From the superbly gifted Sherry Thomas comes this beautifully written romance about a marriage of convenience that turns inconveniently passionate... Felix Rivendale, the Marquess of Wrenworth, is The Ideal Gentleman, a man all men want to be and all women want to possess. Even Felix himself almost believes this golden image. But underneath is a damaged soul soothed only by public adulation. Louisa Cantwell needs to marry well to support her sisters. She does not, however, want Lord Wrenworth--though he seems inexplicably interested in her. She mistrusts his outward perfection, and the praise he garners everywhere he goes. Still, when he is the only man to propose at the end of the London season, she reluctantly accepts. Louisa does not understand her husband's mysterious purposes, but she cannot deny the pleasure her body takes in his touch. Nor can she deny the pull this magnetic man exerts upon her. But does she dare to fall in love with a man so full of dark secrets, any one of which could devastate her, if she were to get any closer?
First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company. In Her Own Voice examines the literary history of women’s nonfiction writing through studies of individual writers, their works, and their careers. The essays in this collection consider the development of women’s public voices, relationships between women essayists and their editors and readers, and the fuzzy line that divides—or seems to divide—fiction from nonfiction. The book includes studies of some of the best known American women essayists, including Margaret Fuller, Lydia Maria Child, and Fanny Fern, and articles on women writers whose work has received very little attention, such as Gail Hamilton, Anna Julia Cooper, Ann Sophia Stephens, and Zitkala-Sa.
A study of retroscapes, commercial environments that evoke past times and places, a ubiquitous manifestation of modern marketing. It covers an array of retailing milieux, in a number of different countries, at a variety of spatial scales, and from various evaluative perspectives, both pro and con.
Long ago we invited bears into our stories, our dreams, our nightmares, our lives. We have always sought them out where they live, for their hides, their meat, their beauty, their knowingness. Human country and bear country exist side by side. As Sherry Simpson suggests, the relationship between bears and humans is ancient and ongoing and, in Alaska, profoundly and often uncomfortably close. A huge number of North America’s bears live in Alaska: including at least 31,000 brown bears, 100,000 black bears, and 3,500 polar bears. And nearly every aspect of Alaskan society reflects their presence, from hunting to tourism marketing to wildlife management to urban planning. A long-time Alaskan, Simpson offers a series of compelling essays on Alaskan bears in both wild and urban spaces—because in Alaska, bears are found not only in their natural habitat but also in cities and towns. Combining field research, interviews, and a host of up-to-date scientific sources, her finely polished prose conveys a wealth of information and insight on ursine biology, behavior, feeding, mating, social structure, and much more. Simpson crisscrosses the Alaskan landscape in pursuit of bears as she muses, marvels, and often stands in sheer awe before these charismatic creatures. Firmly grounded in the expertise of wildlife biologists, hunters, and viewing guides, she shows bears as they actually are, not as we imagine them to be. She considers not only the occasionally aggressive behavior bears need to survive, but also the violence exacted upon them by trophy hunters, advocates of predator control, or suburbanites who view bears as land sharks that threaten the safety of their families. Shifting effortlessly between fascinating facts and poetic imagery, Simpson crafts an extended meditation on why we are so drawn to bears and why they continue to engage our imaginations, populate indigenous mythologies, and help define our essential visions of wilderness. As Simpson observes, “The slightest evidence that bears share your world—or that you share theirs—can alter not only your sense of the landscape, but your sense of yourself within that landscape.”
Protests against racial injustice and anti-Blackness have swept across elite colleges and universities in recent years, exposing systemic racism and raising questions about what it means for Black students to belong at these institutions. In Black Space, Sherry L. Deckman takes us into the lives of the members of the Kuumba Singers, a Black student organization at Harvard with racially diverse members, and a self-proclaimed safe space for anyone but particularly Black students. Uniquely focusing on Black students in an elite space where they are the majority, Deckman provides a case study in how colleges and universities might reimagine safe spaces. Through rich description and sharing moments in students’ everyday lives, Deckman demonstrates the possibilities and challenges Black students face as they navigate campus culture and the refuge they find in this organization. This work illuminates ways administrators, faculty, student affairs staff, and indeed, students themselves, might productively address issues of difference and anti-Blackness for the purpose of fostering critically inclusive campus environments.
A Dash of Love, a Pinch of Hope, and a Whole Lot of Good Cooking Lovina Miller should be thrilled. Pinecraft, Florida, has everything a young Amish woman could ask for: sun, sand, volleyball games, and evening singings in the park. But Pinecraft lacks the one thing Lovina desperately wants—a pie shop of her own. She longs for a place to gather with the community and serve the treat she loves. A young carpenter named Noah Yoder strolls into her life and offers a way to make her dream come true. But before Noah and Lovina can build a shop—and a life—together, they must each face heartaches from the past. Is their new love stronger than their regrets? Find inspiration, romance, and authentic Amish recipes for everyone's favorite food—pie!
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