It Only Takes One Bite is my first book in a series. Alexandra Jean Applecake owns a cake bakery and supply shop in a small town in Pennsylvania. After delivering a wedding cake, a groom dies after taking just one bite. Alex becomes the prime suspect and her bakery is closed down. She decides to investigate and clear her name and reputation. Through the ensuing investigation, close friends and even the police start to look guilty. To the dismay of her best friend, Cat, Alex becomes real friendly with one of the detectives investigating the murder. Alex has a secret connection to the victim that incriminates her. She knows that she is innocent, but to open her store again she must clear each of her staff who are also her friends. However, after interviewing her employees, she finds out that she is not the only one with secrets nor the only one with a good motive. Danger follows Alex everywhere she goes. Alex begins to wonder if she will survive her first investigation.
It Only Takes One Bite is my first book in a series. Alexandra Jean Applecake owns a cake bakery and supply shop in a small town in Pennsylvania. After delivering a wedding cake, a groom dies after taking just one bite. Alex becomes the prime suspect and her bakery is closed down. She decides to investigate and clear her name and reputation. Through the ensuing investigation, close friends and even the police start to look guilty. To the dismay of her best friend, Cat, Alex becomes real friendly with one of the detectives investigating the murder. Alex has a secret connection to the victim that incriminates her. She knows that she is innocent, but to open her store again she must clear each of her staff who are also her friends. However, after interviewing her employees, she finds out that she is not the only one with secrets nor the only one with a good motive. Danger follows Alex everywhere she goes. Alex begins to wonder if she will survive her first investigation.
The remarkable story of a hidden New Deal program that tried to change America and end the Great Depression using folk music, laying the groundwork for the folk revival and having a lasting impact on American culture. In 1934, the Great Depression had destroyed the US economy, leaving residents poverty-stricken. First Lady Eleanor Roosevelt urged President Roosevelt to take radical action to help those hit hardest—Appalachian miners and mill workers stranded after factories closed, city dwellers with no hope of getting work, farmers whose land had failed. They set up government homesteads in rural areas across the country, an experiment in cooperative living where people could start over. To boost morale and encourage the homesteaders to find community in their own traditions, the administration brought in artists to lead group activities—including folk music. As part of a music unit led by Charles Seeger (father of Pete), staffer Sidney Robertson traveled the country to record hundreds of folk songs. Music leaders, most notably Margaret Valiant, were sent to homesteads to use the collected songs to foster community and cooperation. Working almost entirely (and purposely) under the radar, the music unit would collect more than 800 songs and operate for nearly two years, until they were shut down under fire from a conservative coalition in Congress that deemed the entire homestead enterprise dangerously “socialistic." Despite its early demise, the music unit proved that music can provide hope and a sense of belonging even in the darkest times. It also laid the groundwork for the folk revival that followed, seeing the rise of artists like Woody Guthrie, Pete Seeger, Odetta, and Bob Dylan. Award-winning author and Harvard-trained American music scholar Sheryl Kaskowitz has had the unique opportunity to listen to the music unit’s entire collection of recordings and examine a trove of archival materials, some of which have never been made available to the public. A Chance To Harmonize reveals this untold story and will delight readers with the revelation of a new and previously undiscovered chapter in American cultural history.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.