Here are eight of Pulitzer-prizewinning Sam Shepard's most stunning plays. This brilliant American dramatist creates what The New Yorker dubbed "Shepard Country"--a landscape of the imagination, a unique theatrical experience that captures our culture and consciouness, our fears and fantasies. FOOL FOR LOVE * ANGEL CITY * GEOGRAPHY OF A HORSE DREAMER * ACTION * COWBOY MOUTH * MELODRAMA PLAY * SEDUCED * SUICIDE IN Bb With an Introduction by Ross Wetzsteon “Sam Shepard is phenomenal...the best practicing American playwright.” —The New Republic “Sam Shepard is the most exciting presence in the movie world and one of the most gifted writers ever to work on the American stage.” —Marsha Norman “The most ruthlessly experimental and uncompromising of today's young writers.” —John Lahr “Sam Shepard fills the role of professional playwright as a good ballet dancer or acrobat fulfills his role in performance. That is, he always delivers, he executes feats of dexterity and technical difficulty that an untrained person could not, and makes them seem easy.” —Michael Feingold, The Village Voice "One of the most original, prolific, and gifted dramatists at work today.” —The New Yorker “Increasingly recognized as one of the more significant dramatists in the English-speaking world.” —Charles R. Bachman, Modern Drama
The final work from the Pulitzer Prize–winning writer, actor, and musician, drawn from his transformative last days In searing, beautiful prose, Sam Shepard’s extraordinary narrative leaps off the page with its immediacy and power. It tells in a brilliant braid of voices the story of an unnamed narrator who traces, before our rapt eyes, his memories of work, adventure, and travel as he undergoes medical tests and treatments for a condition that is rendering him more and more dependent on the loved ones who are caring for him. The narrator’s memories and preoccupations often echo those of our current moment—for here are stories of immigration and community, inclusion and exclusion, suspicion and trust. But at the book’s core, and his, is family—his relationships with those he loved, and with the natural world around him. Vivid, haunting, and deeply moving, Spy of the First Person takes us from the sculpted gardens of a renowned clinic in Arizona to the blue waters surrounding Alcatraz, from a New Mexico border town to a condemned building on New York City’s Avenue C. It is an unflinching expression of the vulnerabilities that make us human—and an unbound celebration of family and life.
“Sara Shepard delivers the perfect read….A brilliant storyteller.” —Adriana Trigiani, bestselling author of Very Valentine and Brava, Valentine “[Written] with unflinching honesty and unstinting compassion.” —Jacquelyn Mitchard, author The Deep End of the Ocean “This riveting, provocative and well-crafted family drama surprised and delivered at every turn. I could not put it down.” —Sarah Mlynowski, author of Ten Things We Did (and Probably Shouldn't Have) Sara Shepard, the bestselling author of Pretty Little Liars, delivers a powerful novel of family dreams, lies, and delusions. Everything We Ever Wanted begins with a phone call with allegations that rock an upper crust Philadelphia family to its very foundations, unlocking years of secrets and scandals that expose the serious flaws in outwardly perfect lives. A moving, intelligent, and unforgettable novel, Shepard’s Everything We Ever Wanted is exceptional contemporary women’s fiction that will be embraced by book clubs everywhere.
Pulitzer Prize winner Sam Shepard’s latest play is an uproarious, brilliantly provocative farce that brings the gifts of a quintessentially American playwright to bear on the current American dilemma. Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm. Soon after they agree to put up Frank’s old friend Haynes, who is on the lam from a secret government project involving plutonium, they’re visited by Welch, an unctuous government bureaucrat from hell. His aggressive patriotism puts Frank, Emma, and Haynes on the defensive, transforming a heartland American household into a scene of torture and promoting a radioactive brand of conformity with a dangerously long half life.
THE STORY: The scene is a stark motel room at the edge of the Mojave Desert. May, a disheveled young woman, sits dejectedly on a rumpled bed while Eddie, a rough-spoken rodeo performer, crouches in a corner fiddling with his riding gear. When he attempts
The acclaimed National Book Award finalist—“one of the United States’ finest writers,” according to Joshua Ferris, “full of wit, humanity, and fearless curiosity”—now gives us a novel that will join the short list of classics about children caught up in the Holocaust. Aron, the narrator, is an engaging if peculiar and unhappy young boy whose family is driven by the German onslaught from the Polish countryside into Warsaw and slowly battered by deprivation, disease, and persecution. He and a handful of boys and girls risk their lives by scuttling around the ghetto to smuggle and trade contraband through the quarantine walls in hopes of keeping their fathers, mothers, brothers, and sisters alive, hunted all the while by blackmailers and by Jewish, Polish, and German police, not to mention the Gestapo. When his family is finally stripped away from him, Aron is rescued by Janusz Korczak, a doctor renowned throughout prewar Europe as an advocate of children’s rights who, once the Nazis swept in, was put in charge of the Warsaw orphanage. Treblinka awaits them all, but does Aron manage to escape—as his mentor suspected he could—to spread word about the atrocities? Jim Shepard has masterfully made this child’s-eye view of the darkest history mesmerizing, sometimes comic despite all odds, truly heartbreaking, and even inspiring. Anyone who hears Aron’s voice will remember it forever.
A newly revised edition of an American classic, Sam Shepard’s Pulitzer Prize—winning Buried Child is as fierce and unforgettable as it was when it was first produced in 1978. A scene of madness greets Vince and his girlfriend as they arrive at the squalid farmhouse of Vince’s hard-drinking grandparents, who seem to have no idea who he is. Nor does his father, Tilden, a hulking former All-American footballer, or his uncle, who has lost one of his legs to a chain saw. Only the memory of an unwanted child, buried in an undisclosed location, can hope to deliver this family from its sin.
“The Meaning of Matthew is Judy Shepard’s passionate and courageous attempt to understand what no mother should have to understand, which is why her son was murdered in Laramie, Wyoming, in the fall of 1998. It is a vivid testimony to a life cut short, and testimony too, to the bravery and compassion of Judy and Dennis—Matthew’s parents—as they struggle to survive a grief that won’t go away.”—Larry McMurty, author of Terms of Endearment and Lonesome Dove Today the name Matthew Shepard is synonymous with gay rights, but until 1998, he was just Judy Shepard’s son. In this remarkably candid memoir, Judy Shepard shares the story behind the headlines. Interweaving memories of Matthew and her family with the challenges of confronting her son’s death, Judy describes how she handled the crippling loss of her child in the public eye, the vigils and protests held by strangers in her son’s name, and ultimately how she and her husband gained the courage to help prosecutors convict her son's murderers. The Meaning of Matthew is more than a retelling of horrific injustice that brought the reality of inequality and homophobia into the American consciousness. It is an unforgettable and inspiring account of how one ordinary woman turned an unthinkable tragedy into a vital message for the world.
Presents seven dark works by American playwright Sam Shepard, which span 1968-1981 and deal with such themes as family disturbances and the loss of American myths; includes "Buried Child" and "Curse of the Starving Class.
These three plays by Pulitzer Prize winner Sam Shepard are bold, explosive, and ultimately redemptive dramas propelled by family secrets and illuminated by a searching intelligence. In The Late Henry Moss–which premiered in San Francisco, starring Sean Penn and Nick Nolte–two estranged brothers confront the past as they piece together the drunken fishing expedition that preceded their father’s death. In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.
The first work of long fiction from the Pulitzer Prize-winning playwright—a tour de force of memory, mystery, death, and life. This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. More and more, memory is overtaking him: in his mind he sees himself in a movie-set trailer, his young face staring back at him in a mirror surrounded by light bulbs. In his dreams and in visions he sees his late father—sometimes in miniature, sometimes flying planes, sometimes at war. By turns, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father's young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by jazz, benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable.
If you visit Sam Shepard country, expect to find bayous, deserts, and junkyards where dreams rust alongside abandoned '51 Chevys. Prepare to meet broken gunmen and refugees from distant galaxies, slavering swamp things and California Highway Patrolmen gone high-tech and blood simple. It is a country whose creator does nothing less than renew America's myths. And sometimes he invents them from scratch. In these fourteen darkly funny, furiously energetic early works for the theater, our most audacious living playwright sets genres and archetypes spinning, with results that are utterly mesmerizing.
In Fool For Love, situated at a seedy motel on the edge of the Mojave Desert, transient lovers May and Eddie spin around in a room in a relentless struggle for power and truth. Through recollections and dreams, multiple versions of a fierce and fatal love story are told. The Sad Lament of Pecos Bill on the Eve of Killing His Wife, another kind of love story in the form of a comic operetta, takes a distaff view of the Southwest's legendary cowpuncher and his mate Slue-foot Sue, with irreverent commentary on American heroes and heroics. "No one knows better than Sam Shepard that the true American West is gone forever, but there may be no writer alive more gifted at reinventing it out of pure literary air." -Frank Rich, The New York Times "Mr. Shepard is the most deeply serious humorist of the American theater, and a poet with no use whatever for the 'poetic.' He brings fresh news of love, here and now, in all its potency and deviousness and foolishness, and of many other matters as well." -Edith Oliver, The New Yorker Sam Shepard (1943) is a playwright, actor, author, screen writer, and director whose work is performed on and off Broadway and in other theaters across the country. In 1979, he received the Pulitzer Prize for Drama for his play Buried Child. In 1983, he was nominated for an Academy Award for Best Supporting Actor in The Right Stuff. His other famous works include True West, A Lie of the Mind, and Curse of the Starving Class.
Harper’s Bazaar | 10 New Books to Add to Your Reading List in 2018 Cosmopolitan | Best April Ever Roundup Bustle | 35 Most Anticipated Fiction Books of 2018 PopSugar | 10 of the Most Anticipated Books in 2018 BuzzFeed | 5 Best Thrillers of Spring BookBub | 17 Great New Books Coming in 2018 She Reads | Most Anticipated Books of April 2018 Bookish | April 2018 Book Club Picks Real Simple | The Best Books of 2018 (So Far) Town & Country | The Best Books to Read This April From the New York Times bestselling author of the Pretty Little Liars series comes a thriller “blending Hitchcock, S.J. Watson, and Ruth Ware” (Entertainment Weekly) filled with half-truths, suppressed memories, and ingenious twists. When Eliza Fontaine is rescued from the bottom of a hotel pool just a few weeks before her first novel is going to be published, her family assumes that it’s another failed suicide attempt. But Eliza swears she was pushed. The problem is she remembers little of that night, a result of the large quantity of alcohol she consumed and a worsening struggle with memory loss due to a brain tumor. Feeling ignored and vulnerable, she decides she must find the truth of what actually happened. As she searches for answers, something very peculiar begins to happen: The people closest to her start to confuse the events in her novel with those in her real life. The dividing line between fact and fiction seems to be dissolving, and even Eliza is becoming uncertain about where her protagonist’s story ends and hers begins. She glimpses a shadowy presence hovering nearby, a mirror image of herself…but is it all in her head or is there really someone following her, studying her, wishing to do her harm? Perhaps the answers to all her questions already exist in the pages of her novel, if only she could put the pieces together in the right way. The Elizas is a heart-pounding, Hitchcockian double narrative composed of secrets, lies, false memories, and an unreliable narrator you’ll never forget.
In picturesque Rosewood, Pennsylvania, neighbors gossip over picket fences, and gleaming SUVs sit in every crushed-granite driveway. But recently, friendly smiles have been replaced with suspicious glares and accusatory whispers—and it's all because Hanna, Aria, Emily, and Spencer just can't keep their mouths shut. . . . First they claimed they found a dead body in the woods behind Spencer's house, only to have it vanish without a trace. Then when the same woods went up in flames, they swore they saw someone who's supposed to be dead rise from the ashes. And even after all that, the pretty little liars are still playing with fire. Hanna's trading in her Dior trench for a straitjacket. Aria's trying to contact the dead. Emily's dumped her boyfriend and is skipping town . . . again. And Spencer thinks someone in her family has gotten away with murder. The friends insist they're telling the truth about what they saw, but all of Rosewood thinks they're simply out for attention—and nobody likes a girl who cries wolf. So when the big bad killer comes after the girls, will anyone believe them . . . or will they be the next to disappear?
#1 New York Times bestselling series The fourth book in the #1 New York Times bestselling series that inspired the hit ABC Family TV show Pretty Little Liars. Four pretty little liars’ charmed lives have turned into living nightmares. Emily’s been shipped off to Iowa to live with her überconservative cousins. Aria’s boyfriend is behind bars—because of her. Spencer’s afraid she was involved in Ali’s murder. But Hanna’s fate is far worse: She’s clinging to life in the hospital because she knew too much. These liars have tried to keep their scandals secret, but the truth is about to rock their pretty little world! Full of unexpected twists and shocking revelations, Unbelievable is the fourth book in New York Times bestselling author Sara Shepard’s compelling Pretty Little Liars series.
Through much of history our relationship with the earth has been plagued by ambivalence--we not only enjoy and appreciate the forces and manifestations of nature, we seek to plunder, alter, and control them. Here Paul Shepard uncovers the cultural roots of our ecological crisis and proposes ways to repair broken bonds with the earth, our past, and nature. Ultimately encouraging, he notes, "There is a secret person undamaged in every individual. We have not lost, and cannot lose, the genuine impulse.
Autumn, 1975: The Rolling Thunder Revue - a rag-tag variety show, a travelling gypsy circus - swept across the Northeast US. Bob Dylan helmed the chaotic caravan, gathering a host of stars in his wake: Joan Baez, Roger McGuinn, Ramblin' Jack Elliott, T-Bone Burnett, Joni Mitchell and others. The Pulitzer-Prize winning playwright Sam Shepard was invited to write a Fellini-esque film out of the chaos. Throughout the many moods and moments of his travels he kept an impressionistic logbook of life on the road, replete with poetry, sketches and intimate accounts: This is that logbook. Updated with a myriad of candid photographs - many never before published - a foreword by T-Bone Burnett and a poetical preface from Sam Shepard, The Rolling Thunder Logbook perfectly captures the camaraderie, isolation, head games and pill-popping mayhem of the tour, providing a window into Dylan's singular talent, enigmatic charisma, and vision of America. “The Rolling Thunder Revue was more fun than the law allows. By a long shot. It was a bus full of musicians and singers and painters hurtling through the dead of night, making a movie, writing songs, and playing some of the most incendiary, intense, and inspired rock ‘n’ roll, before or since.” T-Bone Burnett
Sam Shepard was arguably America’s finest working dramatist, as well as an accomplished screenwriter, actor, and director. Winner of a Pulitzer Prize, he wrote more than forty-five plays, including True West, Fool for Love, and Buried Child. Shepard also appeared in more than fifty films, beginning with Terrence Malick’s Days of Heaven, and was nominated for an Academy Award for his performance in The Right Stuff. Despite the publicity his work and life attracted, however, Shepard remained a strongly private man who said many times that he would never write a memoir. But he did write intensively about his inner life and creative work to his former father-in-law and housemate, Johnny Dark, who was Shepard’s closest friend, surrogate brother (they were nearly the same age), and even artistic muse. Two Prospectors gathers nearly forty years of correspondence and transcribed conversations between Shepard and Dark. In these gripping, sometimes gut-wrenching letters, the men open themselves to each other with amazing honesty. Shepard’s letters give us the deepest look we will ever get into his personal philosophy and creative process, while in Dark’s letters we discover insights into Shepard’s character that only an intimate friend could provide. The writers also reflect on the books and authors that stimulate their thinking, their relationships with women (including Shepard’s anguished decision to leave his wife and son—Dark’s stepdaughter and grandson—for actress Jessica Lange), personal struggles, and accumulating years. Illustrated with Dark’s candid, revealing photographs of Shepard and their mutual family across many years, as well as facsimiles of numerous letters, Two Prospectors is a compelling portrait of a complex friendship that anchored both lives for decades, a friendship also poignantly captured in Treva Wurmfeld’s film, Shepard & Dark.
One of the plays that first announced Sam Shepard as an original voice in American theater, Tooth of Crime is his thrillingly innovative rock drama, published here in a revised edition that is as fresh and provocative as the original was more than thirty years ago. An aging rock star in a world in which entertainment and street warfare go hand in hand, Hoss must defend himself against Crow, a newcomer who battles him for fame. Combining musical styles and intense dialogue in an unconventional musical-fantasy, Tooth of Crime riffs brilliantly on rising stars and fading legends, and rock lived and died for.
00 California's coastal zones are areas of extreme vulnerability, subject to the vicissitudes of weather and prone to erosion, landslides, and flooding. Gerald Kuhn and Francis Shepard examine and analyze these threats to coastal stability in a thought-provoking and detailed study of the coastal area of San Diego County from the nineteenth century to the present. An invaluable resource for oceanographers, geologists, meteorologists, coastal engineers, property owners, developers, and planning and regulatory agencies. California's coastal zones are areas of extreme vulnerability, subject to the vicissitudes of weather and prone to erosion, landslides, and flooding. Gerald Kuhn and Francis Shepard examine and analyze these threats to coastal stability in a thought-provoking and detailed study of the coastal area of San Diego County from the nineteenth century to the present. An invaluable resource for oceanographers, geologists, meteorologists, coastal engineers, property owners, developers, and planning and regulatory agencies.
In this pathbreaking volume, Ross Shepard Kraemer provides the first comprehensive look at women's religions in Greco-Roman antiquity. She vividly recreates the religious lives of early Christian, Jewish, and pagan women, with many fascinating examples: Greek women's devotion to goddesses, rites of Roman matrons, Jewish women in rabbinic and diaspora communities, Christian women's struggles to exercise authority and autonomy, and women's roles as leaders in the full spectrum of Greco-Roman religions. In every case, Kraemer reveals the connections between the social constraints under which women lived, and their religious beliefs and practices. The relationship among female autonomy, sexuality, and religion emerges as a persistent theme. Analyzing the monastic Jewish Therapeutae and various Christian communities, Kraemer demonstrates the paradoxical liberation which women achieved by rejection of sexuality, the body, and the female. In the epilogue, Kraemer pursues the disturbing implications such findings have for contemporary women. Based on an astonishing variety of primary sources, Her Share of the Blessings is an insightful work that goes beyond the limitations of previous scholarship to provide a more accurate portrait of women in the Greco-Roman world.
A celebration of "meet-cute" moments, this short-story collection features when-they-first-met-stories from such beloved YA authors as Armentrout, Nicola Yoon, Sara Shepard, and Katie Cotugno.
Krech (anthropology, Brown U.) treats such provocative issues as whether the Eden in which Native Americans are viewed as living prior to European contact was a feature of native environmentalism or simply low population density; indigenous use of fire; and the Indian role in near-extinctions of buffalo, deer, and beaver. He concludes that early Indians' culturally-mediated closeness with nature was not always congruent with modern conservation ideas, with implications for views of, and by, contemporary Indians. Annotation copyrighted by Book News, Inc., Portland, OR
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