This book explores the media and conflict relationship in the age of social media through the lens of China. Inspired by the concepts of medialization of conflict and actor-network theory, this book centers on four main actors in wars and conflicts: social media platform, mainstream news organizations, online users and social media content. These four human and non-human actors associate, interact and negotiate with each other in the social media network. The central argument is that social media is playing an enabling role in contemporary wars and conflicts. Both professional media outlets and web users employ the functionalities of social media platforms to set, counter-set or expand the online public agenda. Social media platform embodies a web of technological and human complexities with different actors, factors, interests, and power relations. These four actors and the macro social-political context are influential in the medialization of conflict in the social media era. ‘’Empirically rich and theoretically innovative, this book advances our understanding of the constantly changing dynamic between international conflict and its medialization. With its compelling case studies, Shixin Zhang’s monograph makes a valuable contribution to the literature on Chinese social media in conflict situations.’’ - Daya K. Thussu, Professor of International Communication, Hong Kong Baptist University, Hong Kong
This book engages with the Chinese mediation of wars and conflicts in the global environment.Proposing a new cascading media and conflict model, it applies this to the studyof war correspondents from six levels: media-policy relations, journalistic objectivity, roleperceptions, news framing and peace/war journalism, news practices, and audience. Based on interviews with 23 Chinese journalists and case study analysis of the Libyan War,Syrian War, Afghanistan War and Israeli-Palestinian conflict, the book demonstrates thata new breed of Chinese war correspondents has emerged today. They undergo a complexand nuanced mediated communication process. Neither traditionally Chinese in theirapproach nor western in their perceptions, they are uniquely pragmatic in negotiating theirroles in a complex web of internal and external actors and factors. The core ideology seemsto be anti-West in defiance of the US hegemony and the bias of global media as well asneutral-Muslims. Exploring the role perceptions, values, norms and practices of contemporary Chinese warcorrespondents who go outside China to bring the ‘distant culture’ back home, this text is keyreading for scholars and students in international journalism, international communication,war and peace studies, international relations and Chinese studies.
Impact of Globalization on the Local Press in China investigates Chinese news production and content, as well as the main factors that have caused significant changes to Chinese newspapers over the past three decades. By conducting an in-depth study of a particular leading newspaper group in China, Beijing Youth Daily, Zhang identifies and analyzes essential changes in press structure, news organization, and the role of journalists, thus revealing the relations between the global and local, external and internal influences, the Party-state and the media, and the media and the market. This is the first comprehensive study of news making at both macro and micro levels in China. It provides up-to-date empirical data analysis on the operation and practices of transforming Chinese newspapers; offers a tool to form, clarify, and refine concepts on media globalization and journalism in developing countries like China; and serves as a reference point for policy makers, media practitioners, academics, and students who engage in journalism studies, Chinese studies, media management, and globalization studies.
This book engages with the Chinese mediation of wars and conflicts in the global environment.Proposing a new cascading media and conflict model, it applies this to the studyof war correspondents from six levels: media-policy relations, journalistic objectivity, roleperceptions, news framing and peace/war journalism, news practices, and audience. Based on interviews with 23 Chinese journalists and case study analysis of the Libyan War,Syrian War, Afghanistan War and Israeli-Palestinian conflict, the book demonstrates thata new breed of Chinese war correspondents has emerged today. They undergo a complexand nuanced mediated communication process. Neither traditionally Chinese in theirapproach nor western in their perceptions, they are uniquely pragmatic in negotiating theirroles in a complex web of internal and external actors and factors. The core ideology seemsto be anti-West in defiance of the US hegemony and the bias of global media as well asneutral-Muslims. Exploring the role perceptions, values, norms and practices of contemporary Chinese warcorrespondents who go outside China to bring the ‘distant culture’ back home, this text is keyreading for scholars and students in international journalism, international communication,war and peace studies, international relations and Chinese studies.
This book explores the media and conflict relationship in the age of social media through the lens of China. Inspired by the concepts of medialization of conflict and actor-network theory, this book centers on four main actors in wars and conflicts: social media platform, mainstream news organizations, online users and social media content. These four human and non-human actors associate, interact and negotiate with each other in the social media network. The central argument is that social media is playing an enabling role in contemporary wars and conflicts. Both professional media outlets and web users employ the functionalities of social media platforms to set, counter-set or expand the online public agenda. Social media platform embodies a web of technological and human complexities with different actors, factors, interests, and power relations. These four actors and the macro social-political context are influential in the medialization of conflict in the social media era. ‘’Empirically rich and theoretically innovative, this book advances our understanding of the constantly changing dynamic between international conflict and its medialization. With its compelling case studies, Shixin Zhang’s monograph makes a valuable contribution to the literature on Chinese social media in conflict situations.’’ - Daya K. Thussu, Professor of International Communication, Hong Kong Baptist University, Hong Kong
Impact of Globalization on the Local Press in China investigates Chinese news production and content, as well as the main factors that have caused significant changes to Chinese newspapers over the past three decades. By conducting an in-depth study of a particular leading newspaper group in China, Beijing Youth Daily, Zhang identifies and analyzes essential changes in press structure, news organization, and the role of journalists, thus revealing the relations between the global and local, external and internal influences, the Party-state and the media, and the media and the market. This is the first comprehensive study of news making at both macro and micro levels in China. It provides up-to-date empirical data analysis on the operation and practices of transforming Chinese newspapers; offers a tool to form, clarify, and refine concepts on media globalization and journalism in developing countries like China; and serves as a reference point for policy makers, media practitioners, academics, and students who engage in journalism studies, Chinese studies, media management, and globalization studies.
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