This intellectual biography describes the personal development and Weltanschauung of Moses from his childhood until his death. It includes interactions with well-known biblical and historical figures and with composite characters representing all of the lifestyles that he encountered. It shows how Moses was affected by the people and events in his life and how he was able to lead the Jewish people in their successful struggle for freedom. This book describes the attitudes, thought processes and motivations of Moses himself and the participants in the events surrounding his life. The book also elucidates the changes in the Jewish religion that occurred before and during his lifetime. It clarifies how Moses developed into a multi-faceted leader and law-giver and shows how he influenced the Jewish religion at the time of the Exodus.
The Measure of All Things is the final volume in a trilogy about man as related to the genesis of the world, to metaphysics, and to the ontological vicissitudes of the human species. This book reviews the condition of man and his relationship with the forces of evolution, in both a biological and a spiritual sense. It is, therefore, an innovative excursion into the present day arguments between the evolutionist and creationist regarding the fate of man.
This first volume examines how sexual mores and behavior, religious dogma and practice, and artistic creativity and authenticity have influenced, and been influenced by, the existentialist thought of Kierkegaard, Heidegger, Sartre, Nietzsche, Husserl and Buber, and the writings of Camus, Dostoevsky, Beckett, Kafka and Shestov. It compares the author’s personality theory with those of Freud, Jung, Fairbairn, Karl Abraham and Melanie Klein, and Buddhist, Gnostic, Christian and Muslim mysticism with Jewish Kabbalah. It explains society’s harsh treatment of Carlo Gesualdo, Vincent van Gogh and Antonin Artaud, and analyzes the existentialist approach to existence, absurdity, human dialogue, and suicide. It will appeal to students and professionals in fields as diverse as philosophy, psychology, sociology, anthropology, religion, law, music, art, drama, literature and biology.
Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.
This book will be of value to everyone interested in the prevention of addiction and the detection, treatment and rehabilitation of drug addicts. It interprets and applies research findings about the causation and cure of drug addiction using the author’s personality theory which is extensively compared with that of other personologists. The book includes the qualitative analysis of 12 addict case studies. It is especially timely in view of the need for effective legislation, judicial procedures, and treatment programs to deal with the opioid crisis in the United States and Canada.
One of the fundamental enigmas of our existence, and for that matter, God’s existence, is the act of creation. Has the cosmos been created ex nihilo or was it an intelligent design by God? Does God, having created the world, let it evolve and develop on its own, subject to the rules of evolution and chance; or does God intervene in every step of evolution in a deus ex machina manner? What is the role of man in creation? Is it as central as existentialism and quantum mechanics assure us: that without human consciousness interacting with energy-matter, there would not be any objects and life forms? Is man the crown of creation permanently, or once evolution forms a more effective connecting agent between spirit and energy-matter, will man be relegated to the world of fossils? The book concludes with a thorough examination of human norms, values and morals. As such, this book constitutes a comprehensive treatise on the genesis of the world, the birth of God, and the role of man.
The Genesis of Genesis is about the mytho-empiricism of creation—cosmogony. In its attempt to compare the mythologies of the ancient Eastern Mediterranean cultures—Egyptian, Greek, Judaic and Mesopotamian—the Judaic cosmogony of genesis, which is unique in its reliance on the word as creative agent, is contrasted with the Egyptian, Greek and Mesopotamian mythologies, which are more deterministic.
This first volume examines how sexual mores and behavior, religious dogma and practice, and artistic creativity and authenticity have influenced, and been influenced by, the existentialist thought of Kierkegaard, Heidegger, Sartre, Nietzsche, Husserl and Buber, and the writings of Camus, Dostoevsky, Beckett, Kafka and Shestov. It compares the author’s personality theory with those of Freud, Jung, Fairbairn, Karl Abraham and Melanie Klein, and Buddhist, Gnostic, Christian and Muslim mysticism with Jewish Kabbalah. It explains society’s harsh treatment of Carlo Gesualdo, Vincent van Gogh and Antonin Artaud, and analyzes the existentialist approach to existence, absurdity, human dialogue, and suicide. It will appeal to students and professionals in fields as diverse as philosophy, psychology, sociology, anthropology, religion, law, music, art, drama, literature and biology.
This book is an English re-writing of the original Hebrew edition, published by Dvir Publishing House, in 2007, and written jointly with the late Herzl Shmueli. The book probes into the nature and quality of the beauty and meaning of music. According to the authors, these have to be found within the musical phenomena themselves and serve as the basis for the aesthetical criteria of all music. They maintain that similar to every linguistic phenomena, music is a message in sound that moves, within a certain time limit, from musician to listener. The musician on the one hand, and the listener on the other, are the two focal points between which the musical process takes place. Music is thus a covenant between the musician and the listener. One sends the musical message, the other takes it up and internalizes it; one is the initiator, the other proves the successful outcome of the artistic process. The book is intended for music connoisseurs and for all who are intersted in artistic thought, in general, and in musical thoughts in particular. Every professional concept that had to be included in the book is duly explained, so that any interested reader is able to broaden the scope of his/her outlook.
The Measure of All Things is the final volume in a trilogy about man as related to the genesis of the world, to metaphysics, and to the ontological vicissitudes of the human species. This book reviews the condition of man and his relationship with the forces of evolution, in both a biological and a spiritual sense. It is, therefore, an innovative excursion into the present day arguments between the evolutionist and creationist regarding the fate of man.
And Man Created God presents a new theory of mytho-empiricism based on the mythological concepts of Claude Lévi-Strauss and the structuralism of Jeanne Piaget. The whole nature of mythogenes as the creative force linking history and transcendence is then elucidated. The corpus of myths in the books of Genesis and Exodus are presented in a new light and then compared with the Egyptian, Mesopotamian and Greek mythologies to highlight the Judaic myths with the pagan contrast.
This second volume examines how sexual mores and behavior, religious dogma and practice, and literary creativity and authenticity have influenced and been influenced by the existentialist thought of Kierkegaard, Heidegger, Sartre, Nietzsche, Husserl and Buber, and the writings of Camus, Dostoevsky, Beckett, Shestov, Berdyaev and Tillich. It compares human and cultural attributes with the attributes of pagan and monotheistic Gods, and Buddhist, Gnostic, Christian and Muslim mysticism with Jewish Kabbalah. It explains society’s harsh treatment of Vincent van Gogh and Antonin Artaud, and analyzes the existentialist approach to existence, absurdity, human dialogue, cosmology, and quantum mechanics. It will appeal to students and professionals in fields as diverse as philosophy, psychology, sociology, anthropology, religion, law, art, drama, literature, cosmology and physics.
This volume is an innovative exposition of the person and teaching of Rabbi Johanan Ben Zakkai (the Rivaz), the 1st century Jewish sage who crossed the lines over to emperor Vespasian during the siege of Jerusalem. He proclaimed that for the Jews the learning of the Torah was even more essential than independence. Hence, he asked for permission to study the Torah at Jabneh, where after the destruction of the Second Temple he established the famous schools for religious studies. He is very controversial within Orthodox circles until this very day. However, we claim that he saved Judaism as it is studied and upheld throughout the generations of scholarship in the diasporas of Babylon, Spain, North Africa and Europe. The story and the saga of Rabbi Johanan Ben Zakkai is presented in this volume within the context of the history of the Jews and Judaism.
A new approach to culture and cultural patterns is elucidated through relating a theory of personality and social characters to the genesis of myths and religions. Cultures are classified along a continuum and their relationship to a given personality structure is based on the assumptions that cultures possess generalized traits, and that these traits relate to characters of individuals. Cultures, like man, pass through the age phases of childhood, youth, manhood, culminating in old age. It is the cultural goals and the means to achieve them that become the culture pattern. What are these cultural goals? How do we achieve them? Every society and culture has its own indigenous mythology. Myths move in time from sacred myths recorded before history to modern myths, like master detectives Sherlock Holmes and Hercule Poirot, or the master spy, John Le Carré’s Smiley, or even Superman, who realizes the dreams of omnipotence among the downtrodden, henpecked inhabitants of Metropolis. Thus myths provide meaning and motivation for human behavior.
This intellectual biography describes the personal development and Weltanschauung of Moses from his childhood until his death. It includes interactions with well-known biblical and historical figures and with composite characters representing all of the lifestyles that he encountered. It shows how Moses was affected by the people and events in his life and how he was able to lead the Jewish people in their successful struggle for freedom. This book describes the attitudes, thought processes and motivations of Moses himself and the participants in the events surrounding his life. The book also elucidates the changes in the Jewish religion that occurred before and during his lifetime. It clarifies how Moses developed into a multi-faceted leader and law-giver and shows how he influenced the Jewish religion at the time of the Exodus.
This ongoing series, published under the auspices of the Faculty of Law and the Institute of Criminology and Criminal Law of Tel Aviv University, documents the changes taking place in the field of criminology and the new undercurrents continually surfacing. The editor shows that criminological research has become emeshed in two issues. First, research has become increasingly bifurcated into action-oriented research and etiological theorizing; the so-called "new criminology" has caused some ripples, especially among radically oriented students. Second, most current approaches to the study and prevention of crime and deviance are being undertaken from a multidisci-plinary but undisciplined position. Efforts are being made to promote an interdisciplinary approach to criminology. The idea is to break the semantic barriers among the various disciplines and ultimately to synchronize the various levels of analysis into a continuous, homogeneous model.
Myths have long been considered the prime linkage between nature and culture, but we hold that they are more than this. The mythogene, which is our conceptualization of a connecting structure, links subject and object, history and transcendence, but above all is the blueprint for creativity. The volume deals, therefore, with the innovative conception of the author as to the process of creativity. Van Gogh had a revelation as to how the whirling cypresses and dancing stars would look at night. These structures, which contain a complementarity between his experiences and longings, are then ingrained in the artistic medium. Since his artistic efforts were authentic, his ecstatic (in the Greek sense) state of mind, extricated itself from diachronic history and soared onto synchronic eternity. This is how we perceive his work as fresh, exhilarating and meaningful as if painted today; it is the communication within eternity of authentic art from artist to audience. The volume also presents a classification of types of artists as related to their art and presents and innovative theory as to the link between madness and creativity.
Art, Crime and Madness explores the relationship between creative innovation, deviance and morbidity. To innovate, one has to be able to view the medium and the object of creativity in a different, hitherto unexplored manner. The essence of art is creative innovation, coupled with an ability, in varying degrees, to transcend the boundaries of consciousness. But this 'ability' is also the prerogative of the mentally deranged. Likewise, the criminal and the deviant are more likely to transcend normative barriers while creating, hence the wide range of criminal and deviant behaviour in society. Although the inverse hypothesis does not hold -- the mere existence of deviance or morbidity does not predispose the individual to creativity -- nevertheless criminal and mad behaviour are often very innovative. This thesis is illustrated by historical case histories of creative deviance and genius madness, and contemporary observations. The painter Michelangelo Merisi Caravaggio killed a man while still a teenager, and a second victim during a ball game. In his lifetime he was considered degenerate, but today he is considered the greatest painter of the Italian Settecento, and his portrait adorns the Hundred-Thousand Lira note. Jean Genet the homosexual thief was born out of wedlock and as a teenager he transgressed almost all the paragraphs of the French criminal code. But he became a famous French playwright, the mouthpiece for criminals and deviants. His plays built up a philosophical apology for the raison d'etre of the criminal group.
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