After her mother's untimely death, seven-year-old Abigail must endure an alcoholic stepfather, a well-meaning but unsavory orphanage, and a grandfather ruled by a designing woman. The traumatic seeds of Abigail's unstable childhood grow, flourish and pervade her adolescence and marriage.
Indian freedmen and their descendants have garnered much public and scholarly attention, but women's roles have largely been absent from that discussion. Now a scholar who gained an insider's perspective into the Black Seminole community in Texas and Mexico offers a rare and vivid picture of these women and their contributions. In Dreaming with the Ancestors, Shirley Boteler Mock explores the role that Black Seminole women have played in shaping and perpetuating a culture born of African roots and shaped by southeastern Native American and Mexican influences. Mock reveals a unique maroon culture, forged from an eclectic mixture of religious beliefs and social practices. At its core is an amalgam of African-derived traditions kept alive by women. The author interweaves documentary research with extensive interviews she conducted with leading Black Seminole women to uncover their remarkable history. She tells how these women nourished their families and held fast to their Afro-Seminole language — even as they fled slavery, endured relocation, and eventually sought new lives in new lands. Of key importance were the "warrior women" — keepers of dreams and visions that bring to life age-old African customs. Featuring more than thirty illustrations and maps, including historic photographs never before published, Dreaming with the Ancestors combines scholarly analysis with human interest to open a new window on both African American and American Indian history and culture.
A love like this only strikes once… The storm that devastated the town of Logan Beach also ravaged everything Rosanna Turner once knew. First she lost her childhood home. Then the Thorn family bought out the store where she comfortably worked for most of her adulthood. Rosanna isn’t thrilled when eldest sibling David Thorn arrives in town, seeking her input before the grand reopening. Just like a Thorn, the man doesn’t play fair. He’s too charming, too gorgeous to resist…until she uncovers his secret agenda. David wants to help repair the stricken town—all while discovering who’s been embezzling from his family’s new acquisition. Could it be Rosanna? The woman is irresistible and a force of nature in her own right. And he is in need of her expertise to make his store a success. Soon he also needs her in his arms…and anywhere else he can have her. Will mutual mistrust undermine their chance to build something wonderful together?
The story of a young girl growing up in a Colorado coal mining town during World War II. Seen through the eyes of a young girl, history and narrative merge to explore the war on the Home Front. At first the war is exciting for Shirley and her sisters as they play spies, war games with icicles, buy War Bond stamps, and "can" dirt for winter mud pies.
When beautiful young Willa Reade first saw the wild California coast called the Malibu, she knew she had come home. It was here, with her handsome aristocratic husband, Owen, and her crippled sister Lena, that Willa would build her empire, an empire that would grow to shelter the generations of a mighty California dynasty. Through the boom days of the railroads, from the dance halls of San Francisco, to the revolutionary fires of China, through the bitter losses of war and the terrible secrets of a forbidden love, Willa would fight. For pride, for passion, for her children and her men . . . for the vast cherished acres of the Malibu, her kingdom, her home, her destiny.
This book is a collection of poems and childhood memories. The poems are simple words from a simple mind. Some were written to be just plain silly in hopes of making you smile. The childhood memories are about growing up in the fifties when I spent most of my young years playing in the dirt, swimming in the creek and walking on railroad tracks. My family and I lived in a small house next door to a big, three-room school house. There was a railroad in front of our house and a creek in the back. The rest of the community was on the other side of the railroad tracks. I always say that I grew up on the wrong side of the tracks. Most memories are about Gray's Island where we spent the summers swimming in the creek and having many adventures. It was always boys chasing girls, dunking us in the creek, and having battles throwing pine cones and crabapples at each other. It was a time of innocence that could only be experienced during childhood.
MY STORY IS about an addict whose name is Elijah Wayne Jackson, Eli for short. This has many characters, mainly drug addicts. I have woven the Lady in Red on the assumption that she is a product of his paranoia. The story line, I hope, will bring the public to an awareness of addicts and the things they do when they are high and ingesting drugs. The story is very explicit and complete with mystery and science fiction overtures. My story takes place in a ghetto in Brooklyn, New York, around the late 1980s, a time when crack cocaine was strongly used. Although other addicts and their highs are being depicted, it is only to give the reader a sense of how things play out in the drug world as opposed to the real world. Basically, I am trying to bring science fiction to the ghetto in a more believable sense. Along with the mystery of the Lady in Red, there is another main character that comes into play, and his name is James. James is a mystery within himself. To go into more detail about my story and its characters, you will just have to read my story.
Every secret of a writer's soul, experience of his life, and quality of his mind is written large in his work." -- Virginia Woolf Panken enables us to read this secret language without doing violence to the artistic integrity of the writing. Virginia Woolf's continuing need for maternal protection, her physical symptoms, depressive bent, anorexia, and suicidal leanings suggest her vulnerability, inner struggle, and masked rage. This book delves into the substrate of Virginia Woolf's emotional dilemmas as well as the subtexts of her novels and shows the confluence between her life and art. It brings new insights into Woolf's struggle to come to grips with her confused personal and sexual identity, into her artistic conscience, and into the conditions and motivations of her suicide.
Forensic psychologist, Jill Kennedy, has given up police work to enjoy a quiet life in the Lancashire village of Kelton Bridge, but when Martin Hayden, a seventeen-year-old schoolboy, is murdered, DCI Max Trentham, Jill's ex-colleague and ex-lover, wants her back at work. As they hunt Martin's killer, they discover that nothing is as it seems. For a start, it seems likely that Martin, not the innocent child his parents claim, wasn't above a spot of blackmail. On top of that, Martin's father isn't the distraught parent one would expect, and his mother is determined to take her own secrets to the grave. When the killer strikes again, Jill and Max find themselves in a desperate race against time...
The next installment in Shirley Wine's Prodigal Sons series, a small town romance about secrets, lies, and love conquering all. When his father's gambling debts forced the sale of Whitby Downs station, Matt Daintry vowed he would do whatever it took to reclaim his family's heritage. But his heart and his head were at war when he met, seduced, and eloped with Charlotte Buchanan, the beautiful daughter of the new owner. The last person Charlotte Buchanan expected to turn up for the reading of her father's will was Matt Daintry, her estranged husband and father of her four–year–old son, Noah. Even more unexpected, is the shock discovery that Lachlan Buchanan has bequeathed the once prosperous station of Whitby Downs in trust to Noah and appointed Matt as the child's sole trustee, thwarting Matt's stated ambition of regaining ownership of Whitby Downs and throwing Charlotte back in the path of the one man who can steal her equilibrium. Very soon, Charlotte and Matt find themselves locked in a battle of wills over the land each rightfully regards as their own. Forced to work together for the benefit of their son, they need to confront the issues of their past to have any chance at a new future.
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