An analysis of Japan's industrialization in an international, historical and economic perspective, from the time that her ports were first opened to foreign trade. First published in 1988, this title is part of the Bloomsbury Academic Collections series.
This volume brings together an international team of scholars who examine the development of commercial networks in Asia from the 18th century to the 20th century on a stage that stretches from Yokohama and Pusan to Istanbul. The studies, based on extensive archival research, focus on the trading firms and merchant groups that were the chief actors in the creation of the commercial networks that crisscrossed Asia, linking the various Asian economies to each other and to Europe and the Americas. While some of this work has been available in Japanese, Chinese and Dutch, this is the first time that such a broad range of essays has been made available to an English-speaking audience. The thirteen essays can be roughly divided into two groups. The first group includes essays that look at the development of large scale networks and plot the competition between competing indigenous and foreign merchant groups in the trade in such products as sugar and cotton yarn in China, cotton goods in Japan, silk in Iran, Japanese manufactures in Dutch Indonesia and rice and cotton in India. The second group of essays focuses on the activities of specific firms as a way to explore the development of trading networks. This group includes essays that look at the activities of Chinese and Japanese merchants in Korea, at the growth of a commercial empire built on the sale of patent drugs in Southeast Asia and at the activities of European trading firms in Asia. The book should appeal to a wide-range audience. Most directly concerned are economic historians
The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
This book is the autobiography of Shinya Inoué, tracing his life from childhood to the present. Though he has made many contributions to science, perhaps the most remarkable one involves the visualization of dynamics in living cells by means of a polarizing light microscope, an innovation that changed the face of cell biology. Addressing readers curious to know why and how he achieved such success, the story begins with a prologue describing the end of World War II and Inoué’s lifelong collaborator, the great cell biologist Katsuma Dan. Following the prologue, the author’s childhood and teenage experiences during World War II are described, before the focus shifts to his scientific career and personal life. The book not only offers important tips for young researchers, it will also help them develop a passion for science.
This book collects the publications of Shinya lnou(r), pioneering cell biophysicist and winner of the 2003 International Prize for Biology. The articles cover the discovery, and elucidate the behavior in living cells, of the dynamic molecular filaments which organize the cell and play a central role in cell division. Other articles report on the development of microscopes, especially those using polarized light and digital image enhancement, which make possible studies of the ever-changing molecular architecture directly in living cells. This book also contains many high quality photo-micrographs as well as an appended DVD with an extensive collection of video movies of active living cells. After training in Tokyo and at Princeton University, Dr Inou(r) has held teaching positions at the University of Washington, Tokyo Metropolitan University, University of Rochester, Dartmouth Medical School, and University of Pennsylvania. He is a member of the U.S. National Academy of Sciences and currently holds the title of Distinguished Scientist at the Marine Biological Laboratory in Woods Hole, Massachusetts.
This book provides a clear and comprehensive introduction to the past, present, and future direction of death rituals and deathcare systems within Japan. As Japan heads toward a precarious future shaped by its super-ageing society, secularisation, and economic stagnation, the socioreligious structures that once organised death and funeral practice are becoming increasingly unstable. In their place, new social structures, technologies, and rituals for the farewell of the dead, handling of cremains, and commemoration of the ancestors have begun to emerge. The work is informed by the authors’ extensive research within Japan’s funeral, cemetery, and memorialisation sectors and the latest Japanese data sources and academic publications, many of which are not currently available in English. Providing readily accessible and contextualising information, this book will be an essential reference for graduate students and academics, as well as international policymakers and deathcare practitioners.
An analysis of Japan's industrialization in an international, historical and economic perspective, from the time that her ports were first opened to foreign trade. First published in 1988, this title is part of the Bloomsbury Academic Collections series.
The essence of natural computing is aesthetics; for example, in cooking, one of the most common forms of natural computation, the decision to add salt, and how much, is based on the aesthetics of taste. Because touch perception is instinctively related to a sense of beauty, the aesthetics of tactile sense are considered as algorithms by using the Tactile Score, which encodes tactile sensation. This book will appeal not only to researchers of natural computing or aesthetics, but also those working in ergonomic design, haptic-Kansei engineering, philosophy, design and art.
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