingualer, interkultureller Ansatz und die neuesten wissenschaftlichen Erkenntnisse. Das gesamte Mittelalter und die Bandbreite literarischer Sprachen werden abgedeckt. - Über 600 fundierte, verständliche Einträge zu Schlüsselpersonen, Texten, kritischen Debatten, Methoden, kulturellen Zusammenhängen sowie verwandte Terminologie. - Repräsentiert die gesamte Literatur der Britischen Inseln, einschließlich Alt- und Mittelenglisch, das frühe Schottland, die Anglonormannen, Nordisch, Latein und Französisch in Britannien, die keltische Literatur in Wales, Irland, Schottland und Cornwall. - Beeindruckende chronologische Darstellung, von der Invasion der Sachsen bis zum 5. Jahrhundert und weiter bis zum Übergang zur frühen Moderne im 16. Jahrhundert. - Beleuchtet die Überbleibsel mittelalterlicher britischer Literatur, darunter auch Manuskripte und frühe Drucke, literarische Stätten und Zusammenhänge in puncto Herstellung, Leistung und Rezeption sowie erzählerische Transformation und intertextuelle Verbindungen in dieser Zeit.
Magnificent" (The Sunday Times)-a fascinating portrait of one of the great love affairs of show business and a compelling account of a woman coming into her own Siân Phillips and Peter O'Toole were one of the theater's most fabulous couples-a marriage perhaps rivaled only by that of Richard Burton and Elizabeth Taylor in terms of glamour, power, and public fascination. In her exceptional memoir, Phillips reveals in thoughtful detail their tumultuous life together. She describes the mad and impulsive times with the infamous hellraiser alongside the tempestuous, insecure, and often lonely periods in their marriage. When O'Toole's career took off with Lawrence of Arabia, Siân found life increasingly difficult in her parallel roles as wife, mother, and actress, and watched as her own career became progressively sidelined. Against all expectations, though, their union endured for twenty years. When it ended, incredibly, even to herself, Siân plunged straight into another marriage, to a much younger man. Ultimately she emerges alone-triumphant and unrepentant-and the story she recounts here ranks alongside the very best in show business.
In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.
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