Gothic Science Fiction explores the fascinating world of gothic influenced science fiction. From Frankenstein to Doctor Who and from H. G Wells to Stephen King, the book charts the rise of a genre and follows the descent into darkness that consumes it.
This book analyses the gender roles and political contexts of spy fiction narratives published during the years of the Cold War. It offers an introduction to the development of spy fiction both in England and in the United States and explores the ways in which issues such as the atomic bomb, double agents, paranoia, propaganda and megalomania manifest themselves within the genre. The book examines the ongoing marginalization of women within spy fiction texts, exploring the idea that this unique period in global history is responsible for the active promotion and celebration of masculinity and male superiority. From James Bond to Jason Bourne, the book evaluates the ongoing enforcement of patriarchal ideas and oppressions that, in the name of national security and patriotic duty, have contributed to the development of a genre in which discrimination and bias continue to dominate.
This book analyses the gender roles and political contexts of spy fiction narratives published during the years of the Cold War. It offers an introduction to the development of spy fiction both in England and in the United States and explores the ways in which issues such as the atomic bomb, double agents, paranoia, propaganda and megalomania manifest themselves within the genre. The book examines the ongoing marginalization of women within spy fiction texts, exploring the idea that this unique period in global history is responsible for the active promotion and celebration of masculinity and male superiority. From James Bond to Jason Bourne, the book evaluates the ongoing enforcement of patriarchal ideas and oppressions that, in the name of national security and patriotic duty, have contributed to the development of a genre in which discrimination and bias continue to dominate.
In 1970 a concrete replica of the St John’s Cross arrived in Iona sitting incongruously on the deck of a puffer delivering the island’s annual supply of coal. What is the story behind this intriguing replica? How does it relate to the world’s first ringed ‘Celtic cross’, an artistic and technical masterpiece, which has been at the heart of the Iona experience since the eighth century? What does it tell us about the authenticity and value of replicas? In this fascinating book, Foster and Jones draw on extensive interdisciplinary research to reveal the composite biography of the St John’s Cross, its concrete replica, and its many other scale copies. They show that replicas can acquire rich forms of authenticity and value, informed by social relations, craft practices, creativity, place and materiality. Thus, the book challenges traditional precepts that seek authenticity in qualities intrinsic to original historic objects. Replicas are shown to be important objects in their own right, with their own creative, human histories — biographies that people can connect with. The story of the St John’s Cross celebrates how replicas can ‘work’ for us if we let them, particularly if clues are available about their makers’ passion, creativity and craft.
Public Relations, Branding and Authenticity: Brand Communications in the Digital Age explores the role of PR and branding in society by considering the notion of authentic communications within the context of an emerging digital media environment. This qualitative analysis explores the challenge of developing authentic brand narratives in the digital age, whilst questioning the problematic nature of authenticity itself. Case studies of public relations activity of successful brands, and those in crisis, are supplemented by interviews with senior public relations and branding practitioners. The book lays out three specific arguments. Firstly, a repositioning of the relationship between public relations and brand practice is explored. It is argued that public relations practitioners are well placed to facilitate brands in the digital age, because of the inherent acceptance of the value of relationship building, adaptation and boundary spanning embedded in PR practice and best practice theory. Secondly, the book introduces a new concept of riparian brands. Such brands are based on solid core values, but have an ability to atune, adjust and naturalise to the prevailing social, cultural and economic environment. Thirdly, the book presents an ontology of the riparian brand in the form of an authentic brand wheel and 15 real-time interaction success factors. Aimed at both academics and practitioners interested in the theoretical development of PR and its emerging relationship with branding, it will also be of interest to scholars of corporate communications, corporate reputation and branding.
Which journalist and explorer travelled around the world in 72 days but still found the time to stop in Singapore and buy a money called McGinty? Who was the first person to be awarded two Nobel Prizes? What year were women first allowed to act on stage in England? Delve into the fascinating history of women who refused, dared, led, asked and discovered. Covering all of the topics you studied at school, from Literature, Mathematics and Science to Politics, Music and Art, with easy to difficult questions, crosswords, wordsearches, anagrams and much more! Find out if you know the women who created the very items that surround you. Discover the women who weren't afraid to be the first. Test yourself on the women who keep fighting. The Feminist Quiz Book is a celebration of women from around the world and the perfect gift for the feminists in your life!
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