A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts. Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
Sheramy Bundrick’s Sunflowers is the beautiful tale of a young French prostitute’s passionate, doomed relationship with troubled artist Vincent van Gogh. July 1888, Arlens, France. Seeking refuge from the pressure of Paris society and new visual inspiration for his paintings, Vincent van Gogh meets the perfect subject in Rachel Courteau. Reborn with creative vitality, the painter produces works at a feverish pace, keeping the darkness threatening to consume him at bay. Rachel, burdened with the shame of being the village pariah, finds solace in van Gogh’s company as she brings joy into his life. Their growing friendship blossoms into love but she is unsure whether she—or their love—is strong enough to save his tortured soul. “Lays bare in rich, compelling scenes the mystery of the turbulent and misunderstood final two years in van Gogh’s life.” —New York Times bestselling author Susan Vreeland “Conjures a poignant but ill-fated romance. . . . Fans of Girl With a Pearl Earring, take note.” —USA Today “While infusing well-known historical moments (like van Gogh’s infamous self-mutilation) with vivid details, humanizing van Gogh and putting his famous works in context, Bundrick generates an impressive volume of suspense, delight and heartbreak.” —Publishers Weekly (Starred Review)
A lucrative trade in Athenian pottery flourished from the early sixth until the late fifth century B.C.E., finding an eager market in Etruria. Most studies of these painted vases focus on the artistry and worldview of the Greeks who made them, but Sheramy D. Bundrick shifts attention to their Etruscan customers, ancient trade networks, and archaeological contexts. Thousands of Greek painted vases have emerged from excavations of tombs, sanctuaries, and settlements throughout Etruria, from southern coastal centers to northern communities in the Po Valley. Using documented archaeological assemblages, especially from tombs in southern Etruria, Bundrick challenges the widely held assumption that Etruscans were hellenized through Greek imports. She marshals evidence to show that Etruscan consumers purposefully selected figured pottery that harmonized with their own local needs and customs, so much so that the vases are better described as etruscanized. Athenian ceramic workers, she contends, learned from traders which shapes and imagery sold best to the Etruscans and employed a variety of strategies to maximize artistry, output, and profit.
Sheramy Bundrick’s Sunflowers is the beautiful tale of a young French prostitute’s passionate, doomed relationship with troubled artist Vincent van Gogh. July 1888, Arlens, France. Seeking refuge from the pressure of Paris society and new visual inspiration for his paintings, Vincent van Gogh meets the perfect subject in Rachel Courteau. Reborn with creative vitality, the painter produces works at a feverish pace, keeping the darkness threatening to consume him at bay. Rachel, burdened with the shame of being the village pariah, finds solace in van Gogh’s company as she brings joy into his life. Their growing friendship blossoms into love but she is unsure whether she—or their love—is strong enough to save his tortured soul. “Lays bare in rich, compelling scenes the mystery of the turbulent and misunderstood final two years in van Gogh’s life.” —New York Times bestselling author Susan Vreeland “Conjures a poignant but ill-fated romance. . . . Fans of Girl With a Pearl Earring, take note.” —USA Today “While infusing well-known historical moments (like van Gogh’s infamous self-mutilation) with vivid details, humanizing van Gogh and putting his famous works in context, Bundrick generates an impressive volume of suspense, delight and heartbreak.” —Publishers Weekly (Starred Review)
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