As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works—intense, often disturbing scenes of the Holocaust—have earned him a growing international audience. This second edition of Life Lessons incorporates material from the past decade, including ten of his most important and provocative paintings. It brings the viewer in intimate contact with the dense interior landscapes of both people and places. Often regarded as belonging to an artistic pantheon including the work of Lucien Freud, Manet, Ingres, Goya, and Courbet, Witkin's paintings range from moody urban landscapes and penetrating portraits to intimate figure studies and vivid, psychologically charged tableaux, frequently referencing seminal moments in history. Witkin's newer work includes·an enormous six-panel exploration of Dachau's 1945 liberation (Entering Darkness, 2001)—his culmination of a twenty-year series on the Holocaust, regarded by critics as among the most compelling of paintings made on the subject.
Are you tired of feeling lost and directionless in life? Discover the powerful life lessons that will transform your perspective and help you achieve your dreams in this inspiring self-help book. Life is intricate, profound, and replete with surprises and obstacles. When things occur regularly, life is frequently difficult, frequently perplexing, and occasionally outright deceitful. And, as the saying goes, life is not fair; or, at the very least, its gifts are not distributed equitably. Some people find and realize their aspirations with relative ease, while others strive for a long time, and some never succeed. However, contrary to common assumption, failure is seldom the result of "bad breaks," even if a person is born destitute and disliked. Usually, failure is the result of inadequate responses to life's demands. Life is full of valuable lessons, and it is best to learn them as early as possible. The sooner a person becomes acquainted with what real life entails — the challenges and opportunities, the unique role each person plays, and the dangers of entitlement and self-pity — the sooner he or she will learn to handle the challenges, take the initiative to find his or her role, and prevent bad habits from forming, and the more time there will be to achieve the greatest good. This book, along with 701 Life Quotes, challenges your present perceptions of the wonder and mystery of life and the world. Perspective enables you to comprehend circumstances from other vantage points and to consider alternative opinions, experiences, and points of view. This increases your comprehension and your empathy. It lowers prejudice, judgment, and conflict. This is the premise of the book. To change your perspective towards life's hardships and obstacles and to empower your greatest self in this chaotic world.
As a master of realism, Jerome Witkin illustrates in his art the moral plight of everyday lives. His most complex and critically acclaimed works—intense, often disturbing scenes of the Holocaust—have earned him a growing international audience. This second edition of Life Lessons incorporates material from the past decade, including ten of his most important and provocative paintings. It brings the viewer in intimate contact with the dense interior landscapes of both people and places. Often regarded as belonging to an artistic pantheon including the work of Lucien Freud, Manet, Ingres, Goya, and Courbet, Witkin's paintings range from moody urban landscapes and penetrating portraits to intimate figure studies and vivid, psychologically charged tableaux, frequently referencing seminal moments in history. Witkin's newer work includes·an enormous six-panel exploration of Dachau's 1945 liberation (Entering Darkness, 2001)—his culmination of a twenty-year series on the Holocaust, regarded by critics as among the most compelling of paintings made on the subject.
Is it possible that I was once a woman who lived first in New Orleans, then in New York City in the 1800s? The next nine chapters chronicle the life and times of a woman by the name of Sarah Anne Wells, who was later in her lifetime known as Sunflower. Most of the information within this biography has been given to me through messages in the form of synchronistic coincidence and spiritual readings, private prayer and meditation, hypnotic past-life regression session, spirit photographs, and through meeting many people in this life whom I am sure were a part of my past lifetime. Ive had many dreams later come true. Ive also been given little physical gifts that are difficult to explain as just coincidence. These gifts were given to me from someone on the other side of the looking glass. Once I accepted the possibility that it was possible to communicate with those on the other side of this reality, the memories of Sarahs life came to me quite easily. They continue to this day. As I wrote each chapter of her life, she began to feel very real to me. I began to hear her voice, feel how her clothing felt next to her skin, and see her image in my minds mirror. Born into slavery then sold into prostitution, I learned through many messages how difficult it was for her to just survive. My reason for putting all of these messages from Spirit into words is simple. If by reading my book, it provides some comfort and hope, then all the efforts by not only me but all those on the other side of reality, has meaning. WE ARE ONE
An eminent anthropologist examines the foundings of the first celibate Buddhist monasteries among the Sherpas of Nepal in the early twentieth century--a religious development that was a major departure from folk or popular Buddhism. Sherry Ortner is the first to integrate social scientific and historical modes of analysis in a study of the Sherpa monasteries and one of the very few to attempt such an account for Buddhist monasteries anywhere. Combining ethnographic and oral historical methods, she scrutinizes the interplay of political and cultural factors in the events culminating in the foundings. Her work constitutes a major advance both in our knowledge of Sherpa Buddhism and in the integration of anthropological and historical modes of analysis. At the theoretical level, the book contributes to an emerging theory of practice , an explanation of the relationship between human intentions and actions on the one hand, and the structures of society and culture that emerge from and feed back upon those intentions and actions on the other. It will appeal not only to the increasing number of anthropologists working on similar problems but also to historians anxious to discover what anthropology has to offer to historical analysis. In addition, it will be essential reading for those interested in Nepal, Tibet, the Sherpa, or Buddhism in general.
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