Shu-mei Shih inaugurates the field of Sinophone studies in this vanguard excursion into sophisticated cultural criticism situated at the intersections of Chinese studies, Asian American studies, diaspora studies, and transnational studies. Arguing that the visual has become the primary means of mediating identities under global capitalism, Shih examines the production and circulation of images across what she terms the "Sinophone Pacific," which comprises Sinitic-language speaking communities such as the People's Republic of China, Taiwan, Hong Kong, and Chinese America. This groundbreaking work argues that the dispersal of the so-called Chinese peoples across the world needs to be reconceptualized in terms of vibrant or vanishing communities of Sinitic-language cultures rather than of ethnicity and nationality.
Shu-mei Shih's study is the first book in English to offer a comprehensive account of Chinese literary modernism from Republican China. In The Lure of the Modern, Shih argues for the contextualization of Chinese modernism in the semicolonial cultural and political formation of the time. Engaging critically with theories of modernism, postcoloniality, and global and local cultural studies, Shih analyzes pivotal issues—such as psychoanalysis, decadence, Orientalism, Occidentalism, semicolonial subjectivity, cosmopolitanism, and urbanism—that were mediated by Japanese as well as Western modernisms.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.